“We should all aspire to be better people. So change yer sheets. Now. And welcome to 2026.”

A duo exhibition featuring Lite Zhang and Pavlos Liaretidis traces how time settles matter.

They Call Me Witch considers feminine agency and challenges the orthodoxy of knowledge systems.

The 14th edition of Mumbai Gallery Weekend is ambitious and exhilarating.

Pam Lins and Roger White rethink material limits and political urgency under conditions of perpetual crisis.

Nicolas Poblete picks highlight booths from Art Basel, Untitled Art Fair, and NADA.

Por abrasión o contagio collapses skin, landscape, and material process into unstable surfaces.

Ye Cheng and Xinran Guan’s paintings on view at LATITUDE Gallery dialogue in their playfulness.

On Kawara’s telegrams stage the banal fact of existence as a formal event.

A new art fair by gallerist Brigitte Mulholland foregrounds access, genuine relationships, and shared vision.

Anna de Castro Barbosa’s sculptures render intimacy porous and estranged, resisting transparency while bearing desire’s traces.

Esther Gatón creates a porous space where matter, memory, and meaning gently collide.

Eleanor Mahin Thorp explores ancestral relationships to the land as an alternative source of guidance for the future.

Internet Archaeology dives deep into the whimsy and the contemplation of our shared digital youth.

Dark humor, animal metaphors, and socio-political commentaries come together in oil. 

A group exhibition at OXH Gallery considers culture’s entwinement with a commodity economy.

Grace Caiazza discusses the art of exhibition design and her design for KAJE World’s Arachnophobia.

A painter’s tricky techniques both obscure and reveal—and illustrate a contemporary logic of images.

Wael Haffar Habbal’s exhibition at GHOSTMACHINE trace journeys across a fractured landscape.

A Finnish artist turns self-portraiture into a playground of identity and subtle rebellion.