Tamara de Lempicka receives her first major U.S. exhibition at San Francisco’s De Young Museum.

What does it mean to be a monster? Lauren Elkin asks this in her latest nonfiction book, Art Monsters: Unruly Bodies in Feminist Art (2023).

Everything is freely given, but nothing is made easy in Refashioning: CFGNY & Wataru Tominaga, a joint exhibition on view at the Hammer Museum in Los Angeles.

Born in Bulgaria and having moved to Berlin, Germany to study art at the age of 18, Marta Djourina speaks about travel, immigration, longing, and nostalgia.

Everyone in New York has biceps ≠ Every New Yorker has biceps.

And now you do too.

She had often touched a reflection of herself in the hallway mirror. Sometimes when she ran by it, it wasn’t there. But if she stopped, she could see the whole clear outline of herself.

Lebanese artist Omar Mismar speaks with Gabriele Di Donfrancesco about queerness, foreignness, and the political dimension of art.

Following the screening of Saab’s Beirut Trilogy at FICUNAM in Mexico City, Samuel Harwood spoke with Jinane Mrad, the Association’s Secretary and Deputy Director of Restoration.

“Why does everyone like the fire drill so much?” I asked.

She looked at me, smiling happily, and she continued to rock side to side. “When the bombs fall, there is no warning.”

I have a condition referred to as functional neurological disorder (FND). Upon its onset some years ago, while I was a full-time acrobatic circus student training 4-8 hours a day, 5 days a week, it functionally ruined my life. It is a type of dissociative disorder that manifests through physical symptoms similar to epileptic seizures.

At Deli Gallery, Brianna Rose Brooks blends memories with sentiments of Black intimacy and vulnerability, exploring fiction and the beautiful messiness of existence.

There is always space for endless possibilities, but there is only enough space in a lifetime for one path of living.

Artists Anoushka Bhalla, Wen-You Cai, Benny Or, Roxane Revon, Nicolas Tovar, and Chengtao Yi have each contributed a piece of themselves to the basement of Cinema Supply, in an exhibition that centers on vulnerability, family history, and memory.

It is difficult to find a purer form of documentary than the Beirut Trilogy, which fulfills exactly the promise of the medium’s name. The three films document glimpses of the life of a cosmopolitan city – once known as “the Paris of the Middle East.”

Argentine artist Alejandra Seeber presents her first solo exhibition and career survey in New York City, Interior with Landscapes, at the Americas Society (AS/COA).

I Am Me is about celebrating Modersohn-Becker’s singularity, desires, and personhood.

In the Argentinian farmlands, distant flashes of lightning are sometimes attributed to “wandering souls” in popular mythology. Saints hang on walls, flickering lights seem to speak, and even exaggerated sneezes seem preordained.

You’re not basic. You’re shabby chic.

It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.

In her incredibly well researched book, Strasser tries to make sense of Oak Ridge's complicated past, as it transformed a place of nature and stability into a source of man-made, unstable destruction.