Tavares Strachan’s Energetic Interrogations
The artist’s solo exhibition, Starless Midnight, entices viewers out of successive comfort zones.
Review: Chronicles of the Absurd
A film about the Kafka-esque repression of Cuban bureaucracy showcases secretly recorded audio clips.
Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms”
Joan Jonas reflects on personal and natural loss in her new installation at Gladstone Gallery.
When the Ghost Enters the Wood: In Conversation with Raul De Lara
The artist reflects on his solo exhibition at SCAD Museum, DACA status, and finding courage amid political uncertainty.
Object Lessons
The real world privileges experience over interpretation. To make an omelette—you know.
Kaveri Raina Delves Into Submerged Kingdoms and Elusive Narratives
The artist’s recent body of work offers an evocative glimpse into worlds shaped by memory, myth, and imagination.
Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma
Gabori’s practice renders maps of her homeland from memory.
Separating the Art from the Artist
Lyne Lapointe transcends the self by shifting through different materials and modes of corporeality at Jack Shainman.
Le’Andra LeSeur and the Eternal Ephemerality of Suspension
“We can float,” LeSeur announces in Monument Eternal, “we don’t have to break, we don’t have to shatter.”
An Interview with Sámi Artist Anders Sunna
“I think of painting as a kind of lure”: Sunna on the mitigative and expository qualities of art.
Images Across the Veil: Tyler Mitchell
In his first solo exhibition with Gagosian, the artist pushes the boundaries of form and challenges photographic transience.
Thiang Uk’s Contradictions in Harmony
Tradition and mythology transcend time in Uk’s shapeshifting paintings.
Abstracting the Everyday
In Pennies from Heaven, Kianja Strobert lets us draw our own material conclusions.
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
The artist's new solo exhibition at P·P·O·W Gallery examines femininity, control, and bodily autonomy through the delicate yet defiant medium of porcelain.
My Flight Was Magnificent, but Futile
Tuan Andrew Nguyen’s latest exhibition of reclaimed bombshells and video presents a narrative of purpose, power, grace, and regenerative futures.
Teresa Solar Abboud: “Tu sombra sustituida”
In Mexico City, Teresa Solar Abboud nods at a shared biology that emerges from the soil.
Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline”
In the National American Theater Company’s Cymbeline, every rageful man is played by an Asian American woman.
The Flowers That Connect Us
Layo Bright’s solo show Invasive Blooms at Montclair University explores the power of personal narratives and matrilineal heritage.
Robin F. Williams on Sustainability and Calling People In
The Brooklyn-based painter discusses Artists Commit and collective organizing.