Reverberations: Lineages in Design History muddies the waters of design and reframes preconceptions about social change.

From DPOP Studios comes a foray into the intersection between generative AI and film, reimagining Dziga Vertov's iconic work in the age of AI technology.

Russian artist and dissident discusses the power of humor, music, and solidarity.

Park Avenue Armory’s new commission is a series of vignettes and a study in dynamics.

Visual artist Paulina Freifeld discusses the role of the archive in her paintings, the influence of film, and her current show.

Hornig’s new body of works presented in Lisbon strikes a timely chord in today’s political climate.

A.E. Chapman weaves together Black and Native histories, queer liberation, domestic labor, and gendered performance.

A show illuminates how the everyday work of care and guardianship, so intimately connected to Indigenous life, is itself a form of warriorhood.

The Paris-based visual artist reflects on moving from south China to France in the 1980s, speaking on identity and sense of home.

Powerhouses is open for three months, but when the show closes, we don’t stop being a Black gallery.

At CARVALHO PARK, Nicola Turner’s wool and horsehair tendrils entangle various past lives.

Kai Oh’s recent works explore self-objectification and the fragmentation of narrative in contemporary visual culture.

Subverting the relationship between the interviewer and interviewee, Phil Cai interviews Bojan Stojčić by answering questions from the artist, rendering issues of displacement reflective. 

On This Spot documentaries map women’s art history, from jazz lofts to The Kitchen. 

Floridas is an intergenerational parable, dazzling and disquieting in its truth.

A Portland-based women-owned gallery focuses on caring for the needs of their staff and artists first.

An artist on the rise, Sagarika Sundaram reflects on her evolving process and the significance of her first solo exhibition in India.

In Beijing Stories, the sculptural work of Chinese artist Liu Shiming is juxtaposed with Lois Conner’s photographs.

The painter and award-winning designer discusses how her portraits make their way into the world.

In Last Caress at Management, postmodern hyperrealism guides the viewer into an unsettling realization about the overproximity to reality.