Rintsch’s figures, which she boxes into tight-cropped frames, possess a feeling of existential confusion and youthful dread.

Falling asleep thinking about Tolia, I hear a phrase: “Every parting surface is another entrance unfulfilled.”

In Philadelphia, BlackStar celebrates its 13th edition, spotlighting Black and Brown filmmakers.

Tompkins reexamines imagery meant for male self-pleasure, juxtaposing them with insults and violent rhetoric against women.

At Arsenal Contemporary, gaoyuan makes curatorial experimentations in the group show Theater of Energies.

“I listen to music through my eyes. I want my ballets to be music for the eyes.” – Bronislava Nijinska

There is always space for endless possibilities, but there is only enough space in a lifetime for one path of living.

I Am Me is about celebrating Modersohn-Becker’s singularity, desires, and personhood.

In the Argentinian farmlands, distant flashes of lightning are sometimes attributed to “wandering souls” in popular mythology. Saints hang on walls, flickering lights seem to speak, and even exaggerated sneezes seem preordained.

It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.

In her incredibly well researched book, Strasser tries to make sense of Oak Ridge's complicated past, as it transformed a place of nature and stability into a source of man-made, unstable destruction.

△, organized by Site, presents the work of Seoyoung Kim, Soeun Bae, and Soo Park. The show acts as a conversation with their past work and explores their transformation and growth as artists, focusing on the material qualities of existence.