Nia discusses immigration, juggling painting and parenthood, and the memories of a currently inaccessible life and family in Iran.  

The Open Venus at Latitude Gallery embodies the abject realities of bodily transformation.

There is no place at Tina Kim Gallery explores viewership, obscurity, and reflexivity.

Gegenheimer’s ten-painting show suggests that time is less a series of separate instances and more a pattern of experience.

Artist Paree Rohera talks about the importance of hair as the first garment to the skin, alongside Indian patterns that inform her practice.

Figueroa St. Paintings at EUROPA elicits repose and meditation.

Singh’s vision traverses Indian art history, Odissi dance, and Hindustani classical music, framed by reveries of Punjab’s topographical landscapes.

Inspired by the Hindi movie industry’s Golden Era and the early 2000s, Chaturvedi creates glistening works that are playful and emotive.

A California-based painter explores his memory, feeling, and imagination in his solo show at Scroll NYC. 

At Zepster Gallery, bodies are suspended in varying states of metamorphosis and disintegration.

Liftin unpacks how his work manipulates object-image relationships and inhibits the viewer’s direct access to a world of optical illusions.

Rintsch’s figures, which she boxes into tight-cropped frames, possess a feeling of existential confusion and youthful dread.

A lot of international students’ homes look like showrooms at Target and IKEA. It’s because we don't know for how long we will be here. A $20 lamp is good enough.

Tompkins reexamines imagery meant for male self-pleasure, juxtaposing them with insults and violent rhetoric against women.