Highlight exhibitions in New York City.

A.E. Chapman weaves together Black and Native histories, queer liberation, domestic labor, and gendered performance.

In Last Caress at Management, postmodern hyperrealism guides the viewer into an unsettling realization about the overproximity to reality.

Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty. 

LOVE POSITIVE WOMEN challenges stereotypes about HIV and AIDS through handwritten Valentine’s Day cards.

The Brooklyn Artists Exhibition navigates a sense of place, presenting the many Brooklyns personal to the artists.

An artist, model, and art director discusses her site-specific practice and interdisciplinary adventures.

At Susan Inglett Gallery, a group show curated by Cortney Connolly rethinks Pop Art.

Bodzy’s sculptures grapple with societal expectations and beauty standards through experimental materiality.

A bedroom exhibition unpacks the complexities and parallel truths around domesticity and femininity.

A poet and artist documents how dislocation affects migrant women workers.

Stark engages with tarot archetypes to delve inwards and reveal complex possibilities of emotional states, desire, and being.

A reprisal of André Heller’s 1987 anti-fascist art-amusement park takes over the Shed.

The gallery’s soon-to-close West Harlem location presents Comfort Zones and an image of your labor hovers over me.

The artist’s solo exhibition views technologization through an expansive concept of evolution that de-centers humanity.

At Michael Kohn Gallery, Wang’s paintings toy with the margins of representation.

Group exhibition Pathways conceives selves decaying into bottomless memory.

Cynthia Chen reviews Chang’s debut solo exhibition at Gallery 456.

Studio in a School brings arts education and access to students in underserved communities.

Souza’s embodied and individualistic approach to painting remains stylistically unrestrained.