“Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity
A second-generation Chihuahuan photographer talks about ancestry, muses, and the art of the self-portrait.
Seoyoung Kim’s Site Centers Empathy and Connectivity
From a basement warehouse to Cooper Park, international curator and artist Seoyoung Kim fosters connectivity in alternative spaces.
Migration in Dialogue – Ruoyi Shi
Chinese interdisciplinary artist discusses heritage, community-building, and diplomatic reciprocity in the context of immigration.
Common Clauses in Artist Contracts: Red Flags and Necessities
A beginner's guide to artist contracts: common clauses, necessities, and red flags.
Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories
A California-based painter explores his memory, feeling, and imagination in his solo show at Scroll NYC.
To Leave More Than A Trace
At Zepster Gallery, bodies are suspended in varying states of metamorphosis and disintegration.
Ten Gates into the Future
A public art project wants you to imagine the future of Rome through vaporwave aesthetics, a feminist fountain, and an existential safari, among others.
Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body
Tompkins reexamines imagery meant for male self-pleasure, juxtaposing them with insults and violent rhetoric against women.
Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library & Museum
“I listen to music through my eyes. I want my ballets to be music for the eyes.” – Bronislava Nijinska
Nicole Havekost: A Material Artist in a Material World
"I wanted to reference the body as being, in some ways, kind of wild—like we're trying to domesticate these things that we live in," Havekost explains.
Gender, Nation, and Photography
It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.
A Celebration of Being and Balance
△, organized by Site, presents the work of Seoyoung Kim, Soeun Bae, and Soo Park. The show acts as a conversation with their past work and explores their transformation and growth as artists, focusing on the material qualities of existence.
People, Objects, Places: My Story as an Immigrant in Art Law
Meet Atreya Mathur, the Director of Legal Research at the Center for Art Law, immigrant, and art lover.
“Paper Cuts” at Elza Kayal Gallery
Metamorphosis, the apparent theme of the show, relates to the heterogeneity of process and the variety of techniques.
The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca
Are they receivers of not only the male gaze but also the human gaze? Are they delegations of human existence into an unstable, cybernetic world that we cannot physically or intellectually navigate with ease?