Sinister is the Night in Amanita’s “Swallow the Moon”
The group show at Amanita brings together works from established artists that revel in the nocturnal.
Beyond the Expiration Date
EXPIRED at Essex Flowers examines the politics of aging, reframing it as resistance and transformation rather than decline.
At the Threshold of the Image: Matthias Groebel’s “A Nervous System”
The artist’s solo exhibition repositions photography across process, paint, and perception.
“In Celebration of Shadows”
Grimm’s current group show traces the nature of artistic teaching and influence through enlisting sets of mentors and students.
The Painted Wordplay and Critiques of Becky Brown
Becky Brown’s conceptually-charged, text-laden paintings address the “Internet Complex.”
Reimagining Value in the Wake of Once Within a Time
The 12th SITE Santa Fe International Biennial proposed value as generated via circulation and dispersion.
Standouts at the Seventh AIM Biennial
Artists from the 2024 and 2025 AIM Fellowship cohorts engage closely with community and connection.
Reanimating the Archives with Polina Osipova
Polina Osipova’s New York City debut gleans universal insight from ancestral myth and memory.
Nostalgias & Utopias, Miami
Nicolas Poblete reviews four standout exhibitions that opened during Miami Art Week.
Leah Liu: “susurrus 聲聲私”
Liu’s solo exhibition stages tension and misalignment, where gravity and withheld sound quietly animate form.
The Limits of Autonomy in Emerald Fennell’s “‘Wuthering Heights’”
In Fennell’s new adaptation, she increases the agency of Brontë’s ill-fated characters, but ultimately flattens the story through overexplanation and emotional conventionality.
Beyond the Booth: India Art Fair 2026
Global interest and conceptually rooted shows mark IAF’s eighteenth edition.
In Brackish Conditions: A Refusal of Refinement
At Hunter College’s first MFA thesis presentation of the year, process takes precedence over polish.
Review: “Tender Is the Night”
Alexandria Couch, Kimberly Heard, and Tuere Nicole blend interior and exterior worlds.
The Wretched Unrest in a Room for One
The walls of emotional comfort and psychological safety come tumbling down in The Bed Sitting Room at LOMEX.
Material Reasoning in “your cost-benefit calculations”
With a new emphasis on color and elevation, Gabriel Kuri’s latest show at kurimanzutto breaks down risk assessment in tangible terms.
From My Institution to Yours*
At Sprüth Magers, group exhibition Horror follows fear from a lived to an aesthetic experience.
Mexico City Art Week 2026
Standout artists, galleries, and booths at Material Art Fair, Salón ACME, and Zona Maco.
Information in the Windshield
Cache Machine at KAJE addresses the forms in which data hides, appears, and leaves a trace.