A California-based painter explores his memory, feeling, and imagination in his solo show at Scroll NYC. 

Curator Irene Gong is gaining attention for her ambitious and dynamic curatorial projects.

At Zepster Gallery, bodies are suspended in varying states of metamorphosis and disintegration.

To mother is to be in alchemy with the universe to generate lifeforce. How then, could its volumes be contained with language?

Rintsch’s figures, which she boxes into tight-cropped frames, possess a feeling of existential confusion and youthful dread.

A public art project wants you to imagine the future of Rome through vaporwave aesthetics, a feminist fountain, and an existential safari, among others.

Falling asleep thinking about Tolia, I hear a phrase: “Every parting surface is another entrance unfulfilled.”

Tompkins reexamines imagery meant for male self-pleasure, juxtaposing them with insults and violent rhetoric against women.

Christina Barrera presents her politically engaged work in her first solo exhibition in NYC at MAMA Projects.

At Arsenal Contemporary, gaoyuan makes curatorial experimentations in the group show Theater of Energies.

“I listen to music through my eyes. I want my ballets to be music for the eyes.” – Bronislava Nijinska

Hana Miletić’s weavings are beautiful and complex, but deserve context.

Artists take inspiration from the imperial-era gobi to present thoughtful storytelling around collective histories and known rituals.

At Hauser & Wirth 22nd Street, Eva Hesse: Five Sculptures concerns the artist’s mature period, which she realized in the last five years of her life.

Tamara de Lempicka receives her first major U.S. exhibition at San Francisco’s De Young Museum.

Everything is freely given, but nothing is made easy in Refashioning: CFGNY & Wataru Tominaga, a joint exhibition on view at the Hammer Museum in Los Angeles.

At Deli Gallery, Brianna Rose Brooks blends memories with sentiments of Black intimacy and vulnerability, exploring fiction and the beautiful messiness of existence.

Artists Anoushka Bhalla, Wen-You Cai, Benny Or, Roxane Revon, Nicolas Tovar, and Chengtao Yi have each contributed a piece of themselves to the basement of Cinema Supply, in an exhibition that centers on vulnerability, family history, and memory.

I Am Me is about celebrating Modersohn-Becker’s singularity, desires, and personhood.

It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.