Le’Andra LeSeur and the Eternal Ephemerality of Suspension
“We can float,” LeSeur announces in Monument Eternal, “we don’t have to break, we don’t have to shatter.”
An Interview with Sámi Artist Anders Sunna
“I think of painting as a kind of lure”: Sunna on the mitigative and expository qualities of art.
Images Across the Veil: Tyler Mitchell
In his first solo exhibition with Gagosian, the artist pushes the boundaries of form and challenges photographic transience.
Shifting /\ Gazes Defines Space
At NARS Foundation, a residency show constructs an experiential meditation.
The Archive as a Starting Point
Visual artist Paulina Freifeld discusses the role of the archive in her paintings, the influence of film, and her current show.
Powerhouses
Powerhouses is open for three months, but when the show closes, we don’t stop being a Black gallery.
Who is the hunter, who is the prey?
Kai Oh’s recent works explore self-objectification and the fragmentation of narrative in contemporary visual culture.
Two Tales of a City
In Beijing Stories, the sculptural work of Chinese artist Liu Shiming is juxtaposed with Lois Conner’s photographs.
Pictures of Faces: A Conversation with Na Kim
The painter and award-winning designer discusses how her portraits make their way into the world.
Anagrams of Desire
One could say that Ana Jotta made a single letter in the alphabet her own, but also that she already lost her name to it.
A Conversation with Ami Lien and Enzo Camacho
Behind the scenes of Langit Lupa, four decades after the Escalante Massacre.
George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?”
Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty.
Hey! We Can Do It!
At YveYANG Gallery, Huidi Xiang’s site-specific installation brings an animated film to life while centering on underrecognized labor.
Flux and Flow at El Museo del Barrio
FLOW STATES is a celebration of culture that blurs the line of separation.
The Twin Moons of Luna Luna Rise Over the Hudson
A reprisal of André Heller’s 1987 anti-fascist art-amusement park takes over the Shed.
New Uncanny’s Haunting Reveries
The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.
Shiwen Wang: “The river returns nothing of what it takes”
At Michael Kohn Gallery, Wang’s paintings toy with the margins of representation.
Francis Newton Souza “Straddles Several Traditions but Serves None”
Souza’s embodied and individualistic approach to painting remains stylistically unrestrained.
Misha Ilin’s Fossilized Fragments, Surreal and Shimmering
Pale Grass Blue at Hamiltonian Artists investigates how trauma born from excesses of political authority and control permeate lived spaces.
The Bare Decadence of “Bad Girls”
Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.