In Myth Information, Chloe Wise pulls a thread of artifice, painting intimate settings at an arm’s length.

Yuko Mohri’s Entanglements at Pirelli HangarBicocca animates the overlooked tchotchke.

The Helsinki-based artist discusses materials as modes of expression and a collective experience of “being on display and under pressure.”

At Maxwell Graham, Leonard re-presents institutional objects to destabilize both our historical and present systems of thinking and power.

Hauser & Wirth's current show captures the heft and rigor of Rothenberg’s trailblazing figurative and conceptual practice.

The fold and the stroke in Abstract Bodies at Petzel.

Standout exhibitions in New York City and beyond.

A studio visit with the Brooklyn-based artist on the occasion of her solo show at P·P·O·W, Running Water. 

On the occasion of her current show at CHART, Cronin discusses the power of Aphrodite and subverting accepted historical narratives.

Carceral critiques to Midwestern queer spaces: five booths that stand out amid the noise.

Unfolding the impossible desire to replicate and touch through layered image-making, transformed materials, and digital and physical labor.

Berlinde De Bruyckere’s Khorós at Bozar casts a haunting spell of myth-made flesh.

Standout exhibitions in New York City and beyond.

On Laia Estruch’s HELLO EVERYONE at the Museo Nacional Centro de Arte Reina Sofía.

McDaniel’s mixed-media pieces examine the effects of sexual and political violence. 

Two San Francisco shows render intimacy and identity more clearly by turning up the opacity.

At MIT List Visual Arts Center, Elif Saydam explores urban eros in miniature.

Opening a site-specific installation for Upstate Art Weekend, the Newburgh-based sculptor sees red in The Green Lodge’s leafy idyll.

The native Kentucky painter reflects on her current artmaking process and how it reflects her local climate and its impact.

The artist’s solo show, The Natal Lacuna, prioritizes a deeply psychological and feminine perspective of her past.