Gates transforms material and archive in two solo exhibitions across the city.

Reverend Joyce McDonald conveys an unmatched level of delicate sincerity in her biographic sculptures.

Leslie Hewitt reveals multiplicities through process, form, and collaboration.

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Gast presents a collaborative, queer and lesbian library at Nina Johnson.

Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.

Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Queering site-specificity in P. Staff’s Possessive.

On the occasion of their current exhibition, Perera discusses diasporic mythology, protective jewelry, and alternate dimensions.

In his eighth exhibition with Greg Kucera Gallery, Tennis blurs the line between the real and the imagined.

From New York to Puerto Rico, Ruben Natal-San Miguel’s imagery makes monuments of lives and landscapes often overlooked.

A Review of Luke Agada at Monique Meloche Gallery and Bethany Collins at Patron Gallery.

Intangible and elusive sensations made visible in Zurier’s Pink Dust at Peter Blum Gallery.

De Nieves transforms Pioneer Works into an immersive cathedral lit through faux stained-glass visions of hope, faith, and love.

Gonzales-Day discusses how his research on and experimentation with photography unpacks historical erasure, racial terror, and queer visibility.

Manual obfuscation, blur, and glitches of the body set against a world of generative AI in Kostov’s presentation at Tara Downs.

In Myth Information, Chloe Wise pulls a thread of artifice, painting intimate settings at an arm’s length.

Yuko Mohri’s Entanglements at Pirelli HangarBicocca animates the overlooked tchotchke.