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Material Reasoning in “your cost-benefit calculations” 
Review Kate Meadows 2/10/26 Review Kate Meadows 2/10/26

Material Reasoning in “your cost-benefit calculations” 

With a new emphasis on color and elevation, Gabriel Kuri’s latest show at kurimanzutto breaks down risk assessment in tangible terms.

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From My Institution to Yours*
Review Marie Heilich 2/9/26 Review Marie Heilich 2/9/26

From My Institution to Yours*

At Sprüth Magers, group exhibition Horror follows fear from a lived to an aesthetic experience.

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Arthur Simms: “Caged Bottle”
Interview Xuezhu Jenny Wang 2/9/26 Interview Xuezhu Jenny Wang 2/9/26

Arthur Simms: “Caged Bottle”

Simms discusses making work with found objects and integrating art historical references with folk cultures.

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Mexico City Art Week 2026
Review Lodoe Laura 2/8/26 Review Lodoe Laura 2/8/26

Mexico City Art Week 2026

Standout artists, galleries, and booths at Material Art Fair, Salón ACME, and Zona Maco.

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The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund”
Interview Joëlle Antonia Santiago 2/7/26 Interview Joëlle Antonia Santiago 2/7/26

The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund”

Cuban filmmaker Ana Alpizar discusses her film Norheimsund and her portrayal of women's lives in contemporary Cuba.

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Information in the Windshield
Review Katherine Williams 2/5/26 Review Katherine Williams 2/5/26

Information in the Windshield

Cache Machine at KAJE addresses the forms in which data hides, appears, and leaves a trace.

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Gorgeous & Guilty: In Conversation with Suzie Maez
Interview Audrey Valentine Weisburd 2/3/26 Interview Audrey Valentine Weisburd 2/3/26

Gorgeous & Guilty: In Conversation with Suzie Maez

Suzie Maez believes that people don’t always notice the image they are standing inside.

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In Conversation with Anjali Kasturi
Interview Shreya Ajmani 2/2/26 Interview Shreya Ajmani 2/2/26

In Conversation with Anjali Kasturi

Kasturi discusses complicated surfaces, materiality, and the convergence of her practice culminating in her recent solo exhibition at Indigo+Madder.

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Leah Dixon: “Sky on the Floor”
Review Xuezhu Jenny Wang 2/1/26 Review Xuezhu Jenny Wang 2/1/26

Leah Dixon: “Sky on the Floor”

Leah Dixon’s solo exhibition at Underdonk questions architectural permanence in changing political contexts.

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Face to Face: January 2026
Interview Editorial Team 1/31/26 Interview Editorial Team 1/31/26

Face to Face: January 2026

Studio visits with Karla Diaz, Mimi Biyao Bai, Harmeet Rahal, Abraham Cruzvillegas, and Emmanuelle Fructus.

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Bryce Kroll on a Probabilistic System of Perception
Interview Alex Feim 1/29/26 Interview Alex Feim 1/29/26

Bryce Kroll on a Probabilistic System of Perception

Crap Shoot at Parent Company critically engages with the act and outcome of creation facilitated by statistical probability.

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Between Magic and Reality: “Talisman” at YveYANG
Review Parker Ewen 1/27/26 Review Parker Ewen 1/27/26

Between Magic and Reality: “Talisman” at YveYANG

Talisman explores the human desire for enchantment through the tangible and the mystical.

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Carole Harris’s “Threads of Time”
Review Peter Kelly 1/25/26 Review Peter Kelly 1/25/26

Carole Harris’s “Threads of Time”

A survey of quilts by Carole Harris examines home and memory.

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NOTHING WAS EVER THE SAME AGAIN
Interview Alex Schmidt 1/22/26 Interview Alex Schmidt 1/22/26

NOTHING WAS EVER THE SAME AGAIN

Sahar Khraibani’s new book contends with desire, grief, and language as sites of injury and release.

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Quantum Implications for Corruptible, Fascist Slop Systems 
Review Annalise June Kamegawa 1/21/26 Review Annalise June Kamegawa 1/21/26

Quantum Implications for Corruptible, Fascist Slop Systems 

Hito Steyerl’s The Island and an interdimensional quest that traverses the AI universe. 

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Amy Ching-Yan Lam: “83% Perfect”
Review Lodoe Laura 1/19/26 Review Lodoe Laura 1/19/26

Amy Ching-Yan Lam: “83% Perfect”

Lam’s 83% Perfect examines how systems of evaluation and “acceptable” dissent produce institutional compliance.

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Su-Mei Tse: This Is (Not) a Love Song
Review Julian Stern 1/19/26 Review Julian Stern 1/19/26

Su-Mei Tse: This Is (Not) a Love Song

A solo show about collecting implicates notions of authorship, safeguarding, and compounded signification.

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Forced to Flower
Review Emma Fiona Jones 1/18/26 Review Emma Fiona Jones 1/18/26

Forced to Flower

At MAMA Projects, Nicki Cherry’s petrified blooms go under the knife.

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You Know You Feel Dirty. Change Yer Sheets
Review Emily Lutzker 1/17/26 Review Emily Lutzker 1/17/26

You Know You Feel Dirty. Change Yer Sheets

“We should all aspire to be better people. So change yer sheets. Now. And welcome to 2026.”

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The Birth Control Tapestry: In Conversation with Alexandria Masse
Interview Jill Webb 1/17/26 Interview Jill Webb 1/17/26

The Birth Control Tapestry: In Conversation with Alexandria Masse

As access to reproductive healthcare unravels, Alexandria Masse crochets her birth control information sheet.

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