Material Shifts at The Affordable Art Fair 2026
Material experimentation and ceramic interventions disrupt a painting-dominant fair.
The Huge Upside on the Outsider Art Fair
The Outsider Art Fair proposes an alternate economy of attention within the structures of the art market.
FLOHAUS Gallery Unveils New Space in Midtown
Intimate Structures considers how industrial design, urban architecture, and proximity mediate interpersonal relationships.
Review: “What We Take”
A group exhibition co-curated by Art in Latin America and CM Art Advisory is a site of self-interrogation under migratory contexts.
On Ownership Structures
Tracings and Arrangements at Emmelines prompts a reconsideration of how individuals relate to commodities.
Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic”
Bitrán reinterprets Titanic through DIY approaches, improvisation, and communal participation.
The Terror of Viewing Eggleston’s “The Last Dyes” Now
What feels most consequential about this exhibition is not the death of a technique, but the altered life of the images themselves.
Staring at What Is
Paz Sher’s solo exhibition exposes the brutal ecosystem hidden beneath myths of justice and nature.
The Painted Wordplay and Critiques of Becky Brown
Becky Brown’s conceptually-charged, text-laden paintings address the “Internet Complex.”
Reanimating the Archives with Polina Osipova
Polina Osipova’s New York City debut gleans universal insight from ancestral myth and memory.
Nostalgias & Utopias, Miami
Nicolas Poblete reviews four standout exhibitions that opened during Miami Art Week.
Leah Liu: “susurrus 聲聲私”
Liu’s solo exhibition stages tension and misalignment, where gravity and withheld sound quietly animate form.
Review: “Tender Is the Night”
Alexandria Couch, Kimberly Heard, and Tuere Nicole blend interior and exterior worlds.
Arthur Simms: “Caged Bottle”
Simms discusses making work with found objects and integrating art historical references with folk cultures.
Bryce Kroll on a Probabilistic System of Perception
Crap Shoot at Parent Company critically engages with the act and outcome of creation facilitated by statistical probability.
You Know You Feel Dirty. Change Yer Sheets
“We should all aspire to be better people. So change yer sheets. Now. And welcome to 2026.”
A Post-Collapse Commitment to Noticing and Preserving
A duo exhibition featuring Lite Zhang and Pavlos Liaretidis traces how time settles matter.
Reclaiming the Spell: Witchcraft at the Crypt Gallery
They Call Me Witch considers feminine agency and challenges the orthodoxy of knowledge systems.
Mumbai Gallery Weekend Traces the Magical
The 14th edition of Mumbai Gallery Weekend is ambitious and exhilarating.
“Laterness” in Abstract Time
Pam Lins and Roger White rethink material limits and political urgency under conditions of perpetual crisis.