Studio visits with Jodie Lyn-Kee-Chow, Austin Clay Willis, Jennifer Shin, Dragan Strukelj, and Joël Brodovsky-Adams.

In Julia Masli’s Ha Ha Ha Ha Ha Ha Ha, laughter is the foundation of building community and collective problem-solving.

Each iteration of Jagudajev’s structural conceit is a redeal of a deck in which performers, participants, and the cards themselves keep changing hands.

The actor shares, “Literal blood, sweat, and tears went into this visa.”

Park Avenue Armory’s new commission is a series of vignettes and a study in dynamics.

Subverting the relationship between the interviewer and interviewee, Phil Cai interviews Bojan Stojčić by answering questions from the artist, rendering issues of displacement reflective. 

Wang’s performance and text-based practice negotiates photographic and political borders.

Presenting the art-making process as performance, Studio Infinity at Japan Society heralds a total embrace of popular imageries.

Andrews discusses her career as a magician and her conceptual performance art practice.

Founders of Project III and Embodied Earth discuss the first of many collaborations to come.

A surrealist play adapted from Yevgenia Belorusets’s book attempts to unpack the unspeakable.