Studio visits with Jodie Lyn-Kee-Chow, Austin Clay Willis, Jennifer Shin, Dragan Strukelj, and Joël Brodovsky-Adams.

In Julia Masli’s Ha Ha Ha Ha Ha Ha Ha, laughter is the foundation of building community and collective problem-solving.

Each iteration of Jagudajev’s structural conceit is a redeal of a deck in which performers, participants, and the cards themselves keep changing hands.

The actor shares, “Literal blood, sweat, and tears went into this visa.”

Park Avenue Armory’s new commission is a series of vignettes and a study in dynamics.

Subverting the relationship between the interviewer and interviewee, Phil Cai interviews Bojan Stojčić by answering questions from the artist, rendering issues of displacement reflective. 

Presenting the art-making process as performance, Studio Infinity at Japan Society heralds a total embrace of popular imageries.

Andrews discusses her career as a magician and her conceptual performance art practice.

Founders of Project III and Embodied Earth discuss the first of many collaborations to come.

A surrealist play adapted from Yevgenia Belorusets’s book attempts to unpack the unspeakable.