Fracture Aesthetic at Frieze Week
Standouts at Frieze London, Minor Attractions, and Echo Soho.
Art as Place: Chiharu Shiota’s “Two Home Countries”
Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.
Kids, don't run around the patio. It will seem bigger.
Esther Gatón creates a porous space where matter, memory, and meaning gently collide.
Tangled Threads of Work and Play
Obsesión! Labor as Pleasure asks the harder questions without abandoning delight.
Amiko Li’s Ouroboros of Motion and Stillness
Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.
Hybrid Mythology: In Conversation with Rajni Perera
On the occasion of their current exhibition, Perera discusses diasporic mythology, protective jewelry, and alternate dimensions.
Next to Something Wonderful: Whiting Tennis’s “Refuge”
In his eighth exhibition with Greg Kucera Gallery, Tennis blurs the line between the real and the imagined.
“Huracán Architectures” Reveals Fragments and Resilience
From New York to Puerto Rico, Ruben Natal-San Miguel’s imagery makes monuments of lives and landscapes often overlooked.
Echoes of Subjectivity in Abstract and Surrealist Translation
A Review of Luke Agada at Monique Meloche Gallery and Bethany Collins at Patron Gallery.
Windbreak: Meditations on John Zurier
Intangible and elusive sensations made visible in Zurier’s Pink Dust at Peter Blum Gallery.
Shared Sand and Soul: In Conversation with Ismail Ferdous
Photographer Ismail Ferdous reflects on his book Sea Beach as a site of migration, memory, and culture.
Raúl de Nieves Wants You to Reimagine the Sacred
De Nieves transforms Pioneer Works into an immersive cathedral lit through faux stained-glass visions of hope, faith, and love.
The Widening Gyroscope: William Kentridge’s All-Seeing Opera
Waiting for the Sibyl draws on the artist’s rich materiality and concern for historical palimpsests to craft a tale of fate ignored.
To Confound or Excite?
Nayland Blake toes the line between stark conceptualism and sexual thrill at Matthew Marks.
Review: “Back Home”/”Ecce Mole”
New York Film Festival’s oddball double feature on landscapes.
On Organization and Collaboration at EVA
Institution, legacy, and audience at Ireland’s Biennial of Contemporary Art.
An Image Erased: In Conversation with Ken Gonzales-Day
Gonzales-Day discusses how his research on and experimentation with photography unpacks historical erasure, racial terror, and queer visibility.
Preslav Kostov: “Soft Focus” at Tara Downs
Manual obfuscation, blur, and glitches of the body set against a world of generative AI in Kostov’s presentation at Tara Downs.