At 15 Orient, Jay Payton reimagines the legacy of abstraction through destruction, renewal, and historical reckoning.

The artist’s debut solo exhibition in NYC is imbued with historicity and a sense of the sacred. 

Ye Cheng and Xinran Guan’s paintings on view at LATITUDE Gallery dialogue in their playfulness.

The third edition of Art Mumbai foregrounds care and slow looking.

On Kawara’s telegrams stage the banal fact of existence as a formal event.

Brandi Twilley’s flowers meditate on life and death at Sargent’s Daughters.

Matić transforms the photographic shadow into evidence of self.

Alongside a biennial, a book fair, and cultural festivities, CXW 2025 kicks off a new season of cultural productions.

Internet Archaeology dives deep into the whimsy and the contemplation of our shared digital youth.

Dark humor, animal metaphors, and socio-political commentaries come together in oil. 

A group exhibition at OXH Gallery considers culture’s entwinement with a commodity economy.

Grace Caiazza discusses the art of exhibition design and her design for KAJE World’s Arachnophobia.

A painter’s tricky techniques both obscure and reveal—and illustrate a contemporary logic of images.

Wael Haffar Habbal’s exhibition at GHOSTMACHINE trace journeys across a fractured landscape.

The two trans artists dig deep into their first collaborative exhibition staged at the Brooklyn-based gallery SPILL 180.

On collaboration, caricature, and the marketability of Asian individuality.

Melenciano’s practice, introspective and social at once, is grounded in self-study and open inquiry.

Anvil, before anything else, is a delicate portrait of perseverance at a time when being crushed feels inevitable.

IMPULSE speaks with Vincent Katz on a group exhibition at the Portland Museum of Art.

Highlight exhibitions in New York City and beyond.