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Standouts at the Affordable Art Fair 2025
Review Julia Smith 9/19/25 Review Julia Smith 9/19/25

Standouts at the Affordable Art Fair 2025

In an uncertain market, the Affordable Art Fair adopts new strategies to create community.

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Standouts at The Armory Show 2025
Review Parker Ewen 9/5/25 Review Parker Ewen 9/5/25

Standouts at The Armory Show 2025

Carceral critiques to Midwestern queer spaces: five booths that stand out amid the noise.

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Editors’ Selects: July 2025
Review Editorial Team 7/22/25 Review Editorial Team 7/22/25

Editors’ Selects: July 2025

Standout exhibitions in New York City and beyond.

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“Rainbird” Ascends into the Ethereal
Review Catherine Sawoski 6/22/25 Review Catherine Sawoski 6/22/25

“Rainbird” Ascends into the Ethereal

An experimental opera about death and resurrection uses music to craft a haunting sonic whole.

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Editors’ Selects: June 2025
Review Editorial Team 6/16/25 Review Editorial Team 6/16/25

Editors’ Selects: June 2025

Standout exhibitions in New York City.

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Learning to Fly with Ester Petukhova
Interview Victoria Reshetnikov 6/8/25 Interview Victoria Reshetnikov 6/8/25

Learning to Fly with Ester Petukhova

A post-Soviet artist fills the gaps of New York’s archive of Brighton Beach with her second book, Little Odessa.

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Editors’ Selects: May 2025
Review Editorial Team 5/16/25 Review Editorial Team 5/16/25

Editors’ Selects: May 2025

Highlight exhibitions in New York City and beyond.

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Standout Booths at the Independent Art Fair 2025
Review Parker Ewen 5/9/25 Review Parker Ewen 5/9/25

Standout Booths at the Independent Art Fair 2025

Independent’s sixteenth iteration hits New York—here are five booths to watch.

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The Heart of “Metropoli”
Review Sterling Corum 4/29/25 Review Sterling Corum 4/29/25

The Heart of “Metropoli”

Metropoli navigates the complexities of urban life across two cities.

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Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra
Review Nina Chkareuli-Mdivani 3/5/25 Review Nina Chkareuli-Mdivani 3/5/25

Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra

Hornig’s new body of works presented in Lisbon strikes a timely chord in today’s political climate.

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