A new biographical drama tries to capture the flair of one of the fashion world’s most boundary-pushing designers.

In an uncertain market, the Affordable Art Fair adopts new strategies to create community.

In Monkey Off My Back or The Cat’s Meow at Park Avenue Armory, Harrell brings us to a runway fashion show that tries to emancipate itself.

The fold and the stroke in Abstract Bodies at Petzel.

Standout exhibitions in New York City and beyond.

Unpacked commodities and affective arrangement at Spielzeug.

Heidi Bucher, Hana Miletić, and Rachel Whiteread create a dialogue of time, memory, and nostalgia through architectural sculpture and textile craft. 

Aineki Traverso, Nkechi Ebubedike, and Shiri Mordechay confront violence, desire, and the fractured body.

Carceral critiques to Midwestern queer spaces: five booths that stand out amid the noise.

BlackStar Film Festival’s message is permission to exist.

Zach Creggers’s Weapons offers an enticing exploration of familial dynamics and monstrous femininity. Warning: spoilers ahead.

The largest retrospective of Ballroom culture to date contextualizes the lives of performers and their artistry from an inside perspective.

In Louise Bonnet and Elizabeth King’s dual exhibition, a karmic regression of bodies is shown through figurative intricacies.

Berlinde De Bruyckere’s Khorós at Bozar casts a haunting spell of myth-made flesh.

Narrative, vernacular, and the unknown at Ricco/Maresca.

Standout exhibitions in New York City and beyond.

Alien Shores at White Cube Bermondsey considers landscape as a charged space where histories unfold.

On Laia Estruch’s HELLO EVERYONE at the Museo Nacional Centro de Arte Reina Sofía.

Two San Francisco shows render intimacy and identity more clearly by turning up the opacity.

No Handlebars at Below Grand is an invitation to let go of our oppressive logics and drift.