Danspace Project’s shared evening of works by Malcolm-x Betts and Dominica Greene outpaces the limits of the clock.

Samuel Guy’s self-portraits of American masculine mythologies destabilize the genre of self-portraiture at Auxier Kline.

Charisse Pearlina Weston’s sculptures present the evolving conditions of racialized opacity through repeated folds, tenuous rupture, and balancing acts.

Nechvatal addresses computation and information in a historical solo exhibition at Magenta Plains.

In Yi Hsuan Lai’s exhibition at SoMad, the many dimensions of the self are laid bare sculptural photographs.

Paul Bartel’s largely forgotten comedy Scenes from the Class Struggle in Beverly Hills (1989) found new purpose in the one-liner as a tool to satirize class dynamics. 

The Mexico-based art magazine Artes Visuales materializes into an exhibition at Hunter College’s Leubsdorf Gallery. 

Through immersive installation, Barcelona’s MIRA Festival asks what is real and how shared belief makes the work possible.

When must the movement match the mission?

Compelling commissions from Ayoung Kim, Pakui Hardware, Tau Lewis, Regina José Galindo, Robertas Narkus, and Lina Lapelytė.

Gates transforms material and archive in two solo exhibitions across the city.

Echo Delay Reverb at Palais de Tokyo explores Transatlantic dialogues between artists and scholars in pursuit of subversive queer and feminist politics.

At 15 Orient, Jay Payton reimagines the legacy of abstraction through destruction, renewal, and historical reckoning.

Reverend Joyce McDonald conveys an unmatched level of delicate sincerity in her biographic sculptures.

Leslie Hewitt reveals multiplicities through process, form, and collaboration.

The Studio Museum reemerges as a global hub for Black creativity where artists, ideas, and community continually reshape the meaning of art.

Reflections on CIRCUS OF LIFE, an art convening in St. Louis organized by Laura Raicovich and Counterpublic.

Notes on found-object art and one of its trailblazing practitioners, Rosalie Smith.

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Ye Cheng and Xinran Guan’s paintings on view at LATITUDE Gallery dialogue in their playfulness.