Samuel Guy’s self-portraits of American masculine mythologies destabilize the genre of self-portraiture at Auxier Kline.

Artists engage with femininity, performance, and spectacle to question how the creative act intersects with political and economic paradigms of expression.

Hoda Kashiha invites intimate interaction at episode gallery.

The artist discusses her current solo show, Sitting Ducks, and the conceptual influences behind her vivid paintings.