From marathon running to marathon interviews, curator Charles Moore turns endurance into art, connecting voices across continents.

Reissig reimagines sculpture as a language of containment, where care, labor, and translation converge in material form.

He Yunchang’s performance on July 19th, 2025, stopped time and let presence take primacy.

On Kawara’s telegrams stage the banal fact of existence as a formal event.

Franko creates works that render speculative approaches to time and belonging through the lens of science fiction, afro-futurism, and archeology.

A Matter of the Invisible is a flow through the oft-disregarded material conditions of capitalism’s past and present.

Artists engage with femininity, performance, and spectacle to question how the creative act intersects with political and economic paradigms of expression.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.

Studio visits with Adam Shiu-Yang Shaw, Alex Schmidt, Esvin Alarcón Lam, and Benjamin Langford.

Two years since its opening in Bushwick, Living Skin takes on a new hybrid form in Chinatown.

A new art fair by gallerist Brigitte Mulholland foregrounds access, genuine relationships, and shared vision.

It Was Just an Accident speaks directly to the Iranian regime: a work that is both a dynamic political act and a philosophical inquiry into power, punishment, and divine absence.

Anna de Castro Barbosa’s sculptures render intimacy porous and estranged, resisting transparency while bearing desire’s traces.

Standouts at Frieze London, Minor Attractions, and Echo Soho.

Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.

Esther Gatón creates a porous space where matter, memory, and meaning gently collide.

Obsesión! Labor as Pleasure asks the harder questions without abandoning delight.

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Queering site-specificity in P. Staff’s Possessive.

On the occasion of their current exhibition, Perera discusses diasporic mythology, protective jewelry, and alternate dimensions.