With a new emphasis on color and elevation, Gabriel Kuri’s latest show at kurimanzutto breaks down risk assessment in tangible terms.

Kasturi discusses complicated surfaces, materiality, and the convergence of her practice culminating in her recent solo exhibition at Indigo+Madder.

Monika Baer’s Schweine Steine Scherben at Greene Naftali complicates the material, aesthetic, and political.

Charisse Pearlina Weston’s sculptures present the evolving conditions of racialized opacity through repeated folds, tenuous rupture, and balancing acts.

The Helsinki-based artist discusses materials as modes of expression and a collective experience of “being on display and under pressure.”

Teresa Baker’s solo exhibition ruminates on the experience and memory of landscape through its inextricable ties to modern artificiality.

Lustrous, ephemeral, and mysterious velvet reliefs subtly reveal the ambiguous spaces between reality, memory, and feeling.

In Pennies from Heaven, Kianja Strobert lets us draw our own material conclusions.