Lydia Nobles 11/2/25 Lydia Nobles 11/2/25

Alive With Ghosts

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.

Paige N Miller 10/29/25 Paige N Miller 10/29/25

The Return of Art School Cool: Inside 7 Rue Froissart

A new art fair by gallerist Brigitte Mulholland foregrounds access, genuine relationships, and shared vision.

Max Kruger-Dull 10/28/25 Max Kruger-Dull 10/28/25

Jafar Panahi’s Cinema of Mutual Captivity

It Was Just an Accident speaks directly to the Iranian regime: a work that is both a dynamic political act and a philosophical inquiry into power, punishment, and divine absence.

Lia Quezada 10/27/25 Lia Quezada 10/27/25

Opaque Intimacies

Anna de Castro Barbosa’s sculptures render intimacy porous and estranged, resisting transparency while bearing desire’s traces.

Leah Triplett 10/26/25 Leah Triplett 10/26/25

Fracture Aesthetic at Frieze Week

Standouts at Frieze London, Minor Attractions, and Echo Soho.

Joanna Seifter 10/24/25 Joanna Seifter 10/24/25

Art as Place: Chiharu Shiota’s “Two Home Countries”

Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.

Febe Lamiroy 10/23/25 Febe Lamiroy 10/23/25

Kids, don't run around the patio. It will seem bigger.

Esther Gatón creates a porous space where matter, memory, and meaning gently collide.

Jenan Marcela 10/22/25 Jenan Marcela 10/22/25

Tangled Threads of Work and Play

Obsesión! Labor as Pleasure asks the harder questions without abandoning delight.

Jiayin Flora Song 10/21/25 Jiayin Flora Song 10/21/25

Amiko Li’s Ouroboros of Motion and Stillness

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Matilda Lin Berke 10/20/25 Matilda Lin Berke 10/20/25

Control Environment

Queering site-specificity in P. Staff’s Possessive.

M. Sullivan 10/17/25 M. Sullivan 10/17/25

Next to Something Wonderful: Whiting Tennis’s “Refuge”

In his eighth exhibition with Greg Kucera Gallery, Tennis blurs the line between the real and the imagined.

Editorial Team 10/16/25 Editorial Team 10/16/25

Editors’ Selects: October 2025

Standout exhibitions in New York City and beyond.

Anna Lustberg 10/15/25 Anna Lustberg 10/15/25

“Huracán Architectures” Reveals Fragments and Resilience

From New York to Puerto Rico, Ruben Natal-San Miguel’s imagery makes monuments of lives and landscapes often overlooked.

Teddy Sandler 10/14/25 Teddy Sandler 10/14/25

Echoes of Subjectivity in Abstract and Surrealist Translation

A Review of Luke Agada at Monique Meloche Gallery and Bethany Collins at Patron Gallery.

Rory Martin 10/13/25 Rory Martin 10/13/25

Windbreak: Meditations on John Zurier

Intangible and elusive sensations made visible in Zurier’s Pink Dust at Peter Blum Gallery.

Nicolas Poblete 10/12/25 Nicolas Poblete 10/12/25

Raúl de Nieves Wants You to Reimagine the Sacred

De Nieves transforms Pioneer Works into an immersive cathedral lit through faux stained-glass visions of hope, faith, and love.

Justin Kamp 10/11/25 Justin Kamp 10/11/25

The Widening Gyroscope: William Kentridge’s All-Seeing Opera

Waiting for the Sibyl draws on the artist’s rich materiality and concern for historical palimpsests to craft a tale of fate ignored.

Jonah James Romm 10/10/25 Jonah James Romm 10/10/25

To Confound or Excite?

Nayland Blake toes the line between stark conceptualism and sexual thrill at Matthew Marks.

Ben Burton 10/9/25 Ben Burton 10/9/25

Review: “Back Home”/”Ecce Mole”

New York Film Festival’s oddball double feature on landscapes.

Katherine Williams 10/6/25 Katherine Williams 10/6/25

Preslav Kostov: “Soft Focus” at Tara Downs

Manual obfuscation, blur, and glitches of the body set against a world of generative AI in Kostov’s presentation at Tara Downs.