60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle
The 1964 film sacrificed Eliza Doolittle’s agency in George Bernard Shaw’s play Pygmalion and resorted to romance as an easy solution.
Monstrosity as Symptom in Celine Song’s “Family”
In a site-specific work by the Past Lives creator, surrealism and incest are the only options.