The Fish that Plays the Reed Organ
Yuko Mohri’s Entanglements at Pirelli HangarBicocca animates the overlooked tchotchke.
Material as Language: In Conversation with Man Yau
The Helsinki-based artist discusses materials as modes of expression and a collective experience of “being on display and under pressure.”
Standout Booths at SPLIT LEVEL
SPLIT LEVEL is New York’s newest art fair—here are four booths to watch.
Zoe Leonard: “Display” at Maxwell Graham
At Maxwell Graham, Leonard re-presents institutional objects to destabilize both our historical and present systems of thinking and power.
Let’s Circle Back Next Quarter
An inaugural group exhibition for Alyssa Davis Gallery’s new location.
Face to Face: September 2025
Studio visits with Zorica Čolić, Biraaj Dodiya, Austin Martin White, Łukasz Stokłosa, Chris Huen Sin-Kan, Leila Seyedzadeh, and Hannah Bang.
Cut Flowers Turn Towards the Midnight Sun
Brandi Twilley’s flowers meditate on life and death at Sargent’s Daughters.
Rene Matic’s Silhouettes of Refusal
Matić transforms the photographic shadow into evidence of self.
Process as Resistance: In Conversation with Mona Bozorgi
The artist discusses her practice and ongoing series, Threads of Freedom, on view at L’Space’s current exhibition.
Sound and Land in Torkwase Dyson’s “Akua”
Colonial histories and present geographies become apparent in Dyson’s multi-channel soundscape made in collaboration with the Public Art Fund.
Horse Power: Susan Rothenberg’s Iterative Images
Hauser & Wirth's current show captures the heft and rigor of Rothenberg’s trailblazing figurative and conceptual practice.
A City in Full Chorus: Chicago Exhibition Weekend
Alongside a biennial, a book fair, and cultural festivities, CXW 2025 kicks off a new season of cultural productions.
Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood
Internet Archaeology dives deep into the whimsy and the contemplation of our shared digital youth.
Little Boy Blue: A review of “House of McQueen”
A new biographical drama tries to capture the flair of one of the fashion world’s most boundary-pushing designers.
TO HELL WITH THE GANDER: Interview with Elbert Joseph Perez
Dark humor, animal metaphors, and socio-political commentaries come together in oil.
On Refusing the Refuge of the Past
The Social Life of Small Urban Spaces (1980) offers a people- and present-centric model for strengthening community and the public in the Trump era.
Standouts at the Affordable Art Fair 2025
In an uncertain market, the Affordable Art Fair adopts new strategies to create community.
Trajal Harrell Breaks the Catwalk
In Monkey Off My Back or The Cat’s Meow at Park Avenue Armory, Harrell brings us to a runway fashion show that tries to emancipate itself.
On Digital Sensation and Rotting
Fusing personal narrative with critical analysis, Klink shows how aesthetic practice can transform digital technology into a more immersive sensory experience.
