At CARVALHO PARK, Nicola Turner’s wool and horsehair tendrils entangle various past lives.

Kai Oh’s recent works explore self-objectification and the fragmentation of narrative in contemporary visual culture.

Subverting the relationship between the interviewer and interviewee, Phil Cai interviews Bojan Stojčić by answering questions from the artist, rendering issues of displacement reflective. 

On This Spot documentaries map women’s art history, from jazz lofts to The Kitchen. 

Floridas is an intergenerational parable, dazzling and disquieting in its truth.

A Portland-based women-owned gallery focuses on caring for the needs of their staff and artists first.

An artist on the rise, Sagarika Sundaram reflects on her evolving process and the significance of her first solo exhibition in India.

In Beijing Stories, the sculptural work of Chinese artist Liu Shiming is juxtaposed with Lois Conner’s photographs.

The painter and award-winning designer discusses how her portraits make their way into the world.

In Last Caress at Management, postmodern hyperrealism guides the viewer into an unsettling realization about the overproximity to reality.

Wilding’s symbology conflates natural and human worlds, suggesting our synchrony and shared fate.

Guadagnino’s 2024 film is a surreal presentation of eroticism, obsession, and loneliness.

Jane Lombard Gallery’s new initiative, JLG Projects, zooms in on Sam Dienst’s fascination with the cartoon aesthetic.

The rare corpse flower blooms at the Brooklyn Botanic Garden.

One could say that Ana Jotta made a single letter in the alphabet her own, but also that she already lost her name to it.

Behind the scenes of Langit Lupa, four decades after the Escalante Massacre.

British writer-artist Susan Finlay squares in on a precarious life in the art world in this wry anti-memoir.

Catching up with the celebrated filmmaker/actress on the cusp of her forthcoming feature film, Moonglow.

Condo explores the intersection of artistic freedom and political constraint, speaking to a zeitgeist of tension and uncertainty. 

Cooper Hewitt’s triennial exhibit, MAKING HOME, is a righteous reminder of the corruption, history, and love within its walls.