An artist on the rise, Sagarika Sundaram reflects on her evolving process and the significance of her first solo exhibition in India.

In Beijing Stories, the sculptural work of Chinese artist Liu Shiming is juxtaposed with Lois Conner’s photographs.

The painter and award-winning designer discusses how her portraits make their way into the world.

In Last Caress at Management, postmodern hyperrealism guides the viewer into an unsettling realization about the overproximity to reality.

Wilding’s symbology conflates natural and human worlds, suggesting our synchrony and shared fate.

Guadagnino’s 2024 film is a surreal presentation of eroticism, obsession, and loneliness.

Jane Lombard Gallery’s new initiative, JLG Projects, zooms in on Sam Dienst’s fascination with the cartoon aesthetic.

The rare corpse flower blooms at the Brooklyn Botanic Garden.

One could say that Ana Jotta made a single letter in the alphabet her own, but also that she already lost her name to it.

Behind the scenes of Langit Lupa, four decades after the Escalante Massacre.

British writer-artist Susan Finlay squares in on a precarious life in the art world in this wry anti-memoir.

Catching up with the celebrated filmmaker/actress on the cusp of her forthcoming feature film, Moonglow.

Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty. 

Cooper Hewitt’s triennial exhibit, MAKING HOME, is a righteous reminder of the corruption, history, and love within its walls.

LOVE POSITIVE WOMEN challenges stereotypes about HIV and AIDS through handwritten Valentine’s Day cards.

Wang’s performance and text-based practice negotiates photographic and political borders.

Photographer Josh Aronson discusses an award-winning public art project and the evolving art scene in Miami.

De Jong opens up about his intercontinental journey and a contextual understanding of resilience, identity, and optimism.

“The only way to be established is to establish yourself.” STAMINA at Project III takes doing-it-yourself to the next level.

“I feel connected to these struggles”: a Detroit-based artist honors Black history via sculpture.