Standout exhibitions in New York City and beyond.

Collapsing distance between body, land, and lineage, Cromwell’s A Geological Survey offers a maternal approach to image-making in the American West.

With a new emphasis on color and elevation, Gabriel Kuri’s latest show at kurimanzutto breaks down risk assessment in tangible terms.

Cache Machine at KAJE addresses the forms in which data hides, appears, and leaves a trace.

Kasturi discusses complicated surfaces, materiality, and the convergence of her practice culminating in her recent solo exhibition at Indigo+Madder.

A survey of quilts by Carole Harris examines home and memory.

Hito Steyerl’s The Island and an interdimensional quest that traverses the AI universe. 

Lam’s 83% Perfect examines how systems of evaluation and “acceptable” dissent produce institutional compliance.

At MAMA Projects, Nicki Cherry’s petrified blooms go under the knife.

Standout exhibitions in New York City and beyond.

Fusco’s first institutional US survey spans three decades of socio-political critique.

Diane Simpson’s volumetric sculptures at the American Academy of Arts and Letters collapse into silhouette, foregrounding reflection on movement, perception, and bodily presence. 

On AVAF’s more than 20 years of creating joy, community, and energy as tools of resistance.

Goldin+Senneby ponder fragile bodies on a fragile planet.

Angelo discusses how his recent exhibition at Sebastian Gladstone fits into his longstanding interest in diagrams, architecture, and his practice.

In the performances that comprise Tierra Mojada (Wet Land), Aguilera holds her own body tantalizingly out of reach.

Monika Baer’s Schweine Steine Scherben at Greene Naftali complicates the material, aesthetic, and political.

Ruby Sky Stiler’s solo exhibition at Alexander Gray Associates reconsiders art historical female archetypes.

At the Museo Tamayo, Manuela Solano’s pop-culture portraits examine painting as a means of self-perception.

Standout exhibitions in New York City and beyond.