Material experimentation and ceramic interventions disrupt a painting-dominant fair.

The Outsider Art Fair proposes an alternate economy of attention within the structures of the art market.

Intimate Structures considers how industrial design, urban architecture, and proximity mediate interpersonal relationships.

A sculpture show at the Art Gallery of Ontario considers metal, technology, and futurism

Alison Nguyen’s solo show at Storefront for Art and Architecture considers the affects of censorship, conspiracy, and survival through music.

UNAROMA at MACRO strives to portray Rome through cinematic metaphor, in turn mirroring the city’s fragmented identity.

Ana González’s solo show at Sean Kelly offers a delicate meditation on the current state of deteriorating South American ecosystems.

Standout exhibitions in New York City and beyond.

Yashua Klos’s Proposal for a Monument at Sikkema Malloy Jenkins examines how fragmented, monumental figures redefine architectural space and the bounds of presence.

A group exhibition co-curated by Art in Latin America and CM Art Advisory is a site of self-interrogation under migratory contexts.

Two shows in New York—a group show at Olney Gleason and Elisheva Biernoff at David Zwirner—explore the logics of photography applied to painterly mechanics.

Tracings and Arrangements at Emmelines prompts a reconsideration of how individuals relate to commodities.

A warning against the content machine, (LA)HORDE forces us to confront digital burnout and disassociation.

In a show supposedly about disgust, Anna Ting Möller’s In Tandem considers symbology and gestures of care instead.

Bitrán reinterprets Titanic through DIY approaches, improvisation, and communal participation.

What feels most consequential about this exhibition is not the death of a technique, but the altered life of the images themselves.

Paz Sher’s solo exhibition exposes the brutal ecosystem hidden beneath myths of justice and nature.

Lu Millet reviews Lucía Àngel C. Pino’s You Who Have Beautiful Manners at CA2M, Madrid.

The group show at Amanita brings together works from established artists that revel in the nocturnal.

EXPIRED at Essex Flowers examines the politics of aging, reframing it as resistance and transformation rather than decline.