Gast presents a collaborative, queer and lesbian library at Nina Johnson.

He Yunchang’s performance on July 19th, 2025, stopped time and let presence take primacy.

On Kawara’s telegrams stage the banal fact of existence as a formal event.

A Matter of the Invisible is a flow through the oft-disregarded material conditions of capitalism’s past and present.

Artists engage with femininity, performance, and spectacle to question how the creative act intersects with political and economic paradigms of expression.

Nickola Pottinger’s “duppies” haunt and heal in her first museum solo show.

A new art fair by gallerist Brigitte Mulholland foregrounds access, genuine relationships, and shared vision.

It Was Just an Accident speaks directly to the Iranian regime: a work that is both a dynamic political act and a philosophical inquiry into power, punishment, and divine absence.

Anna de Castro Barbosa’s sculptures render intimacy porous and estranged, resisting transparency while bearing desire’s traces.

Standouts at Frieze London, Minor Attractions, and Echo Soho.

Chiharu Shiota’s latest solo exhibition is a compelling exploration of her fraught relationship with the notion of home.

Esther Gatón creates a porous space where matter, memory, and meaning gently collide.

Obsesión! Labor as Pleasure asks the harder questions without abandoning delight.

Li’s solo exhibition is a meditation on decision paralysis, the illusion of choice, and the defiance of slowing down in a world that demands speed.

Queering site-specificity in P. Staff’s Possessive.

In his eighth exhibition with Greg Kucera Gallery, Tennis blurs the line between the real and the imagined.

Standout exhibitions in New York City and beyond.

From New York to Puerto Rico, Ruben Natal-San Miguel’s imagery makes monuments of lives and landscapes often overlooked.

A Review of Luke Agada at Monique Meloche Gallery and Bethany Collins at Patron Gallery.

Intangible and elusive sensations made visible in Zurier’s Pink Dust at Peter Blum Gallery.