“In Celebration of Shadows”
Grimm’s current group show traces the nature of artistic teaching and influence through enlisting sets of mentors and students.
From My Institution to Yours*
At Sprüth Magers, group exhibition Horror follows fear from a lived to an aesthetic experience.
Face to Face: January 2026
Studio visits with Karla Diaz, Mimi Biyao Bai, Harmeet Rahal, Abraham Cruzvillegas, and Emmanuelle Fructus.
Womanhood as an Abstraction
Ruby Sky Stiler’s solo exhibition at Alexander Gray Associates reconsiders art historical female archetypes.
Reflections from the Screen
At the Museo Tamayo, Manuela Solano’s pop-culture portraits examine painting as a means of self-perception.
Self-Portraiture and the Opacity of Class
Samuel Guy’s self-portraits of American masculine mythologies destabilize the genre of self-portraiture at Auxier Kline.
Adversarial Networks: on Joseph Nechvatal
Nechvatal addresses computation and information in a historical solo exhibition at Magenta Plains.
Hybrid Mythology: In Conversation with Rajni Perera
On the occasion of their current exhibition, Perera discusses diasporic mythology, protective jewelry, and alternate dimensions.
Preslav Kostov: “Soft Focus” at Tara Downs
Manual obfuscation, blur, and glitches of the body set against a world of generative AI in Kostov’s presentation at Tara Downs.
Time to Pretend
In Myth Information, Chloe Wise pulls a thread of artifice, painting intimate settings at an arm’s length.
Horse Power: Susan Rothenberg’s Iterative Images
Hauser & Wirth's current show captures the heft and rigor of Rothenberg’s trailblazing figurative and conceptual practice.
Metaphorical Births and Exorcisms with Elizabeth Glaessner
A studio visit with the Brooklyn-based artist on the occasion of her solo show at P·P·O·W, Running Water.
Split Bodies, Unstable Flesh
Aineki Traverso, Nkechi Ebubedike, and Shiri Mordechay confront violence, desire, and the fractured body.
“Army of Love”: An Interview with Patricia Cronin
On the occasion of her current show at CHART, Cronin discusses the power of Aphrodite and subverting accepted historical narratives.
Carpal Bones: “De Anima”
In Louise Bonnet and Elizabeth King’s dual exhibition, a karmic regression of bodies is shown through figurative intricacies.
Gisela McDaniel on Painting as a Communal Process
McDaniel’s mixed-media pieces examine the effects of sexual and political violence.
Illuminating Queerness through Haze and Shadow
Two San Francisco shows render intimacy and identity more clearly by turning up the opacity.
In Conversation with Ceirra Evans
The native Kentucky painter reflects on her current artmaking process and how it reflects her local climate and its impact.