Leslie Hewitt reveals multiplicities through process, form, and collaboration.

Reflections on CIRCUS OF LIFE, an art convening in St. Louis organized by Laura Raicovich and Counterpublic.

Notes on found-object art and one of its trailblazing practitioners, Rosalie Smith.

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Ye Cheng and Xinran Guan’s paintings on view at LATITUDE Gallery dialogue in their playfulness.

Standout exhibitions in New York City and beyond.

The third edition of Art Mumbai foregrounds care and slow looking.

Repeatedly failing to align with light at Camera Austria offered a site where light and its opposite unfold together.

Gast presents a collaborative, queer and lesbian library at Nina Johnson.

He Yunchang’s performance on July 19th, 2025, stopped time and let presence take primacy.

On Kawara’s telegrams stage the banal fact of existence as a formal event.

A Matter of the Invisible is a flow through the oft-disregarded material conditions of capitalism’s past and present.

Artists engage with femininity, performance, and spectacle to question how the creative act intersects with political and economic paradigms of expression.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.

A new art fair by gallerist Brigitte Mulholland foregrounds access, genuine relationships, and shared vision.

It Was Just an Accident speaks directly to the Iranian regime: a work that is both a dynamic political act and a philosophical inquiry into power, punishment, and divine absence.

Anna de Castro Barbosa’s sculptures render intimacy porous and estranged, resisting transparency while bearing desire’s traces.

Standouts at Frieze London, Minor Attractions, and Echo Soho.

Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.

Esther Gatón creates a porous space where matter, memory, and meaning gently collide.