In Beijing Stories, the sculptural work of Chinese artist Liu Shiming is juxtaposed with Lois Conner’s photographs.

The painter and award-winning designer discusses how her portraits make their way into the world.

One could say that Ana Jotta made a single letter in the alphabet her own, but also that she already lost her name to it.

Behind the scenes of Langit Lupa, four decades after the Escalante Massacre.

Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty. 

At YveYANG Gallery, Huidi Xiang’s site-specific installation brings an animated film to life while centering on underrecognized labor.

FLOW STATES is a celebration of culture that blurs the line of separation.

A reprisal of André Heller’s 1987 anti-fascist art-amusement park takes over the Shed.

The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.

At Michael Kohn Gallery, Wang’s paintings toy with the margins of representation.

Souza’s embodied and individualistic approach to painting remains stylistically unrestrained.

Pale Grass Blue at Hamiltonian Artists investigates how trauma born from excesses of political authority and control permeate lived spaces. 

Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.

The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement. 

Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.

Montserrat Miranda Ayejes interviews Danielle Juliao and Martin Isaza, who hope to support emerging Latin American artists.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

A group exhibition showcasing emerging artists at Nunu Fine Art elevates contemporary art practices from Asia.

At-Will Adaptation prods our open wounds from attempting to be individuals, breaking down embryo, identity, and purpose.

Taking a cue from ORLAN, who is opposed to women feeling the need to be quiet, I say: “There is no need to whisper.”