Jasmina Cibic discusses transnational solidarity, ritual as artistic practice, and historical readymades.

Adrian Yu and Omer Yosef unveil a dynamic public art installation in front of Mesa City Hall.

A film about the Kafka-esque repression of Cuban bureaucracy showcases secretly recorded audio clips.

Behind the scenes of Langit Lupa, four decades after the Escalante Massacre.

Catching up with the celebrated filmmaker/actress on the cusp of her forthcoming feature film, Moonglow.

The 1964 film sacrificed Eliza Doolittle’s agency in George Bernard Shaw’s play Pygmalion and resorted to romance as an easy solution.

Ten years have passed since the movie’s release, but its problematic repercussions still echo today, unforgotten by many.

Oh, Canada’s tender cynicism.

A restored Hellraiser still upsets.

Two filmmakers went on a first date on 2016's election day, having no idea that the beginning of their relationship would coincide with a trying period for international couples.

Forsaking the brutal, Emilija Gašič's 78 Days follows three sisters who filmed home videos during the NATO bombing of Yugoslavia.

Presenting a mosaic of loneliness, Asteroid City is the most deeply emotional of Anderson’s films.

In Philadelphia, BlackStar celebrates its 13th edition, spotlighting Black and Brown filmmakers.

There is always space for endless possibilities, but there is only enough space in a lifetime for one path of living.

In the Argentinian farmlands, distant flashes of lightning are sometimes attributed to “wandering souls” in popular mythology. Saints hang on walls, flickering lights seem to speak, and even exaggerated sneezes seem preordained.