“Small Talk” Eludes Legibility and Invites Infinite Encounters
Iván Navarro’s solo exhibition at Miriam Gallery dissolves symbols and rhetoric into syllables and sounds.
60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle
The 1964 film sacrificed Eliza Doolittle’s agency in George Bernard Shaw’s play Pygmalion and resorted to romance as an easy solution.
Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted)
At Susan Inglett Gallery, a group show curated by Cortney Connolly rethinks Pop Art.
Flux and Flow at El Museo del Barrio
FLOW STATES is a celebration of culture that blurs the line of separation.
“Cult of Domesticity” at LUmkA
A bedroom exhibition unpacks the complexities and parallel truths around domesticity and femininity.
In 2014’s “The Interview,” Amnesia is a Privilege
Ten years have passed since the movie’s release, but its problematic repercussions still echo today, unforgotten by many.
Book Review: “Enter Ghost”
Isabella Hammad’s 2023 novel chronicles the resistance of a production of Hamlet staged in the West Bank.
The Twin Moons of Luna Luna Rise Over the Hudson
A reprisal of André Heller’s 1987 anti-fascist art-amusement park takes over the Shed.
New Uncanny’s Haunting Reveries
The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.
Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”
The artist’s solo exhibition views technologization through an expansive concept of evolution that de-centers humanity.
Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”
Cynthia Chen reviews Chang’s debut solo exhibition at Gallery 456.
Francis Newton Souza “Straddles Several Traditions but Serves None”
Souza’s embodied and individualistic approach to painting remains stylistically unrestrained.
Misha Ilin’s Fossilized Fragments, Surreal and Shimmering
Pale Grass Blue at Hamiltonian Artists investigates how trauma born from excesses of political authority and control permeate lived spaces.
Gabriela Salazar’s Diaristic “No Shoulder”
Efraín López presents Salazar’s solo exhibition, featuring drawings and sculpture to reveal the intricacies of documenting the everyday.
“I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward
OBSESSED delves into the quandary of authenticity within the contemporary digital (ir)reality.
The Bare Decadence of “Bad Girls”
Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.
Monstrosity as Symptom in Celine Song’s “Family”
In a site-specific work by the Past Lives creator, surrealism and incest are the only options.
“Harmony and Dissonance” Opens at the Guggenheim Museum
The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement.
Naomi Nakazato Conjures Forgotten Futures at Olympia
Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.
