SPLIT LEVEL is New York’s newest art fair—here are four booths to watch.

At Maxwell Graham, Leonard re-presents institutional objects to destabilize both our historical and present systems of thinking and power.

An inaugural group exhibition for Alyssa Davis Gallery’s new location. 

Brandi Twilley’s flowers meditate on life and death at Sargent’s Daughters.

Eleanor Mahin Thorp explores ancestral relationships to the land as an alternative source of guidance for the future.

Matić transforms the photographic shadow into evidence of self.

Colonial histories and present geographies become apparent in Dyson’s multi-channel soundscape made in collaboration with the Public Art Fund.

Hauser & Wirth's current show captures the heft and rigor of Rothenberg’s trailblazing figurative and conceptual practice.

Alongside a biennial, a book fair, and cultural festivities, CXW 2025 kicks off a new season of cultural productions.

Internet Archaeology dives deep into the whimsy and the contemplation of our shared digital youth.

A new biographical drama tries to capture the flair of one of the fashion world’s most boundary-pushing designers.

In an uncertain market, the Affordable Art Fair adopts new strategies to create community.

In Monkey Off My Back or The Cat’s Meow at Park Avenue Armory, Harrell brings us to a runway fashion show that tries to emancipate itself.

The fold and the stroke in Abstract Bodies at Petzel.

Standout exhibitions in New York City and beyond.

Unpacked commodities and affective arrangement at Spielzeug.

Heidi Bucher, Hana Miletić, and Rachel Whiteread create a dialogue of time, memory, and nostalgia through architectural sculpture and textile craft. 

Aineki Traverso, Nkechi Ebubedike, and Shiri Mordechay confront violence, desire, and the fractured body.

Carceral critiques to Midwestern queer spaces: five booths that stand out amid the noise.

BlackStar Film Festival’s message is permission to exist.