Chinese interdisciplinary artist discusses heritage, community-building, and diplomatic reciprocity in the context of immigration.

Mongolian theatre artist explains what it's like to be a "third-culture kid" and "anchor baby."

Taiwanese-born artist examines displacement and assimilation using community-engaged practices and public art.

There is not one United States, but many, which coexist, overlap, and contradict each other.

Julio Anta and Jacoby Salcedo talk about the conception of Frontera and an upcoming DC project.

The O1 visa gives you an opportunity to look back and reflect every three years, making you ask, “What was my progress?”

Theater director Yibin Wang (b. Hangzhou, China) talks about self-realization and how the O1 visa application process impacts the rhythm of his creative journey.

Everything is freely given, but nothing is made easy in Refashioning: CFGNY & Wataru Tominaga, a joint exhibition on view at the Hammer Museum in Los Angeles.

Born in Bulgaria and having moved to Berlin, Germany to study art at the age of 18, Marta Djourina speaks about travel, immigration, longing, and nostalgia.

“Why does everyone like the fire drill so much?” I asked.

She looked at me, smiling happily, and she continued to rock side to side. “When the bombs fall, there is no warning.”

Meet Atreya Mathur, the Director of Legal Research at the Center for Art Law, immigrant, and art lover.