Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.

The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement. 

Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.

Montserrat Miranda Ayejes interviews Danielle Juliao and Martin Isaza, who hope to support emerging Latin American artists.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

A group exhibition showcasing emerging artists at Nunu Fine Art elevates contemporary art practices from Asia.

At-Will Adaptation prods our open wounds from attempting to be individuals, breaking down embryo, identity, and purpose.

Taking a cue from ORLAN, who is opposed to women feeling the need to be quiet, I say: “There is no need to whisper.”

Conflicting Evidence at Magenta Plains presents Girouard’s screen-printed “pictograms.”

Abby Lloyd and friends welcome you to their celebratory show-and-tell, with a salon-style display of art amidst the aftermath of a toothy and whimsical banquet. 

Exploring the sculptures and symbols of Amy Bravo’s solo show TransmogrificationNOW! at Swivel Gallery.

A second-generation Chihuahuan photographer talks about ancestry, muses, and the art of the self-portrait.

At Picture Theory, Lauren Clay’s exhibition Love Feast indulges viewers in a dreamland within reach.

Artists Anoushka Bhalla, Wen-You Cai, Benny Or, Roxane Revon, Nicolas Tovar, and Chengtao Yi have each contributed a piece of themselves to the basement of Cinema Supply, in an exhibition that centers on vulnerability, family history, and memory.

△, organized by Site, presents the work of Seoyoung Kim, Soeun Bae, and Soo Park. The show acts as a conversation with their past work and explores their transformation and growth as artists, focusing on the material qualities of existence.