Fusco’s first institutional US survey spans three decades of socio-political critique.

Diane Simpson’s volumetric sculptures at the American Academy of Arts and Letters collapse into silhouette, foregrounding reflection on movement, perception, and bodily presence. 

On AVAF’s more than 20 years of creating joy, community, and energy as tools of resistance.

Goldin+Senneby ponder fragile bodies on a fragile planet.

Angelo discusses how his recent exhibition at Sebastian Gladstone fits into his longstanding interest in diagrams, architecture, and his practice.

In the performances that comprise Tierra Mojada (Wet Land), Aguilera holds her own body tantalizingly out of reach.

Monika Baer’s Schweine Steine Scherben at Greene Naftali complicates the material, aesthetic, and political.

Ruby Sky Stiler’s solo exhibition at Alexander Gray Associates reconsiders art historical female archetypes.

At the Museo Tamayo, Manuela Solano’s pop-culture portraits examine painting as a means of self-perception.

Standout exhibitions in New York City and beyond.

Samuel Guy’s self-portraits of American masculine mythologies destabilize the genre of self-portraiture at Auxier Kline.

Charisse Pearlina Weston’s sculptures present the evolving conditions of racialized opacity through repeated folds, tenuous rupture, and balancing acts.

Nechvatal addresses computation and information in a historical solo exhibition at Magenta Plains.

Gates transforms material and archive in two solo exhibitions across the city.

Reverend Joyce McDonald conveys an unmatched level of delicate sincerity in her biographic sculptures.

Leslie Hewitt reveals multiplicities through process, form, and collaboration.

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Gast presents a collaborative, queer and lesbian library at Nina Johnson.

Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.