Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma
Gabori’s practice renders maps of her homeland from memory.
Stripping Down to Our Hair at 601Artspace
A.E. Chapman weaves together Black and Native histories, queer liberation, domestic labor, and gendered performance.
Tim Brawner’s Strange Twist
In Last Caress at Management, postmodern hyperrealism guides the viewer into an unsettling realization about the overproximity to reality.
George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?”
Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty.
MoMA PS1’s Installation Fights Stigma
LOVE POSITIVE WOMEN challenges stereotypes about HIV and AIDS through handwritten Valentine’s Day cards.
Building Worlds at the Brooklyn Museum
The Brooklyn Artists Exhibition navigates a sense of place, presenting the many Brooklyns personal to the artists.
Leah Ying Lin’s Ethereal Odyssey
An artist, model, and art director discusses her site-specific practice and interdisciplinary adventures.
Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted)
At Susan Inglett Gallery, a group show curated by Cortney Connolly rethinks Pop Art.
Skin Deep: An Interview With Lesley Bodzy
Bodzy’s sculptures grapple with societal expectations and beauty standards through experimental materiality.
“Cult of Domesticity” at LUmkA
A bedroom exhibition unpacks the complexities and parallel truths around domesticity and femininity.
JinJin Xu: “Against This Earth, She Knocks”
A poet and artist documents how dislocation affects migrant women workers.
Tactile Oppositions in Linda Stark’s “Ethereal Material”
Stark engages with tarot archetypes to delve inwards and reveal complex possibilities of emotional states, desire, and being.
The Twin Moons of Luna Luna Rise Over the Hudson
A reprisal of André Heller’s 1987 anti-fascist art-amusement park takes over the Shed.
Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One”
The artist’s solo exhibition views technologization through an expansive concept of evolution that de-centers humanity.
New Uncanny’s Haunting Reveries
The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.
Shiwen Wang: “The river returns nothing of what it takes”
At Michael Kohn Gallery, Wang’s paintings toy with the margins of representation.
Abject Feasts and Eucharistic Lovers at MAMA Projects
Group exhibition Pathways conceives selves decaying into bottomless memory.
Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair”
Cynthia Chen reviews Chang’s debut solo exhibition at Gallery 456.