In Beijing Stories, the sculptural work of Chinese artist Liu Shiming is juxtaposed with Lois Conner’s photographs.

“I feel connected to these struggles”: a Detroit-based artist honors Black history via sculpture.

Recently featured in Phaidon Press’s Great Women Sculptors, Anina Major’s practice dialogues with identity and belonging.

Bodzy’s sculptures grapple with societal expectations and beauty standards through experimental materiality.

Leading up to the election, Nobles brings a poignant voice to the discourse around reproductive rights, gender, and sexuality.

A lens-based artist extends images into the three-dimensional space to create memory-scapes.

Yellow Earth by Michael Wang presents the ethically ambiguous relationship between humans and uranium.

Providentia at High Noon Gallery vined an exploration of natural sexuality, universal evolution, and divinity.

To mother is to be in alchemy with the universe to generate lifeforce. How then, could its volumes be contained with language?

Falling asleep thinking about Tolia, I hear a phrase: “Every parting surface is another entrance unfulfilled.”

At Picture Theory, Lauren Clay’s exhibition Love Feast indulges viewers in a dreamland within reach.

"I wanted to reference the body as being, in some ways, kind of wild—like we're trying to domesticate these things that we live in," Havekost explains.

At Hauser & Wirth 22nd Street, Eva Hesse: Five Sculptures concerns the artist’s mature period, which she realized in the last five years of her life.

Artist Chellis Baird discusses two new projects and her patient approach to her craft.