The walls of emotional comfort and psychological safety come tumbling down in The Bed Sitting Room at LOMEX.

With a new emphasis on color and elevation, Gabriel Kuri’s latest show at kurimanzutto breaks down risk assessment in tangible terms.

At Sprüth Magers, group exhibition Horror follows fear from a lived to an aesthetic experience.

Standout artists, galleries, and booths at Material Art Fair, Salón ACME, and Zona Maco.

Cache Machine at KAJE addresses the forms in which data hides, appears, and leaves a trace.

Leah Dixon’s solo exhibition at Underdonk questions architectural permanence in changing political contexts.

Talisman explores the human desire for enchantment through the tangible and the mystical.

A survey of quilts by Carole Harris examines home and memory.

Hito Steyerl’s The Island and an interdimensional quest that traverses the AI universe. 

Lam’s 83% Perfect examines how systems of evaluation and “acceptable” dissent produce institutional compliance.

A solo show about collecting implicates notions of authorship, safeguarding, and compounded signification.

At MAMA Projects, Nicki Cherry’s petrified blooms go under the knife.

“We should all aspire to be better people. So change yer sheets. Now. And welcome to 2026.”

Standout exhibitions in New York City and beyond.

A duo exhibition featuring Lite Zhang and Pavlos Liaretidis traces how time settles matter.

They Call Me Witch considers feminine agency and challenges the orthodoxy of knowledge systems.

The 14th edition of Mumbai Gallery Weekend is ambitious and exhilarating.

Fusco’s first institutional US survey spans three decades of socio-political critique.

Diane Simpson’s volumetric sculptures at the American Academy of Arts and Letters collapse into silhouette, foregrounding reflection on movement, perception, and bodily presence. 

Nicolas Poblete picks highlight booths from Art Basel, Untitled Art Fair, and NADA.