Anvil, before anything else, is a delicate portrait of perseverance at a time when being crushed feels inevitable.

Join IMPULSE journalists at artist studios this month.

Sehnsucht, at its core, is a complex mix of longing, yearning, and craving for something unattainable or ideal.

A solo exhibition at 5-50 Gallery compresses time, accelerating natural cycles from decay to fertile ground.

Highlight exhibitions in New York City and beyond.

At All Street Gallery, Annu Yadav’s solo show, Gold God Meat, dazzles audiences with ritual, rupture, and reclamation.

Files boxes labeled with lesbian innuendos begin our surreal and sensual trip through the queer archives.

In exploring metamorphosis as a bio-social constant, the artist blurs the line between body and objecthood.

Each iteration of Jagudajev’s structural conceit is a redeal of a deck in which performers, participants, and the cards themselves keep changing hands.

“Heart On” generates dialogue on care and identity as North America reckons with conversations on unity and division, accountability and erasure.

Jackmauh’s solo show at Parent Company stages a poetic collapse of memory’s excess.

The artist’s solo exhibition, Starless Midnight, entices viewers out of successive comfort zones.

A film about the Kafka-esque repression of Cuban bureaucracy showcases secretly recorded audio clips.

The real world privileges experience over interpretation. To make an omelette—you know.

Gabori’s practice renders maps of her homeland from memory.

“We can float,” LeSeur announces in Monument Eternal, “we don’t have to break, we don’t have to shatter.”

In his first solo exhibition with Gagosian, the artist pushes the boundaries of form and challenges photographic transience.

In Mexico City, Teresa Solar Abboud nods at a shared biology that emerges from the soil.

In the National American Theater Company’s Cymbeline, every rageful man is played by an Asian American woman.

Highlight exhibitions in New York City.