Leslie Hewitt reveals multiplicities through process, form, and collaboration.

Reflections on CIRCUS OF LIFE, an art convening in St. Louis organized by Laura Raicovich and Counterpublic.

Notes on found-object art and one of its trailblazing practitioners, Rosalie Smith.

The artist’s debut solo exhibition in NYC is imbued with historicity and a sense of the sacred. 

Klockner stages vibrational intercourse and interrogates the objecthood of sound at SculptureCenter.

Ye Cheng and Xinran Guan’s paintings on view at LATITUDE Gallery dialogue in their playfulness.

Standout exhibitions in New York City and beyond.

Madison Square Park Conservancy presents Larry Bell’s biggest public art exhibition to date.

The third edition of Art Mumbai foregrounds care and slow looking.

Repeatedly failing to align with light at Camera Austria offered a site where light and its opposite unfold together.

A monumental installation considers deep time and human-nature connections.

From marathon running to marathon interviews, curator Charles Moore turns endurance into art, connecting voices across continents.

Gast presents a collaborative, queer and lesbian library at Nina Johnson.

Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.

He Yunchang’s performance on July 19th, 2025, stopped time and let presence take primacy.

On Kawara’s telegrams stage the banal fact of existence as a formal event.

Franko creates works that render speculative approaches to time and belonging through the lens of science fiction, afro-futurism, and archeology.

A Matter of the Invisible is a flow through the oft-disregarded material conditions of capitalism’s past and present.

Artists engage with femininity, performance, and spectacle to question how the creative act intersects with political and economic paradigms of expression.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.