Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma
Gabori’s practice renders maps of her homeland from memory.
Separating the Art from the Artist
Lyne Lapointe transcends the self by shifting through different materials and modes of corporeality at Jack Shainman.
Le’Andra LeSeur and the Eternal Ephemerality of Suspension
“We can float,” LeSeur announces in Monument Eternal, “we don’t have to break, we don’t have to shatter.”
Images Across the Veil: Tyler Mitchell
In his first solo exhibition with Gagosian, the artist pushes the boundaries of form and challenges photographic transience.
Thiang Uk’s Contradictions in Harmony: “Shadow’s Edge” at Bureau
Tradition and mythology transcend time in Uk’s shapeshifting paintings.
Abstracting the Everyday
In Pennies from Heaven, Kianja Strobert lets us draw our own material conclusions.
Porcelain and Power: The Female Body in Jessica Stoller’s “Split”
The artist's new solo exhibition at P·P·O·W Gallery examines femininity, control, and bodily autonomy through the delicate yet defiant medium of porcelain.
My Flight Was Magnificent, but Futile
Tuan Andrew Nguyen’s latest exhibition of reclaimed bombshells and video presents a narrative of purpose, power, grace, and regenerative futures.
Teresa Solar Abboud: “Tu sombra sustituida”
In Mexico City, Teresa Solar Abboud nods at a shared biology that emerges from the soil.
Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline”
In the National American Theater Company’s Cymbeline, every rageful man is played by an Asian American woman.
Shifting /\ Gazes Defines Space
At NARS Foundation, a residency show constructs an experiential meditation.
Memory as Methodology: Ralph Lemon at MoMA PS1
According to Ralph Lemon, he’d be a better artist if he didn’t document his work.
The Contemporary Scope: A Painting Show at Alexander Berggruen
A new exhibition at Alexander Berggruen seeks to present the dynamic state of contemporary figure painting.
Visual Lineages
Reverberations: Lineages in Design History muddies the waters of design and reframes preconceptions about social change.
Review of Anne Imhof’s “DOOM: House of Hope”
Park Avenue Armory’s new commission is a series of vignettes and a study in dynamics.
Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra
Hornig’s new body of works presented in Lisbon strikes a timely chord in today’s political climate.
Stripping Down to Our Hair at 601Artspace
A.E. Chapman weaves together Black and Native histories, queer liberation, domestic labor, and gendered performance.
Amazons. The Ancestral Future
A show illuminates how the everyday work of care and guardianship, so intimately connected to Indigenous life, is itself a form of warriorhood.
Who is the hunter, who is the prey?
Kai Oh’s recent works explore self-objectification and the fragmentation of narrative in contemporary visual culture.