OBSESSED delves into the quandary of authenticity within the contemporary digital (ir)reality.

Bad Girls at OCDChinatown enacts an irreverent love for the feminine entanglements of the everyday.

An Italo-Tunisian artist and author opens up about the struggles around citizenship, media representation, and the long journey ahead.

A group exhibition curated by Saam Niami and Gabrielle Richardson at 25 Allen Street reminds us what community looks like.

The Guggenheim’s new Orphism exhibition expands our understanding of the century-old movement. 

The Open Venus at Latitude Gallery embodies the abject realities of bodily transformation.

A two-person show at a Brooklyn apartment gallery explores interconnection and closeness.

Reflecting on rituals of mourning, Nakazato delineates the in-between space of queer and biracial existence through repetitive acts of mapping, translating, and cloning.

An alternative art fair made its base in a Paris office building.

A Palestinian American artist discusses emotional truths and his artistic purpose in the time of war. 

Leading up to the election, Nobles brings a poignant voice to the discourse around reproductive rights, gender, and sexuality.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

A group exhibition showcasing emerging artists at Nunu Fine Art elevates contemporary art practices from Asia.

At-Will Adaptation prods our open wounds from attempting to be individuals, breaking down embryo, identity, and purpose.

Gegenheimer’s ten-painting show suggests that time is less a series of separate instances and more a pattern of experience.

OASIS unpacks meaninglessness, homosocial interactions, and objecthood at Vardan Gallery, Los Angeles.

Kite and Alisha B. Wormsley bring Black and Indigenous dreams to life together with Creative Time.

Ai☆Madonna’s recent solo show I Am Not Saying: -Give Me Money Because You Feel Sorry For Me.- at GR Gallery attempts to reconcile opposite modes of presentation.

Figueroa St. Paintings at EUROPA elicits repose and meditation.

Taking a cue from ORLAN, who is opposed to women feeling the need to be quiet, I say: “There is no need to whisper.”