Structures of Waiting: Pictures from a Controlled World
In Northbound, New York-based illustrator Lily Li examines migration, control, and the psychological architectures of mobility.
Material Shifts at The Affordable Art Fair 2026
Material experimentation and ceramic interventions disrupt a painting-dominant fair.
The Huge Upside on the Outsider Art Fair
The Outsider Art Fair proposes an alternate economy of attention within the structures of the art market.
FLOHAUS Gallery Unveils New Space in Midtown
Intimate Structures considers how industrial design, urban architecture, and proximity mediate interpersonal relationships.
Ranbir Sidhu: “No Limits”
A sculpture show at the Art Gallery of Ontario considers metal, technology, and futurism
Shifting Substrates: In Conversation with Tschabalala Self
Self discusses fiber art, the female body, and moving to the Hudson Valley.
Scene Missing, Still Sounding
Alison Nguyen’s solo show at Storefront for Art and Architecture considers the affects of censorship, conspiracy, and survival through music.
A Long Shot of the Eternal City
UNAROMA at MACRO strives to portray Rome through cinematic metaphor, in turn mirroring the city’s fragmented identity.
Care as an Infrastructure for Survival
Ana González’s solo show at Sean Kelly offers a delicate meditation on the current state of deteriorating South American ecosystems.
Participation as Practice: In Conversation with Ari Brochin
Artist and content creator Brochin speaks about worldbuilding, collectibles, and creating online.
Fragments Toward a Monument
Yashua Klos’s Proposal for a Monument at Sikkema Malloy Jenkins examines how fragmented, monumental figures redefine architectural space and the bounds of presence.
Review: “What We Take”
A group exhibition co-curated by Art in Latin America and CM Art Advisory is a site of self-interrogation under migratory contexts.
Photographic Painting in New York
Two shows in New York—a group show at Olney Gleason and Elisheva Biernoff at David Zwirner—explore the logics of photography applied to painterly mechanics.
On Ownership Structures
Tracings and Arrangements at Emmelines prompts a reconsideration of how individuals relate to commodities.
(LA)HORDE Becomes What It Cautions Against in “Age of Content”
A warning against the content machine, (LA)HORDE forces us to confront digital burnout and disassociation.
Looking Past Revulsion
In a show supposedly about disgust, Anna Ting Möller’s In Tandem considers symbology and gestures of care instead.
Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic”
Bitrán reinterprets Titanic through DIY approaches, improvisation, and communal participation.
The Terror of Viewing Eggleston’s “The Last Dyes” Now
What feels most consequential about this exhibition is not the death of a technique, but the altered life of the images themselves.
Staring at What Is
Paz Sher’s solo exhibition exposes the brutal ecosystem hidden beneath myths of justice and nature.