Review of vanessa german’s “GUMBALL”
Sculptures made of crystals, porcelain, and poetry outline german’s process of spirituality and vulnerability.
Ramón Saturnino: “Aquí no es así”
Ramón Saturnino’s first solo exhibition approximates the architecture of the Mexico-USA border.
Familiars Dance Among the Inverted
At All Street Gallery, Annu Yadav’s solo show, Gold God Meat, dazzles audiences with ritual, rupture, and reclamation.
Sealed Spirits
Curses and spirits embed themselves in Emma Rose Schwartz’s new exhibition at Derosia.
Outside the Box
Files boxes labeled with lesbian innuendos begin our surreal and sensual trip through the queer archives.
Review: While Being Plasmic Membranes
In exploring metamorphosis as a bio-social constant, the artist blurs the line between body and objecthood.
Eroding the Nature-Culture Divide
A group exhibition at Murmurs LA maps feminist ecologies as envisioned by nine female artists.
Veils of Velvet: Decoding Lior Modan’s Reliefs
Lustrous, ephemeral, and mysterious velvet reliefs subtly reveal the ambiguous spaces between reality, memory, and feeling.
Something Like
Each iteration of Jagudajev’s structural conceit is a redeal of a deck in which performers, participants, and the cards themselves keep changing hands.
Troy Montes Michie: “Black on the Face of the Moon”
Troy Montes Michie patchworks archival and personal media in an investigation of the self and its constituent identities.
A Thousand Kisses Deep: Joyce Wieland at MMFA
“Heart On” generates dialogue on care and identity as North America reckons with conversations on unity and division, accountability and erasure.
Archive and Absence: Ohan Breiding
Breiding examines violence in resource extraction through the lens of the archive at A.I.R. Gallery.
Hong Kong Art Week 2025 Recap
From art fair sales to buzzy debuts, Hong Kong Art Week delivered a celebration of art in motion.
Review of Jacob Jackmauh: “Admissions”
Jackmauh’s solo show at Parent Company stages a poetic collapse of memory’s excess.
Terran Last Gun’s Eternal Ledger Drawings
Working in a powerful tradition, Last Gun presents an exhibition of transcendent abstractions at Chapter NY.
Tavares Strachan’s Energetic Interrogations
The artist’s solo exhibition, Starless Midnight, entices viewers out of successive comfort zones.
Review: Chronicles of the Absurd
A film about the Kafka-esque repression of Cuban bureaucracy showcases secretly recorded audio clips.
Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”
Joan Jonas reflects on personal and natural loss in her new installation at Gladstone Gallery.
Object Lessons
The real world privileges experience over interpretation. To make an omelette—you know.