Obsesión! Labor as Pleasure asks the harder questions without abandoning delight.

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Queering site-specificity in P. Staff’s Possessive.

In his eighth exhibition with Greg Kucera Gallery, Tennis blurs the line between the real and the imagined.

Standout exhibitions in New York City and beyond.

From New York to Puerto Rico, Ruben Natal-San Miguel’s imagery makes monuments of lives and landscapes often overlooked.

A Review of Luke Agada at Monique Meloche Gallery and Bethany Collins at Patron Gallery.

Intangible and elusive sensations made visible in Zurier’s Pink Dust at Peter Blum Gallery.

De Nieves transforms Pioneer Works into an immersive cathedral lit through faux stained-glass visions of hope, faith, and love.

Waiting for the Sibyl draws on the artist’s rich materiality and concern for historical palimpsests to craft a tale of fate ignored.

Nayland Blake toes the line between stark conceptualism and sexual thrill at Matthew Marks.

New York Film Festival’s oddball double feature on landscapes.

Manual obfuscation, blur, and glitches of the body set against a world of generative AI in Kostov’s presentation at Tara Downs.

In Myth Information, Chloe Wise pulls a thread of artifice, painting intimate settings at an arm’s length.

Yuko Mohri’s Entanglements at Pirelli HangarBicocca animates the overlooked tchotchke.

Turkey’s biggest art fair marked 20 years, bringing galleries, artists, and speakers from the US to the Bosphorus.

SPLIT LEVEL is New York’s newest art fair—here are four booths to watch.

At Maxwell Graham, Leonard re-presents institutional objects to destabilize both our historical and present systems of thinking and power.

An inaugural group exhibition for Alyssa Davis Gallery’s new location. 

Brandi Twilley’s flowers meditate on life and death at Sargent’s Daughters.