Jan Dickey: “The High Collapse”
A solo exhibition at 5-50 Gallery compresses time, accelerating natural cycles from decay to fertile ground.
Review: While Being Plasmic Membranes
In exploring metamorphosis as a bio-social constant, the artist blurs the line between body and objecthood.
A Thousand Kisses Deep: Joyce Wieland at MMFA
“Heart On” generates dialogue on care and identity as North America reckons with conversations on unity and division, accountability and erasure.
Review of Jacob Jackmauh: “Admissions”
Jackmauh’s solo show at Parent Company stages a poetic collapse of memory’s excess.
When the Ghost Enters the Wood: In Conversation with Raul De Lara
The artist reflects on his solo exhibition at SCAD Museum, DACA status, and finding courage amid political uncertainty.
Object Lessons
The real world privileges experience over interpretation. To make an omelette—you know.
Teresa Solar Abboud: “Tu sombra sustituida”
In Mexico City, Teresa Solar Abboud nods at a shared biology that emerges from the soil.
Tim Brawner’s Strange Twist
In Last Caress at Management, postmodern hyperrealism guides the viewer into an unsettling realization about the overproximity to reality.
Irrational Physics
Jane Lombard Gallery’s new initiative, JLG Projects, zooms in on Sam Dienst’s fascination with the cartoon aesthetic.
Anoushka Mirchandani: Between Worlds, Beneath Skin
Mirchandani delves into the art of selfhood and assimilation as she discusses her recent solo exhibition with Yossi Milo Gallery and upcoming plans.
“Small Talk” Eludes Legibility and Invites Infinite Encounters
Iván Navarro’s solo exhibition at Miriam Gallery dissolves symbols and rhetoric into syllables and sounds.
“There is only one try”: An Interview With Hyun-Sook Song
At Sprüth Magers New York, Song’s solo show is animated by deliberate, tension-filled lines.
JinJin Xu: “Against This Earth, She Knocks”
A poet and artist documents how dislocation affects migrant women workers.
Tactile Oppositions in Linda Stark’s “Ethereal Material”
Stark engages with tarot archetypes to delve inwards and reveal complex possibilities of emotional states, desire, and being.
Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”
The artist’s solo exhibition views technologization through an expansive concept of evolution that de-centers humanity.
Peter McGough: “Alphabet”
A solo exhibition at Karma Gallery explores the intersections of queerness, the body, and the power of photography.
Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”
Cynthia Chen reviews Chang’s debut solo exhibition at Gallery 456.
Tim Noble’s “Happy Land” Incites Raw Subjectivity
The British artist unpacks minutiae, dysmorphia, and his reckoning with technological or mediatic falsities.
Gabriela Salazar’s Diaristic “No Shoulder”
Efraín López presents Salazar’s solo exhibition, featuring drawings and sculpture to reveal the intricacies of documenting the everyday.
Marjorie Van Cura’s Lines of Resistance
An artist captures the tenacious energy of protests, heralding the urgency of collective action.