Adversarial Networks: on Joseph Nechvatal
Nechvatal addresses computation and information in a historical solo exhibition at Magenta Plains.
“Rubber, Rubber”: A Surrealist Fever Dream
In Yi Hsuan Lai’s exhibition at SoMad, the many dimensions of the self are laid bare sculptural photographs.
The Political Potential of the One-Liner
Paul Bartel’s largely forgotten comedy Scenes from the Class Struggle in Beverly Hills (1989) found new purpose in the one-liner as a tool to satirize class dynamics.
Carla Stellweg’s “Artes Visuales”
The Mexico-based art magazine Artes Visuales materializes into an exhibition at Hunter College’s Leubsdorf Gallery.
What Comes After the Real
Through immersive installation, Barcelona’s MIRA Festival asks what is real and how shared belief makes the work possible.
Standouts at the 2025 Performa Biennial
Compelling commissions from Ayoung Kim, Pakui Hardware, Tau Lewis, Regina José Galindo, Robertas Narkus, and Lina Lapelytė.
Theaster Gates’s Harvest Season in Chicago
Gates transforms material and archive in two solo exhibitions across the city.
On Being Shit and Loving Dick
Echo Delay Reverb at Palais de Tokyo explores Transatlantic dialogues between artists and scholars in pursuit of subversive queer and feminist politics.
Violence Upended
At 15 Orient, Jay Payton reimagines the legacy of abstraction through destruction, renewal, and historical reckoning.
Salvation and Care in Clay
Reverend Joyce McDonald conveys an unmatched level of delicate sincerity in her biographic sculptures.
Reflections on Proximity
Leslie Hewitt reveals multiplicities through process, form, and collaboration.
Reclaiming the Fantastic at the Studio Museum in Harlem
The Studio Museum reemerges as a global hub for Black creativity where artists, ideas, and community continually reshape the meaning of art.
An Antidote to Art Cynicism
Reflections on CIRCUS OF LIFE, an art convening in St. Louis organized by Laura Raicovich and Counterpublic.
An Ode to Waste
Notes on found-object art and one of its trailblazing practitioners, Rosalie Smith.
Sound as Body: Coco Klockner
Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.
Review: “The Time It Takes to See”
Ye Cheng and Xinran Guan’s paintings on view at LATITUDE Gallery dialogue in their playfulness.
Art Mumbai: A Quick Glance and a Second Look
The third edition of Art Mumbai foregrounds care and slow looking.
After Images
Repeatedly failing to align with light at Camera Austria offered a site where light and its opposite unfold together.