OBSESSED delves into the quandary of authenticity within the contemporary digital (ir)reality.

Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.

A group exhibition curated by Saam Niami and Gabrielle Richardson at 25 Allen Street reminds us what community looks like.

The Open Venus at Latitude Gallery embodies the abject realities of bodily transformation.

A two-person show at a Brooklyn apartment gallery explores interconnection and closeness.

Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.

Montserrat Miranda Ayejes interviews Danielle Juliao and Martin Isaza, who hope to support emerging Latin American artists.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

A group exhibition showcasing emerging artists at Nunu Fine Art elevates contemporary art practices from Asia.

At-Will Adaptation prods our open wounds from attempting to be individuals, breaking down embryo, identity, and purpose.

Gegenheimer’s ten-painting show suggests that time is less a series of separate instances and more a pattern of experience.

From a giant plastic quilt to incense sticks on ceramics, Art Toronto 2024 features many works implicated in home, place, and community.

OASIS unpacks meaninglessness, homosocial interactions, and objecthood at Vardan Gallery, Los Angeles.

Miguel Martinez reflects on how his DACA status and cultural roots inspire his art, bridging religious and queer symbolism.

Ai☆Madonna’s recent solo show I Am Not Saying: -Give Me Money Because You Feel Sorry For Me.- at GR Gallery attempts to reconcile opposite modes of presentation.

Figueroa St. Paintings at EUROPA elicits repose and meditation.

Taking a cue from ORLAN, who is opposed to women feeling the need to be quiet, I say: “There is no need to whisper.”

Superhouse presents a fiber art exhibition that unveils familiarity, history, and spatial lucidity.

At Below Grand Gallery, curator Frank WANG Yefeng turns philosophy into curatorial direction.

Through images of migrant boats and turbulent waves, Noroozi invites viewers to reflect on collective memory and displacement.