Behind the scenes of Langit Lupa, four decades after the Escalante Massacre.

British writer-artist Susan Finlay squares in on a precarious life in the art world in this wry anti-memoir.

Catching up with the celebrated filmmaker/actress on the cusp of her forthcoming feature film, Moonglow.

Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty. 

Cooper Hewitt’s triennial exhibit, MAKING HOME, is a righteous reminder of the corruption, history, and love within its walls.

LOVE POSITIVE WOMEN challenges stereotypes about HIV and AIDS through handwritten Valentine’s Day cards.

Wang’s performance and text-based practice negotiates photographic and political borders.

Photographer Josh Aronson discusses an award-winning public art project and the evolving art scene in Miami.

De Jong opens up about his intercontinental journey and a contextual understanding of resilience, identity, and optimism.

“The only way to be established is to establish yourself.” STAMINA at Project III takes doing-it-yourself to the next level.

“I feel connected to these struggles”: a Detroit-based artist honors Black history via sculpture.

At YveYANG Gallery, Huidi Xiang’s site-specific installation brings an animated film to life while centering on underrecognized labor.

Two artists discuss how their partnership and ongoing dialogue nurture their distinct practices.

"The art is never just the object; it’s always the living thread of creation, the tension between what’s felt and what’s seen.”

Mirchandani delves into the art of selfhood and assimilation as she discusses her recent solo exhibition with Yossi Milo Gallery and upcoming plans.

The Brooklyn Artists Exhibition navigates a sense of place, presenting the many Brooklyns personal to the artists.

“An object is not an object; it is a witness to a relationship.”

Iván Navarro’s solo exhibition at Miriam Gallery dissolves symbols and rhetoric into syllables and sounds.

Recently featured in Phaidon Press’s Great Women Sculptors, Anina Major’s practice dialogues with identity and belonging.

Presenting the art-making process as performance, Studio Infinity at Japan Society heralds a total embrace of popular imageries.