“The answer is not deportation”: a Brazilian playwright discusses visa accessibility and artistry.

“It’s a purgatory work permit”: artist and curator Francisco Donoso on DACA, text-based work, and transformation.

Bhalla opens up about the intersection between art and immigration and the resilience it takes to sustain a global creative career.

Singh’s vision traverses Indian art history, Odissi dance, and Hindustani classical music, framed by reveries of Punjab’s topographical landscapes.

Chinese interdisciplinary artist discusses heritage, community-building, and diplomatic reciprocity.

Mongolian theatre artist explains what it's like to be a "third-culture kid" and "anchor baby."

Taiwanese-born artist examines displacement and assimilation using community-engaged practices and public art.

There is not one United States, but many, which coexist, overlap, and contradict each other.

Julio Anta and Jacoby Salcedo talk about the conception of Frontera and an upcoming DC project.

The O1 visa gives you an opportunity to look back and reflect every three years, making you ask, “What was my progress?”

Everything is freely given, but nothing is made easy in Refashioning: CFGNY & Wataru Tominaga, a joint exhibition on view at the Hammer Museum in Los Angeles.

Born in Bulgaria and having moved to Berlin, Germany to study art at the age of 18, Marta Djourina speaks about travel, immigration, longing, and nostalgia.

“Why does everyone like the fire drill so much?” I asked.

She looked at me, smiling happily, and she continued to rock side to side. “When the bombs fall, there is no warning.”

Meet Atreya Mathur, the Director of Legal Research at the Center for Art Law, immigrant, and art lover.