Falling asleep thinking about Tolia, I hear a phrase: “Every parting surface is another entrance unfulfilled.”

In Philadelphia, BlackStar celebrates its 13th edition, spotlighting Black and Brown filmmakers.

A lot of international students’ homes look like showrooms at Target and IKEA. It’s because we don't know for how long we will be here. A $20 lamp is good enough.

Tompkins reexamines imagery meant for male self-pleasure, juxtaposing them with insults and violent rhetoric against women.

Christina Barrera presents her politically engaged work in her first solo exhibition in NYC at MAMA Projects.

At Arsenal Contemporary, gaoyuan makes curatorial experimentations in the group show Theater of Energies.

“I listen to music through my eyes. I want my ballets to be music for the eyes.” – Bronislava Nijinska

There is not one United States, but many, which coexist, overlap, and contradict each other.

Julio Anta and Jacoby Salcedo talk about the conception of Frontera and an upcoming DC project.

The Azerbaijan-born, Berlin-based Genderfuck drag queen shares a journey of change, empowerment, and taking up space.

Hana Miletić’s weavings are beautiful and complex, but deserve context.

The O1 visa gives you an opportunity to look back and reflect every three years, making you ask, “What was my progress?”

Artists take inspiration from the imperial-era gobi to present thoughtful storytelling around collective histories and known rituals.

The only pictures on the wall are portraits of people unrelated to the family, and oil paintings of unknown provenance.

For Rho, the ocean is a temple — “Ebbs and Flows,” then, is a spiritual space that oozes with a quality of surrender.

At Picture Theory, Lauren Clay’s exhibition Love Feast indulges viewers in a dreamland within reach.

Theater director Yibin Wang (b. Hangzhou, China) talks about self-realization and the rhythm of his creative journey.

"I wanted to reference the body as being, in some ways, kind of wild—like we're trying to domesticate these things that we live in," Havekost explains.

At Hauser & Wirth 22nd Street, Eva Hesse: Five Sculptures concerns the artist’s mature period, which she realized in the last five years of her life.

Artist Chellis Baird discusses two new projects and her patient approach to her craft.