It’s the End of the World and I’m Unwell
Goldin+Senneby ponder fragile bodies on a fragile planet.
Fiber, Ad Infinitum
Thread Count at The Hole goes above and beyond, even its own framework.
Eat Me: Itala Aguilera’s “Tierra Mojada”
In the performances that comprise Tierra Mojada (Wet Land), Aguilera holds her own body tantalizingly out of reach.
Surface Tension
Monika Baer’s Schweine Steine Scherben at Greene Naftali complicates the material, aesthetic, and political.
Womanhood as an Abstraction
Ruby Sky Stiler’s solo exhibition at Alexander Gray Associates reconsiders art historical female archetypes.
Rodrigo Ramírez Rodríguez at Bodega OMR
Por abrasión o contagio collapses skin, landscape, and material process into unstable surfaces.
Reflections from the Screen
At the Museo Tamayo, Manuela Solano’s pop-culture portraits examine painting as a means of self-perception.
Dancing Outside Time
Danspace Project’s shared evening of works by Malcolm-x Betts and Dominica Greene outpaces the limits of the clock.
Self-Portraiture and the Opacity of Class
Samuel Guy’s self-portraits of American masculine mythologies destabilize the genre of self-portraiture at Auxier Kline.
The Prefix to Shatter
Charisse Pearlina Weston’s sculptures present the evolving conditions of racialized opacity through repeated folds, tenuous rupture, and balancing acts.
Adversarial Networks: on Joseph Nechvatal
Nechvatal addresses computation and information in a historical solo exhibition at Magenta Plains.
“Rubber, Rubber”: A Surrealist Fever Dream
In Yi Hsuan Lai’s exhibition at SoMad, the many dimensions of the self are laid bare sculptural photographs.
The Political Potential of the One-Liner
Paul Bartel’s largely forgotten comedy Scenes from the Class Struggle in Beverly Hills (1989) found new purpose in the one-liner as a tool to satirize class dynamics.
Carla Stellweg’s “Artes Visuales”
The Mexico-based art magazine Artes Visuales materializes into an exhibition at Hunter College’s Leubsdorf Gallery.
What Comes After the Real
Through immersive installation, Barcelona’s MIRA Festival asks what is real and how shared belief makes the work possible.
Standouts at the 2025 Performa Biennial
Compelling commissions from Ayoung Kim, Pakui Hardware, Tau Lewis, Regina José Galindo, Robertas Narkus, and Lina Lapelytė.
Theaster Gates’s Harvest Season in Chicago
Gates transforms material and archive in two solo exhibitions across the city.
On Being Shit and Loving Dick
Echo Delay Reverb at Palais de Tokyo explores Transatlantic dialogues between artists and scholars in pursuit of subversive queer and feminist politics.