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On a Field of Wild Glyphs
Review Eunice Lee 7/1/25 Review Eunice Lee 7/1/25

On a Field of Wild Glyphs

The 2024–25 Al Held Archives Fellow examines the mutability of linguistic signs and painterly abstraction.

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Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse”
Interview Lily Kwak 6/29/25 Interview Lily Kwak 6/29/25

Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse”

Two trans artists dig deep into their most recent collaborative exhibition staged at the Brooklyn-based gallery SPILL 180.

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Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze
Interview Xuezhu Jenny Wang 6/27/25 Interview Xuezhu Jenny Wang 6/27/25

Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze

A Finnish artist turns self-portraiture into a playground of identity and subtle rebellion.

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Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga
Interview Francisco Donoso 6/26/25 Interview Francisco Donoso 6/26/25

Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga

With tenderness and urgency, Weighted at albertz benda NY reclaims craft as a site of resistance and connection.

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“002 Fusion”: A Jest in Three Acts
Review Vinh Phu Pham 6/24/25 Review Vinh Phu Pham 6/24/25

“002 Fusion”: A Jest in Three Acts

On collaboration, caricature, and the marketability of Asian individuality.

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“Rainbird” Ascends into the Ethereal
Review Catherine Sawoski 6/22/25 Review Catherine Sawoski 6/22/25

“Rainbird” Ascends into the Ethereal

An experimental opera about death and resurrection uses music to craft a haunting sonic whole.

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Palestinian Love and American Bureaucracy in “Mo” (2022–)
Review Samuel Harwood 6/21/25 Review Samuel Harwood 6/21/25

Palestinian Love and American Bureaucracy in “Mo” (2022–)

Netflix’s Mo, written by comedians, writers, and actors Mohammed Amer and Ramy Youssef,  is a refugee story told with honesty and humor.

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A Clown Walks into the Crowd
Review Ciaran Short 6/19/25 Review Ciaran Short 6/19/25

A Clown Walks into the Crowd

In Julia Masli’s Ha Ha Ha Ha Ha Ha Ha, laughter is the foundation of building community and collective problem-solving.

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Dylan Rose Rheingold Unlocks Our Core Memories
Review Sophie Steinberg 6/18/25 Review Sophie Steinberg 6/18/25

Dylan Rose Rheingold Unlocks Our Core Memories

In Dylan Rose Rheingold’s The Blueprint at Ward Gallery, the artist reignites childhood nostalgia and play.

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Editors’ Selects: June 2025
Review Editorial Team 6/16/25 Review Editorial Team 6/16/25

Editors’ Selects: June 2025

Standout exhibitions in New York City.

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Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth
Review Mike Dressel 6/15/25 Review Mike Dressel 6/15/25

Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth

Prosperous Fools turns a nonprofit ballet into a battlefield of ego, excess, and uneasy laughs.

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BBBBBBBRYAN: Anti-Language, Anti-Painting
Review Terra Keck 6/14/25 Review Terra Keck 6/14/25

BBBBBBBRYAN: Anti-Language, Anti-Painting

Bryan Castro’s solo exhibition at D. D. D. D. shares the frustrations of communicating through the digital digestion of word and form.

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Indoctrinating Trauma and Inequality: “On Education”
Review Nina Chkareuli-Mdivani 6/12/25 Review Nina Chkareuli-Mdivani 6/12/25

Indoctrinating Trauma and Inequality: “On Education”

At Amant, thirty-five selected artists provide a deep cultural investigation into the nature of what it means to educate.

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Photography Is the Best Language
Voice Macy Castañeda Lee 6/11/25 Voice Macy Castañeda Lee 6/11/25

Photography Is the Best Language

Introducing Worlds Through Minds, a global photo collective and community-funded gallery.

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HELLO ETERNAL LOVING PRESENCE
Review Clare Gemima 6/10/25 Review Clare Gemima 6/10/25

HELLO ETERNAL LOVING PRESENCE

Seven graduating artists present standout works in the 2025 Hunter MFA Thesis Show.

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Learning to Fly with Ester Petukhova
Interview Victoria Reshetnikov 6/8/25 Interview Victoria Reshetnikov 6/8/25

Learning to Fly with Ester Petukhova

A post-Soviet artist fills the gaps of New York’s archive of Brighton Beach with her second book, Little Odessa.

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Celeste Talks DIY Attitudes and Mexican Hospitality 
Interview Meinzer 6/7/25 Interview Meinzer 6/7/25

Celeste Talks DIY Attitudes and Mexican Hospitality 

Artist duo Celeste welcomes collaboration and site specificity in their work.

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You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz
Review Victoria Reshetnikov 6/5/25 Review Victoria Reshetnikov 6/5/25

You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz

Muñoz’s new show at Olympia investigates nostalgia and American soft power through the looking glass of popular culture.

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The “Structured Freedom” of Designer Panny Chayapumh
Interview Molly MacGilbert 6/4/25 Interview Molly MacGilbert 6/4/25

The “Structured Freedom” of Designer Panny Chayapumh

An interview with Chayapumh unveils the designer’s journey between Bangkok, Sydney, and New York.

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Z.T. Nguyen: “Facts Are Bigger in the Dark”
Review Anh Dao Ha 6/3/25 Review Anh Dao Ha 6/3/25

Z.T. Nguyen: “Facts Are Bigger in the Dark”

The artist’s solo exhibition mythologizes transience, desire, pain, and what it means to be on the precipice of something.

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