Hito Steyerl’s The Island and an interdimensional quest that traverses the AI universe. 

Lam’s 83% Perfect examines how systems of evaluation and “acceptable” dissent produce institutional compliance.

Standout exhibitions in New York City and beyond.

Fusco’s first institutional US survey spans three decades of socio-political critique.

On AVAF’s more than 20 years of creating joy, community, and energy as tools of resistance.

Goldin+Senneby ponder fragile bodies on a fragile planet.

Prinetti proposes the interstice as a stage for reanimating the cultural capital of the contemporary museum.

Gates transforms material and archive in two solo exhibitions across the city.

The Studio Museum reemerges as a global hub for Black creativity where artists, ideas, and community continually reshape the meaning of art.

Reflections on CIRCUS OF LIFE, an art convening in St. Louis organized by Laura Raicovich and Counterpublic.

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Standout exhibitions in New York City and beyond.

Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.

A Matter of the Invisible is a flow through the oft-disregarded material conditions of capitalism’s past and present.

Standouts at Frieze London, Minor Attractions, and Echo Soho.

Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Queering site-specificity in P. Staff’s Possessive.

Standout exhibitions in New York City and beyond.

De Nieves transforms Pioneer Works into an immersive cathedral lit through faux stained-glass visions of hope, faith, and love.