Compelling commissions from Ayoung Kim, Pakui Hardware, Tau Lewis, Regina José Galindo, Robertas Narkus, and Lina Lapelytė.

Gates transforms material and archive in two solo exhibitions across the city.

Reverend Joyce McDonald conveys an unmatched level of delicate sincerity in her biographic sculptures.

The Studio Museum reemerges as a global hub for Black creativity where artists, ideas, and community continually reshape the meaning of art.

Notes on found-object art and one of its trailblazing practitioners, Rosalie Smith.

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Gast presents a collaborative, queer and lesbian library at Nina Johnson.

Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.

Franko creates works that render speculative approaches to time and belonging through the lens of science fiction, afro-futurism, and archeology.

A Matter of the Invisible is a flow through the oft-disregarded material conditions of capitalism’s past and present.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.

Standouts at Frieze London, Minor Attractions, and Echo Soho.

Obsesión! Labor as Pleasure asks the harder questions without abandoning delight.

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Queering site-specificity in P. Staff’s Possessive.

In his eighth exhibition with Greg Kucera Gallery, Tennis blurs the line between the real and the imagined.

Standout exhibitions in New York City and beyond.

Nayland Blake toes the line between stark conceptualism and sexual thrill at Matthew Marks.

Yuko Mohri’s Entanglements at Pirelli HangarBicocca animates the overlooked tchotchke.

Turkey’s biggest art fair marked 20 years, bringing galleries, artists, and speakers from the US to the Bosphorus.