Diagrams, Architecture, and State Power with Nick Angelo
Angelo discusses how his recent exhibition at Sebastian Gladstone fits into his longstanding interest in diagrams, architecture, and his practice.
Eat Me: Itala Aguilera’s “Tierra Mojada”
In the performances that comprise Tierra Mojada (Wet Land), Aguilera holds her own body tantalizingly out of reach.
Surface Tension
Monika Baer’s Schweine Steine Scherben at Greene Naftali complicates the material, aesthetic, and political.
Womanhood As An Abstraction
Ruby Sky Stiler’s solo exhibition at Alexander Gray Associates reconsiders art historical female archetypes.
Reflections from the Screen
At the Museo Tamayo, Manuela Solano’s pop-culture portraits examine painting as a means of self-perception.
Self-Portraiture and the Opacity of Class
Samuel Guy’s self-portraits of American masculine mythologies destabilize the genre of self-portraiture at Auxier Kline.
The Prefix to Shatter
Charisse Pearlina Weston’s sculptures present the evolving conditions of racialized opacity through repeated folds, tenuous rupture, and balancing acts.
Adversarial Networks: on Joseph Nechvatal
Nechvatal addresses computation and information in a historical solo exhibition at Magenta Plains.
Theaster Gates’s Harvest Season in Chicago
Gates transforms material and archive in two solo exhibitions across the city.
Salvation and Care in Clay
Reverend Joyce McDonald conveys an unmatched level of delicate sincerity in her biographic sculptures.
Reflections on Proximity
Leslie Hewitt reveals multiplicities through process, form, and collaboration.
Sound as Body: Coco Klockner
Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.
Cruising the Margins: Christy Gast’s Intimate Materiality
Gast presents a collaborative, queer and lesbian library at Nina Johnson.
In Conversation with Lucía Reissig
Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.
Alive With Ghosts
Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.
Art as Place: Chiharu Shiota’s “Two Home Countries”
Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.
Amiko Li’s Ouroboros of Motion and Stillness
Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.
Hybrid Mythology: In Conversation with Rajni Perera
On the occasion of their current exhibition, Perera discusses diasporic mythology, protective jewelry, and alternate dimensions.