Scene Missing, Still Sounding
Alison Nguyen’s solo show at Storefront for Art and Architecture considers the affects of censorship, conspiracy, and survival through music.
Fragments Toward a Monument
Yashua Klos’s Proposal for a Monument at Sikkema Malloy Jenkins examines how fragmented, monumental figures redefine architectural space and the bounds of presence.
Face to Face: February 2026
Studio visits with Joy Curtis, Asia Stewart, Cato Ouyang, and Antonia Kuo.
Stitching Time Together: In Conversation with Rose Marie Cromwell
Collapsing distance between body, land, and lineage, Cromwell’s A Geological Survey offers a maternal approach to image-making in the American West.
Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi
Kasturi discusses complicated surfaces, materiality, and the convergence of her practice culminating in her recent solo exhibition at Indigo+Madder.
Surface Tension
Monika Baer’s Schweine Steine Scherben at Greene Naftali complicates the material, aesthetic, and political.
The Fish that Plays the Reed Organ
Yuko Mohri’s Entanglements at Pirelli HangarBicocca animates the overlooked tchotchke.
Standout Booths at SPLIT LEVEL
SPLIT LEVEL is New York’s newest art fair—here are four booths to watch.
Let’s Circle Back Next Quarter
An inaugural group exhibition for Alyssa Davis Gallery’s new location.
“Army of Love”: An Interview with Patricia Cronin
On the occasion of her current show at CHART, Cronin discusses the power of Aphrodite and subverting accepted historical narratives.
Privacy, Labor, and the Myth of the Copy with Emma Safir
Unfolding the impossible desire to replicate and touch through layered image-making, transformed materials, and digital and physical labor.
Carpal Bones: “De Anima”
In Louise Bonnet and Elizabeth King’s dual exhibition, a karmic regression of bodies is shown through figurative intricacies.
Where Cruelty Is a Waste of Pain
Berlinde De Bruyckere’s Khorós at Bozar casts a haunting spell of myth-made flesh.
Drifting without Handlebars
No Handlebars at Below Grand is an invitation to let go of our oppressive logics and drift.
Daniel Giordano’s Praxis of Excess
Opening a site-specific installation for Upstate Art Weekend, the Newburgh-based sculptor sees red in The Green Lodge’s leafy idyll.
The Engrossing Psychology of Ophelia Arc
The artist’s solo show, The Natal Lacuna, prioritizes a deeply psychological and feminine perspective of her past.