Metaphorical Births and Exorcisms with Elizabeth Glaessner
A studio visit with the Brooklyn-based artist on the occasion of her solo show at P·P·O·W, Running Water.
Split Bodies, Unstable Flesh
Aineki Traverso, Nkechi Ebubedike, and Shiri Mordechay confront violence, desire, and the fractured body.
“Army of Love”: An Interview with Patricia Cronin
On the occasion of her current show at CHART, Cronin discusses the power of Aphrodite and subverting accepted historical narratives.
Standouts at The Armory Show 2025
Carceral critiques to Midwestern queer spaces: five booths that stand out amid the noise.
Privacy, Labor, and the Myth of the Copy with Emma Safir
Unfolding the impossible desire to replicate and touch through layered image-making, transformed materials, and digital and physical labor.
In Conversation with Muhammad Toukhy
Collaborators Bowie Bo Gyung Kim and Muhammad Toukhy discuss audience and agency in the virtual realm.
Face to Face: August 2025
Studio visits with Sarah Martin-Nuss, Liza Jo Eilers, and Lizzy Choi.
Sceneries of Myth: In Conversation with Anh Nguyen
Playfully staged photographs examine Vietnamese cultural identity in the context of generational change and diaspora.
Specters of Queerness in “Weapons” (2025)
Zach Creggers’s Weapons offers an enticing exploration of familial dynamics and monstrous femininity. Warning: spoilers ahead.
Studio Talk with Eva Tellier
At the start of her Sculpture Space residency, ceramicist Eva Tellier talks about the marriage of her materials and the appeal of a new environment.
Ballroom Culture and Community in “Legendary Looks”
The largest retrospective of Ballroom culture to date contextualizes the lives of performers and their artistry from an inside perspective.
Carpal Bones: “De Anima”
In Louise Bonnet and Elizabeth King’s dual exhibition, a karmic regression of bodies is shown through figurative intricacies.
Where Cruelty Is a Waste of Pain
Berlinde De Bruyckere’s Khorós at Bozar casts a haunting spell of myth-made flesh.
Rethinking Landscape with “Alien Shores”
Alien Shores at White Cube Bermondsey considers landscape as a charged space where histories unfold.
No Silence Will Ever Protect You*
On Laia Estruch’s HELLO EVERYONE at the Museo Nacional Centro de Arte Reina Sofía.
Gisela McDaniel on Painting as a Communal Process
McDaniel’s mixed-media pieces examine the effects of sexual and political violence.
Illuminating Queerness through Haze and Shadow
Two San Francisco shows render intimacy and identity more clearly by turning up the opacity.