Fragments Toward a Monument
Yashua Klos’s Proposal for a Monument at Sikkema Malloy Jenkins examines how fragmented, monumental figures redefine architectural space and the bounds of presence.
Photographic Painting in New York
Two shows in New York—a group show at Olney Gleason and Elisheva Biernoff at David Zwirner—explore the logics of photography applied to painterly mechanics.
On Ownership Structures
Tracings and Arrangements at Emmelines prompts a reconsideration of how individuals relate to commodities.
(LA)HORDE Becomes What It Cautions Against in “Age of Content”
A warning against the content machine, (LA)HORDE forces us to confront digital burnout and disassociation.
Looking Past Revulsion
In a show supposedly about disgust, Anna Ting Möller’s In Tandem considers symbology and gestures of care instead.
Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic”
Bitrán reinterprets Titanic through DIY approaches, improvisation, and communal participation.
The Terror of Viewing Eggleston’s “The Last Dyes” Now
What feels most consequential about this exhibition is not the death of a technique, but the altered life of the images themselves.
Staring at What Is
Paz Sher’s solo exhibition exposes the brutal ecosystem hidden beneath myths of justice and nature.
Melissa Peritore Documents the Living Who Find Refuge in Manila’s Cemeteries
Amid a severe public housing crisis, locals turn Manila’s cemeteries into bustling communities for the living.
You Who Have Beautiful Manners
Pressing close; closer. Split open, then gathered. Still in pieces (all over), and gathered again.
Sinister is the Night in Amanita’s “Swallow the Moon”
The group show at Amanita brings together works from established artists that revel in the nocturnal.
Face to Face: February 2026
Studio visits with Joy Curtis, Asia Stewart, Cato Ouyang, and Antonia Kuo.
Beyond the Expiration Date
EXPIRED at Essex Flowers examines the politics of aging, reframing it as resistance and transformation rather than decline.
At the Threshold of the Image: Matthias Groebel’s “A Nervous System”
The artist’s solo exhibition repositions photography across process, paint, and perception.
“In Celebration of Shadows”
Grimm’s current group show traces the nature of artistic teaching and influence through enlisting sets of mentors and students.
The Painted Wordplay and Critiques of Becky Brown
Becky Brown’s conceptually-charged, text-laden paintings address the “Internet Complex.”
In Conversation with Heidi Norton
Norton discusses site specificity, transparency, and ecological thought within her evolving practice.
Reimagining Value in the Wake of Once Within a Time
The 12th SITE Santa Fe International Biennial proposed value as generated via circulation and dispersion.
I See Something in the Sky
A postscript to Voice of Space: UFOs and Paranormal Phenomena at The Drawing Center.
Standouts at the Seventh AIM Biennial
Artists from the 2024 and 2025 AIM Fellowship cohorts engage closely with community and connection.