Lam’s 83% Perfect examines how systems of evaluation and “acceptable” dissent produce institutional compliance.

At MAMA Projects, Nicki Cherry’s petrified blooms go under the knife.

“We should all aspire to be better people. So change yer sheets. Now. And welcome to 2026.”

As access to reproductive healthcare unravels, Alexandria Masse crochets her birth control information sheet.

Standout exhibitions in New York City and beyond.

A duo exhibition featuring Lite Zhang and Pavlos Liaretidis traces how time settles matter.

Cooper opens up about documenting children’s lives, immigrant communities, and emerging art culture on the Lower East Side.

They Call Me Witch considers feminine agency and challenges the orthodoxy of knowledge systems.

The 14th edition of Mumbai Gallery Weekend is ambitious and exhilarating.

Fusco’s first institutional US survey spans three decades of socio-political critique.

Reluctant to call herself a collector, Rasmussen discusses her experience at NYC’s 2025 Affordable Art Fair.

Diane Simpson’s volumetric sculptures at the American Academy of Arts and Letters collapse into silhouette, foregrounding reflection on movement, perception, and bodily presence. 

Two nuptials, readings, and performances—happiness is in the air at Accent Sisters.

Pam Lins and Roger White rethink material limits and political urgency under conditions of perpetual crisis.

Nicolas Poblete picks highlight booths from Art Basel, Untitled Art Fair, and NADA.

Studio visits with Rosabel Ferber, Anna Ting Möller, Ketty Zhang, Oisín Tozer, and Zaam Arif.

On AVAF’s more than 20 years of creating joy, community, and energy as tools of resistance.

D’Lan Contemporary continues to demonstrate a sustainable model for representing First Nations modern and contemporary art internationally.

A conversation with founder Marc Thivierge and artist-curator Jay Darden about Escaping Time, a non-profit organization exhibiting art from US prisons.

Goldin+Senneby ponder fragile bodies on a fragile planet.