Dim gallery with large video projection of two hands nearly touching, a bench in front, and a pyramid sculpture lit at left.

Wooden beam structure leaning against angled white wall in industrial gallery space.

Minimalist gallery with folding tables, chairs, and contemporary artworks, including a black banner reading “AN ARTIST SURVIVED TODAY.”

Three men on a small fishing boat at sea, one standing and pointing toward a distant shoreline, under an overcast sky.

Without Exception: The Photography of Mao Ishikawa

Dim gallery with large video projection of two hands nearly touching, a bench in front, and a pyramid sculpture lit at left.

Christelle Oyiri: “Belief May Vary”

Kimberlean Donis

Wooden beam structure leaning against angled white wall in industrial gallery space.

To Reach the Moon

Minimalist gallery with folding tables, chairs, and contemporary artworks, including a black banner reading “AN ARTIST SURVIVED TODAY.”

Assimilational Antagonism: The third place bites back

Hurvin Anderson: Soulscapes from the Atlantic World

Radical Sincerity as Curatorial Method

Alex Carver: “The Knot” at Miguel Abreu

SVA MA Curatorial Practice Program: "N3O_iD011z"

Good Naked: "Friends & Lovers" at Hyperion

In Conversation with Mimi Biyao Bai

Dominique Gonzalez-Foerster: "Zone" at 303 Gallery

Editors' Selects: April 2026

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REVIEW

Good Naked: "Friends & Lovers" at Hyperion

Dominique Gonzalez-Foerster: "Zone" at 303 Gallery

Gibney Dance Company: Joyce Theatre

Cynthia Dragoni

Making A Most Exquisite Corpse

EXPO CHICAGO 2026

Annette LePique

Two artworks placed side by side, one is a needle and the other one is a bedazzled octopus-form.

Ibiza is Waiting: Bruno Pélassy and Perla Zúñiga

Seeing and Being Seen: “Privacy Index” and the Politics of Surveillance

An Uncommodified Marilyn Monroe

Max Kruger-Dull

Poesis Shaped in Neon: Anne Katrine Senstad’s “Baroque Apocalypse”

At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior

Almog Cohen-Kashi

INTERVIEW

Beyond Cell Doors: Russell Craig’s Vision

Structures of Waiting: Pictures from a Controlled World

Xuezhu Jenny Wang

Shifting Substrates: In Conversation with Tschabalala Self

Emma Fiona Jones

Participation as Practice: In Conversation with Ari Brochin

Melissa Peritore Documents the Living Who Find Refuge in Manila’s Cemeteries

Gabriele Di Donfrancesco

In Conversation with Heidi Norton

In Conversation with Baldassarre Ruspoli

Behind the Scenes in CDMX: Work in Progress

Indira Priscilla

After Iconoclasm: A Conversation with Cecilia Alemani

Xuezhu Jenny Wang

Stitching Time Together: In Conversation with Rose Marie Cromwell

Samantha Jensen

VOICE

Wooden beam structure leaning against angled white wall in industrial gallery space.

To Reach the Moon

Minimalist gallery with folding tables, chairs, and contemporary artworks, including a black banner reading “AN ARTIST SURVIVED TODAY.”

Assimilational Antagonism: The third place bites back

I See Something in the Sky

Interstitial Institutionalism

Iacopo Prinetti

100 Years of the Bauhaus Dessau

On Refusing the Refuge of the Past

Max Kruger-Dull

On Digital Sensation and Rotting

Panel Discussion: Art and Climate in Dialogue

Photography Is the Best Language

Macy Castañeda Lee

Navigating Digital Nomad Visas

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EDITORS' SELECTS

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