On Exhibition Design with Grace Caiazza
Grace Caiazza discusses the art of exhibition design and her design for KAJE World’s Arachnophobia.
Jochen Mühlenbrink’s Illusions
A painter’s tricky techniques both obscure and reveal—and illustrate a contemporary logic of images.
“No Longer Me”: Displacement Echoed in Steel and Sound
Wael Haffar Habbal’s exhibition at GHOSTMACHINE trace journeys across a fractured landscape.
Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse”
The two trans artists dig deep into their first collaborative exhibition staged at the Brooklyn-based gallery SPILL 180.
“002 Fusion”: A Jest in Three Acts
On collaboration, caricature, and the marketability of Asian individuality.
Mapping Self Through Sound: An Interview with Ari Melenciano
Melenciano’s practice, introspective and social at once, is grounded in self-study and open inquiry.
Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk
Anvil, before anything else, is a delicate portrait of perseverance at a time when being crushed feels inevitable.
“Painting Energy” Presents Works From the Alex Katz Foundation Collection
IMPULSE speaks with Vincent Katz on a group exhibition at the Portland Museum of Art.
Familiars Dance Among the Inverted
At All Street Gallery, Annu Yadav’s solo show, Gold God Meat, dazzles audiences with ritual, rupture, and reclamation.
Memory as Medium: A Conversation with Dominique Fung
Now one of the art world’s rising stars, Dominique Fung returns home for her first Hong Kong show at MASSIMODECARLO.
Something Like
Each iteration of Jagudajev’s structural conceit is a redeal of a deck in which performers, participants, and the cards themselves keep changing hands.
Review of Jacob Jackmauh: “Admissions”
Jackmauh’s solo show at Parent Company stages a poetic collapse of memory’s excess.
Tavares Strachan’s Energetic Interrogations
The artist’s solo exhibition, Starless Midnight, entices viewers out of successive comfort zones.
Le’Andra LeSeur and the Eternal Ephemerality of Suspension
“We can float,” LeSeur announces in Monument Eternal, “we don’t have to break, we don’t have to shatter.”
An Interview with Sámi Artist Anders Sunna
“I think of painting as a kind of lure”: Sunna on the mitigative and expository qualities of art.
Images Across the Veil: Tyler Mitchell
In his first solo exhibition with Gagosian, the artist pushes the boundaries of form and challenges photographic transience.
Shifting /\ Gazes Defines Space
At NARS Foundation, a residency show constructs an experiential meditation.
The Archive as a Starting Point
Visual artist Paulina Freifeld discusses the role of the archive in her paintings, the influence of film, and her current show.
Powerhouses
Powerhouses is open for three months, but when the show closes, we don’t stop being a Black gallery.