LOVE POSITIVE WOMEN challenges stereotypes about HIV and AIDS through handwritten Valentine’s Day cards.

Wang’s performance and text-based practice negotiates photographic and political borders.

Photographer Josh Aronson discusses an award-winning public art project and the evolving art scene in Miami.

De Jong opens up about his intercontinental journey and a contextual understanding of resilience, identity, and optimism.

“The only way to be established is to establish yourself.” STAMINA at Project III takes doing-it-yourself to the next level.

“I feel connected to these struggles”: a Detroit-based artist honors Black history via sculpture.

At YveYANG Gallery, Huidi Xiang’s site-specific installation brings an animated film to life while centering on underrecognized labor.

Two artists discuss how their partnership and ongoing dialogue nurture their distinct practices.

"The art is never just the object; it’s always the living thread of creation, the tension between what’s felt and what’s seen.”

Mirchandani delves into the art of selfhood and assimilation as she discusses her recent solo exhibition with Yossi Milo Gallery and upcoming plans.

The Brooklyn Artists Exhibition navigates a sense of place, presenting the many Brooklyns personal to the artists.

“An object is not an object; it is a witness to a relationship.”

Iván Navarro’s solo exhibition at Miriam Gallery dissolves symbols and rhetoric into syllables and sounds.

Recently featured in Phaidon Press’s Great Women Sculptors, Anina Major’s practice dialogues with identity and belonging.

Presenting the art-making process as performance, Studio Infinity at Japan Society heralds a total embrace of popular imageries.

An artist, model, and art director discusses her site-specific practice and interdisciplinary adventures.

The 1964 film sacrificed Eliza Doolittle’s agency in George Bernard Shaw’s play Pygmalion and resorted to romance as an easy solution.

Steven Watson releases his archive of interviews with the revolutionary thinkers who shaped the avant-garde and queer culture.

The documentary A Frown Gone Mad observes a Beirut beauty salon as the shadows of the Israeli war loom over the clients’ faces.

“The answer is not deportation”: a Brazilian playwright discusses visa accessibility and artistry.