OBSESSED delves into the quandary of authenticity within the contemporary digital (ir)reality.

Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.

A group exhibition curated by Saam Niami and Gabrielle Richardson at 25 Allen Street reminds us what community looks like.

The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement. 

A two-person show at a Brooklyn apartment gallery explores interconnection and closeness.

Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.

Lucas Memmola installation commissioned by the UN’s Food and Agriculture Organization calls for further scrutiny.

A striking photo book depicts the lesbian experience through the lens of daughterhood.

An alternative art fair made its base in a Paris office building.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

A group exhibition showcasing emerging artists at Nunu Fine Art elevates contemporary art practices from Asia.

At-Will Adaptation prods our open wounds from attempting to be individuals, breaking down embryo, identity, and purpose.

Gegenheimer’s ten-painting show suggests that time is less a series of separate instances and more a pattern of experience.

From a giant plastic quilt to incense sticks on ceramics, Art Toronto 2024 features many works implicated in home, place, and community.

Kite and Alisha B. Wormsley bring Black and Indigenous dreams to life together with Creative Time.

Ai☆Madonna’s recent solo show I Am Not Saying: -Give Me Money Because You Feel Sorry For Me.- at GR Gallery attempts to reconcile opposite modes of presentation.

Figueroa St. Paintings at EUROPA elicits repose and meditation.

Taking a cue from ORLAN, who is opposed to women feeling the need to be quiet, I say: “There is no need to whisper.”

Conflicting Evidence at Magenta Plains presents Girouard’s screen-printed “pictograms.”

Superhouse presents a fiber art exhibition that unveils familiarity, history, and spatial lucidity.