Claudia Hart’s newest solo exhibition offers profundity and transcendence in an era of speed and distraction.

Demolition becomes a generative force in Jackie Castillo’s new exhibition at the ICA LA, Through the Descent, Like the Return.

Highlight fairs of New York Art Week.

Frieze 2025 had its spectacles, but the most urgent works were grounded, exacting, and unwilling to play nice.

Independent’s sixteenth iteration hits New York—here are five booths to watch.

Sehnsucht, at its core, is a complex mix of longing, yearning, and craving for something unattainable or ideal.

A solo exhibition at 5-50 Gallery compresses time, accelerating natural cycles from decay to fertile ground.

Teresa Baker’s solo exhibition ruminates on the experience and memory of landscape through its inextricable ties to modern artificiality.

Metropoli navigates the complexities of urban life across two cities.

The solo exhibition Are We Still (Surfing)? subverts technology to reflect on our digital habits.

Lazard connects the modern healthcare system’s treatment of Black women to postmodern philosophical commentary.

Sculptures made of crystals, porcelain, and poetry outline german’s process of spirituality and vulnerability.

Ramón Saturnino’s first solo exhibition approximates the architecture of the Mexico-USA border.

Highlight exhibitions in New York City and beyond.

At All Street Gallery, Annu Yadav’s solo show, Gold God Meat, dazzles audiences with ritual, rupture, and reclamation.

Curses and spirits embed themselves in Emma Rose Schwartz’s new exhibition at Derosia.

Files boxes labeled with lesbian innuendos begin our surreal and sensual trip through the queer archives.

In exploring metamorphosis as a bio-social constant, the artist blurs the line between body and objecthood.

A group exhibition at Murmurs LA maps feminist ecologies as envisioned by nine female artists.

Lustrous, ephemeral, and mysterious velvet reliefs subtly reveal the ambiguous spaces between reality, memory, and feeling.