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  <url>
    <loc>https://impulsemagazine.com/symposium</loc>
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    <lastmod>2026-04-02</lastmod>
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  <url>
    <loc>https://impulsemagazine.com/symposium/at-fool-capacity-pat-oleszkos-lexicon-of-misbehavior</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-02</lastmod>
    <image:image>
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      <image:title>Home - At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Pat Oleszko: Fool Disclosure, SculptureCenter, New York, 2026, installation view. Courtesy the artist and David Peter Francis, New York. Image courtesy SculptureCenter, New York. Photography: Charles Benton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9e380020-3e6d-44db-a28c-b7b0d606330d/%282%29+miss+ill+culster.jpeg</image:loc>
      <image:title>Home - At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Pat Oleszko: Fool Disclosure, SculptureCenter, New York, 2026, installation view. Courtesy the artist and David Peter Francis, New York. Image courtesy SculptureCenter, New York. Photography: Charles Benton. Works (left to right): WarUSaurUs, 2007. Nylon and blower, 7 ½ x 11 x 7 feet (229 x 335 x 213 cm). Courtesy the artist and David Peter Francis, New York. General Dismay, 2007. Nylon and blower, 4 x 3 ½ x 10 feet (122 x 107 x 305 cm). Courtesy the artist and David Peter Francis, New York. Miss Ill Cluster, 2007. Nylon and blower, 8 x 6 x 6 feet (244 x 183 x 183 cm). Courtesy the artist and David Peter Francis, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/554b7a84-9bcb-4f1b-aaca-4e7b9a35c6ff/%284%29+hallway.jpeg</image:loc>
      <image:title>Home - At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Pat Oleszko: Fool Disclosure, SculptureCenter, New York, 2026, installation view. Courtesy the artist and David Peter Francis, New York. Image courtesy SculptureCenter, New York. Photography: Charles Benton. Works depicted: Rrose, 1989. Fabric, fiberfill, wire, artificial roses, and Velcro, 80 x 30 x 36 inches (203.2 × 76.2 × 91.4 cm). Courtesy the artist and David Peter Francis, New York. Big Pussy, 1989. Nylon and blower, 13 x 4 x 11 feet (396 x 122 x 335 cm). Courtesy the artist and David Peter Francis, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5d150c0e-1caa-4e98-bd52-04a0e9754a17/%283%29rrose+and+big+pussy.jpeg</image:loc>
      <image:title>Home - At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Pat Oleszko: Fool Disclosure, SculptureCenter, New York, 2026, installation view. Courtesy the artist and David Peter Francis, New York. Image courtesy SculptureCenter, New York. Photography: Charles Benton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21c46c03-33b0-43a9-885d-24e856fe2a5e/%285%29+fall+of+democracy.jpg</image:loc>
      <image:title>Home - At Fool Capacity: Pat Oleszko’s Lexicon of Misbehavior&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Pat Oleszko, The Fall of Democracy, 2025. Fabric, polyester, artificial leaves, and parchment. Hat: 15 x 11 ¼ x 12 inches (38 x 28.6 x 30); Each bracelet: 6 ½ x 10 x 6 ½ inches (16.5 x 25 x 16.5 cm).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-march-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bc452317-999e-41f7-befa-e879faa41f69/Portrait+of+Afra_By_Rachele_Salvioli.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Afra Al Dhaheri. Photography by Rachele Salvioli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec7ddccc-a66b-428a-99f1-bd439ba0ba71/Afra+Al+Dhaheri%2C+Dining+East+or+West%2C+2016.jpg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Afra Al Dhaheri, Dining East or West, 2016. Glass, ceramic, cement, and cinderblocks, Installation: Dimensions variable. Courtesy the Artist and Green Art Gallery, Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e366371-163c-46e3-8dc1-4ea390c85aee/Portrait+of+the+artist%2C+Corinne+Botz.+Credit-+David+La+Spina_Esto.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Corinne Botz. Photography by David La Spina/Esto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/63fe5e23-e65e-4a4c-b88f-7ec1d697ba93/Building+Manager.+%C2%A9+Corinne+Botz+_+Saint+Lucy+Books.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Building Manager. © Corinne Botz / Saint Lucy Books.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cff2a137-634b-4b73-b5b9-a2005a91684a/Tiantian+Lou%2C+2026.+Image_+Jeff+Yinong+Tao.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Tiantian Lou. Photography by Jeff Yinong Tao.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d117ed72-d017-4e33-91db-1392e43b1fc8/Joan_Studio+Portrait.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Joan Snitzer, in her studio, March 2026. Photography by Meinzer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4537ff8d-0fc9-4d01-975e-ff7219daec14/Carefully+Constructed+Install+Shot.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Installation shot of Joan Snitzer: Carefully Constructed, A.I.R, 2026. Photography by Matthew Sherman. Courtesy A.I.R.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28c0ae3e-4975-4814-b131-b855002fa053/_MGL5671-FINAL.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Alina Tenser, 2025. Photo by Willy Somma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8fcb5af0-3083-433f-bf1a-812123d73c50/20260224_SEPTEMBER-04v1_PLH+%281%29.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Alina Tenser in Circuit Meander, 2026. Courtesy of September Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d1b32ce-0c7e-441c-b954-b67dd1dc8afb/Portrait_01+Raheel+Khan_Studio+Landscape.jpeg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Raheel Khan, in his studio. Courtesy of the artist. Photo by Carmen Gray.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff7c9dca-1659-47b4-9d32-90cc9a86a7b9/Work_01_Flood%2C+2025%2C+Installation%2C+Nottingham+Contemporary.jpg</image:loc>
      <image:title>Home - Face to Face: March 2026 - Make it stand out</image:title>
      <image:caption>Installation View: Raheel Khan, Flood, 2025. Nottingham Contemporary, UK. Courtesy of the artist. Photography by Jade Vowles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tethering-the-earth-roksana-pirouzmand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b71cfb6-ce2e-4427-9ea4-5923c179d50e/Roksana+Pirouzmand+standing+with+Wave%2C+2026.+photo+credit+Sylvain+Tron+-+5+%281%29.jpg</image:loc>
      <image:title>Home - Tethering the Earth: Roksana Pirouzmand - Make it stand out</image:title>
      <image:caption>Roksana Pirouzmand, artist with Wave, 2026. Ceramic, steel, contact mic, dimensions variable.  Photo courtesy of Sylvain Tron.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/96ada8af-6037-48a7-a5a8-f2592d54ecb6/Roksana+Pirouzmand_OxyArts_Land_photo+credit+Gina+Clyne.jpg</image:loc>
      <image:title>Home - Tethering the Earth: Roksana Pirouzmand - Make it stand out</image:title>
      <image:caption>Roksana Pirouzmand, Land, 2026. Ceramic, steel, contact mic, dimensions variable. Photo courtesy of Gina Clyne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/11840a36-6185-4195-9d86-ffd759d58764/Roksana+Pirouzmand_OxyArts_Wave+detail_photo+credit+Gina+Clyne.jpg</image:loc>
      <image:title>Home - Tethering the Earth: Roksana Pirouzmand - Make it stand out</image:title>
      <image:caption>Roksana Pirouzmand, detail of Wave, 2026. Ceramic, steel, contact mic, dimensions variable. Photo courtesy of Gina Clyne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e98f9dac-f583-4669-b2d6-770e2449bf61/Kneeling%2C+Sinking%2C+2025-2026.+Photo+by+Evan+Walsh+2..jpg</image:loc>
      <image:title>Home - Tethering the Earth: Roksana Pirouzmand - Make it stand out</image:title>
      <image:caption>Roksana Pirouzmand, kneeling, sinking, 2025. Ceramic, steel, patina, and sound exciter. 20 x 8 x 12.5 inches. Photo Courtesy of Evan Walsh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a28418bd-7328-4beb-89f4-a844590c883d/spring%2C+2025-26.+Photo+by+Evan+Walsh.jpg</image:loc>
      <image:title>Home - Tethering the Earth: Roksana Pirouzmand - Make it stand out</image:title>
      <image:caption>Roksana Pirouzmand, spring, 2025–26. Ceramic, steel, water, water pump, 72 x 32 x 36 inches. Photo Courtesy of Evan Walsh.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ae55b99-533e-4f1f-afd3-5abb69c2d26a/Roksana+Pirouzmand_OxyArts_photo+credit+Gina+Clyne-2.jpg</image:loc>
      <image:title>Home - Tethering the Earth: Roksana Pirouzmand - Make it stand out</image:title>
      <image:caption>Installation view of Roksana Pirouzmand: everything was once something else, OXY ARTS, 2026. Photo courtesy of Gina Clyne.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-story-is-that-which-remains-after-the-fact</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd01f8fe-99b5-4549-8e3e-dad258dc8bca/ISOLDE_ISOLDE_9.jpeg</image:loc>
      <image:title>Home - A Story is That Which Remains After the Fact - Make it stand out</image:title>
      <image:caption>Installation view, Isolde, Isolde, Isolde, New York, 2026. Courtesy of Isolde. Photo by Jonathan Leib.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71b5a3cf-1d10-4362-ba88-8ab8e77ab585/ISOLDE_ISOLDE_20.jpg.jpeg</image:loc>
      <image:title>Home - A Story is That Which Remains After the Fact - Make it stand out</image:title>
      <image:caption>Installation view, Isolde, Isolde, Isolde, New York, 2026. Courtesy of Isolde. Photo by Jonathan Leib.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0d6f3c2-bd88-4b21-8920-57d62c2fab62/ISOLDE_ISOLDE_17.jpeg</image:loc>
      <image:title>Home - A Story is That Which Remains After the Fact - Make it stand out</image:title>
      <image:caption>Christopher Gambino, Madame steps out onto the balcony at two in the morning, 2025. Trays, glasses, shoes, 20 x 20 x 8 inches. Courtesy of Isolde. Photo by Jonathan Leib.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab42d14f-2269-4db0-aca8-39aa4a64a070/ISOLDE_ISOLDE_%5BPraise_Fuller%5D_2.jpeg</image:loc>
      <image:title>Home - A Story is That Which Remains After the Fact - Make it stand out</image:title>
      <image:caption>Praise Fuller, The Weight of Wholeness Is No Trifling Matter, 2026. Cyanotype on silk, canvas, ceramic, glass candle holders; cyanotype solution in holy water vessel; cyanotype on book cover; found table; synthetic braiding hair; wax, water, salt, calla lily, kiwi branch, dimensions variable. Courtesy of Isolde. Photo by Jonathan Leib.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3add3b91-1a60-42c8-883c-fa905c99625b/ISOLDE_ISOLDE_%5BWeihui_Lu%5D_2.jpeg</image:loc>
      <image:title>Home - A Story is That Which Remains After the Fact - Make it stand out</image:title>
      <image:caption>Weihui Lu, The Grove, 2026. Handmade paper (bamboo, alpaca, gingko leaf, and hemp fiber), wood, photograph, dimensions variable. Courtesy of Isolde. Photo by Jonathan Leib.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-play-gravity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7aa1fedd-e6f7-4bc7-952a-b7d8c2c9f99e/202601104+-+KM+Yirui+Jia-5.jpg</image:loc>
      <image:title>Home - Feathers and Bones - Make it stand out</image:title>
      <image:caption>Installation view of Yirui Jia: Play Gravity. Courtesy of the artist and Kiang Malingue. Photo by Samson Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/500d4e97-7fa5-458e-a9af-583c0aae7b61/KM6278-1.jpg</image:loc>
      <image:title>Home - Feathers and Bones - Make it stand out</image:title>
      <image:caption>Yirui Jia, Picnic, 2025. Acrylic on canvas, 216 x 244 cm; 85 x 96 in. Courtesy of the artist and Kiang Malingue. Photo by Samson Wong.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da8a0312-aa80-44b0-847f-c5786e6f20aa/KM6299-1.jpg</image:loc>
      <image:title>Home - Feathers and Bones - Make it stand out</image:title>
      <image:caption>Yirui Jia, Atlas 3, 2025. Acrylic on paper, 60.5 x 72.8 cm; 23 ⅞ x 28 ⅝ in (framed). Courtesy of the artist and Kiang Malingue. Photo by Samson Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4ae12035-6257-4623-af0d-c9828122f07f/KM6286-1.jpg</image:loc>
      <image:title>Home - Feathers and Bones - Make it stand out</image:title>
      <image:caption>Yirui Jia, Owl’s Stare, 2025. Acrylic on canvas, 135 x 117 cm; 53⅛ x 46 in. Courtesy of the artist and Kiang Malingue. Photo by Samson Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a43657c4-9066-4a43-9298-00f0dd45db17/202601104+-+KM+Yirui+Jia-16.jpg</image:loc>
      <image:title>Home - Feathers and Bones - Make it stand out</image:title>
      <image:caption>Installation view of Yirui Jia: Play Gravity. Courtesy of the artist and Kiang Malingue. Photo by Samson Wong.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/structures-of-waiting-pictures-from-a-controlled-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8542ac6d-109a-43f5-836c-111a7b55f271/LilyLi_The+One+Who+Walked+Away.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, The One Who Walked Away (2025). Watercolor, colored pencil, marker, and rice paper on gessoed wood panel, 14 × 44 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a0417da-3a13-4611-904f-5f760ed15c4b/LilyLi_Dinner+For+Waitresses.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Dinner For Waitresses (2025). Watercolor, colored pencil, marker, and rice paper on gessoed wood panel, 14 × 22 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/936fe837-d550-46be-bd9e-058a45ba96a1/LilyLi_Capture.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Capture (2025). Watercolor, colored pencil, marker, and rice paper on gessoed wood panel, 14 × 22 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/70565a34-f0e9-4c58-be50-2a3af23d2fb2/LilyLi_Escape.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Escape (2025). Watercolor, colored pencil, marker, and rice paper on gessoed wood panel, 14 × 22 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ccb3348c-0311-4414-bf03-62bb79531016/LilyLi_Run.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Run (2025). Watercolor, colored pencil, marker, and gessoed wood panel, 14 × 22 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a8de039-cf53-4035-a74c-cbcf60a4e4de/LilyLi_Trapped.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Trapped (2025). Watercolor, colored pencil, marker, and gessoed wood panel, 11 × 14 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/25e5def2-c15a-4e34-91ba-f4fd9aaff04d/LilyLi_Up+%26Down.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Up &amp; Down (2025). Watercolor, colored pencil, marker, and rice paper on gessoed wood panel, 14 × 22 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff24f55a-a334-4928-9090-356e8e1cdff1/LilyLi_Look+into+that+future.jpg</image:loc>
      <image:title>Home - Structures of Waiting: Pictures from a Controlled World - Make it stand out</image:title>
      <image:caption>Lily Li, Look Into the Future (2025). Watercolor, colored pencil, marker, and rice paper on gessoed wood panel, 14 × 22 inches. From the series Northbound. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/aaf-spring-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3fc4af39-117e-4c51-bc6c-608e78bca12e/Screenshot+2026-03-26+at+9.59.21%E2%80%AFPM.png</image:loc>
      <image:title>Home - Material Shifts at The Affordable Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Kayla Dantz, Grandma’s Backyard, Summer. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b3faca51-b34f-4404-a383-b24f0fe5af08/Florenico+Lennox+Campello_Alida+Anderson+Art+Projects.jpg</image:loc>
      <image:title>Home - Material Shifts at The Affordable Art Fair 2026 - Make it stand out</image:title>
      <image:caption>The work of Florencio Lennox Campello on view at the booth of Alida Anderson Art Projects. Photo by Anna Carlson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/351cb1a5-3499-4cca-9a4f-86dc957d901e/Yuan+Lin_Kai+Gallery.jpg</image:loc>
      <image:title>Home - Material Shifts at The Affordable Art Fair 2026 - Make it stand out</image:title>
      <image:caption>The work of Yuan Lin on view at the booth of Kai Gallery. Photo by Anna Carlson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5d91a478-1129-4f1b-8624-9353f9b66db7/Sasi+Kladpetch_Themes+and+Projects.jpg</image:loc>
      <image:title>Home - Material Shifts at The Affordable Art Fair 2026 - Make it stand out</image:title>
      <image:caption>The work of Sasi Kladpetch presented at Themes and Projects. Photo by Anna Carlson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-huge-upside-on-the-outsider-art-fair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1c0e09e8-cb7e-447d-9858-d1acab60effd/Monica+Valentine+1.jpg</image:loc>
      <image:title>Home - The Huge Upside on the Outsider Art Fair - Make it stand out</image:title>
      <image:caption>Monica Valentine, Untitled, MV 230, 2025. Sequins and weaving on styrofoam. Photo: Emily Lutzker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c55f75a0-d73b-4487-86b4-4e69dbfa86b9/Screenshot+2026-03-26+at+12.01.37%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Huge Upside on the Outsider Art Fair - Make it stand out</image:title>
      <image:caption>Nicole Appel, Mermaids and Red Hots, 2025. Colored pencil on paper. Courtesy of Andrew Edlin Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/734f52fd-d037-412b-b329-2b6b1e15c508/Matt+Murphy+with+work+by+Byron+Smith.JPG</image:loc>
      <image:title>Home - The Huge Upside on the Outsider Art Fair - Make it stand out</image:title>
      <image:caption>Matthew Murphy, curator and cofounder of LAND in front of artwork by Byron Smith. Photo: Emily Lutzker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/149a32b4-d117-4df7-bcc7-926af18dc7e8/dan+Waller+%28single%29.jpg</image:loc>
      <image:title>Home - The Huge Upside on the Outsider Art Fair - Make it stand out</image:title>
      <image:caption>dan Waller, Untitled. Photo: Emily Lutzker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06d0528e-e526-4b7c-9788-0335a652492d/Monica+Valentine2.jpg</image:loc>
      <image:title>Home - The Huge Upside on the Outsider Art Fair - Make it stand out</image:title>
      <image:caption>Monica Valentine, Untitled, MV 223, 2025. Sequins on styrofoam. Photo: Emily Lutzker</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/37144d6d-3f88-4431-b17f-906b39607e83/Bill+Arning+and+Marisa+Newman.jpg</image:loc>
      <image:title>Home - The Huge Upside on the Outsider Art Fair - Make it stand out</image:title>
      <image:caption>Bill Arning and Marisa Newman. Photo: Emily Lutzker</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/flohaus-gallery-unveils-new-space-in-midtown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13f8322a-b2b1-4d44-b408-3acbb460e663/IMG_8616.jpg</image:loc>
      <image:title>Home - FLOHAUS Gallery Unveils New Space in Midtown - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/61d1bd30-0729-444d-bb67-3f3ddc1f0a28/ONE+WALL+APART%2C+2025+2.jpg</image:loc>
      <image:title>Home - FLOHAUS Gallery Unveils New Space in Midtown - Make it stand out</image:title>
      <image:caption>Daeun Lim, One Wall Apart for Lonely Residents, 2025. Slip-cast porcelain, 11 x 9 x 7 in. Courtesy of FLOHAUS Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/82688414-bcc9-480e-bf96-2400de87583f/MingnaLi_in+a+box_2.jpg</image:loc>
      <image:title>Home - FLOHAUS Gallery Unveils New Space in Midtown - Make it stand out</image:title>
      <image:caption>Mingna Li, In a Box, 2025. Multimedia performance, single video channel, 3:52 min. Courtesy of FLOHAUS Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/17356ea4-634a-4219-a93b-f378a062b3cd/I+heart+Humans%2C+12x12inches.jpg</image:loc>
      <image:title>Home - FLOHAUS Gallery Unveils New Space in Midtown - Make it stand out</image:title>
      <image:caption>Sherly Fan, I heart humans, 2025. Oil and colored pencil on canvas, 12 x 12 in. Courtesy of FLOHAUS Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f4abfc3-76b2-4db1-b1cf-f8774479b0d9/IMG_860888.png</image:loc>
      <image:title>Home - FLOHAUS Gallery Unveils New Space in Midtown - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ranbir-sidhu-no-limits</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/63b3f841-dc5a-4a57-a1ca-f28a31aa3760/383545-1200px-72dpi.jpg</image:loc>
      <image:title>Home - Ranbir Sidhu: “No Limits” - Make it stand out</image:title>
      <image:caption>Installation view, Ranbir Sidhu: No Limits, December 13, 2025 – January 3, 2027, Art Gallery of Ontario. Artworks © Ranbir Sidhu. Photo AGO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a12388e-c836-4dc8-b4cf-0b6a51781b40/383518-1200px-72dpi.jpg</image:loc>
      <image:title>Home - Ranbir Sidhu: “No Limits” - Make it stand out</image:title>
      <image:caption>Installation view, Ranbir Sidhu: No Limits, December 13, 2025 – January 3, 2027, Art Gallery of Ontario. Artworks © Ranbir Sidhu. Photo AGO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da5a6538-9b41-402f-8f05-963567a4ee1e/383542-1200px-72dpi.jpg</image:loc>
      <image:title>Home - Ranbir Sidhu: “No Limits” - Make it stand out</image:title>
      <image:caption>Installation view, Ranbir Sidhu: No Limits, December 13, 2025 – January 3, 2027, Art Gallery of Ontario. Artworks © Ranbir Sidhu. Photo AGO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d5394655-70ea-4d68-8b2d-41b55e415276/383553-1200px-72dpi.jpg</image:loc>
      <image:title>Home - Ranbir Sidhu: “No Limits” - Make it stand out</image:title>
      <image:caption>Installation view, Ranbir Sidhu: No Limits, December 13, 2025 – January 3, 2027, Art Gallery of Ontario. Artworks © Ranbir Sidhu. Photo AGO.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/shifting-substrates-in-conversation-with-tschabalala-self</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5651ef41-1de8-4872-a836-6ee68f730689/1_Self.jpeg</image:loc>
      <image:title>Home - Shifting Substrates: In Conversation with Tschabalala Self - Make it stand out</image:title>
      <image:caption>Tschabalala Self, The Observer (2025). Courtesy of Tschabalala Self.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be712263-c0d0-402e-8579-617c29a22fc8/2_Self.jpeg</image:loc>
      <image:title>Home - Shifting Substrates: In Conversation with Tschabalala Self - Make it stand out</image:title>
      <image:caption>Tschabalala Self, Madame (2025). Courtesy of Tschabalala Self.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdedd78a-e2be-4130-b702-6d9f79974ddd/3_Self.jpeg</image:loc>
      <image:title>Home - Shifting Substrates: In Conversation with Tschabalala Self - Make it stand out</image:title>
      <image:caption>Tschabalala Self, Study of Odalisque on Rose Bed (2025). Courtesy of Tschabalala Self.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3468277a-7181-40ca-9b48-e009aed4a3ff/4_Self.jpeg</image:loc>
      <image:title>Home - Shifting Substrates: In Conversation with Tschabalala Self - Make it stand out</image:title>
      <image:caption>Tschabalala Self, Orange Crush #6 (2024). Courtesy of Tschabalala Self.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/scene-missing-still-sounding</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/826b66c8-4942-4ea9-8161-1bfe6805c1cf/Alison+Nguyen_Storefront_1.jpg</image:loc>
      <image:title>Home - Scene Missing, Still Sounding - Make it stand out</image:title>
      <image:caption>Alison Nguyen, Perforation, Ellipse, 2026. Multi-channel video, color, sound, glass screen, steel, casters, gold on aluminum, colored gels, 11' 16" loop. Exhibition view of Alison Nguyen: Perforation, Ellipse, Storefront for Art and Architecture, New York. Courtesy the artist and Storefront for Art and Architecture. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc55c87f-730c-43c0-af1c-d7d4f5ed5100/Alison+Nguyen_Storefront_2.jpg</image:loc>
      <image:title>Home - Scene Missing, Still Sounding - Make it stand out</image:title>
      <image:caption>Exhibition view of Alison Nguyen: Perforation, Ellipse, Storefront for Art and Architecture, New York. Courtesy the artist and Storefront for Art and Architecture. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/332f2b1b-64b1-486a-ba3d-1843f83985b7/Alison+Nguyen_Storefront_3.jpg</image:loc>
      <image:title>Home - Scene Missing, Still Sounding - Make it stand out</image:title>
      <image:caption>Exhibition view of Alison Nguyen: Perforation, Ellipse, Storefront for Art and Architecture, New York. Courtesy the artist and Storefront for Art and Architecture. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e89d7520-36b4-4150-b7b2-fc248046b255/Alison+Nguyen_Storefront_4.jpg</image:loc>
      <image:title>Home - Scene Missing, Still Sounding - Make it stand out</image:title>
      <image:caption>Alison Nguyen, Ellipse 3, 2026, gold on aluminum, 16 x 18 x 3/8 in.; 40.64 x 45.72 x .95 cm. Courtesy the artist and Storefront for Art and Architecture. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/783294b7-d7c5-45c1-bdbd-ef85f49b23dc/Alison+Nguyen_Storefront_5.jpg</image:loc>
      <image:title>Home - Scene Missing, Still Sounding - Make it stand out</image:title>
      <image:caption>Alison Nguyen, Perforation, Ellipse, 2026. Multi-channel video, color, sound, glass screen, steel, casters, gold on aluminum, colored gels, 11' 16" loop. Exhibition view of Alison Nguyen: Perforation, Ellipse, Storefront for Art and Architecture, New York. Courtesy the artist and Storefront for Art and Architecture. Photo: Dario Lasagni.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-long-shot-of-the-eternal-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1b84de6a-4ff0-4d10-8691-eb58fb572f64/1.jpeg</image:loc>
      <image:title>Home - A Long Shot of the Eternal City - Make it stand out</image:title>
      <image:caption>UNAROMA. Installation view at MACRO, Rome, 2026. Photography by OKNOstudio. Courtesy of MACRO, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/edeb3f62-5b6b-4e1f-8e34-177ca20615ec/2.jpeg</image:loc>
      <image:title>Home - A Long Shot of the Eternal City - Make it stand out</image:title>
      <image:caption>UNAROMA. Installation view at MACRO, Rome, 2026. Photography by OKNOstudio. Courtesy of MACRO, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/57ee414d-8bdb-4f8b-a096-9fc09e703652/3.jpeg</image:loc>
      <image:title>Home - A Long Shot of the Eternal City - Make it stand out</image:title>
      <image:caption>UNAROMA. Installation view at MACRO, Rome, 2026. Photography by OKNOstudio. Courtesy of MACRO, Rome.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a904bac-38d5-47da-acbb-c9ce91af80bd/4.jpeg</image:loc>
      <image:title>Home - A Long Shot of the Eternal City - Make it stand out</image:title>
      <image:caption>UNAROMA. Installation view at MACRO, Rome, 2026. Photography by OKNOstudio. Courtesy of MACRO, Rome.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/care-as-an-infrastructure-for-survival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/89fa5b27-3d73-466f-ac22-42792087979b/AnGo-SKNY-2026_RIO_photo+Jason+Wyche%2C+New+York_003.jpeg</image:loc>
      <image:title>Home - Care as an Infrastructure for Survival - Make it stand out</image:title>
      <image:caption>Installation view of Ana González: RÍO at Sean Kelly, New York, February 27–April 11, 2026. Photography: Jason Wyche, Courtesy: Sean Kelly, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f6092cb-a3b5-4c9b-8d18-542d7ada9aaa/AnGo-PH-659-image.jpeg</image:loc>
      <image:title>Home - Care as an Infrastructure for Survival - Make it stand out</image:title>
      <image:caption>Ana González, TEQUENDAMA, 2025. Sublimation printing on roughened tarp, 236 1/4 x 59 1/16 inches (600 x 150 cm). © Ana González, courtesy the artist and Sean Kelly, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28852347-dbcf-4180-94da-9ba3d78e7e7b/AnGo-SKNY-2026_RIO_photo+Jason+Wyche%2C+New+York_032.jpeg</image:loc>
      <image:title>Home - Care as an Infrastructure for Survival - Make it stand out</image:title>
      <image:caption>Installation view of Ana González: RÍO at Sean Kelly, New York, February 27–April 11, 2026. Photography: Jason Wyche, Courtesy: Sean Kelly, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc524cc1-906e-4db9-90e1-43cf8940979c/AnGo-SKNY-2026_RIO_photo+Jason+Wyche%2C+New+York_014.jpeg</image:loc>
      <image:title>Home - Care as an Infrastructure for Survival - Make it stand out</image:title>
      <image:caption>Installation view of Ana González: RÍO at Sean Kelly, New York, February 27–April 11, 2026. Photography: Jason Wyche, Courtesy: Sean Kelly, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/participation-as-practice-in-conversation-with-ari-brochin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec937efa-a1f3-4959-9d19-2fe28cdc599c/16-6G3A6236.jpeg</image:loc>
      <image:title>Home - Participation as Practice: In Conversation with Ari Brochin - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Ari Brochin, in her studio. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3946bdb9-46f3-4493-bf84-914f95ec80c1/10-6G3A6142.jpeg</image:loc>
      <image:title>Home - Participation as Practice: In Conversation with Ari Brochin - Make it stand out</image:title>
      <image:caption>Ari Brochin’s limited edition release of nostalgic keychains. Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a65bfa72-604a-4978-866e-e3145e10dfb1/23-6G3A6293.jpeg</image:loc>
      <image:title>Home - Participation as Practice: In Conversation with Ari Brochin - Make it stand out</image:title>
      <image:caption>Ari Brochin with her three-dimensional keychain paintings. Images courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ad09e52f-3ecc-4818-8acf-dddb8d0a2074/8-6G3A6114.jpeg</image:loc>
      <image:title>Home - Participation as Practice: In Conversation with Ari Brochin - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Ari Brochin, with her works. Image courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-march-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/03cb24d6-8fd5-41b1-adeb-684cea3c12dd/mthomas.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Mickalene Thomas, Afro Goddess Looking Forward, 2015. Rhinestones, acrylic, and oil on wood panel, 60 x 96 in (152.4 x 243.8 cm) © Mickalene Thomas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6bfaf3a-fd0a-4d4a-804f-30ef73423d37/Installation+view%2C+Cathleen+Clarke%2C+Episodes%2C+2026%2C+01.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Installation view: Cathleen Clarke, Episodes at Margot Samel. Courtesy the artist and Margot Samel, NYC. Photography by Matthew Sherman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/95e343cb-4c0b-47a9-90e0-aec11b7c6d27/HH_LL_MG_2026_01_v2-1.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Louise Lawler, Before/During/After (Green), 2024/2025. Dye sublimation print on museum box, 33 × 44 inches (83.82 × 111.76 cm). Edition of 5 + 1 AP. Courtesy of the artist and Maxwell Graham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9babfa8-61ca-408d-877c-c7ed08a5afbf/HH_LL_MG_2026_07.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Hans Haacke, Untitled #1, 2005. Table, drawer, iron brace with welded text, broken lightbulb, pin, 59 ⅞ x 32 x 34 ¼ inches (152.1 x 81.3 x 87 cm). Courtesy of the artist and Maxwell Graham.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3af9f6c8-04b2-4d07-9871-4973e78e21fb/PERFORMANCE+SPACEiv+HWNY+2602+SM+view_53-hires.jpg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Installation view of Studio Visit at Hauser &amp; Wirth New York, Wooster Street (27 February – 11 April 2026). Photographed by Sarah Muehlbauer. Courtesy of Hauser &amp; Wirth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ce5974e4-aa96-4481-a8d2-d61e8b8d53df/SSA-2.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Installation View: Stefan Sagmeister, I Look Like This, Thomas Erben Gallery, New York. Courtesy the artist and Thomas Erben Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/913a571a-0237-457c-8fce-c0c28cac7060/Irazu_WavesOfParticularity_2025.jpg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Pello Irazu, Waves of Particularity, 2025. Acrylic paint on photograph. Courtesy of the artist and Yancey Richardson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/63c7bdfb-60dd-4045-b02b-7bb22c004bc9/Irazu_Matter_InstallationView1.jpg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Pello Irazu, Mimetic processes 2 (Lay lady lay), 2025. Cast aluminium structure partly painted, 30 3/4 x 42 1/2 x 11 3/4 inches. Courtesy of the artist and Yancey Richardson.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75940b11-aa0f-4a00-9fc7-a51068903366/08_RV_UN.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Installation view of Rochelle Voyles: Unreliable Narrators. Image courtesy Elliott Desai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/410f91ec-e283-4a9a-8ce4-6443793a29c1/image_processing20260210-2-ep5ce4.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2026 - Make it stand out</image:title>
      <image:caption>Installation view, Minor Enclosures, Super Dakota, Brussels, 2026. Courtesy of Super Dakota. Photography by Silvia Cappelari.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/fragments-toward-a-monument</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75b6a501-43fd-4322-b2df-e8a16ca6bad2/Image+1.jpeg</image:loc>
      <image:title>Home - Fragments Toward a Monument - Make it stand out</image:title>
      <image:caption>Installation view: Yashua Klos, Proposal for a Monument, Sikkema Malloy Jenkins, New York, 2026. Photo: Jason Wyche.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e441d39-4766-4839-a66b-69b9cf8988f6/Image+2.jpeg</image:loc>
      <image:title>Home - Fragments Toward a Monument - Make it stand out</image:title>
      <image:caption>Installation view: Yashua Klos, Proposal for a Monument, Sikkema Malloy Jenkins, New York, 2026. Photo: Jason Wyche.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73ae0a44-a705-4666-ac5a-a32edfd8b48e/Image+3.jpg</image:loc>
      <image:title>Home - Fragments Toward a Monument - Make it stand out</image:title>
      <image:caption>Yashua Klos, Who’s Streets?, 2026. Sikkema Malloy Jenkins, New York, 2026. Photo: Jason Wyche.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-what-we-take</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0a376e23-7c16-4032-912e-44ebedc34c99/1EXHIBITON_VIEW.jpeg</image:loc>
      <image:title>Home - Review: “What We Take” - Make it stand out</image:title>
      <image:caption>Installation view of What We Take (2026) at Pipeline, London. Courtesy of Art in Latin America and CM Art Advisory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/906e3c22-4fb3-4697-85d9-effa4da22536/2BENITO_EKMEKDJIAN.jpg</image:loc>
      <image:title>Home - Review: “What We Take” - Make it stand out</image:title>
      <image:caption>Benito Ekmekdjian, The studio, 2026. Oil on canvas, 120 x 90 cm. Courtesy of Art in Latin America and CM Art Advisory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/04a20e43-dfae-4284-aeac-ae291996b1d2/3ALESSANDRA_RISI.JPG</image:loc>
      <image:title>Home - Review: “What We Take” - Make it stand out</image:title>
      <image:caption>Alessandra Risi, Tierra Utero Mio, 2026. Oil on canvas, 160 x 130 cm. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5b90faa-e463-4c59-b1bf-5642e734a79f/4ELIEL_MARTINEZ.jpeg</image:loc>
      <image:title>Home - Review: “What We Take” - Make it stand out</image:title>
      <image:caption>Eliel Martínez, Sobre Rocas y Agaves, 2025. Oil on canvas, 80 x 70 cm. Courtesy of Art in Latin America and CM Art Advisory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/403b661a-95bd-43b5-b538-35d75887434e/5NELSON_HERNANDEZ.jpeg</image:loc>
      <image:title>Home - Review: “What We Take” - Make it stand out</image:title>
      <image:caption>Nelson Hernandez, Have you forgotten your own language?, 2025. Oil on canvas, 15 x 20 cm. Courtesy of Art in Latin America and CM Art Advisory.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/photographic-painting-in-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/798d5a4a-ffe0-4a23-8e0b-b4db2bcb32bc/Olney+Gleason+01-08-26-KSMN4860+1.jpeg</image:loc>
      <image:title>Home - Photographic Painting in New York - Make it stand out</image:title>
      <image:caption>Installation view of Painting, Photography, Painting, 2026. Olney Gleason, New York. Photo: Charlie Rubin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7360dc4d-5170-4cd4-85a8-fcfdc22d8b0a/Liza+Jo+Eilers+-+OG+33540+-+4000.jpg</image:loc>
      <image:title>Home - Photographic Painting in New York - Make it stand out</image:title>
      <image:caption>Liza Jo Eilers, Laminar flow (love&amp;war), 2025. Acrylic, pigment transfer, thermochromic ink, iridescent ink, and glitter on linen, 18 x 60 in, 45.7 x 152.4 cm. Courtesy of the artist and Olney Gleason, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4def46c8-abe4-4b27-8bb4-108e78af1e90/Leon+Xu+-+OG+33542+-+4000.jpg</image:loc>
      <image:title>Home - Photographic Painting in New York - Make it stand out</image:title>
      <image:caption>Leon Xu, Friends to lovers (lovers to strangers), 2025. Acrylic on canvas, 10 x 14 in, 25.4 x 35.6 cm. Courtesy the artist and Olney Gleason, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b2bf9e28-2515-4ca3-90c5-033e111f0e93/Nana+Wolke+-+OG+33432+-+4000.jpeg</image:loc>
      <image:title>Home - Photographic Painting in New York - Make it stand out</image:title>
      <image:caption>Nana Wolke, 00:02:46,625 --&gt; 00:03:35,750 (Earth Erotica), 2025. Oil and construction sand on linen, 47 1/4 x 35 3/8 in, 120 x 90 cm. Courtesy the artist and Management, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eacfd4d9-8e93-4cc5-a118-5378da0e7d25/Screenshot+2026-03-13+at+3.00.29%E2%80%AFPM.png</image:loc>
      <image:title>Home - Photographic Painting in New York - Make it stand out</image:title>
      <image:caption>Installation view, Elisheva Biernoff: Elsewhere, David Zwirner, New York, 2026. Courtesy the artist and David Zwirner, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/258dcac5-abfb-4699-b429-1a3406d6fd9b/Screenshot+2026-03-13+at+3.03.58%E2%80%AFPM.png</image:loc>
      <image:title>Home - Photographic Painting in New York - Make it stand out</image:title>
      <image:caption>Installation view, Elisheva Biernoff: Elsewhere, David Zwirner, New York, 2026. Courtesy the artist and David Zwirner, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-ownership-structures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c76bd71-0daf-4582-a656-61511db16c43/Tracings-and-Arrangements-1.jpg</image:loc>
      <image:title>Home - On Ownership Structures - Make it stand out</image:title>
      <image:caption>Installation view of Harrison Kinnane Smith: Tracings and Arrangements. Courtesy of the artists and Emmlines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e310b65-9b86-4794-85cc-f510f456e607/Tracings-and-Arrangements-7.jpg</image:loc>
      <image:title>Home - On Ownership Structures - Make it stand out</image:title>
      <image:caption>Harrison Kinnane Smith: Tracings and Arrangements. Courtesy of the artists and Emmlines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/caedc952-1c92-4e4d-aacc-c94207127665/Tracings-and-Arrangements-8.jpg</image:loc>
      <image:title>Home - On Ownership Structures - Make it stand out</image:title>
      <image:caption>Harrison Kinnane Smith: Tracings and Arrangements. Courtesy of the artists and Emmlines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/427a2821-8aa7-4c2f-a892-7b77e4957ab7/Tracings-and-Arrangements-3.jpg</image:loc>
      <image:title>Home - On Ownership Structures - Make it stand out</image:title>
      <image:caption>Harrison Kinnane Smith: Tracings and Arrangements. Courtesy of the artists and Emmlines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2cb5070b-fbaa-4af8-821e-26c482be8c67/Tracings-and-Arrangements-9.jpg</image:loc>
      <image:title>Home - On Ownership Structures - Make it stand out</image:title>
      <image:caption>Installation view of Harrison Kinnane Smith: Tracings and Arrangements. Courtesy of the artists and Emmlines.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-age-of-content-lahorde-becomes-what-it-cautions-against</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bc286c68-eb47-4fb0-9cee-733c608be145/LaHorde_Age+of+Content_PC+Maria+Baranova+%286%29.jpeg</image:loc>
      <image:title>Home - (LA)HORDE Becomes What It Cautions Against in “Age of Content” - Make it stand out</image:title>
      <image:caption>(LA)HORDE, Age of Content, 2025–26. Photo: Maria Baranova.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e2b0b7b1-bf57-4391-a734-31309494aa23/LaHorde_Age+of+Content_Alida+Bergakker_PC+Maria+Baranova.jpeg</image:loc>
      <image:title>Home - (LA)HORDE Becomes What It Cautions Against in “Age of Content” - Make it stand out</image:title>
      <image:caption>(LA)HORDE, Age of Content, 2025–26. Photo: Maria Baranova.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a781c8f-9438-4ce5-94b9-e4ba6fa82ccd/LaHorde_Age+of+Content_Lung+Ssu+Yen%2C+Layne+Paradis+Willis%2C+Jonatan+Myhre+J%C3%B8rgensen_PC+Maria+Baranova.jpeg</image:loc>
      <image:title>Home - (LA)HORDE Becomes What It Cautions Against in “Age of Content” - Make it stand out</image:title>
      <image:caption>(LA)HORDE, Age of Content, 2025–26. Photo: Maria Baranova.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/53186a82-3f15-4b3e-b70a-0da628202125/LaHorde_Age+of+Content_PC+Maria+Baranova+%282%29.jpeg</image:loc>
      <image:title>Home - (LA)HORDE Becomes What It Cautions Against in “Age of Content” - Make it stand out</image:title>
      <image:caption>(LA)HORDE, Age of Content, 2025–26. Photo: Maria Baranova.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/looking-past-revulsion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd706dcf-f494-4288-a839-3dc5e07172ff/1_InTandem_Installation_78x78x78in_2025_Annatingmoller.jpg.jpg</image:loc>
      <image:title>Home - Looking Past Revulsion - Make it stand out</image:title>
      <image:caption>Anna Ting Möller, In Tandem (2025). Photo: Kaelan Burkett. Courtesy of the artist and MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06da7371-29eb-4e92-a7ea-a3d22253eb34/Moller_AnnaTing_InTandem_2025_05.jpg</image:loc>
      <image:title>Home - Looking Past Revulsion - Make it stand out</image:title>
      <image:caption>Anna Ting Möller, In Tandem (2025). Photo: Kaelan Burkett. Courtesy of the artist and MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36c6f9c1-176b-4a35-a60f-80a627ecd543/Moller_AnnaTing_InTandem_2025_04.jpg</image:loc>
      <image:title>Home - Looking Past Revulsion - Make it stand out</image:title>
      <image:caption>Anna Ting Möller, In Tandem (2025). Photo: Kaelan Burkett. Courtesy of the artist and MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/62d2b11b-4cc8-4c4a-9d67-d1abc42f1430/2_InTandem_Installation_78x78x78in_2025_Annatingmoller.jpg</image:loc>
      <image:title>Home - Looking Past Revulsion - Make it stand out</image:title>
      <image:caption>Anna Ting Möller, In Tandem (2025). Photo: Kaelan Burkett. Courtesy of the artist and MASS MoCA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/spectacle-and-intimacy-claudia-bitrns-remake-of-titanic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2313dc17-6130-486b-b702-9c79631a9f8b/Installation+view+7_Claudia+Bitra%CC%81n_Titanic%2C+A+Deep+Emotion+_Cristin+Tierney+Gallery_2026_Mikhail+Mishin+Large.jpeg</image:loc>
      <image:title>Home - Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic” - Make it stand out</image:title>
      <image:caption>Installation view of Claudia Bitrán, Sometime Between 2:15 and 2:17, 2026. Oil on linen, 55 x 74 inches. Photograph by Mikhail Mishin. Courtesy of the artist and Cristin Tierney Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5052680e-cc75-4abd-aabe-bcb279a5a247/Installation+view+16_Claudia+Bitra%CC%81n_Titanic%2C+A+Deep+Emotion+_Cristin+Tierney+Gallery_2026_Mikhail+Mishin+Large+Large.jpeg</image:loc>
      <image:title>Home - Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic” - Make it stand out</image:title>
      <image:caption>Claudia Bitrán, Titanic, A Deep Emotion Production Wall, 2013–25. Mixed media, dimensions variable. Courtesy of the artist and Cristin Tierney Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e88a164-2dcf-44dd-9a27-6298c8810b33/CB_T%2CADM_Still_12+Large.jpeg</image:loc>
      <image:title>Home - Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic” - Make it stand out</image:title>
      <image:caption>Still of Claudia Bitrán, Titanic, A Deep Emotion, 2013–24. Three-channel video installation, dimensions variable. Courtesy of the artist and Cristin Tierney Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b0a426b8-a71c-4ecc-b071-3690556c6488/CB_T%2CADM_Still_8+Large.jpeg</image:loc>
      <image:title>Home - Spectacle and Intimacy: Claudia Bitrán’s Remake of “Titanic” - Make it stand out</image:title>
      <image:caption>Claudia Bitrán, Cardboard Titanic Model, 2023. Archival print, 9 x 13 inches. Courtesy of the artist and Cristin Tierney Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-terror-of-viewing-egglestons-the-last-dyes-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/136f6522-c2fc-4967-8135-cc374cfe0fc6/Screenshot+2026-03-01+at+8.48.00%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Terror of Viewing Eggleston’s “The Last Dyes” Now - Make it stand out</image:title>
      <image:caption>William Eggleston, Untitled, 1973, © Eggleston Artistic Trust. Courtesy Eggleston Artistic Trust and David Zwirner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc0110b8-eeb5-4074-9957-2d4a7e55e668/WEGGLESTONDZ19SHOW2026_INSTALL_V26+%281%29.jpg</image:loc>
      <image:title>Home - The Terror of Viewing Eggleston’s “The Last Dyes” Now - Make it stand out</image:title>
      <image:caption>Installation view, William Eggleston: The Last Dyes, David Zwirner, New York, January 15—March 7, 2026. Courtesy David Zwirner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93048e42-cf34-4122-99dd-6c398a822919/Screenshot+2026-03-01+at+8.47.37%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Terror of Viewing Eggleston’s “The Last Dyes” Now - Make it stand out</image:title>
      <image:caption>William Eggleston, Untitled, 1971, © Eggleston Artistic Trust. Courtesy Eggleston Artistic Trust and David Zwirner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b9bb6fe-2543-4184-8cf8-39c2abd271c4/WEGGLESTONDZ19SHOW2026_INSTALL_V11+%281%29.jpg</image:loc>
      <image:title>Home - The Terror of Viewing Eggleston’s “The Last Dyes” Now - Make it stand out</image:title>
      <image:caption>Installation view, William Eggleston: The Last Dyes, David Zwirner, New York, January 15—March 7, 2026. Courtesy David Zwirner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/staring-at-what-is</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f044ffb0-afe9-4a4b-93a1-9b86e1e383e7/B1175144.jpg</image:loc>
      <image:title>Home - Staring at What Is - Make it stand out</image:title>
      <image:caption>Installation view of Paz Sher: Justice [laughter] Justice. Courtesy of the artist and D.D.D.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b26a7b0-44ac-4a20-8d71-c77ac8e6a2bf/B1175248.jpg</image:loc>
      <image:title>Home - Staring at What Is - Make it stand out</image:title>
      <image:caption>Installation view of Paz Sher: Justice [laughter] Justice. Courtesy of the artist and D.D.D.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41ce0c1b-dbfb-427b-9cfc-6725b12875ac/B1175168.jpg</image:loc>
      <image:title>Home - Staring at What Is - Make it stand out</image:title>
      <image:caption>Installation view of Paz Sher: Justice [laughter] Justice. Courtesy of the artist and D.D.D.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98e7f020-9680-46f3-889d-1d6516826f2f/B1175242.jpg</image:loc>
      <image:title>Home - Staring at What Is - Make it stand out</image:title>
      <image:caption>Installation view of Paz Sher: Justice [laughter] Justice. Courtesy of the artist and D.D.D.D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb3ed9b6-2f4c-41ec-b6e5-4e4cdcdabf71/B1175179.jpg</image:loc>
      <image:title>Home - Staring at What Is - Make it stand out</image:title>
      <image:caption>Installation view of Paz Sher: Justice [laughter] Justice. Courtesy of the artist and D.D.D.D.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/melissa-peritore-documents-the-living-who-find-refuge-in-manilas-cemeteriesnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/121b363a-1e9d-4b44-874c-d411c98fa00a/02.18+DSCF2167_low.jpg</image:loc>
      <image:title>Home - Melissa Peritore Documents the Living Who Find Refuge in Manila’s Cemeteries&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Melissa Peritore, from Sementeryo, 2024. Courtesy of Forum Austriaco di Cultura Roma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1bf7df4-d860-4b42-95ef-f6d7ffbe7fe6/DSCF2124_low+-+copertina.jpg</image:loc>
      <image:title>Home - Melissa Peritore Documents the Living Who Find Refuge in Manila’s Cemeteries&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Melissa Peritore, from Sementeryo, 2024. Courtesy of Forum Austriaco di Cultura Roma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/648765a2-d44d-4d58-983d-135a0cd70d1b/02.25+DSCF2241_low.jpg</image:loc>
      <image:title>Home - Melissa Peritore Documents the Living Who Find Refuge in Manila’s Cemeteries&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Melissa Peritore, from Sementeryo, 2024. Courtesy of Forum Austriaco di Cultura Roma.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/you-who-have-beautiful-manners</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fbe4a683-f789-460b-8ba8-1f4fa04e55df/Copia+de+_DSC7484.jpg</image:loc>
      <image:title>Home - Pressing close; closer. Split open, then gathered. - Make it stand out</image:title>
      <image:caption>Installation view of Lucía Àngel C. Pino: You Who Have Beautiful Manners. Courtesy of the artist and CA2M, Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/711b416c-1072-40d5-a644-eef1a91ee455/Copia+de+_DSC6390.jpg</image:loc>
      <image:title>Home - Pressing close; closer. Split open, then gathered. - Make it stand out</image:title>
      <image:caption>Installation view of Lucía Àngel C. Pino: You Who Have Beautiful Manners. Courtesy of the artist and CA2M, Madrid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/49cc4382-9235-4e97-9048-6ede8b6a83b5/Copia+de+_DSC7170.jpg</image:loc>
      <image:title>Home - Pressing close; closer. Split open, then gathered. - Make it stand out</image:title>
      <image:caption>Installation view of Lucía Àngel C. Pino: You Who Have Beautiful Manners. Courtesy of the artist and CA2M, Madrid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sinister-is-the-night-at-aminitas-swallow-the-moon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/198b7f6f-2ede-4a89-b6db-b6cdbed6f8e7/Sophie+Calle.jpg</image:loc>
      <image:title>Home - Sinister is the Night in Amanita’s “Swallow the Moon” - Make it stand out</image:title>
      <image:caption>Sophie Calle, detail of The Sleepers (X., baby sitter, fourteenth sleeper, 1980. 6 black and white photographs, 1 text Edition 2 of 3. 16.5 x 21.2 cm (6 1/2 x 8 3/8 in). Photo courtesy of Amanita.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1b5fd050-83b6-4492-9e82-f6de256d38d5/AMANITA-1-9-20262187.jpeg</image:loc>
      <image:title>Home - Sinister is the Night in Amanita’s “Swallow the Moon” - Make it stand out</image:title>
      <image:caption>Olivia Erlanger, Eros, 2024. Four polished aluminum arrows, Dimensions variable. Courtesy of the artist and Amanita.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ae900308-96d2-40b0-a237-89aa1b382ec2/Michae%CC%88l+Borremans+STM.jpeg</image:loc>
      <image:title>Home - Sinister is the Night in Amanita’s “Swallow the Moon” - Make it stand out</image:title>
      <image:caption>Michaël Borremans, Fire from the Sun (Five Figures, Three Limbs), 2017. Oil on canvas, Signed, titled, dated, and inscribed verso. 190 x 300 cm (74 7/8 x 118 1/8 in). Photo courtesy of Amanita.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d6464b07-1d7f-45b2-96f9-d1eac4247873/Cosima+von+Bonin+STM.jpeg</image:loc>
      <image:title>Home - Sinister is the Night in Amanita’s “Swallow the Moon” - Make it stand out</image:title>
      <image:caption>Cosima von Bonin, Smoke, 2008/2011 (CVB &amp; Michel Wuerthle), 2011. Steel, lacquer, plate-glass, spruce; Smoke: Perspex, steel, lacquer, neon lamp, light-emitting diode. 330 x 116.8 x 71.1 cm (129 7/8 x 46 x 28 in). Courtesy of Amanita.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6d9f3ae2-3049-4215-bc97-8c2dfc4d6066/AMANITA-1-9-20262170.jpeg</image:loc>
      <image:title>Home - Sinister is the Night in Amanita’s “Swallow the Moon” - Make it stand out</image:title>
      <image:caption>Andrew J. Greene, Timeless Symbols (Carlyle ashtray), 2026, Stainless steel stanchions, display motors, vintage ashtray, cigarette, 50 1/2 x 5 in, 128.3 x 12.7 cm. Courtesy of the artist and Amanita.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52980af0-95ad-4725-a8b4-ded01ff81802/Ed+Ruscha+Rooster.jpeg</image:loc>
      <image:title>Home - Sinister is the Night in Amanita’s “Swallow the Moon” - Make it stand out</image:title>
      <image:caption>Ed Ruscha, Rooster, 1988. Aquatint and etching, Edition of 50, Sheet: 111.7 x 77.1 cm (44 x 30 3/8 in) Framed: 120.7 x 85.1 cm (47 1/2 x 33 1/2 in). Photo courtesy of Amanita.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-february-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3604ee74-9d3c-4d2e-bf04-2fd7f75beb97/IMG_6457.jpeg</image:loc>
      <image:title>Home - Face to Face: February 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Joy Curtis, in her studio, 2026. Photo by Jonah James Romm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36f2d0a3-546c-4764-b4f6-473271752916/Asia+2.jpeg</image:loc>
      <image:title>Home - Face to Face: February 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Asia Stewart, in her studio. Courtesy of the artist. Photo by Monica Srivastava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d464504d-e638-475b-a2ec-a731a01e4e9e/20250530_AsiaStewart_AnyExperienceWithMenAndAlcohol_ElyseMertz-10.jpeg</image:loc>
      <image:title>Home - Face to Face: February 2026 - Make it stand out</image:title>
      <image:caption>Asia Stewart in Asia Stewart, any experience with men and alcohol, 2025. JACK. Photography by Elyse Mertz. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e6daaf06-b268-4a4b-be17-06b2001aae45/Cato+Ouyang+photo+by+Guy+Clark%2C+courtesy+of+the+artist+.jpeg</image:loc>
      <image:title>Home - Face to Face: February 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Cato Ouyang, in their studio. Photo by Guy Clark, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/04c0907b-9643-4f00-8c4b-0016aebd0109/3_AKUO_PORTRAIT01B.jpeg</image:loc>
      <image:title>Home - Face to Face: February 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Antonia Kuo. Image courtesy of the artist and Chapter NY, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4a490e7c-f11f-409e-bde2-3b14166cd01d/1_AKuo_SuperCollider.jpeg</image:loc>
      <image:title>Home - Face to Face: February 2026 - Make it stand out</image:title>
      <image:caption>Antonia Kuo, Super Collider, 2024. Unique chemical painting on light-sensitive silver gelatin paper, acrylic, bullet-pierced aluminum relief in custom aluminum frame, 71 x 63 5/8 x 4 3/8 in. Image courtesy of the artist and Chapter NY, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/beyond-the-expiration-date</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2f7b5300-1b80-4558-86e3-58674f74ddea/Expired_InstallationView_01_Apexart_at_EssexFlowers_NewYork_2026.jpeg</image:loc>
      <image:title>Home - Beyond the Expiration Date - Make it stand out</image:title>
      <image:caption>Installation view of EXPIRED, 2026, at Essex Flowers. Image courtesy of Essex Flowers and apexart. Photography by Dyske Suematsu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0ed31511-701a-4633-9397-7d33efc587d0/Saft_BedtimeMask_2024_AcrylicOnCanvas_20x20inches.jpeg</image:loc>
      <image:title>Home - Beyond the Expiration Date - Make it stand out</image:title>
      <image:caption>Carol Saft, Bedtime Mask, 2024. Acrylic on canvas, 20 × 20 in. Courtesy of the artist, Essex Flowers, and apexart. Photography by John Berens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a0f9404-6875-4cca-ba03-92df03aabda6/Wolanczyk_IReflectThePowerThatExistsBeyondTheGaze_2025_ceramicMirror_19%C3%9718%C3%973.jpeg</image:loc>
      <image:title>Home - Beyond the Expiration Date - Make it stand out</image:title>
      <image:caption>Roxanne Wolanczyk, I reflect the power that exists beyond the gaze, 2025. Ceramic, mirror, silicone, epoxy, 19 × 18 × 3.5 in. Courtesy of the artist, Essex Flowers, and apexart. Photography by Dyske Suematsu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86e01cea-8fcf-4eb0-b879-daa1f68d3702/Curwood_SansSoleil_2017_FoundLeafOnBrass_9x6x13in.jpeg</image:loc>
      <image:title>Home - Beyond the Expiration Date - Make it stand out</image:title>
      <image:caption>Kenneth Zoran Curwood, Sans Soleil, 2017. Found leaf mounted on brass, 9 × 6 × 13 in. Courtesy of the artist, Essex Flowers, and apexart.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/at-the-threshold-of-the-image-matthias-groebels-a-nervous-system</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9404ab99-ef7d-4be9-93cb-3f0991144a84/Ulrik_Groebel_2026_02.jpg</image:loc>
      <image:title>Home - At the Threshold of the Image: Matthias Groebel’s “A Nervous System” - Make it stand out</image:title>
      <image:caption>Matthias Groebel, The Changeling, 2025; watercolor on canvas; 3 parts, each 100 x 100 cm; courtesy of the artist and Ulrik Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fe8db9fb-e9ca-45ec-bc78-4b080ac7afbb/Ulrik_Groebel_2026_30.jpeg</image:loc>
      <image:title>Home - At the Threshold of the Image: Matthias Groebel’s “A Nervous System” - Make it stand out</image:title>
      <image:caption>Matthias Groebel, Untitled (P007), 1987; photo emulsion and oil on canvas; 95 x 95 cm; courtesy of the artist and Ulrik Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/afae2925-2171-4df0-97d1-484431c70351/Ulrik_Groebel_2026_14.jpeg</image:loc>
      <image:title>Home - At the Threshold of the Image: Matthias Groebel’s “A Nervous System” - Make it stand out</image:title>
      <image:caption>Matthias Groebel, The Changeling, 2025 (detail); courtesy of the artist and Ulrik Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6666c079-516c-40e0-8be1-576ec1385e08/Ulrik_Groebel_2026_19.jpeg</image:loc>
      <image:title>Home - At the Threshold of the Image: Matthias Groebel’s “A Nervous System” - Make it stand out</image:title>
      <image:caption>Matthias Groebel, Studies for the Resurrection, 2025; watercolor on canvas; 3 parts, each 50 x 100 cm; courtesy of the artist and Ulrik Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-celebration-of-shadows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd579380-b971-4452-937d-9b6e2e0f57c6/Installation+view_In+Celebration+of+Shadows_GRIMM%2C+New+York%2C+NY+%28US%29%2C+2026_4.jpeg</image:loc>
      <image:title>Home - “In Celebration of Shadows” - Make it stand out</image:title>
      <image:caption>Installation view of In Celebration of Shadows, 2026. Photographed by GC Photography. Courtesy of the Artists and GRIMM, Amsterdam | London | New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/69df0cf2-1de2-4141-ac4a-e202ea001559/Installation+view_In+Celebration+of+Shadows_GRIMM%2C+New+York%2C+NY+%28US%29%2C+2026_12.jpeg</image:loc>
      <image:title>Home - “In Celebration of Shadows” - Make it stand out</image:title>
      <image:caption>Installation view featuring (left to right): Jo McGonigal, Thoughts I, 2025; oil on paper, 60 x 42 cm. Jo McGonigal, Thoughts III, 2025; oil on paper, 60 x 42 cm. Jack Ginno, UNT2510-DPB, 2025; found objects, oil, 19 x 18 cm. Ian Kiaer, health house, breath (small), 2025; cellophane, silver leaf, and fan, 10 x 100 x 200 cm. Photographed by GC Photography. Courtesy of the Artists and GRIMM, Amsterdam | London | New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a18894e3-c308-46c9-b0e7-da57efd1771d/Installation+view_In+Celebration+of+Shadows_GRIMM%2C+New+York%2C+NY+%28US%29%2C+2026_9.jpeg</image:loc>
      <image:title>Home - “In Celebration of Shadows” - Make it stand out</image:title>
      <image:caption>Installation view featuring (left to right): Matthias Weischer, Salon ‘25, 2025; oil on canvas, 40 × 60 cm. Kristina Schuldt, Kaputt, 2024; oil and tempera on canvas, 230 × 190 cm. Wolfram Ebersbach, Mauer Berlin 1, 1989; acrylic on canvas, 80 × 80 cm. Photographed by GC Photography. Courtesy of the Artists and GRIMM, Amsterdam | London | New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c532c1d7-527e-41e0-a48b-fd2ca9898d26/Installation+view_In+Celebration+of+Shadows_GRIMM%2C+New+York%2C+NY+%28US%29%2C+2026_21.jpeg</image:loc>
      <image:title>Home - “In Celebration of Shadows” - Make it stand out</image:title>
      <image:caption>Installation view featuring (left to right): Ian Hartshorne, Woman With a Book, 2025; oil on canvas, 47 x 38 cm. Isobel Shore, Fract, 2025; oil on linen, 130 x 80 cm. Louise Giovanelli, Manifold, 2025; oil on linen, 60 x 80 cm. Photographed by GC Photography. Courtesy of the Artists and GRIMM, Amsterdam | London | New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-painted-wordplay-and-critiques-of-becky-brown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23a4eba1-ec17-429c-b8de-441facd0d92e/Screenshot+2026-02-22+at+9.34.54%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Painted Wordplay and Critiques of Becky Brown - Make it stand out</image:title>
      <image:caption>Becky Brown, Brain Fog, 2025. Acrylic on canvas, 20 x 16 inches. Image courtesy of the artist and Freight + Volume.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e2aa9b0a-753f-4bce-adda-4baefa0006cc/Screenshot+2026-02-22+at+9.33.42%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Painted Wordplay and Critiques of Becky Brown - Make it stand out</image:title>
      <image:caption>Becky Brown, Too Much, 2024. Acrylic on canvas, 16 x 20 inches. Image courtesy of the artist and Freight + Volume.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/16984a96-7913-4b15-b718-c6f2ebf6cdff/Screenshot+2026-02-22+at+9.31.06%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Painted Wordplay and Critiques of Becky Brown - Make it stand out</image:title>
      <image:caption>Becky Brown, My Passwords, 2020. Acrylic, house paint, pencil, and ink on paper. 77 x 55.5 inches. Image courtesy of the artist and Freight + Volume.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bfeb9df8-6ca8-47fb-aa0f-ad3b394d0c7a/Screenshot+2026-02-22+at+9.31.22%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Painted Wordplay and Critiques of Becky Brown - Make it stand out</image:title>
      <image:caption>Becky Brown, My Overall Satisfaction, 2025. Acrylic and oil on paper, 53.5 x 69 inches. Image courtesy of the artist and Freight + Volume.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-conversation-with-heidi-norton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ea536d56-578b-4fc4-a2d3-a8f2f09d448f/norton_heidi_silverarts.jpeg</image:loc>
      <image:title>Home - In Conversation with Heidi Norton - Make it stand out</image:title>
      <image:caption>Installation view of In the End, Everything Gives at Silver Art Projects, 2026. Featuring Heidi Norton, Black Dahlia,2024; glass, resin, plant material, clay, pigment, acrylic paint; custom brass stand, 66 × 13.5 × 12 in. (left); and Purple Rain,2024; glass, resin, plant material, clay, pigment, acrylic paint; custom brass stand, 66 × 13.5 × 12 in. (right). Courtesy of the artist and Silver Art Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/05d604ed-e83c-4514-a27c-0a3996a319cc/140213-4143.jpeg</image:loc>
      <image:title>Home - In Conversation with Heidi Norton - Make it stand out</image:title>
      <image:caption>Heidi Norton, Ellipse with Nitrogen Fixers, 2025. Glass, wax, resin, salt rock, plant detritus, dye, moss, photographic prints, 124.5 x 66 x 30.5 cm | 49 x 26 x 12 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eaf2b0eb-154e-4176-b983-8b9a5159d3e5/The_Pit_Hi-Dose_individuals_020.jpeg</image:loc>
      <image:title>Home - In Conversation with Heidi Norton - Make it stand out</image:title>
      <image:caption>Heidi Norton, Between the Eye and the Earth, 2025. Wax, dried flowers, glass, wicks, mica powder, moss, plasticine, candles, aluminum stand, 12 x 18 x 4 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e539287e-cdae-43a9-bf52-8c0e096c68f9/Heidi_Norton.jpeg</image:loc>
      <image:title>Home - In Conversation with Heidi Norton - Make it stand out</image:title>
      <image:caption>Heidi Norton, The Museum Archive (dedicated to Edward Steichen’s Delphiniums), MOMA 1936, Version 4, 2025. 5 panels of glass, resin, plants, beam splitter glass, photo gels, photographic prints and film, aluminum stand, 142.2 x 91.4 x 55.9 cm | 56 x 36 x 22 in. Installation image: Still Point, curated by Caitlin Monachino and Gretchen Kraus from The Aldrich Contemporary Art Museum. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e35b853a-be50-4ec2-9bc4-9400b07178ae/260106_HEIDI_NORTON_pink.jpeg</image:loc>
      <image:title>Home - In Conversation with Heidi Norton - Make it stand out</image:title>
      <image:caption>Heidi Norton, Bunny Tails, 2025. Reeves watercolor paper, acrylic, charcoal, mica, resin, plant material, 18 × 12 × 1.5 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4642cc12-49d4-4002-90c7-0c8b87af089d/HEIDI_POUR.jpeg</image:loc>
      <image:title>Home - In Conversation with Heidi Norton - Make it stand out</image:title>
      <image:caption>Heidi Norton pouring wax on Cobra Lilly Mountain by Eileen Mueller. Archival pigment print, 2011. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reimagining-value-in-the-wake-of-once-within-a-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bc0b45ca-5446-46b5-886b-6acab8c456aa/SantaFe-11.jpeg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Railyard Building, SITE Santa Fe. The Demon and the Muse (2025)by Maryam Hoseini and WangShui. Once Within a Time, The International, 2025. Photo: Brad Trone. Courtesy SITE Santa Fe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/810c0704-4a6e-44b4-a696-79a04f5206bf/SantaFe-2.jpg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Helen Cordero, Storyteller Figurines (n.d.). Installation view, Once Within a Time, The International, SITE Santa Fe, 2025. Photo: Muriel Quancard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/72c637d2-5c01-4afd-8975-d4bf6ac6e5ae/SantaFe-1.jpg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Helen Cordero, Storyteller Figurines (n.d.) and Simone Leigh, Untitled (2025). Installation view, Once Within a Time, The International, SITE Santa Fe, 2025. Photo: Brad Trone. Courtesy SITE Santa Fe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cfbbad7a-c1b3-40a2-91a6-611df5a04e0d/SantaFe-4.jpg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Pablita Velarde (Tse Tsan), Old Father Storyteller (c. 1960). Once Within a Time, The International, SITE Santa Fe, 2025. Courtesy: National Museum of the American Indian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f33f8f0c-5c3f-4a07-acae-05ce03a59bc9/SantaFe-7.jpg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Zhang Xu Zhan, Compound Eyes of Tropical (2022). Installation view, Once Within a Time, The International, Museum of International Folk Art, Santa Fe, 2025. Photo: Brad Trone. Courtesy SITE Santa Fe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/46c31fd8-e19e-4f31-aeb7-293eddb887ac/SantaFe-8.jpg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Daisy Quezada Ureña, Untitled (Porcelain Object). Installation view, Once Within a Time, The International, New Mexico History Museum, Palace of the Governors, 2025. Photo: Brad Trone. Courtesy the artist and Alicia Inez Guzmán.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e7e9d0c-7179-4531-bf4b-47c116117e97/SantaFe-9.jpeg</image:loc>
      <image:title>Home - Reimagining Value in the Wake of Once Within a Time - Make it stand out</image:title>
      <image:caption>Korakrit Arunanondchai, Nostalgia for Unity (2024). Installation view, Once Within a Time, The International, Finquita, Santa Fe, 2025. Photo: Brad Trone. Courtesy SITE Santa Fe.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/i-see-something-in-the-sky</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc45637d-22d1-4ee1-a4f3-f8b397a7f754/VS24_Magritte.png</image:loc>
      <image:title>Home - I See Something in the Sky - Make it stand out</image:title>
      <image:caption>Rene Magritte, Voice of Space, 1931. Oil on canvas, 28 5/8 x 21 3/8 inches (72.7 x 54.3 cm). Courtesy of the Peggy Guggenheim Collection, Venice (Solomon R. Guggenheim Foundation, New York).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76b1c734-3b33-40af-97af-7b578f554d6d/VS26_Arakawa.png</image:loc>
      <image:title>Home - I See Something in the Sky - Make it stand out</image:title>
      <image:caption>Shusaku Arakawa, Study for Moral/Volumes/Verbing/ The /Unmind, 1977. Pencil, crayon, acrylic, lithography, 46 5/8 x 34 1/8 inches (118.4 x 86.7 cm). Courtesy of Mark and Nikki Feldman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/138b879e-009f-45ca-8846-0cf1c8a909bd/VS29_Willats.png</image:loc>
      <image:title>Home - I See Something in the Sky - Make it stand out</image:title>
      <image:caption>Stephen Willats, Travelling with the Good Connector, 2019. Watercolor, ink and letraset text on paper, 27 1/8 x 54 inches (68.9 x 137.2 cm). Courtesy of the artist and Victoria Miro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a96da775-5ab9-4d3c-bd01-7f132997a250/VS11_Howardena-Pindell_PINPP064-hi-res_2025-10-06-155037_wxcp.jpg</image:loc>
      <image:title>Home - I See Something in the Sky - Make it stand out</image:title>
      <image:caption>Howardena Pindell, Astronomy: Northern Hemisphere (August- September 1997), 2000–01. Ink, acrylic, and gouache on paper, 13 x 17 inches (33.0 x 43.2 cm). Courtesy of the artist and Garth Greenan Gallery, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1771883782729-5940EQBR5NWBBFSSVT28/Drawing-Center__O0A0182_Photo-by-Daniel-Terna.jpg</image:loc>
      <image:title>Home - I See Something in the Sky</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1771883782648-V5V9KNL2BXMM7NHNC98L/Drawing-Center__O0A0190_Photo-by-Daniel-Terna.jpg</image:loc>
      <image:title>Home - I See Something in the Sky</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1771883783646-8H4203PSBH025SC29DS6/Drawing-Center__O0A0199_Photo-by-Daniel-Terna.jpg</image:loc>
      <image:title>Home - I See Something in the Sky</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1771883783754-7MGXRN7NRURIPATITV7O/Drawing-Center__O0A0229_Photo-by-Daniel-Terna.jpg</image:loc>
      <image:title>Home - I See Something in the Sky</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1771883784614-L6UWSR5TQ54R6II4A9CP/Drawing-Center__O0A0310_Photo-by-Daniel-Terna.jpg</image:loc>
      <image:title>Home - I See Something in the Sky</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standouts-at-the-seventh-aim-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9dbc1c4f-8e90-409b-80d3-aedac3ee6edd/2026_01_24_Argenis_Apolinario_BxMA_AIM_INSTALL_3250.jpg</image:loc>
      <image:title>Home - Standouts at the Seventh AIM Biennial - Make it stand out</image:title>
      <image:caption>Piero Penizzotto, Big Brother Obii Knows Best (Ft. Freddy &amp; Shawn), 2025. Papier-mâché, foam, acrylic, 50 x 40 x 68 inches. Image courtesy of Argenis Apolinario and the Bronx Museum of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1210bf8d-f2f3-400c-a0be-8d98cd854d13/2026_01_24_Argenis_Apolinario_BxMA_AIM_INSTALL_9268.jpg</image:loc>
      <image:title>Home - Standouts at the Seventh AIM Biennial - Make it stand out</image:title>
      <image:caption>kiarita, The Messenger’s Pew, 2025. Oil on found headboard, wood, abuelo’s Bible, 57 x 40½ x 16 inches. Image courtesy of Argenis Apolinario and the Bronx Museum of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/404cbe13-5d32-46c6-8089-6a3264776221/2026_01_24_Argenis_Apolinario_BxMA_AIM_INSTALL_3166.jpg</image:loc>
      <image:title>Home - Standouts at the Seventh AIM Biennial - Make it stand out</image:title>
      <image:caption>Jill Cohen-Nuñez, untitled (ojos), 2026. Pine, walnut, soapstone, 12 x 12 x 12 inches. Image courtesy of Argenis Apolinario and the Bronx Museum of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a3fa5aa-5722-49a2-b1bc-0f61e70b3f79/2026_01_24_Argenis_Apolinario_BxMA_AIM_INSTALL_3205.jpg</image:loc>
      <image:title>Home - Standouts at the Seventh AIM Biennial - Make it stand out</image:title>
      <image:caption>Bryan Fernandez, Beso a La Cámara, 2025. Mixed media painting on canvas, 84 x 96 x 24 inches. Image courtesy of Argenis Apolinario and the Bronx Museum of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/291c97b8-0b22-48be-8633-1ffc2d2e9afd/2026_01_24_Argenis_Apolinario_BxMA_AIM_INSTALL_3070.jpg</image:loc>
      <image:title>Home - Standouts at the Seventh AIM Biennial - Make it stand out</image:title>
      <image:caption>Nazli Efe, Open Weave No.5, 2024. Gauze, marbled paper, wax on wood panel, 16 ½ x 12 ½ x 3 ½ inches. Image courtesy of Argenis Apolinario and the Bronx Museum of the Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-polina-osipova-johs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a71e7123-a58a-47be-a8a2-7e7f39f55add/SoftDream_Install.jpg</image:loc>
      <image:title>Home - Reanimating the Archives with Polina Osipova - Make it stand out</image:title>
      <image:caption>Installation view of Polina Osipova: A Living Inheritance. From left to right: Paw (2025), Crystallised Paw (2025), Soft Dream (2025), Crystallised Heart Portrait (2025). Photographed by Nikita Gorlov, courtesy of the artist and JO-HS gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/46ffcf1d-86c7-4547-a7ee-a0e05e946da0/Paw.jpg</image:loc>
      <image:title>Home - Reanimating the Archives with Polina Osipova - Make it stand out</image:title>
      <image:caption>Polina Osipova, Paw (2025). Photographed by Nikita Gorlov, courtesy of the artist and JO-HS gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b19c2e2a-2592-4bc7-8a2c-56301de5d395/CaveMask.jpg</image:loc>
      <image:title>Home - Reanimating the Archives with Polina Osipova - Make it stand out</image:title>
      <image:caption>Polina Osipova, Cave Mask (2025). Photographed by Nikita Gorlov, courtesy of the artist and JO-HS gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1dcbad9b-e26c-47ac-9756-4b2961aed30e/ArtistPortrait2.jpg</image:loc>
      <image:title>Home - Reanimating the Archives with Polina Osipova - Make it stand out</image:title>
      <image:caption>Portrait of Polina Osipova wearing Chuvash braid adornments in front of Braids of Remembrance (2025). Photographed by Nikita Gorlov, courtesy of the artist and JO-HS gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/99aa5540-4266-414c-9fd8-b3f43b33bd3d/Braids+of+Remembrance.jpg</image:loc>
      <image:title>Home - Reanimating the Archives with Polina Osipova - Make it stand out</image:title>
      <image:caption>Polina Osipova, Braids of Remembrance (2025). Photographed by Nikita Gorlov, courtesy of the artist and JO-HS gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b05b05d9-450a-4c84-b4de-9f37ac381011/CrystallisedMemories.jpg</image:loc>
      <image:title>Home - Reanimating the Archives with Polina Osipova - Make it stand out</image:title>
      <image:caption>Details of Crystallised Memories (2025) by Polina Osipova. Photographed by Nikita Gorlov, courtesy of the artist and JO-HS gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/nostalgias-and-utopias-miami</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6c63de67-50ca-437c-8116-1fe59f4a0c47/Installation+View+of+Field+of+Dreams%2C+Courtesy+of+the+Museum+of+Contemporary+Art+North+Miami+%28MOCA%29%2C+2025.jpg</image:loc>
      <image:title>Home - Nostalgias &amp;amp; Utopias, Miami - Make it stand out</image:title>
      <image:caption>Installation view of Field of Dreams. Courtesy of the Museum of Contemporary Art North Miami, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/00c63d4f-b1e7-4d90-bd07-d01162af3930/Installation+View+of+Jack+Pierson-+The+Miami+Years%2C+Courtesy+of+The+Bass%2C+2025..jpg</image:loc>
      <image:title>Home - Nostalgias &amp;amp; Utopias, Miami - Make it stand out</image:title>
      <image:caption>Installation view of Jack Pierson: The Miami Years. Courtesy of The Bass, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07ce6b54-e694-4a9f-8c8e-0049479e1507/Installation+View+of+Acid+Bath+House%2C+Courtesy+of+Nina+Johnson+Gallery%2C+2025..jpg</image:loc>
      <image:title>Home - Nostalgias &amp;amp; Utopias, Miami - Make it stand out</image:title>
      <image:caption>Installation view of Acid Bath House. Courtesy of Nina Johnson Gallery, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/69cd4f2f-3b4f-46a2-b91a-6af3d9c49812/Installation+View+of+Present%2C+Bakehouse+Art+Complex.+Photography+by+Silvia+Ros%2C+2025.jpg</image:loc>
      <image:title>Home - Nostalgias &amp;amp; Utopias, Miami - Make it stand out</image:title>
      <image:caption>Installation view of Present, Bakehouse Art Complex. Photography by Silvia Ros, 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/leah-liu-susurrus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4acd9c52-e525-4bbc-8851-1fa8b16a4a77/Leah_Liu_susurrus_02.JPG</image:loc>
      <image:title>Home - Leah Liu: “susurrus 聲聲私” - Make it stand out</image:title>
      <image:caption>Leah Liu, susurrus, 2026. Courtesy of the artist and Gallery 456/CAAC. Photo: Zhu Gaocanyue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6463f30c-1c4c-400e-8a46-5252c0553087/Leah_Liu_orbital_strata.jpg</image:loc>
      <image:title>Home - Leah Liu: “susurrus 聲聲私” - Make it stand out</image:title>
      <image:caption>Leah Liu, Orbital Strata, 2024. Courtesy of the artist and Gallery 456/CAAC. Photo: Zhu Gaocanyue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/72a07758-0a72-4d06-9f50-67cdcf3135e7/Leah_Liu_para__el_cell.jpg</image:loc>
      <image:title>Home - Leah Liu: “susurrus 聲聲私” - Make it stand out</image:title>
      <image:caption>Leah Liu, para//el cell, 2025. Courtesy of the artist and Gallery 456/CAAC. Photo: Zhu Gaocanyue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6e5886bf-0634-4fd9-943a-35461c31f572/Leah_Liu_susurrus_03.JPG</image:loc>
      <image:title>Home - Leah Liu: “susurrus 聲聲私” - Make it stand out</image:title>
      <image:caption>Leah Liu, susurrus, 2026. Courtesy of the artist and Gallery 456/CAAC. Photo: Zhu Gaocanyue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-limits-of-autonomy-in-emerald-fennells-wuthering-heights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7860e92b-1d6c-48a5-a62b-7c2c697873e7/Margot+Robbie+in+%E2%80%9CWuthering+Heights%E2%80%9D+%282026%29.+Warner+Bros.+Pictures.jpg</image:loc>
      <image:title>Home - The Limits of Autonomy in Emerald Fennell’s “‘Wuthering Heights’” - Make it stand out</image:title>
      <image:caption>Margot Robbie in “Wuthering Heights” (2026). Warner Bros. Pictures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c534cfb-5d2b-4fa6-b5df-598bee1e1339/Margot+Robbie+in+%E2%80%9CWuthering+Heights%E2%80%9D+%282026%29.+Warner+Bros.+Pictures.jpeg</image:loc>
      <image:title>Home - The Limits of Autonomy in Emerald Fennell’s “‘Wuthering Heights’” - Make it stand out</image:title>
      <image:caption>Margot Robbie in “Wuthering Heights” (2026). Warner Bros. Pictures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3cf77fcc-add7-4ea4-b711-78ac16c6f795/Jacob+Elordi+and+Margot+Robbie+in+%E2%80%9CWuthering+Heights%E2%80%9D+%282026%29.+Warner+Bros.+Pictures.jpeg</image:loc>
      <image:title>Home - The Limits of Autonomy in Emerald Fennell’s “‘Wuthering Heights’” - Make it stand out</image:title>
      <image:caption>Jacob Elordi and Margot Robbie in “Wuthering Heights” (2026). Warner Bros. Pictures.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/beyond-the-booth-india-art-fair-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24321c92-a989-48e6-9713-75eeabc21765/Shyama+Golden.jpeg</image:loc>
      <image:title>Home - Beyond the Booth: India Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Shyama Golden, Treebirth, 2024. Oil on linen. 48 x 12 in. Photograph by Ruben Diaz, courtesy of Rajiv Menon Contemporary [Los Angeles, USA].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a883d42-be0c-44a4-9d18-e2393bc67519/Karl+Singporewala+Thoughts+Words+Deeds.jpg</image:loc>
      <image:title>Home - Beyond the Booth: India Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Karl Singaporewala, Thoughts, Words, and Deeds. Installation view at India Art Fair. Courtesy of Runjeet Singh Gallery [London, United Kingdom].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8dfd4f10-f1a3-4a0d-aa7a-1bf68bb2c532/Rajat+Kumar%2C+All+in+the+Head%2C+Acrylic+on+Canvas%2C+12x+16+Inches.jpg</image:loc>
      <image:title>Home - Beyond the Booth: India Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Rajat Kumar, All in the Head, 2025. Acrylic on canvas. 12 x 16 in. Courtesy of Art Incept [New Delhi, India].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4309a43e-8c10-416c-a294-2236729cfd49/_J7A3505.jpeg</image:loc>
      <image:title>Home - Beyond the Booth: India Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Shailesh BR, New Moon installation view at India Art Fair. Courtesy of Vadehra Art Gallery [New Delhi, India].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4418dd7c-19de-4db6-8875-2e9627078350/unnamed.jpeg</image:loc>
      <image:title>Home - Beyond the Booth: India Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Sidhant Kumar, A Quiet Harvest, 2025. Staged photo performance, Digital print on archival paper,. Image courtesy of the artist and Prameya Art Foundation [New Delhi, India].</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8dc9d792-ff4c-4179-af74-4e666f1115c4/GM178.jpg</image:loc>
      <image:title>Home - Beyond the Booth: India Art Fair 2026 - Make it stand out</image:title>
      <image:caption>Giuliano Macca, Apart to come closer, 2025. Natural Indigo and oil on Canvas, 140 x 96 cm. Courtesy of Giuliano Macca and GOWEN. © Giuliano Macca.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-immigrant-artist-biennial-appoints-four-curators-for-its-third-edition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6aa8649-feb0-4852-a277-bc70bf563a79/Screenshot+2026-02-18+at+10.41.25%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Immigrant Artist Biennial Appoints Four Curators for Its Third Edition - Make it stand out</image:title>
      <image:caption>Photo: Ariel Diaz. Courtesy of The Immigrant Artist Biennial</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f458acf2-fe84-42be-a256-377884dd4710/Screenshot+2026-02-18+at+10.49.43%E2%80%AFPM.png</image:loc>
      <image:title>Home - The Immigrant Artist Biennial Appoints Four Curators for Its Third Edition - Make it stand out</image:title>
      <image:caption>Sanna Almajedi. Photo by Ali Asperheim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/feae4adb-4658-4a7f-8ba8-0c0387c35a88/Sofia+Thie%CC%A3%CC%82u+D%E2%80%99Amico.+Photo_+Paul+Rho.jpg</image:loc>
      <image:title>Home - The Immigrant Artist Biennial Appoints Four Curators for Its Third Edition - Make it stand out</image:title>
      <image:caption>Sofia Thiệu D’Amico. Photo by Paul Rho</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/090331a3-32dc-4704-bb83-478fb7141af8/Eva+Mayhabal+Davis.+Photo_+Xicanayork.jpg</image:loc>
      <image:title>Home - The Immigrant Artist Biennial Appoints Four Curators for Its Third Edition - Make it stand out</image:title>
      <image:caption>Eva Mayhabal Davis. Photo by Xicanayork</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4086b036-b12c-4348-bb9b-ca3dfefd6f43/Anna+Khimasia.+Photo_+Sean+Lynch.jpeg</image:loc>
      <image:title>Home - The Immigrant Artist Biennial Appoints Four Curators for Its Third Edition - Make it stand out</image:title>
      <image:caption>Anna Khimasia. Photo by Sean Lynch</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/brackish-water-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3ffdac25-41b6-418f-afd2-b4eaa50c96d9/DSC07704.JPG</image:loc>
      <image:title>Home - In Brackish Conditions: A Refusal of Refinement - Make it stand out</image:title>
      <image:caption>Brackish Water. Installation view of Coco Ma’s work, 205 Hudson Gallery, February 13–25, 2026. Courtesy of 205 Hudson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ffe54dcb-7697-4331-9ff3-412ce618f7fe/DSC07604.JPG</image:loc>
      <image:title>Home - In Brackish Conditions: A Refusal of Refinement - Make it stand out</image:title>
      <image:caption>Brackish Water. Installation view of Masie Love and Clare Hu’s work, 205 Hudson Gallery, February 13–25, 2026. Courtesy of 205 Hudson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/913f5013-3245-45db-8e9a-79535373f111/DSC07616.JPG</image:loc>
      <image:title>Home - In Brackish Conditions: A Refusal of Refinement - Make it stand out</image:title>
      <image:caption>Brackish Water. Installation view of Dylan Musler’s work, 205 Hudson Gallery, February 13–25, 2026. Courtesy of 205 Hudson Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/376dde07-3297-4b9d-9e91-15ea54d8a947/DSC07707.JPG</image:loc>
      <image:title>Home - In Brackish Conditions: A Refusal of Refinement - Make it stand out</image:title>
      <image:caption>Vanessa Wallace-Gonzales, Where Does the Past Live? (2026), installation. Wood pews, leather cushions, white sage powder, yarrow flowers, liquid starch, and foraged white sage leaves. Courtesy of 205 Hudson Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-february-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb21d28a-02b8-4fd7-b8f7-cfb5dc868593/Bounty-1857.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Installation view, Bounty, Sargent’s Daughters, New York, 2026. Courtesy of Sargent's Daughters. Photography by Nicholas Knight.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c7c23f6-1008-4a8e-bcf6-83893cc83146/Installation+view+of+Judy+Chung_+Cafeteria%2C+2025.+Image+courtesy+of+the+artist+and+RAINRAIN.+Photo+by+Marc+Tatti+.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Installation view of Judy Chung, Cafeteria, 2025. Image courtesy of the artist and RAINRAIN. Photo by Marc Tatti.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/834697bd-a2c0-4ff3-a147-01ab47485c6b/Judy+Chung%2C+Communion%2C+2025%2C+acrylic+on+canvas+30+x+30+in+%2876+%C3%97+76+cm%29.+Courtesy+of+the+artist+and+RAINRAIN.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Judy Chung, Communion, 2025. Acrylic on canvas, 30 x 30 in (76 × 76 cm). Courtesy of the artist and RAINRAIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9df42d8d-769f-445e-b738-15a4195f6818/ALI_CHERRI+INSTALLATION_VIEW.jpg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Installation views of Ali Cherri, Last Watch Before Dawn, Almine Rech New York, Tribeca, 2026 / © Ali Cherri - Courtesy of the Artist and Almine Rech - Photos: Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3ae3c581-246b-45af-970f-7293b12a6e2a/Graciela_Iturbide_Eyes_to_Fly_With_2026_Installation_View_c_COBerlin_and_David_von_Becker_07.jpg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Graciela Iturbide. Eyes to Fly With, installation view at C/O Berlin, 2026 © C/O Berlin Foundation, David von Becker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97d1eac4-a86f-45f1-9933-a37c82284a94/260122_PW_Install_009.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Installation view of The Endless Garment: Atlantic Basin, Pioneer Works, New York, 2026. Courtesy of Pioneer Works. Photo by Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/df2e5a1d-e1ea-47ef-bbbe-6c5034e23687/Shima_Corner.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Installation view of SHIMA, part 1 (2026) at Aupuni Space, Honolulu, Hawai‘i. Courtesy of Aupuni Space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/53e86ef8-8aaf-4d33-a39d-f3dfca81697f/Shima_EmmaAltar.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: February 2026 - Make it stand out</image:title>
      <image:caption>Emma Jane Chiyoko Oshiro, Grandma Altar, 2026. Kimono obi, ceramic vessels, incense, salt rice, awamori, photo with frame, charms, kokeshi, wood chest, crochet doily, on found table. 24 x 18 inches. Courtesy of Aupuni Space.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-conversation-with-baldassarre-ruspoli</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb6c7a19-066f-4820-8ccd-6c8fd011b7dc/Under+Light+of+Moon+and+Sun%2C+an+exhibition+curated+by+Cici+Wu+and+Karen+Wang%2C+Courtesy+of+99Canal.jpg</image:loc>
      <image:title>Home - In Conversation with Baldassarre Ruspoli - Make it stand out</image:title>
      <image:caption>Under Light of Moon and Sun, an exhibition curated by Cici Wu and Karen Wang, Courtesy of 99Canal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dba75a66-2099-4404-ab90-45cf10e90265/Sophia+Giovannitti%2C+Confession+Prototype+1%2C+On+Having+_a+Lot+of+Heart_%2C+5x5%2C+Courtesy+of+99Canal.jpg</image:loc>
      <image:title>Home - In Conversation with Baldassarre Ruspoli - Make it stand out</image:title>
      <image:caption>Sophia Giovannitti, Confession Prototype 1, On Having “Alot of Heart”, 2025. Courtesy of 99Canal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da9f2120-711e-465e-999d-3ff027483aa8/Nasa4Nasa+in+conversation+with+May+Makki%2C+Courtesy+of+99Canal.jpeg</image:loc>
      <image:title>Home - In Conversation with Baldassarre Ruspoli - Make it stand out</image:title>
      <image:caption>Nasa4Nasa in conversation with May Makki, Courtesy of 99Canal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41b918b5-a4c4-43c9-950a-b9e51d8a05c1/Baldassarre+Ruspoli+portrayed+by+Kimiko+Singer.+Courtesy+of+99Canal.jpeg</image:loc>
      <image:title>Home - In Conversation with Baldassarre Ruspoli - Make it stand out</image:title>
      <image:caption>Baldassarre Ruspoli portrayed by Kimiko Singer. Courtesy of 99Canal.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-tender-is-the-night</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ccb4ce3-bb44-4183-9fb8-05a96c7e6787/Installation+view+of+Tender+is+the+Night+at+Picture+Theory.+Courtesy+Picture+Theory.jpg</image:loc>
      <image:title>Home - Review: “Tender Is the Night” - Make it stand out</image:title>
      <image:caption>Installation view of Tender is the Night at Picture Theory. Courtesy of Picture Theory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a35bac9a-70a1-45ca-bf70-cd8117bdcb3b/Installation+view+of+Alexandria+Couch%E2%80%99s+works+in+Tender+is+the+Night+at+Picture+Theory.+Courtesy+Picture+Theory.jpg</image:loc>
      <image:title>Home - Review: “Tender Is the Night” - Make it stand out</image:title>
      <image:caption>Installation view of Alexandria Couch’s works in Tender is the Night at Picture Theory. Courtesy of the artist and Picture Theory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c47d37f-6b3c-4b87-9f6c-39f5d256f7fa/Installation+view+of+Kimberly+Heard%E2%80%99s+works+in+Tender+is+the+Night+at+Picture+Theory.+Courtesy+Picture+Theory.jpg</image:loc>
      <image:title>Home - Review: “Tender Is the Night” - Make it stand out</image:title>
      <image:caption>Installation view of Kimberly Heard’s works in Tender is the Night at Picture Theory. Courtesy of the artist and Picture Theory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/832c3d41-bc41-427b-9ccc-84f4a3de954d/Installation+view+of+Tuere+Nicole%E2%80%99s+works+in+Tender+is+the+Night+at+Picture+Theory.+Courtesy+Picture+Theory.jpg</image:loc>
      <image:title>Home - Review: “Tender Is the Night” - Make it stand out</image:title>
      <image:caption>Installation view of Tuere Nicole’s works in Tender is the Night at Picture Theory. Courtesy of the artist and Picture Theory.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/behind-the-scenes-in-cdmx-work-in-progress</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2aac6715-d651-4a94-a553-cac74a89cade/AnniTangente.jpg</image:loc>
      <image:title>Home - Behind the Scenes in CDMX: Work in Progress - Make it stand out</image:title>
      <image:caption>Anni Garza. Self-portrait, courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/103bc38c-2f87-4e1d-b9a5-af13db66c4d5/charles+osawa.jpeg</image:loc>
      <image:title>Home - Behind the Scenes in CDMX: Work in Progress - Make it stand out</image:title>
      <image:caption>Charles Osawa. Self-portrait, courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/def825d5-96ae-47e0-9c84-804d8592db25/Paulina-10.JPEG</image:loc>
      <image:title>Home - Behind the Scenes in CDMX: Work in Progress - Make it stand out</image:title>
      <image:caption>Paulina Moncada. Photo by Pat Garcia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e68e8826-d2c9-46a5-a4c2-14c1d48e84ca/Pia+Watson+Photo.jpg</image:loc>
      <image:title>Home - Behind the Scenes in CDMX: Work in Progress - Make it stand out</image:title>
      <image:caption>Pia Watson, Oracular Dance, video still, 2025</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43834543-e1f6-46a2-a057-35afcf4ba202/Pablo+Delgado.jpeg</image:loc>
      <image:title>Home - Behind the Scenes in CDMX: Work in Progress - Make it stand out</image:title>
      <image:caption>Pablo Delgado. Self-portrait, courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-wretched-unrest-in-a-room-for-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f353687-5ec5-48d7-acb8-fddd89bb2f9c/1.jpg</image:loc>
      <image:title>Home - The Wretched Unrest in a Room for One - Make it stand out</image:title>
      <image:caption>Jaime Welsh, Veil, 2025. Archival pigment print on baryta paper, museum glass, gilded frame. Photo by Fred Voon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/94146b2f-6f6b-4e09-85e0-0d4134e3ac3e/2.jpg</image:loc>
      <image:title>Home - The Wretched Unrest in a Room for One - Make it stand out</image:title>
      <image:caption>Installation view of The Bed Sitting Room, 2025, featuring Charlie Engelman, Traveler (Dawn), 2026. High-density urethane foam, flocking, acrylic paint, stainless steel hardware. Photo by Fred Voon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20f08cf8-1e7b-435b-a785-4bb2d9c90294/3.jpg</image:loc>
      <image:title>Home - The Wretched Unrest in a Room for One - Make it stand out</image:title>
      <image:caption>Hamish Pearch, Division, 2026. Bronze, silver-plated bronze, aluminum, pigmented epoxy, paint, fixings. Photo by Fred Voon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/after-iconoclasm-a-conversation-with-cecilia-alemani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aa83a132-460c-4d1f-b86e-91c27fd18c00/High+Line+Art_+Nguyen-001.jpg</image:loc>
      <image:title>Home - After Iconoclasm: A Conversation with Cecilia Alemani - Make it stand out</image:title>
      <image:caption>Tuan Andrew Nguyen, The Light That Shines Through the Universe, 2026 (rendering). A High Line Plinth commission. Image courtesy of the artist and the High Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7474b47-3758-47fd-9ba9-a1d734b53acb/High+Line+Art_Nguyen-002.jpg</image:loc>
      <image:title>Home - After Iconoclasm: A Conversation with Cecilia Alemani - Make it stand out</image:title>
      <image:caption>Tuan Andrew Nguyen, The Light That Shines Through the Universe, 2026 (rendering). A High Line Plinth commission. Image courtesy of the artist and the High Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e96b1f4f-aa51-4b72-8ebf-2e9076685c69/High+Line+Art_Nguyen-004.jpg</image:loc>
      <image:title>Home - After Iconoclasm: A Conversation with Cecilia Alemani - Make it stand out</image:title>
      <image:caption>Tuan Andrew Nguyen, The Light That Shines Through the Universe, 2026 (rendering). A High Line Plinth commission. Image courtesy of the artist and the High Line.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/stitching-time-together-in-conversation-with-rose-marie-cromwell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aff02aaa-fad8-45a9-848b-0652780d653a/RoseMarieCromwell_AGeologicalSurvey_OnHerBack.jpg</image:loc>
      <image:title>Home - Stitching Time Together: In Conversation with Rose Marie Cromwell&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Rose Marie Cromwell, On Her Back, 2023. Digital image, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4df10b46-5872-4b41-9713-7323b8bbe430/RMC_EUQINOM_2.jpg</image:loc>
      <image:title>Home - Stitching Time Together: In Conversation with Rose Marie Cromwell&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Rose Marie Cromwell, A Geological Survey (installation image), 2025. Courtesy of EUQINOM Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd3776e5-3448-477f-9da3-60402df43d22/RMC_EUQINOM_10.jpg</image:loc>
      <image:title>Home - Stitching Time Together: In Conversation with Rose Marie Cromwell&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Rose Marie Cromwell, A Geological Survey (installation image), 2025. Courtesy of EUQINOM Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b3914962-2791-438d-a2ba-2607b485562f/RMC_EUQINOM_8.jpg</image:loc>
      <image:title>Home - Stitching Time Together: In Conversation with Rose Marie Cromwell&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Rose Marie Cromwell, A Geological Survey (installation image), 2025. Courtesy of EUQINOM Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9e79dda2-c859-427e-87a4-2a05f8e94b3c/RoseMarieCromwell_AGeologicalSurvey_TheField.jpg</image:loc>
      <image:title>Home - Stitching Time Together: In Conversation with Rose Marie Cromwell&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Rose Marie Cromwell, The Field, 2025. Digital image, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a8150cb7-d6cf-406a-bee9-3e99b9fb156b/RoseMarieCromwell_AGeologicalSurvey_TheCave.jpg</image:loc>
      <image:title>Home - Stitching Time Together: In Conversation with Rose Marie Cromwell&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Rose Marie Cromwell, The Cave, 2025. Digital image, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/material-reasoning-in-your-cost-benefit-calculations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e06abb98-17c3-4a53-905c-621fbb648bc9/20260106_KURIMANZUTTO_GABRIEL_KURI_ZH11491.jpeg</image:loc>
      <image:title>Home - Material Reasoning in “your cost-benefit calculations”&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Gabriel Kuri, installation view of your cost-benefit calculations at kurimanzutto, 2026. Courtesy of the artist and kurimanzutto Mexico City / New York. Photo: Zach Hyman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/664eb821-3cb6-41d6-aa84-5db939741e68/GK142677_03.jpg</image:loc>
      <image:title>Home - Material Reasoning in “your cost-benefit calculations”&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Gabriel Kuri, error bars (group 1), 2025. 5 units. Burnt wood, mixed media, 101.5 x 178 x 5.5 cm (40 x 70 x 2.25 in). Courtesy of the artist and kurimanzutto Mexico City / New York. Photo: Zach Hyman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/49293441-7c5c-4dfc-a913-213e78ce7f85/GK142672_05.jpg</image:loc>
      <image:title>Home - Material Reasoning in “your cost-benefit calculations”&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Gabriel Kuri, untitled (credit score cast), 2026. Medium high density foam, acylac, bottle cap, extinguished cigarette butt, 56 x 56 x 18 cm (22 x 22 x 7 1/8 in). Courtesy of the artist and kurimanzutto Mexico City / New York. Photo: Zach Hyman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/from-my-institution-to-yours</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71d80af5-09e2-4c64-87bd-e3f6a4f3ede6/Install_2025_Horror_SMLA_24.jpeg</image:loc>
      <image:title>Home - From My Institution to Yours* - Make it stand out</image:title>
      <image:caption>Horror, Installation view, Sprüth Magers, Los Angeles, November 21, 2025–February 14, 2026. Courtesy Sprüth Magers. Photo: Robert Wedemeyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3fc644c6-4b5b-4c66-8212-6577e5dd105e/Install_2025_Horror_SMLA_06.jpeg</image:loc>
      <image:title>Home - From My Institution to Yours* - Make it stand out</image:title>
      <image:caption>Horror, Installation view, Sprüth Magers, Los Angeles, November 21, 2025–February 14, 2026. Featuring Cyprien Gaillard, Life in the cracks (Part 2), 2025 (left); Mire Lee, Poles, 2025 (center); and Karen Kilimnik, Lunatic Asylum, 1992 (right). Courtesy Sprüth Magers. Photo: Robert Wedemeyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab91eced-bda9-41df-b004-e9f70685c96d/Install_2025_Horror_SMLA_02.jpeg</image:loc>
      <image:title>Home - From My Institution to Yours* - Make it stand out</image:title>
      <image:caption>Horror, Installation view, Sprüth Magers, Los Angeles, November 21, 2025–February 14, 2026. Featuring Andra Ursuța, Old Maid, 2023 (left). Courtesy Sprüth Magers. Photo: Robert Wedemeyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f81ac57c-c6de-44e0-b2cc-82d53e341117/Install_2025_Horror_SMLA_13.jpeg</image:loc>
      <image:title>Home - From My Institution to Yours* - Make it stand out</image:title>
      <image:caption>Horror, Installation view, Sprüth Magers, Los Angeles, November 21, 2025–February 14, 2026. Courtesy Sprüth Magers. Photo: Robert Wedemeyer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/arthur-simms-caged-bottle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73041240-da5b-45b5-8751-ada59081f4a4/ASI-INSTALL-005.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Installation view of Arthur Simms: Caged Bottle. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91dddd03-5a09-4787-98e2-f9adad076f44/ASI-INSTALLS-011.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Installation view of Arthur Simms: Caged Bottle. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e117c67d-4228-4afc-888f-1a4d45178cc2/ASI-92-002.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Arthur Simms, Sexual Tension, 1992. Rope, wood, metal, glue, paper, charcoal, pastel, paint, pen, plastic, wire, drawings on paper, gesso and screws, 185.42 × 152.40 × 78.11 cm. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/25d54b8e-6bbd-4ee2-bcef-c0db9be8f701/ASI-INSTALLS-018.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Installation view of Arthur Simms: Caged Bottle. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/909df457-8838-4e05-98d7-3c811c1542ef/ASI-24-017.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Arthur Simms, Conquistador in the New World, 2024. Feathers, wire, rope, toy horse, wood, screws, glue, and plastic spools, 175.90 × 151.76 × 69.85 cm. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2e4dda20-21a5-419d-a7c1-8fbd0dd5b70b/ASI-94-003.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Arthur Simms, The Knife and the Hammer, Fear of Aggression, 1994. Rope, glue, hammers, wood, knives, blades, wire, metal, screws, stones, monetary note, nails, cobblestone, and pencil, 272.41 × 86.36 × 38.10 cm. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aee80b8f-8bff-47bc-b865-8bc41bcff519/ASI-INSTALLS-015.jpg</image:loc>
      <image:title>Home - Arthur Simms: “Caged Bottle” - Make it stand out</image:title>
      <image:caption>Installation view of Arthur Simms: Caged Bottle. © Arthur Simms. Courtesy the artist and Karma</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/mexico-city-art-week-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b520555c-e562-415b-bb70-f270321d0ae9/Salon+ACME.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Installation view. Enrique López Llamas, I Am The Resurrection And I Am The Life, Salón ACME, 2026. Hand painted acrylic on plastic polymer. Photo: Alum Gálvez. Courtesy of LLANO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/080ae1a2-ab25-4e72-97bc-190308072b5e/Labor.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Labor’s Zona Maco booth, 2026. Photo: Ramiro Chaves. Courtesy of Labor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed6c348e-266b-440f-9605-d0dc136b39e7/Marchante+arte+contempora%CC%81neo+x+Proyecto+H.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Marchante arte contemporáneo x Proyecto H’s Zona Maco booth, 2026. Courtesy of Marchante arte contemporáneo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4a3b6fb-688a-4853-9c99-3d197215cf74/Terreno+Baldio+Arte.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Terreno Baldio Arte’s Zona Maco booth, 2026. Courtesy of Terreno Baldio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/08e4406c-7654-46e3-8e8d-64de94a14759/CIMBRA.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>CIMBRA’s Material Art Fair booth, 2026. Courtesy of CIMBRA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/01d2c8a1-e8ee-43e4-b38e-0e392922477e/Proxyco+x+Abra.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Proxyco x Abra’s Material Art Fair booth, 2026. Photo: Mikhail Mishin. Courtesy of Proxyco x Abra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d77590bb-2e65-4afc-8286-3ceab736b7cd/Zalucky.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Pardiss Amerian, farewell's architecture, 2026. Oil on linen, 16 x 12 in. Courtesy of ZALUCKY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d8220a1a-f46c-424c-91e8-55f7a60f6696/El+Chico.jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>El Chico’s Material Art Fair booth, 2026. Photograph by Diego Beyró. Image courtesy of El Chico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f964ee85-7c53-4a22-b695-5ac08a3b1811/N.A.S.A.L..jpg</image:loc>
      <image:title>Home - Mexico City Art Week 2026 - Make it stand out</image:title>
      <image:caption>Installation view. Fuerzas Motrices (Grounding Forces). N.A.S.A.L., 2026. Courtesy of N.A.S.A.L.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-cinderellas-of-contemporary-cuba-ana-alpizars-norheimsund</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f00eabd-ca75-4dfe-bc9f-5d12b0d8282b/Image+1.jpg</image:loc>
      <image:title>Home - The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund” - Make it stand out</image:title>
      <image:caption>Paula Varela in Norheimsund (2025). Photo by Madeline Finkel, 2025.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/78cbb202-43f5-41b3-b18c-20e7c153396b/Image+5.jpg</image:loc>
      <image:title>Home - The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund” - Make it stand out</image:title>
      <image:caption>Paula Varela and Kiriam Gutiérrez in Norheimsund (2025). Photo by Yuqian Zhang, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b19379be-2b73-4794-bbf2-263a3fe20436/Image+3.jpg</image:loc>
      <image:title>Home - The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund” - Make it stand out</image:title>
      <image:caption>Paula Varela and Alexandra González in Norheimsund (2025). Photo by Madeline Finkel, 2025.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/011095d7-cbb4-4ab7-9eff-29b19945992c/Image+4.jpg</image:loc>
      <image:title>Home - The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund” - Make it stand out</image:title>
      <image:caption>Darianis Palenzuela and Isabel Lluis Ibonet in Norheimsund (2025). Photo by Yuqian Zhang, 2025.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/014572a9-6a7b-495f-82a8-6fe2b035687a/Image+2.jpg</image:loc>
      <image:title>Home - The Cinderellas of Contemporary Cuba: Ana Alpizar’s “Norheimsund” - Make it stand out</image:title>
      <image:caption>Paula Massó Varela and Yaité Ruiz in Norheimsund (2025), dir. Ana A. Alpizar. Photo by Yuqian Zhang, 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/information-in-the-windshield</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/839b90c9-336f-4e30-aefd-5b511b0fb15c/Screenshot+2026-02-05+at+10.47.30%E2%80%AFPM.png</image:loc>
      <image:title>Home - Information in the Windshield - Make it stand out</image:title>
      <image:caption>Cache Machine, 2026. Courtesy of the artist and Etienne Frossard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a59954e3-28c7-44a7-af98-90b0a92bbf5f/Screenshot+2026-02-05+at+10.47.47%E2%80%AFPM.png</image:loc>
      <image:title>Home - Information in the Windshield - Make it stand out</image:title>
      <image:caption>Cache Machine, 2026. Courtesy of the artist and Etienne Frossard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c30a291-da0d-4f83-82c6-856f41e5c87b/Screenshot+2026-02-05+at+10.48.02%E2%80%AFPM.png</image:loc>
      <image:title>Home - Information in the Windshield - Make it stand out</image:title>
      <image:caption>Cache Machine, 2026. Courtesy of the artist and Etienne Frossard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/gorgeous-amp-guilty-in-conversation-with-suzie-maez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18264828-130f-45a0-aa3b-a8df43539f09/Screenshot+2026-02-04+at+8.32.23%E2%80%AFPM.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Photo by Tom Scanlan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c24ec1aa-2a50-4cda-99d4-83e9c92aa319/suziemaez.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Legs and Eye Candy, 2025. iPhone Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9d980179-262e-4164-b78c-afd5e6fecd58/rubbergloves.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Touch Deprived, 2024. iPhone Photograph. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6034eab1-9c7f-4b98-abf6-f8d8ee036dc6/theglitchgirl.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Comedy and Tragedy, 2025. iPhone Photograph. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1883d56-85fe-4f59-8630-a8d23ecc7d7d/spills.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Spilled Milk, 2025. iPhone Photograph. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1944e70d-5123-49bc-b024-da004ec04473/faces.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Chic-i-boom, 2022. iPhone Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e2627c1a-6fae-4e4d-883f-730fd67cdbe0/Screenshot+2026-01-14+at+4.23.56%E2%80%AFPM.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Al Balanchine I, 2024. iPhone Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5bd03c7f-eb1b-4cc6-95f0-bd42d0399c2a/newyork.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, One of the Same, 2023. iPhone Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d95768cc-41cd-4759-84a0-6deb986dc448/pigeonpolice.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Group Therapy, 2025. iPhone Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/01473ffb-ea11-4819-82f9-902842dbf6e9/family.png</image:loc>
      <image:title>Home - Gorgeous &amp;amp; Guilty: In Conversation with Suzie Maez - Make it stand out</image:title>
      <image:caption>Suzie Maez, Runs in the Family, 2025. Brushed aluminum frame, 16 x 20 inches. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-conversation-with-anjali-kasturi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/179aec90-a0c6-4489-97bb-d7773fe71e84/Lamina%2BInstallation%2BViews%2B7.jpeg</image:loc>
      <image:title>Home - Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi - Make it stand out</image:title>
      <image:caption>Installation view, Anjali Katsuri, Lamina, at Indigo+Madder, 2025. Image courtesy of the artist and Indigo+Madder.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6468fd21-ee04-4531-99f3-0ac520b4e172/Lamina+Installation+Views+10.jpeg</image:loc>
      <image:title>Home - Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi - Make it stand out</image:title>
      <image:caption>Installation view, Anjali Katsuri, Lamina, at Indigo+Madder, 2025. Image courtesy of the artist and Indigo+Madder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e03aa79-cd1c-4bcb-95d2-4b25f86debb0/Letter+to+Lamb+1.jpeg</image:loc>
      <image:title>Home - Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi - Make it stand out</image:title>
      <image:caption>Anjali Kasturi, Letter to Lamb, 2025. Stained glass, wax, oil pastel, metal, 20 x 18 cm. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93632740-0f1e-48c6-8ce1-8268fd1650c0/Undercover+Mammal+1.jpeg</image:loc>
      <image:title>Home - Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi - Make it stand out</image:title>
      <image:caption>Anjali Katsuri, Undercover Mammal, 2025. Wax, oil pastel on wooden panel, 15 x 30.5 cm. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/624de9d0-4b4e-4948-949d-e8d608e1c98f/Paper+House+1.jpeg</image:loc>
      <image:title>Home - Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi - Make it stand out</image:title>
      <image:caption>Anjali Katsuri, Paper House, 2025. Glass, metal solder, image transfer, 27 x 17 cm. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2014b77f-ce5c-4e38-83ed-15d43c7ab6b8/Anjali+Kasturi.JPG</image:loc>
      <image:title>Home - Beneath Montreal’s Quiet Snow: In Conversation with Anjali Kasturi - Make it stand out</image:title>
      <image:caption>Portrait of the artist. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sky-on-the-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93745a33-dec5-4793-b126-fe7442d36d79/DIXON_UNDERDONK_MAIN_INSTALL_SHOT+copy.jpg</image:loc>
      <image:title>Home - Leah Dixon: “Sky on the Floor” - Make it stand out</image:title>
      <image:caption>Installation view of Leah Dixon: Sky on the Floor. Courtesy of the artist and Underdonk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/195165d9-90bc-4691-b130-155d085d84eb/10_DIXON_UNDERDONK_INSTALL+copy.jpg</image:loc>
      <image:title>Home - Leah Dixon: “Sky on the Floor” - Make it stand out</image:title>
      <image:caption>Leah Dixon, America War Rug (2025). Courtesy of the artist and Underdonk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98ee83f4-11b6-4632-8e23-a57dec06cc89/5_DIXON_UNDERDONK_INSTALL+copy.jpg</image:loc>
      <image:title>Home - Leah Dixon: “Sky on the Floor” - Make it stand out</image:title>
      <image:caption>Installation view of Leah Dixon: Sky on the Floor. Courtesy of the artist and Underdonk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55be3b61-6a8e-41cf-b2e7-6c6ae31c176c/77_DIXON_UNDERDONK_INSTALL+copy.jpg</image:loc>
      <image:title>Home - Leah Dixon: “Sky on the Floor” - Make it stand out</image:title>
      <image:caption>Courtesy of Leah Dixon and Underdonk</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-january-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8cc9bd6-e7fd-434d-a7f2-eb9be64ff2b3/KarlaDiaz_AOrtiz2.jpeg</image:loc>
      <image:title>Home - Face to Face: January 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Karla Diaz. Courtesy of the artist, photo by Aydinaneth Ortiz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/88ee91ed-a3f1-4126-b81f-955d9da8f05b/Portrait-harmeet-1.jpeg</image:loc>
      <image:title>Home - Face to Face: January 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Harmeet Rahal. Courtesy of Phoebe Wingrove.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3d20e3cf-eaed-42bf-9774-1714e0726045/Chori_Chori_02.jpeg</image:loc>
      <image:title>Home - Face to Face: January 2026 - Make it stand out</image:title>
      <image:caption>Harmeet Rahal, Chori Chori, 2025. Multimedia installation, variable dimensions. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e46ba8e4-a08b-40da-ac97-d8d5a5c02e56/unnamed-3.jpeg</image:loc>
      <image:title>Home - Face to Face: January 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Abraham Cruzvillegas, in his studio. Photo by Marén García.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/680280f1-d569-4b6b-989b-e5ea121d9ed8/EF_3+121_2.jpeg</image:loc>
      <image:title>Home - Face to Face: January 2026 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Emmanuelle Fructus. Image courtesy of the artist © Philippe Frisée.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec433757-e243-4c4f-95c3-99b144534513/EF_2++042.jpeg</image:loc>
      <image:title>Home - Face to Face: January 2026 - Make it stand out</image:title>
      <image:caption>The artist in her studio. Image courtesy of the artist © Philippe Frisée.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/bryce-kroll-on-a-probabilistic-system-of-perception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc4998a4-bdc7-477d-8712-063302de4730/20260114_ParentCo_060.jpg</image:loc>
      <image:title>Home - Bryce Kroll on a Probabilistic System of Perception - Make it stand out</image:title>
      <image:caption>Installation view of Bryce Kroll: Crap Shoot, 2026. Photo by Gustavo Murillo. Courtesy of the artist and Parent Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4fb12d81-1e46-4c74-afb4-6f990aa4463d/20260114_ParentCo_018.jpg</image:loc>
      <image:title>Home - Bryce Kroll on a Probabilistic System of Perception - Make it stand out</image:title>
      <image:caption>Bryce Kroll, Real Extraction 1 in Titanium White, Cadmium Yellow, Raw Sienna, Raw Umber, and Carbon Black, 2025. PLA, acrylic paint, 45 x 12 x 12 inches. Photo by Gustavo Murillo. Courtesy of the artist and Parent Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/68bc5fd4-43d1-4104-bcf1-cdc1cf0dad78/IMG_4206-Edit.jpg</image:loc>
      <image:title>Home - Bryce Kroll on a Probabilistic System of Perception - Make it stand out</image:title>
      <image:caption>Bryce Kroll, False Echo 1, 2024. Oil and reactive ink on linen, 54 x 38 inches. Courtesy of the artist and Parent Company</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/between-magic-and-reality-talisman-at-yveyang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ce998d4-ffc6-4c29-aa29-40ea5c2ecc95/InstallationViewTalisman.jpeg</image:loc>
      <image:title>Home - Between Magic and Reality: “Talisman” at YveYANG - Make it stand out</image:title>
      <image:caption>Installation view of Talisman at YveYANG Gallery. 2026. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/689b4b72-8a1c-48e7-8f25-039b10b49494/PRHandkuss.jpeg</image:loc>
      <image:title>Home - Between Magic and Reality: “Talisman” at YveYANG - Make it stand out</image:title>
      <image:caption>Pauline Rintsch, Handkuss, 2025. Oil on linen, 10.25 x 9.75 inches. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/162b9936-b5f2-4e79-90d3-6967f4e8f33b/KXRPastorale.jpeg</image:loc>
      <image:title>Home - Between Magic and Reality: “Talisman” at YveYANG - Make it stand out</image:title>
      <image:caption>Center: Ker-Xavie Roussel, Pastorale, c. 1900. Oil on paper, 23 x 32 inches. Right and left: Kiki Smith, Wives and Mistresses, 2019. Bronze and white sapphires. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5fe88f4f-4f56-40c8-8568-8567866579a4/MWTibetanPainting.jpeg</image:loc>
      <image:title>Home - Between Magic and Reality: “Talisman” at YveYANG - Make it stand out</image:title>
      <image:caption>Martin Wong, Tibetan Painting, 1972. Acrylic on canvas, 24 x 20 inches. Photo by Parker Ewen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/carole-harriss-threads-of-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed6fae18-5f18-43b4-a815-1eb623670a21/Screenshot+2026-01-27+at+1.00.03%E2%80%AFPM.png</image:loc>
      <image:title>Home - Carole Harris’s “Threads of Time” - Make it stand out</image:title>
      <image:caption>Carole Harris, The Time When, 2022. Fiber, 48 x 45 in. Courtesy of the artist. Photo credit: Eric Law.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f42aa00-1169-44e6-a745-fb4415ce2cf5/Screenshot+2026-01-27+at+1.00.37%E2%80%AFPM.png</image:loc>
      <image:title>Home - Carole Harris’s “Threads of Time” - Make it stand out</image:title>
      <image:caption>Carole Harris, View From the Kitchen on Preston Street, 1999. Fiber, 36 x 63 1/2 in. Courtesy of the artist. Photo credit: Eric Law.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f2dc90ec-9384-4b9c-9469-5ccf6da7fbbe/Screenshot+2026-01-27+at+1.00.58%E2%80%AFPM.png</image:loc>
      <image:title>Home - Carole Harris’s “Threads of Time” - Make it stand out</image:title>
      <image:caption>Carole Harris, Days, Journey into Night, 2024. Machine and hand quilted recycled cotton, linen, silk, tulle, and hand dyed cotton, 51 x 55 in. Gretchen Gonzales Davidson Collection. Photo credit: Eric Law.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9308e6b6-4f5f-46be-a767-94611217eb86/Screenshot+2026-01-27+at+1.01.16%E2%80%AFPM.png</image:loc>
      <image:title>Home - Carole Harris’s “Threads of Time” - Make it stand out</image:title>
      <image:caption>Installation view of Carole Harris,Threads of Time, 2025–26. Courtesy Flint Institute of Arts Museum + Art School.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/nothing-was-ever-the-same-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f1e0ddbf-c191-419a-85d5-83a0eeedc579/Screenshot+2026-01-31+at+1.30.52%E2%80%AFAM.png</image:loc>
      <image:title>Home - NOTHING WAS EVER THE SAME AGAIN - Make it stand out</image:title>
      <image:caption>Photo by Em Gallagher. Courtesy of Sahar Khraibani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/626c22fc-5621-41e8-a37c-784f490941df/OneThousandGhosts_Scan.jpeg</image:loc>
      <image:title>Home - NOTHING WAS EVER THE SAME AGAIN - Make it stand out</image:title>
      <image:caption>Scan from ONE THOUSAND GHOSTS IN THIS FEAST. Courtesy of Sahar Khraibani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20a4480e-6dd3-44c4-84eb-6c77480c608a/MacDowell_Process.jpg</image:loc>
      <image:title>Home - NOTHING WAS EVER THE SAME AGAIN - Make it stand out</image:title>
      <image:caption>Courtesy of Sahar Khraibani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e043e67d-6d79-491a-b38e-e8a8332b05db/OneThousandGhosts.png</image:loc>
      <image:title>Home - NOTHING WAS EVER THE SAME AGAIN - Make it stand out</image:title>
      <image:caption>Cover of ONE THOUSAND GHOSTS IN THIS FEAST. Courtesy of Sahar Khraibani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/56459bdb-88b1-4b5a-b050-60f21af49954/Screenshot+2026-01-31+at+1.31.13%E2%80%AFAM.png</image:loc>
      <image:title>Home - NOTHING WAS EVER THE SAME AGAIN - Make it stand out</image:title>
      <image:caption>Etel Adnan, The Weight of the World</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/quantum-implications-for-corruptible-fascist-slop-systems</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d3024cac-517d-47c6-abf9-1fb82e78243d/1-Osservatorio_Hito+Steyerl.jpeg</image:loc>
      <image:title>Home - Quantum Implications for Corruptible, Fascist Slop Systems&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hito Steyerl, The Island, 2025. Single channel HD video, Cinema, duration 26 minutes (Single channel HD video), installation dimensions variable. Photo: Andrea Rossetti. Courtesy of the artist, Fondazione Prada, Andrew Kreps Gallery, New York, and Esther Schipper, Berlin/Paris/Seoul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dae880a6-c076-4882-baef-ea1f0ac213fc/5-Osservatorio_Hito+Steyerl.JPG</image:loc>
      <image:title>Home - Quantum Implications for Corruptible, Fascist Slop Systems&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hito Steyerl, The Island, 2025. Quantum noise holograms, archaeological projection spheres, installation dimensions variable. Photo: Andrea Rossetti. Courtesy of the artist, Fondazione Prada, Andrew Kreps Gallery, New York, and Esther Schipper, Berlin/Paris/Seoul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4d70c1e6-dc07-40d8-9770-1b7f5e4a914e/7-Osservatorio_Hito+Steyerl.jpeg</image:loc>
      <image:title>Home - Quantum Implications for Corruptible, Fascist Slop Systems&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hito Steyerl, The Island, 2025. Four-channel documentary video work, installation dimensions variable. Photo: Andrea Rossetti. Courtesy of the artist, Fondazione Prada, Andrew Kreps Gallery, New York, and Esther Schipper, Berlin/Paris/Seoul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4fa19da-1721-4892-bb01-9d3ed62f79df/12-Osservatorio_Hito+Steyerl.JPG</image:loc>
      <image:title>Home - Quantum Implications for Corruptible, Fascist Slop Systems&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Flash Gordon in Hito Steyerl, The Island, 2025. Single channel HD video, Cinema, duration 26 minutes (Single channel HD video), installation dimensions variable. Photo: Andrea Rossetti. Courtesy of the artist, Fondazione Prada, Andrew Kreps Gallery, New York, and Esther Schipper, Berlin/Paris/Seoul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ef1ec566-ce18-422c-8a75-442d8adf93af/16-Osservatorio_Hito+Steyerl.jpeg</image:loc>
      <image:title>Home - Quantum Implications for Corruptible, Fascist Slop Systems&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hito Steyerl, The Island, 2025. Quantum noise holograms, archaeological projection spheres, installation dimensions variable. Photo: Andrea Rossetti. Courtesy of the artist, Fondazione Prada, Andrew Kreps Gallery, New York, and Esther Schipper, Berlin/Paris/Seoul.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/amy-ching-yan-lam-83-perfect</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38495642-baca-4f38-a3db-fe5cae03c284/83_3.jpg</image:loc>
      <image:title>Home - Amy Ching-Yan Lam: “83% Perfect” - Make it stand out</image:title>
      <image:caption>First Test (2025) and Furniture for Three Doors (2025). Amy Ching-Yan Lam, installation view of 83% Perfect at The Goldfarb Gallery of York University, 2025–26. Photo: Toni Hafkensheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3b89fbc2-6493-4100-9938-2688930af537/83_2.jpg</image:loc>
      <image:title>Home - Amy Ching-Yan Lam: “83% Perfect” - Make it stand out</image:title>
      <image:caption>Amy Ching-Yan Lam, installation view of 83% Perfect at The Goldfarb Gallery of York University, 2025–26. Photo: Toni Hafkensheid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bd3334c0-79cf-49a7-b663-740a67809f16/83_1.jpg</image:loc>
      <image:title>Home - Amy Ching-Yan Lam: “83% Perfect” - Make it stand out</image:title>
      <image:caption>Amy Ching-Yan Lam, First Test (2025). Amy Ching-Yan Lam, installation view of 83% Perfect at The Goldfarb Gallery of York University, 2025–26. Photo: Toni Hafkensheid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/this-is-not-a-love-song</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d5ba3235-8154-4a25-b2fb-bc19e4ca5ad9/This+is+%28not%29+a+love+song_Su-Mei+Tse_install+4.jpg</image:loc>
      <image:title>Home - Su-Mei Tse: This Is (Not) a Love Song - Make it stand out</image:title>
      <image:caption>Installation view of Su-Mei Tse: This Is (Not) a Love Song. Courtesy of the artist and Peter Blum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e24d1d0d-f356-4de2-8577-83722f5ca96d/SMT25-02_TBT_Su-Mei+Tse_.jpg</image:loc>
      <image:title>Home - Su-Mei Tse: This Is (Not) a Love Song - Make it stand out</image:title>
      <image:caption>Su-Mei Tse, Meltemi (Aegean Winds), 2025. Pine needles, antique brass table with glass vitrine, 50 x 35 x 43 cm (overall). Courtesy of the artist and Peter Blum Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/79c31fcd-ae4e-4864-9702-ba20a1d11533/SMT25-06_The+End+of+the+World_Su-Mei+Tse.jpg</image:loc>
      <image:title>Home - Su-Mei Tse: This Is (Not) a Love Song - Make it stand out</image:title>
      <image:caption>Su-Mei Tse, The End of the World, 2025. Color photograph mounted on Dibond, text on paper, both framed 120.3 x 235.6 cm (overall). Edition of 5. Courtesy of the artist and Peter Blum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/038423da-8136-4b8d-81a1-f91584010d4e/SMT24-05_Daydreams_Su-Mei+Tse_2.jpg</image:loc>
      <image:title>Home - Su-Mei Tse: This Is (Not) a Love Song - Make it stand out</image:title>
      <image:caption>Su-Mei Tse, Daydreams, 2024. LP (Sonic Youth "Daydream Nation"), lit candle and shelf, 35.9 x 61 x 16.5 cm (overall). Edition of 30. Courtesy of the artist and Peter Blum Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/forced-to-flower</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/429ea981-8585-4841-82eb-cc915187310d/1_Nicki+Cherry_MAMA+Projects_Trepans+1.jpg</image:loc>
      <image:title>Home - Forced to Flower - Make it stand out</image:title>
      <image:caption>Nicki Cherry, Trepan (2025). Courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54c0b549-19b3-48ed-8705-a5839cdce978/2_Nicki+Cherry_Install+16.jpg</image:loc>
      <image:title>Home - Forced to Flower - Make it stand out</image:title>
      <image:caption>Nicki Cherry, Quadraphonic Crush at MAMA Projects. Installation view. Courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/17515d1b-fe77-42a0-974a-3ff4e011ba6e/3_Nicki+Cherry_Install+7.jpg</image:loc>
      <image:title>Home - Forced to Flower - Make it stand out</image:title>
      <image:caption>Nicki Cherry, Trepan (2025). Courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ffbca279-baef-47c3-9302-34227e57814d/4_Nicki+Cherry_Install+4.jpeg</image:loc>
      <image:title>Home - Forced to Flower - Make it stand out</image:title>
      <image:caption>Nicki Cherry, Compartment Syndrome (2025). Courtesy of MAMA Projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/you-know-you-feel-dirty-change-yer-sheets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20a1c8fc-81bb-4a95-b994-9f0f4efe3db2/Angelo+Madsen+My+Structuralist+Film+-MFSF_Still_3.jpg</image:loc>
      <image:title>Home - You Know You Feel Dirty. Change Yer Sheets - Make it stand out</image:title>
      <image:caption>Angelo Madsen, My Structuralist Film, 2026. Edition 1 of 5, single-channel video. Courtesy of the artist and New Discretions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c6e40584-40d9-425e-b9a7-e70a03950c36/Installation+View_+Pee+Wee+IMG_4502+copy.jpg</image:loc>
      <image:title>Home - You Know You Feel Dirty. Change Yer Sheets - Make it stand out</image:title>
      <image:caption>Aaron Michael Skolnick, Me and Pee Wee, 2025. Various, oil on linen. Courtesy of the artist and New Discretions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/31a13780-1490-40b1-a926-0bbc8d95d56d/Fakir+Musafar+The+Collar%2C+Self+Portrait.jpg</image:loc>
      <image:title>Home - You Know You Feel Dirty. Change Yer Sheets - Make it stand out</image:title>
      <image:caption>Fakir Musafar, The Collar, Self Portrait, 1962. Edition 3 of 25, silver gelatin print. 14 x 11 in. Courtesy of New Discretions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4e45295a-4249-4e6d-971c-d22db18db8f0/Haruspex%2C+2023.+Oil+on+Canvas%2C+54+x+64+inches+%28137+x+162.5+cm%29.jpg</image:loc>
      <image:title>Home - You Know You Feel Dirty. Change Yer Sheets - Make it stand out</image:title>
      <image:caption>Linus Borgo, Haruspex, 2023. Oil on canvas. 64 x 54 in. Courtesy of the artist and Yossi Milo</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43793a2f-c40a-4fb8-8c7e-f0c7d34baa3c/Installation+View+2+IMG_4497.jpg</image:loc>
      <image:title>Home - You Know You Feel Dirty. Change Yer Sheets - Make it stand out</image:title>
      <image:caption>Installation view of Change Yer Sheets. Courtesy of New Discretions</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-birth-control-tapestry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/89c43b86-afd7-4d46-ac26-6635be63b9e4/masse4.jpg</image:loc>
      <image:title>Home - The Birth Control Tapestry: In Conversation with Alexandria Masse - Make it stand out</image:title>
      <image:caption>Alexandria Masse, Birth Control Tapestry, 2025. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/301b29fb-e7f1-4d98-9a78-d0ff43737314/masse3.jpg</image:loc>
      <image:title>Home - The Birth Control Tapestry: In Conversation with Alexandria Masse - Make it stand out</image:title>
      <image:caption>Alexandria Masse, Birth Control Tapestry, 2025. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/46ef5108-e71c-43cd-af5a-ac6258e813f4/masse2.JPG</image:loc>
      <image:title>Home - The Birth Control Tapestry: In Conversation with Alexandria Masse - Make it stand out</image:title>
      <image:caption>Alexandria Masse, Birth Control Tapestry, 2025. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-january-2026</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6c3a05d-547d-4f36-9eef-eb7490f3fc3e/2026_TB_Upstairs-Bortolami_Install_04.jpg</image:loc>
      <image:title>Home - Editors’ Selects: January 2026 - Make it stand out</image:title>
      <image:caption>Installation view, Tom Burr, Journal Works, The Upstairs at Bortolami, New York, 2026. Courtesy the artist and Bortolami, New York. Photo: Guang Xu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d7ef1837-a9ef-4884-9cc4-201d8af39a15/Iiu+Susiraja+-+Marilyn+Garden%2C+Narcissus%2C+2025.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: January 2026 - Make it stand out</image:title>
      <image:caption>Iiu Susiraja, Marilyn Garden, Narcissus, 2025. Fine art archival pigment print, 24 x 36 in (61 x 91.4 cm). Courtesy the artist and Gratin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d0343b6f-da9e-4f52-a2de-0f2d62d08d49/Christine+Stiver%2C+The+Chicken+is+Ready+to+Eat%2C+Installation+View%2C+Tiger+Strikes+Asteroid%2C+New+York%2C+2026.jpg</image:loc>
      <image:title>Home - Editors’ Selects: January 2026 - Make it stand out</image:title>
      <image:caption>Christine Stiver, The Chicken is Ready to Eat, Installation View, Tiger Strikes Asteroid, New York, 2026. Courtesy the artist and Tiger Strikes Asteroid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e511898e-b0dc-402c-a4d2-39f3d7355f52/2016-2025_A+FRIEND+GAVE+ME+A+BOOK_KELLY-010_page+305-306.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: January 2026 - Make it stand out</image:title>
      <image:caption>John Kelly, A FRIEND GAVE ME A BOOK (detail), 2016–2025. Mixed media. Courtesy of John Kelly and P·P·O·W, New York. Photo: JSP Art Photograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18e77196-8b53-4a2c-b867-8c31a35bd8ea/image+2_courtesy+Emma+Fiona+Jones.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: January 2026 - Make it stand out</image:title>
      <image:caption>Detail of AIDS Memorial Quilt. Photo by Emma Fiona Jones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/58014217-9ebb-4ee5-beed-f64c39dbc099/260110_AIRGallery_Install_G2_02.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: January 2026 - Make it stand out</image:title>
      <image:caption>Exhibition view, Nicolei Buendia Gupit, Handle with Care, 2026, A.I.R. Gallery, Brooklyn, NY. Photography by Matthew Sherman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/synthetic-traces-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/458d8c31-8925-47b4-9130-532d273d00dd/SyntheticTraces_Install2.jpg</image:loc>
      <image:title>Home - A Post-Collapse Commitment to Noticing and Preserving - Make it stand out</image:title>
      <image:caption>Synthetic Traces. Wall: Pavlos Liaretidis, Unposting no. 1, 2025; hanging: Lite Zhang, Obey, 2025; floor: Pavlos Liaretidis, After the Arrow, 2025. Courtesy the artists and PS122 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a9f5bd26-e06a-4e59-ac2d-7e55ad815cad/SyntheticTraces_Liaretidis_AftertheArrow_detail.jpg</image:loc>
      <image:title>Home - A Post-Collapse Commitment to Noticing and Preserving - Make it stand out</image:title>
      <image:caption>Pavlos Liaretidis, After the Arrow, 2025, detail. Plaster, wood, metal powders, animal hair, and blood. Variable dimensions. Courtesy the artist and PS122 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ca745537-2f18-4dd1-afcf-825ae3aff3dd/SyntheticTraces_LiteShang_Obey_2023.jpg</image:loc>
      <image:title>Home - A Post-Collapse Commitment to Noticing and Preserving - Make it stand out</image:title>
      <image:caption>Lite Zhang, Obey, 2025. Traffic light, wallpaper, and plexiglass. Variable dimensions. Courtesy the artist and PS122 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32befb24-f91f-4be4-9b4b-e3575d9bee2b/SyntheticTraces_Install3.jpg</image:loc>
      <image:title>Home - A Post-Collapse Commitment to Noticing and Preserving - Make it stand out</image:title>
      <image:caption>Installation view of Synthetic Traces. Courtesy the artists and PS122 Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/martha-cooper-on-concrete-chronicles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/948debb1-b6e5-4495-831e-611643aa1bfd/KeithHaring1.jpg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Martha Cooper, Keith Haring painting the Houston/Bowery wall for the first time ever after clearing away bags of trash, 1982. Courtesy Martha Cooper and City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/061e7d94-f42d-4e9b-8af5-c7ccf0ba4e7d/KeithHaring2.jpg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Martha Cooper, Keith Haring painting the Houston/Bowery wall at night without permission, 1982. Courtesy Martha Cooper and City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/152aaf84-1d22-4ae4-b433-e38c92585225/Install1.jpg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Installation view of Chroncrete Chronicles at City Lore, featuring Martha Cooper and Clayton Patterson. Courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a0a974a6-3dd3-44b1-8a5e-c0a038a18231/StreetPlay1.jpg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Martha Cooper, Boys racing their go-karts on an abandoned section of the West Side Highway, from Street Play series, 1978–79.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f527612-3fcd-403f-984c-7a503ffd38a9/StreetPlay2.jpeg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Martha Cooper, Boys building a clubhouse from abandoned materials in a vacant lot, from Street Play series, 1978–79.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a6c1a95-0008-41da-9bac-957bee825924/PattiAstorKeithHaring.jpg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Martha Cooper, Keith Haring signing autographs for young fans during his show at Patti Astor’s Fun Gallery. Patti is talking on the phone painted by Kenny Scharf, 1982. Courtesy Martha Cooper and City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a7f9a830-6e6c-4d99-891f-9dfe4fbc48e3/StreetPlay3.jpg</image:loc>
      <image:title>Home - Martha Cooper on “Concrete Chronicles” - Make it stand out</image:title>
      <image:caption>Martha Cooper, Boys rolling tires, 1978-79, from Street Play series. Courtesy Martha Cooper and City Lore.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/they-call-me-witch-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1adb9806-81d6-46c5-905f-0af9f237472f/Installation+view+1.jpeg</image:loc>
      <image:title>Home - Reclaiming the Spell: Witchcraft at the Crypt Gallery - Make it stand out</image:title>
      <image:caption>Installation view, They Call Me Witch, Crypt Gallery, London, 2025. Photo by Yiming Zhang and Wenqi Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/78f6612e-5bae-4932-9c0e-1bcd212d7291/2.JPG</image:loc>
      <image:title>Home - Reclaiming the Spell: Witchcraft at the Crypt Gallery - Make it stand out</image:title>
      <image:caption>Dr. WhiteFeather Hunter, Palimpsest (2022). Silk, embroidery floss, devil’s cherries, mandrake root, beeswax, waxed linen, projected video, dimensions variable. Photo by Yiming Zhang and Wenqi Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a5c8929-9fc8-4335-8693-6a20742e5354/6+Xie.jpeg</image:loc>
      <image:title>Home - Reclaiming the Spell: Witchcraft at the Crypt Gallery - Make it stand out</image:title>
      <image:caption>Wenjun Xie, Menstruation, Woman’s Volcano (2023). Acrylic on canvas, 30 x 42 cm. Photo by Yiming Zhang and Wenqi Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb7ff89e-4509-4f0b-91ed-609e4da1cc5d/1+Xinqiao+Fu.JPG</image:loc>
      <image:title>Home - Reclaiming the Spell: Witchcraft at the Crypt Gallery - Make it stand out</image:title>
      <image:caption>Xinqiao Fu, Bit my Tongue (2025). Oil on canvas, 180 x 154 cm. Photo by Yiming Zhang and Wenqi Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b0a29b65-690e-48dd-beab-72ef2ca3c366/4+Byuka+Makodru+aka+Fortune+Tailed+Beast.JPG</image:loc>
      <image:title>Home - Reclaiming the Spell: Witchcraft at the Crypt Gallery - Make it stand out</image:title>
      <image:caption>Byuka aka Fortune Tailed Beast, Miraculous Alchemies (Turn my lead to silver) (2025). Old honey combs, silver leaf, hair, handmade paper, metal wire, dimensions variable. Photo by Yiming Zhang and Wenqi Zhang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/090beca9-9766-4463-bfaa-2a2f890d5d12/9.jpeg</image:loc>
      <image:title>Home - Reclaiming the Spell: Witchcraft at the Crypt Gallery - Make it stand out</image:title>
      <image:caption>Ashleigh Fisk, Ephemera (2025). Ceramic, plant materials, others, dimensions variable. Photo by Yiming Zhang and Wenqi Zhang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/mumbai-gallery-weekend-traces-the-magical</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d8a6c654-d958-4d75-885a-75da12a54676/Utkarsh+Makwana%2C+Journey%2C+Watercolour%2C+Dry+Pigment%2C+Gouache+and+Ink+on+Paper%2C+57.13+x+115+inches%2C+2025.jpg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Utkarsh Makwana, Journey, 2025. Watercolour, dry pigment, gouache, and ink on paper. 57.13 x 115 in. Courtesy of Akara, Mumbai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c9b10a7-dc49-41e4-96bc-5753d2bb5a1a/Muziris+Contemporary_Time+and+Place+7.jpg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Installation view of Time and Place, 2026. Muziris Contemporary, Mumbai. Courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8581ffe0-7aac-4915-97f5-df4a23f98a17/2+Jyoti+Bhatt+Baroda+1983.jpg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Jyoti Bhatt, Baroda, 1983. Silver gelatin print. 14 x 9.25 in. © Jyoti Bhatt. Courtesy of Subcontinent, Mumbai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/31dddd4a-1b77-4554-8346-d6046e0531d4/Utkarsh+Makwana%2C+Portrait+of+Father+and+Son%2C+Watercolour%2C+Dry+Pigment%2C+Gouache+and+Ink+on+Paper%2C+12.20+x+15.74+inches%2C+2025.jpg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Utkarsh Makwana, Portrait of Father and Son, 2025. Watercolour, dry pigment, gouache and ink on paper. 12.20 x 15.74 in. Courtesy of Akara, Mumbai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c3caf1e-e4e5-4784-8ed3-cf05c5ac2921/My+Halo+is+your+Grandeur%2C+2023%2C+Oil+on+canvas%2C+60+x+84+inches+_+152.4+x+213.3+cm.jpg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Vinod Balak, My Halo is your Grandeur, 2023. Oil on canvas. 60 x 84 in. Courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0e8d2c2e-94e3-4dc5-94ed-d2faf571ebf9/PHOTO-2026-01-08-09-35-22+Large.jpeg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Bhushan Dilip Bhombale, untitled sculptures, 2025. Painted metal. Variable dimensions. Courtesy of the artist and Stranger’s House Gallery, Mumbai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e463722c-3444-49a9-9837-e1bf7907839b/Copy+of+Sabeen+Omar-in+war+the+dark+is+on+nobodya%CC%82%E2%82%AC%E2%84%A2s+side_+in+love+the+dark+confirms+that+we+are+together+%28John+Berger%29.jpg</image:loc>
      <image:title>Home - Mumbai Gallery Weekend Traces the Magical - Make it stand out</image:title>
      <image:caption>Sabeen Omar, in war the dark is on nobody’s side; in love the dark confirms that we are together (John Berger), 2022. Ink, colored pencil, graphite, gouache, paper, embroidery, handkerchief, chalk gesso. 12.5 x 13 in. Photo courtesy Malaka MP.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/americas-cuba-in-coco-fuscos-tomorrow-i-will-become-an-island</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdad1e86-e57d-49a3-884e-957d621a4db8/Screenshot+2025-12-03+at+12.53.15%E2%80%AFAM.png</image:loc>
      <image:title>Home - America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island” - Make it stand out</image:title>
      <image:caption>Partial view of Coco Fusco: Everyone Who Lives Here is a New Yorker, 2025. Courtesy the artist and Mendes Wood DM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f114b7c1-56ca-4c0f-b7cb-279c02b36986/Screenshot+2025-12-03+at+12.53.34%E2%80%AFAM.png</image:loc>
      <image:title>Home - America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island” - Make it stand out</image:title>
      <image:caption>Coco Fusco, Two Undiscovered Amerindians Visit the West, 1992/2025. Courtesy Instituto Paz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a482cbb-8797-4e78-9fb9-f046069c8879/IMG_7066.jpg</image:loc>
      <image:title>Home - America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island” - Make it stand out</image:title>
      <image:caption>Installation view of Coco Fusco, The Feminine Touch, 2008. Photograph by Vinh Phu Pham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/771af1bc-fd5b-47a3-a0d6-80e4f3fc7bba/IMG_7058.jpg</image:loc>
      <image:title>Home - America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island” - Make it stand out</image:title>
      <image:caption>Pepón Osorio, costume created for La Chavela Realty Company, 1991. Collection of El Museo del Barrio. Gift of Coco Fusco. Photograph by Vinh Phu Pham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/464d594f-1c08-43c5-af39-a64d4f89b87d/Screenshot+2025-12-03+at+12.53.56%E2%80%AFAM.png</image:loc>
      <image:title>Home - America’s Cuba in Coco Fusco’s “Tomorrow, I Will Become an Island” - Make it stand out</image:title>
      <image:caption>View of La noche eterna (The Eternal Night), 2023. Courtesy the artist and Mendes Wood DM.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/aaf-conversations-piper-rasmussen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cefbb51c-89d8-4ab1-bf18-9d5f7222ef6f/IMG_1461.jpg</image:loc>
      <image:title>Home - AAF Collector Spotlight: Piper Rasmussen - Make it stand out</image:title>
      <image:caption>Courtesy of JJ Marino and Able Fine Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13aa1bcd-ee91-45c0-8a0e-aad70778e3c0/PXL_20251107_204551765.jpg</image:loc>
      <image:title>Home - AAF Collector Spotlight: Piper Rasmussen - Make it stand out</image:title>
      <image:caption>Courtesy of Piper Rasmussen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d08a1f77-e512-4958-b8b4-0b7d08f6ddc2/IMG_1462.jpg</image:loc>
      <image:title>Home - AAF Collector Spotlight: Piper Rasmussen - Make it stand out</image:title>
      <image:caption>Courtesy of Piper Rasmussen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/theater-of-the-object</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55014831-a16c-408b-b353-50a31caae613/1.+Simpson%2C+Install+view.jpg</image:loc>
      <image:title>Home - Theater of the Object - Make it stand out</image:title>
      <image:caption>Installation view, Diane Simpson, Formal Wear, American Academy of Arts and Letters, 2025. Photo: Charles Benton. Courtesy of the artist; Corbett vs. Dempsey, Chicago; James Cohan Gallery, New York; and Herald St., London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/26aafc5d-a783-4d4e-ad21-039e8ea0a67e/2.+Simpson%2C+Chaise.jpg</image:loc>
      <image:title>Home - Theater of the Object - Make it stand out</image:title>
      <image:caption>Diane Simpson, Chaise, 1979. Corrugated archival board, crayon, 84 x 81 x 43 in. Courtesy of the artist; Corbett vs. Dempsey, Chicago; James Cohan Gallery, New York; and Herald St., London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91d0ca85-181c-4783-a984-11a4242ba311/Screenshot+2026-01-09+at+2.17.31%E2%80%AFPM.jpg</image:loc>
      <image:title>Home - Theater of the Object - Make it stand out</image:title>
      <image:caption>Diane Simpson, Underskirt, 1986. Oil stain and acrylic on MDF with cotton mesh, 44 x 69 x 7 in. Courtesy of the artist; Corbett vs. Dempsey, Chicago; James Cohan Gallery, New York; and Herald St., London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5e078857-90b4-439a-b912-cffa0e832207/5.+Simpson%2C+Portico.jpg</image:loc>
      <image:title>Home - Theater of the Object - Make it stand out</image:title>
      <image:caption>Diane Simpson, Portico, 2021. Painted MDF, stained Gatorboard, oil paint marker, stainless screws, 31 x 34 x 21 in. Courtesy of the artist; Corbett vs. Dempsey, Chicago; James Cohan Gallery, New York; and Herald St., London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/when-worlds-collide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85352bf8-ec7c-4289-b975-010e02aef1a0/word-image-12979-1-1536x1152.jpg</image:loc>
      <image:title>Home - When Worlds Collide: A Celebration of Cuffing Season - Make it stand out</image:title>
      <image:caption>The two couples and their officiator. Photographed by the community</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be82e8c2-787c-41cf-886c-eb166b70253d/PC200600.JPEG</image:loc>
      <image:title>Home - When Worlds Collide: A Celebration of Cuffing Season - Make it stand out</image:title>
      <image:caption>Photo by Sherly Fan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86877454-125a-4271-a0cc-055ef7027aca/PC200593.JPEG</image:loc>
      <image:title>Home - When Worlds Collide: A Celebration of Cuffing Season - Make it stand out</image:title>
      <image:caption>Photo by Sherly Fan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/69db1971-7a07-4512-8513-d4683fb495e9/word-image-12979-3.jpg</image:loc>
      <image:title>Home - When Worlds Collide: A Celebration of Cuffing Season - Make it stand out</image:title>
      <image:caption>Sofia Thiệu D’Amico and Do Tuong Linh, Looking for a Husband (Terms and Conditions Apply), 2025. Performance. Photographed by Anna Mikaela Ekstrand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/955f10af-de0d-4bd9-b4c4-79d3819d2b98/word-image-12979-4.png</image:loc>
      <image:title>Home - When Worlds Collide: A Celebration of Cuffing Season - Make it stand out</image:title>
      <image:caption>Jin Jin Xu, Ping Pong Diplomacy, 2025. Photographed by the community</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb9d9d61-91c0-4f66-897d-2ea4128bfdae/word-image-12979-5.jpg</image:loc>
      <image:title>Home - When Worlds Collide: A Celebration of Cuffing Season - Make it stand out</image:title>
      <image:caption>Anna Ting Möller, Perfect Strangers, 2025. Reading. Photographed by Anna Mikaela Ekstrand</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-conversation-david-legrand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a0f7f3c5-c1ac-456d-a6f3-7d1101554a3a/A3BB2555-657D-48E5-8A9E-4429E4F614BD_1_105_c.jpeg</image:loc>
      <image:title>Home - In Conversation: David Legrand - Make it stand out</image:title>
      <image:caption>Courtesy of David Legrand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/893f68bf-f2da-4aba-b73d-04a9d0d53b7f/95690484-6DEA-4F41-8027-F57DCDFD013A_1_105_c+%281%29.jpg</image:loc>
      <image:title>Home - In Conversation: David Legrand - Make it stand out</image:title>
      <image:caption>Courtesy of David Legrand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d58f3c29-448b-4028-b09b-b832c28ba7d0/963934F8-5D34-46C9-AECD-DE45A2D332E7_1_201_a.jpg</image:loc>
      <image:title>Home - In Conversation: David Legrand - Make it stand out</image:title>
      <image:caption>Courtesy of David Legrand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d4cde11-199a-493d-9a4d-60980af70a5f/9F592265-EEFF-466F-95CD-8B1FB69E67A8_1_105_c.jpg</image:loc>
      <image:title>Home - In Conversation: David Legrand - Make it stand out</image:title>
      <image:caption>Courtesy of David Legrand</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/laterness-in-abstract-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4c5694c-c124-4c7b-ac31-7592ad1b4116/202511_Uffner_Liu_Main-08_3K.jpg</image:loc>
      <image:title>Home - “Laterness” in Abstract Time - Make it stand out</image:title>
      <image:caption>Installation View: Laterness, Uffner &amp; Liu, New York, 2025. Photo by Justin Craun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7285033-f971-4c0e-8fd0-fc841e9871b1/PL-156a-SC.jpg</image:loc>
      <image:title>Home - “Laterness” in Abstract Time - Make it stand out</image:title>
      <image:caption>Pam Lins, Carbonated, 2025. USPS Flat Rate box, glazed ceramics, acrylic paint, aqua resin, plaster, plywood, and formaldehyde-free MDF. 22 x 18 x 18 in. Courtesy of the artist and Uffer &amp; Liu. Photo by Justin Craun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/65099b98-c374-494e-8082-004637f527fb/RW-154-D.jpg</image:loc>
      <image:title>Home - “Laterness” in Abstract Time - Make it stand out</image:title>
      <image:caption>Roger White, March 2034, 2025. Acrylic on cut paper, framed: 32 1/2 x 24 1/2 in, paper size: 30 x 22 in. Courtesy of the artist and Uffer &amp; Liu, New York. Photo by Justin Craun</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9fd7c06c-cc20-4f36-b399-202577d3fe8f/202511_Uffner_Liu_Front-02_3K.jpg</image:loc>
      <image:title>Home - “Laterness” in Abstract Time - Make it stand out</image:title>
      <image:caption>Installation view: Laterness, Uffner &amp; Liu, New York, 2025. Photo by Justin Craun</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/against-the-grain-in-miami</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee950dff-ee00-4e1e-8bb5-708e28cb5f74/Art+Basel.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of Art Basel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2f21d5bf-ab29-44ae-afa8-1c60f6378974/1miramadrid.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of 1 Mira Madrid / 2 Mira Archiv</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc03871f-6054-434b-ad00-b4814ce775a8/Afriart+Gallery.jpeg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of Afriart Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/996471df-e293-4fc1-925c-6511c9805c2a/BEVERLY_S.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of BEVERLY’S</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb79669d-8de2-4c88-a364-14359d2ce69b/Galeria+Marilia+Razuk.png</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of Galeria Marilia Razuk</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b20af153-f296-4191-a1cd-75023e2767d4/homework.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Photograph by Francesco Casale. Courtesy of homework gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb7640cc-5572-4e51-9921-1cf397a2841a/Kravets+Wehby.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Photograph by Adam Reich. Courtesy of Kravets Wehby</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dcfd5a50-05d6-4a05-ab38-de049d3ffc67/Nil+Gallery.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of Galerie NIL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5cf34cd2-fa2e-4cde-9eb7-6472439c6e04/SoMad.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Photograph by Flaneur.Shan.Studio. Courtesy of SoMad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6847933-34e9-4328-be95-93f20fa0b649/Stephanie+Syjuco.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of Art Basel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/965dbfc4-f88e-433f-9c8f-646164625967/Wishbone.jpg</image:loc>
      <image:title>Home - Against the Grain in Miami - Make it stand out</image:title>
      <image:caption>Courtesy of Wishbone Art Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-december-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fab082b5-49ed-437b-976f-6364cc3e2d85/IMG_4812.jpg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Rosabel Ferber, in her studio, December 2025. photo by Jonah James Romm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b3498f3c-0d1d-4f8d-9004-9b184d12e53a/IMG_7371+%281%29.jpg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Rosabel Ferber, Untitled, 2025. Oil on canvas, 38 x 46.5 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/760b736e-7839-4106-8769-90a96c084692/989A9947+copy3.jpg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Anna Ting Möller, in their studio. Photo: Lydia Nobles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42f1eaf5-4a82-4178-8235-f8c9d8d40f34/989A9535.JPG</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Studio of the artist. Photo: Lydia Nobles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a3336e22-1dcb-47c7-a4c6-b72528dff718/Ketty_1.jpg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Ketty Zhang, so dense and alive and real that it seemed indisputable that that was what life was, 2025. Inkjet photo, acrylic paint, resin, jade stone, beads, 9.5 x 7 x 1.5 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/afcc86a3-03d0-4b92-aa65-0ef23f278079/Ketty_2.jpg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Ketty Zhang, Bated Breath, 2025. Acrylic, used music box. 5.25 x 6 x 2 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e2bcc617-1974-4ba5-a034-eb7b3fe6054d/portrait+%281%29.png</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Oisín Tozer. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a9529d7-6ce8-4ca3-8103-b32183dbe270/ApsaraInstallationView.jpg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Installation view, A Brightness at the Edge of Things, 2025. Oisín Tozer. Photography by Yummin Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/085b199a-e037-45a2-aa65-f6e91e4a1387/Deewar+%28The+Wall%29.jpeg</image:loc>
      <image:title>Home - Face to Face: December 2025 - Make it stand out</image:title>
      <image:caption>Zaam Arif, Deewar (The Wall), 2025. Oil on linen. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/spinning-round-and-round-with-assume-vivid-astro-focus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15883d6f-de34-4a3b-90c1-e6440e863334/1_141009_Faena_10th_05a88+4.jpg</image:loc>
      <image:title>Home - Spinning Round and Round with Assume Vivid Astro Focus - Make it stand out</image:title>
      <image:caption>Assume Vivid Astro Focus and Lady Bunny, ángeles veloces arcanos fugaces, 2015, Faena Miami Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7ef25c8d-a4a1-4ae6-bfce-ee9733583865/2_CP_avaf8_skaters.JPG</image:loc>
      <image:title>Home - Spinning Round and Round with Assume Vivid Astro Focus - Make it stand out</image:title>
      <image:caption>Assume Vivid Astro Focus 8, 2004, Central Park, NY, floor sticker on dance skate rink. Organized by the Public Art Fund In the Public Realm in conjunction with the 2004 Whitney Biennial.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc700c74-c06f-44af-baba-9c46cfdeb9a9/Screenshot+2025-12-30+at+10.33.03%E2%80%AFPM.png</image:loc>
      <image:title>Home - Spinning Round and Round with Assume Vivid Astro Focus - Make it stand out</image:title>
      <image:caption>Assume Vivid Astro Focus, Amaze, Vogue, Ascend, Flourish, 2025. Billboard on the High Line, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c4ba0a0e-311f-47be-bf2d-d77b1185f0a4/3_20251004-DJI_0424.jpg</image:loc>
      <image:title>Home - Spinning Round and Round with Assume Vivid Astro Focus - Make it stand out</image:title>
      <image:caption>Assume Vivid Astro Focus, Amaze, Vogue, Ascend, Flourish, 2025. Faena Art, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c362e04-d503-462c-a7df-58ae349ede29/2024-11-AVAF-The-Bass-Museum-Photo_By_Zaire_Aranguren-119-HR-3.jpeg</image:loc>
      <image:title>Home - Spinning Round and Round with Assume Vivid Astro Focus - Make it stand out</image:title>
      <image:caption>Assume Vivid Astro Focus: XI, 2004–present, The Bass Museum of Art, Miami, 2024, photo by Zaire Aranguren.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/provenance-and-promise-in-conversation-with-dlan-davidson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4af2db3e-0b47-45bb-aafd-2f8faeb8b37c/yiHfaG-U.jpg</image:loc>
      <image:title>Home - Provenance and Promise: In Conversation with D’Lan Davidson - Make it stand out</image:title>
      <image:caption>Portrait of D’Lan Davidson, Director + Founder of D’Lan Contemporary. Courtesy D’Lan Contemporary / Darian DiCanno.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38a8f90b-b1c5-43d1-a66b-7876cf28dbc0/yzPnTKiu.jpg</image:loc>
      <image:title>Home - Provenance and Promise: In Conversation with D’Lan Davidson - Make it stand out</image:title>
      <image:caption>TIGER PALPATJA | A Solo Exhibition Of Paintings From The Artist’s Estate, 13 November 2025 – 17 January 2026. Courtesy D’Lan Contemporary / Photos: Peter Zwolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1bd8df9-06d5-4009-96e3-151e79bff7c1/IefViPV7.jpg</image:loc>
      <image:title>Home - Provenance and Promise: In Conversation with D’Lan Davidson - Make it stand out</image:title>
      <image:caption>TIGER PALPATJA | A Solo Exhibition Of Paintings From The Artist’s Estate, 13 November 2025 – 17 January 2026. Courtesy D’Lan Contemporary / Photos: Peter Zwolinski.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-escaping-time-a-conversation-qith-jay-darden-marc-thivierge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/22542b1b-d52c-4db8-b710-d5ab59b5d47f/James+Meyer%2C+Institutional+Tan%2C+2018.+Painted+Steel+and+Plastic+Chairs%2C+8+x+5+x+4+feet.+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - On Escaping Time: A Conversation with Jay Darden &amp;amp; Marc Thivierge - Make it stand out</image:title>
      <image:caption>James Meyer, Institutional Tan, 2018. Painted Steel and Plastic Chairs, 8 x 5 x 4 feet. Photography by Nicolas Poblete, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1eac5568-5a53-411c-9c62-3d1a580ba291/Installation+View+of+Escaping+Time_+Art+from+U.S.+Prisons.++Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - On Escaping Time: A Conversation with Jay Darden &amp;amp; Marc Thivierge - Make it stand out</image:title>
      <image:caption>Installation View of Escaping Time: The Ripple Effect, 2025. Photography by Nicolas Poblete, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fcd9bd95-b0f8-4dee-8faa-a7680cc57fd9/Installation+View+of+Escaping+Time_+Art+from+U.S.+Prisons.++Photography+by+Nicolas+Poblete%2C+2025_%281%29.jpg</image:loc>
      <image:title>Home - On Escaping Time: A Conversation with Jay Darden &amp;amp; Marc Thivierge - Make it stand out</image:title>
      <image:caption>Installation View of Escaping Time: The Ripple Effect, 2025. Photography by Nicolas Poblete, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c20713aa-dcec-4bf2-b8c4-2c4f8fe8eff6/Screenshot+2025-12-23+at+11.14.51%E2%80%AFPM.png</image:loc>
      <image:title>Home - On Escaping Time: A Conversation with Jay Darden &amp;amp; Marc Thivierge - Make it stand out</image:title>
      <image:caption>Installation View of Escaping Time: The Ripple Effect. Photography by Nicolas Poblete, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0529015b-a55b-49d7-91ab-e5d96c3639ab/Screenshot+2025-12-23+at+11.15.22%E2%80%AFPM.png</image:loc>
      <image:title>Home - On Escaping Time: A Conversation with Jay Darden &amp;amp; Marc Thivierge - Make it stand out</image:title>
      <image:caption>Installation View of Escaping Time: The Ripple Effect. Photography by Nicolas Poblete, 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/its-the-end-of-the-world-and-im-unwell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f00b4aed-f743-4605-b799-499428fc0976/MIT+List+Center_Goldin_plus_Senneby_Flare-Up_10%2C25_Dario_Lasagni_0025.jpg</image:loc>
      <image:title>Home - It’s the End of the World and I’m Unwell - Make it stand out</image:title>
      <image:caption>Goldin+Senneby, Installation view, Flare-Up. Courtesy MIT List Visual Arts Center, Cambridge, MA. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a3e1d21a-2658-48b1-aea5-9e1ba616892d/IMG_4475.jpg</image:loc>
      <image:title>Home - It’s the End of the World and I’m Unwell - Make it stand out</image:title>
      <image:caption>Goldin+Senneby, Resin Pond, 2025, detail view. Courtesy the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/39a85fe7-7810-436c-95aa-c5ae514df9f0/MIT-List_Goldin-and-Senneby_Insurgency-of-Life_Nome.jpg</image:loc>
      <image:title>Home - It’s the End of the World and I’m Unwell - Make it stand out</image:title>
      <image:caption>Goldin+Senneby, Lego Pedometer Cheating Machine, 2019. Lego Technic, mobile phone with step counter, 51/2 × 4 × 11in. (14 × 10 × 28 cm). Courtesy the artists, Nome, Berlin, and CFHill, Stockholm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cab1b9c9-ff76-41c2-80f7-0680104f69c0/MIT+List+Center_Goldin_plus_Senneby_Flare-Up_10%2C25_Dario_Lasagni_0061.jpg</image:loc>
      <image:title>Home - It’s the End of the World and I’m Unwell - Make it stand out</image:title>
      <image:caption>Goldin+Senneby, Installation view, Flare-Up. Courtesy MIT List Visual Arts Center, Cambridge, MA. Photo: Dario Lasagni.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/diagrams-architecture-and-state-power-with-nick-angelo-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d982b184-6da2-43df-aef4-4a778c11d344/Sebastian+Gladstone+7-15-25+Angelo34064+1.jpg</image:loc>
      <image:title>Home - Diagrams, Architecture, and State Power with Nick Angelo - Make it stand out</image:title>
      <image:caption>Nick Angelo, CONJUNCTURE C (SMOKE), 2025. UV-printed vinyl banner. 75.01 x 79.6 in. 2025. Courtesy Sebastian Gladstone Gallery &amp; Nick Angelo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/89243d22-56c5-4cc5-a818-217fb7b2732b/Sebastian+Gladstone+7-15-25+Angelo33984F.jpg</image:loc>
      <image:title>Home - Diagrams, Architecture, and State Power with Nick Angelo - Make it stand out</image:title>
      <image:caption>Nick Angelo, CONJUNCTURE B.1 (FUSCHIA), 2025. UV-printed vinyl banner. 144 x 88.49 in. Credit: Courtesy Sebastian Gladstone Gallery &amp; Nick Angelo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b6c043b4-fc55-4a04-8f60-d2d797416e8b/Sebastian+Gladstone+7-15-25+Angelo34115.jpg</image:loc>
      <image:title>Home - Diagrams, Architecture, and State Power with Nick Angelo - Make it stand out</image:title>
      <image:caption>Nick Angelo, Edifice, 2025. Installation view. Courtesy Sebastian Gladstone gallery and the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/fiber-ad-infinitum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9b5597c-3f91-4ea8-bf46-9b668800d18b/17_dsc3387.jpg</image:loc>
      <image:title>Home - Fiber, Ad Infinitum - Make it stand out</image:title>
      <image:caption>Installation view of Thread Count, 2025. Image courtesy of The Hole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10448e34-0674-485b-8a59-a141f2edf233/DMZS7aMatthias-Kolb-1-1.jpeg</image:loc>
      <image:title>Home - Fiber, Ad Infinitum - Make it stand out</image:title>
      <image:caption>Desire Moheb-Zandi, Textile Score, 2024. Linen, lurex, rope, cord, cotton, filling, nylon, fabric, wood, wool, thread, PVC, 122 x 61 x 8 inches, 310 x 154 x 3 centimeters. Courtesy of the Artist and Wentrup, Berlin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/50a39ab1-0bda-40c9-abd6-d2e0b5375dbc/MIAW+01.jpeg</image:loc>
      <image:title>Home - Fiber, Ad Infinitum - Make it stand out</image:title>
      <image:caption>Mia Weiner, Strawberry Juice, 2025. Handwoven cotton, acrylic, silk, and found ribbon, 79 x 45 inches, 201 x 114 centimeters. Courtesy of the Artist and The Hole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ec1ab20-44ae-49e7-a054-feb6dc1cc2e8/_DSC3389.jpeg</image:loc>
      <image:title>Home - Fiber, Ad Infinitum - Make it stand out</image:title>
      <image:caption>Antonio Santín, Al lío, 2022. Oil on canvas, 71 x 79 inches, 180 x 200 centimeters (left). Courtesy of The Hole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43982735-b1bd-42d5-93b7-7b245037ab4a/LX+01.jpeg</image:loc>
      <image:title>Home - Fiber, Ad Infinitum - Make it stand out</image:title>
      <image:caption>LMRM x Abraham Cone, Chanting Sunlight into a Mineral, 2025. Dye-painted silk, maple wood frame, 82 x 60 x 13 inches, 208 x 152 x 33 centimeters. Courtesy of the Artist and The Hole.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-exchange-with-maren-hassinger-and-senga-nengudi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/329ec74b-6561-41b9-90a4-140ef0057d87/1.jpg</image:loc>
      <image:title>Home - On Exchange with Maren Hassinger and Senga Nengudi - Make it stand out</image:title>
      <image:caption>Installation view, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi at Columbus Museum of Art. Photography by Matthew Pevear. Image courtesy of the Columbus Museum of Art and the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f81faba0-dafd-4955-a4e9-2f275fc97ae1/2.jpg</image:loc>
      <image:title>Home - On Exchange with Maren Hassinger and Senga Nengudi - Make it stand out</image:title>
      <image:caption>Installation view, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi at Columbus Museum of Art. Photography by Matthew Pevear. Image courtesy of the Columbus Museum of Art and the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e8cb1f9-03a4-4161-a98a-c3555b12f2e1/3.jpg</image:loc>
      <image:title>Home - On Exchange with Maren Hassinger and Senga Nengudi - Make it stand out</image:title>
      <image:caption>Installation view, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi at Columbus Museum of Art. Photography by Matthew Pevear. Image courtesy of the Columbus Museum of Art and the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3320de76-a091-45ed-8fcb-7283d2e5e134/4.jpg</image:loc>
      <image:title>Home - On Exchange with Maren Hassinger and Senga Nengudi - Make it stand out</image:title>
      <image:caption>Installation view, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi at Columbus Museum of Art. Photography by Matthew Pevear. Image courtesy of the Columbus Museum of Art and the artists</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/eat-me-itala-aguileras-tierra-mojada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/89b9afa1-eec4-42d2-a0cb-5162e4087bd5/Ice+Shoes.jpg</image:loc>
      <image:title>Home - Eat Me: Itala Aguilera’s “Tierra Mojada” - Make it stand out</image:title>
      <image:caption>Itala Aguilera, Ice Shoes, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/833a2d9c-7a71-475c-bf16-e78e02eeb2c9/Washing+Stringout.00_27_47_00.Still003.jpeg</image:loc>
      <image:title>Home - Eat Me: Itala Aguilera’s “Tierra Mojada” - Make it stand out</image:title>
      <image:caption>Itala Aguilera, Washing, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2fc1ccd6-837b-4e2b-9dfa-6400805572c2/gummy+shoes+4.jpg</image:loc>
      <image:title>Home - Eat Me: Itala Aguilera’s “Tierra Mojada” - Make it stand out</image:title>
      <image:caption>Itala Aguilera, Lunch Time, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c9bd9d8a-00ca-49c8-9955-64b25700a349/DSC08415.jpg</image:loc>
      <image:title>Home - Eat Me: Itala Aguilera’s “Tierra Mojada” - Make it stand out</image:title>
      <image:caption>Itala Aguilera: Tierra Mojada (Wet Land), 2025, at Flux IV. Photo: Faviola Lopez-Romani. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/surface-tension</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4e32eb0a-0c55-487d-975b-97a440047811/MB_INSTALL_02.jpg</image:loc>
      <image:title>Home - Surface Tension - Make it stand out</image:title>
      <image:caption>Installation view: Monika Baer, Schweine Steine Scherben. Courtesy the artist and Greene Naftali, New York. Photography by Júlia Standovár.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a140f92-8948-4dff-9ace-67727c359a78/MB077.jpg</image:loc>
      <image:title>Home - Surface Tension - Make it stand out</image:title>
      <image:caption>Monika Baer, Schweine Steine Scherben (smoking), 2025. Oil, acrylic, pigments, and sand on canvas, 86 5/8 x 67 inches (220 x 170 cm). Courtesy the artist and Greene Naftali, New York. Photography by Júlia Standovár.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e058fec-0f5b-4321-9bb0-2f414614367b/DETAIL+SHOT.jpg</image:loc>
      <image:title>Home - Surface Tension - Make it stand out</image:title>
      <image:caption>Monika Baer, Schweine Steine Scherben (lobster), 2025 (detail). Courtesy the artist and Greene Naftali, New York. Photography by Júlia Standovár.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f57417e8-4ce1-4ccb-ad75-36efabcf1543/MB073.jpg</image:loc>
      <image:title>Home - Surface Tension - Make it stand out</image:title>
      <image:caption>Monika Baer, Lavender wall (2), 2025. Acrylic, pigments, and sand on canvas, 90 5/8 x 63 inches (230 x 160 cm). Courtesy the artist and Greene Naftali, New York. Photography by Júlia Standovár.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/womanhood-as-an-abstraction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b56263d-dbc4-4d4c-8385-147637b88a02/Stiler%281%29.jpg</image:loc>
      <image:title>Home - Womanhood as an Abstraction - Make it stand out</image:title>
      <image:caption>Installation view: Ruby Sky Stiler: Long Pose, Alexander Gray Associates, New York, 2025. Courtesy of Alexander Gray Associates.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8063ce6b-3a98-45b7-ac41-fdf01e36876e/stiler.jpg</image:loc>
      <image:title>Home - Womanhood as an Abstraction - Make it stand out</image:title>
      <image:caption>Installation view: Ruby Sky Stiler: Long Pose, Alexander Gray Associates, New York, 2025. Courtesy of Alexander Gray Associates.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5eeb17d2-5f7d-4aa0-886b-a2d409a2aefe/Three+Blue+Women.jpg</image:loc>
      <image:title>Home - Womanhood as an Abstraction - Make it stand out</image:title>
      <image:caption>Ruby Sky Stiler, Three Blue Women, 2025. Canvas, acrylic, pencil, and jade adhesive on panel, 44 x 50 in (111.8 x 127 cm), 45 7/8 x 52 x 3 3/8 in framed (116.5 x 132.1 x 8.6 cm framed). Courtesy of Alexander Gray Associates.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b443755-5dce-4b80-a002-57f6f9730d48/Artist+With+Bather.jpg</image:loc>
      <image:title>Home - Womanhood as an Abstraction - Make it stand out</image:title>
      <image:caption>Ruby Sky Stiler, Artist with Bather, 2025. Canvas, acrylic, pencil, and Jade adhesive on panel, 44 x 50 in (111.8 x 127 cm), 45 7/8 x 52 x 3 3/8 in framed (116.5 x 132.1 x 8.6 cm framed). Courtesy of Alexander Gray Associates.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/rodrigo-ramrez-rodrguez-at-bodega-omr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a2af585-6e94-4e7f-9260-f2b0b4e1fdb7/Image+2+%281%29.jpg</image:loc>
      <image:title>Home - Rodrigo Ramírez Rodríguez at Bodega OMR - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez Rodríguez. Por abrasión y contagio, installation view. Photo by Ramiro Chaves. Courtesy of the artist and Bodega OMR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/70ed7302-2d9f-40d5-90f4-080518177a58/Image+1.jpg</image:loc>
      <image:title>Home - Rodrigo Ramírez Rodríguez at Bodega OMR - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez Rodríguez. Detail from the series Erosión de una superficie sensible (2025). Oil on linen. 78 ¾  x 63 x 1 ⅝  inches each. Photo by Ramiro Chaves. Courtesy of the artist and Bodega OMR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d2a9958-173b-471f-89b0-7561a2ded414/Image+3+%281%29.jpg</image:loc>
      <image:title>Home - Rodrigo Ramírez Rodríguez at Bodega OMR - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez Rodríguez. Por abrasión y contagio, installation view. Photo by Ramiro Chaves. Courtesy of the artist and Bodega OMR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9380cae3-17fa-4d42-93bf-b7e83d1285bb/Image+4.jpg</image:loc>
      <image:title>Home - Rodrigo Ramírez Rodríguez at Bodega OMR - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez Rodríguez. Por abrasión y contagio, installation view. Photo by Ramiro Chaves. Courtesy of the artist and Bodega OMR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee9e7586-e80a-4bf4-a813-f49c521bf802/RR+1.jpg</image:loc>
      <image:title>Home - Rodrigo Ramírez Rodríguez at Bodega OMR - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez Rodríguez. Detail from Paisaje interior 1 (2025). Resin, steel, and beeswax sculpture. 68 ½ x 25 ⅝ x 19 ¾ in. Photo by Ramiro Chaves. Courtesy of the artist and Bodega OMR</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reflections-from-the-screen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b7b426c6-a8fe-4723-bd2f-efc3717f3c1d/Exhibition+View+03.jpeg</image:loc>
      <image:title>Home - Reflections from the Screen - Make it stand out</image:title>
      <image:caption>Exhibition View. Alien Queen / Strange Paradise, Manuela Solano, Museo Tamayo, 2025. Photographs by Gerardo Landa and Eduardo López (GLR Estudio). Courtesy of Museo Tamayo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/607b647f-8e31-4090-8924-0470e8499f46/2022.+Sheela.jpeg</image:loc>
      <image:title>Home - Reflections from the Screen - Make it stand out</image:title>
      <image:caption>Manuela Solano, Sheela, 2022. Acrylic on canvas. 190 x 150 cm. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/39063b53-7059-48e4-a547-a4da015e3e9c/Exhibition+View+22.jpeg</image:loc>
      <image:title>Home - Reflections from the Screen - Make it stand out</image:title>
      <image:caption>Exhibition View. Alien Queen / Strange Paradise, Manuela Solano, Museo Tamayo, 2025. Photographs by Gerardo Landa and Eduardo López (GLR Estudio). Courtesy of Museo Tamayo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ab2c2a6-cf7e-46a0-b6bd-e019deaede2a/Exhibition+View+25.jpeg</image:loc>
      <image:title>Home - Reflections from the Screen - Make it stand out</image:title>
      <image:caption>Exhibition View. Alien Queen / Strange Paradise, Manuela Solano, Museo Tamayo, 2025. Photographs by Gerardo Landa and Eduardo López (GLR Estudio). Courtesy of Museo Tamayo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-december-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/462c5b7b-9b51-4ca9-b04d-bdfeac7db365/BOURG137339-hires.jpg</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Louise Bourgeois, Mamelles, 1991, cast 2005. Bronze, reddish-brown patina with highlights, wall piece with water element and brass basin. Sculpture: 50.8 x 284.5 x 47 cm / 20 x 112 x 18 1/2 in, Basin: 25.4 x 274.3 x 152.4 cm / 10 x 108 x 60 in. © The Easton Foundation/VAGA at ARS, NY. Courtesy the Foundation and Hauser &amp; Wirth. Photo: JJYPHOTO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f407da52-189d-42f6-9858-f4dba2cbbec4/IMG_9203.JPG</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Installation view of The Body is the Body, 2025. Image courtesy of the artists, Simon Brewer, and Nathalie Martin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b83cc96c-f53b-4646-81f5-4a0eff4431f2/5_DSC_6813+copy.jpg</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Neva Guido (left), Sophia Halimah Parker (right top), and Sacha Vega (right bottom) in a safety demonstration sequence PINCH. Photograph by Max Branigan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d5f5350b-a342-4566-9490-91ec723354b0/9_DSC_6629.jpg</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Neva Guido as CRISIS in PINCH. Photograph by Max Branigan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a1aaae4-e5fa-4ede-b64a-b7c314878589/Installation+view+of+Motherlode+at+the+RISD+Museum.+Courtesy+of+RISD+Museum..jpg</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Motherlode at the RISD Museum. Courtesy of RISD Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2641303d-dee3-412a-8cfc-e6f029961836/Screenshot+2025-12-16+at+3.44.22%E2%80%AFPM.png</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Installation image of Naima Green: Instead, I spin fantasies, 2025. Photo courtesy the International Center of Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4d133678-a36c-4fe8-b031-23b1167a9247/Sinew+Install+2.JPEG</image:loc>
      <image:title>Home - Editors’ Selects: December 2025 - Make it stand out</image:title>
      <image:caption>Megumi Shauna Arai, Sinew, 2025, installation view, KOKI ARTS, Tokyo. Photo: Who are U co.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/after-miami-art-week-iana-safina-of-perseus-gallery-and-her-artists-came-out-on-top</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d2ec6b5-d890-4f99-ac1a-ce04c19f03ff/Picture+1.png</image:loc>
      <image:title>Home - After Miami Art Week, Iana Safina of Perseus Gallery and Her Artists Came Out on Top - Make it stand out</image:title>
      <image:caption>Iana Safina. Courtesy of Perseus Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8817d04c-3614-4f25-92b7-f19126cc48eb/Picture+2.png</image:loc>
      <image:title>Home - After Miami Art Week, Iana Safina of Perseus Gallery and Her Artists Came Out on Top - Make it stand out</image:title>
      <image:caption>Perseus Gallery’s booth at CONTEXT Art Miami, 2025. Courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a73b1b6-15b2-4434-934b-98869a52514b/Picture+3.png</image:loc>
      <image:title>Home - After Miami Art Week, Iana Safina of Perseus Gallery and Her Artists Came Out on Top - Make it stand out</image:title>
      <image:caption>Perseus Gallery’s booth at Red Dot, 2025. Courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c48aa4a1-9e20-45ac-a09b-98b5311c5aaf/Picture+4.png</image:loc>
      <image:title>Home - After Miami Art Week, Iana Safina of Perseus Gallery and Her Artists Came Out on Top - Make it stand out</image:title>
      <image:caption>Iana Safina at Perseus Gallery, 2025. Courtesy of the gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/dancing-outside-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da3c7d38-1a3d-4c6d-abb0-21825d65e029/Malcolm-x+Betts+and+Molly+Lieber%2C+fly+baby+fly%2C+2025.+Danspace+Project.+Photography+by+Rachel+Keane..jpg</image:loc>
      <image:title>Home - Dancing Outside Time - Make it stand out</image:title>
      <image:caption>Malcolm-x Betts and Molly Lieber in Malcolm-x Betts, fly baby fly, 2025. Danspace Project. Photography by Rachel Keane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aea7f8ad-2d53-4ec3-88cf-7845884468c2/2+-+Malcolm-x+Betts+and+Molly+Lieber%2C+fly+baby+fly%2C+2025.+Danspace+Project.+Photography+by+Rachel+Keane..jpg</image:loc>
      <image:title>Home - Dancing Outside Time - Make it stand out</image:title>
      <image:caption>Malcolm-x Betts and Molly Lieber in Malcolm-x Betts, fly baby fly, 2025. Danspace Project. Photography by Rachel Keane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9d00b8a8-4991-4351-bf53-6f543767e8b0/Dominica+Greene+and+Garrett+Allen%2C+endlessend%2C+2025.+Danspace+Project.+Photography+by+Rachel+Keane..jpg</image:loc>
      <image:title>Home - Dancing Outside Time - Make it stand out</image:title>
      <image:caption>Dominica Greene and Garrett Allen in Dominica Greene, endlessend, 2025. Danspace Project. Photography by Rachel Keane.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/self-portraiture-and-the-opacity-of-class</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7810d7a-af08-4119-91be-e239cec3e2f1/25_A_Prairie_Home_Companion+copy-2.jpg</image:loc>
      <image:title>Home - Self-Portraiture and the Opacity of Class - Make it stand out</image:title>
      <image:caption>Samuel Guy, A Prairie Home Companion, 2025. Oil on panel, 19 ¾ x 14 ¼ x 1 ¾ inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5650d6ae-107a-4fe6-aa70-367694107444/25_Leiutenant_Final+copy.jpg</image:loc>
      <image:title>Home - Self-Portraiture and the Opacity of Class - Make it stand out</image:title>
      <image:caption>Samuel Guy, Lieutenant (After Bouveret’s Woman from Brittany), 2025. Oil on panel, 13 ¼ x 11 x 1 ¾ inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/658bcf7c-345f-44cb-80aa-12ace504db56/24_PrairieMan+copy-2.jpg</image:loc>
      <image:title>Home - Self-Portraiture and the Opacity of Class - Make it stand out</image:title>
      <image:caption>Samuel Guy, Prairie Man (After Clausen’s Brown Eyes), 2024. Oil on panel, 13 ¼ x 9 ¼ x 1 ¾ inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aa72fc1c-1b75-4f23-a18f-5a66583cbc4c/25_40_Footer-3+copy-2.jpg</image:loc>
      <image:title>Home - Self-Portraiture and the Opacity of Class - Make it stand out</image:title>
      <image:caption>Samuel Guy, Forty Footer, 2025. Oil on panel, 17 ½ x 11 ½ x 1 ¾ inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d9bfbab-f776-48f1-90a6-72c2b4c163da/25_Axe+copy-2.jpg</image:loc>
      <image:title>Home - Self-Portraiture and the Opacity of Class - Make it stand out</image:title>
      <image:caption>Samuel Guy, Axe, 2025. Oil on panel, 19 ¼ x 4 ½ x 1 ¾ inches. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-prefix-to-shatter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/05200902-a8a8-4a54-b749-2498090beeac/JSG+CPW+2025+v5.jpeg</image:loc>
      <image:title>Home - The Prefix to Shatter - Make it stand out</image:title>
      <image:caption>Installation view, Charisse Pearlina Weston, mis-/mé- (squeeze), 2025, Jack Shainman Gallery, 513 W 20th Street, New York, NY © Charisse Pearlina Weston. Courtesy of the artist and Jack Shainman Gallery, NewYork. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7701eb33-d1fc-420d-b530-0bc840617b06/JSG+CPW+2025+v2.jpeg</image:loc>
      <image:title>Home - The Prefix to Shatter - Make it stand out</image:title>
      <image:caption>Installation view, Charisse Pearlina Weston, mis-/mé- (squeeze), 2025, Jack Shainman Gallery, 513 W 20th Street, New York, NY © Charisse Pearlina Weston. Courtesy of the artist and Jack Shainman Gallery, NewYork. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b3a5e59-5cf1-44b2-855a-501c102a6105/CPW25.006.jpeg</image:loc>
      <image:title>Home - The Prefix to Shatter - Make it stand out</image:title>
      <image:caption>Charisse Pearlina Weston, . . . else-where., 2025. Inkjet print on canvas, 220 grit silicone carbide, shattered glass from the after-being of collapse, slumped Mirropane, Solarcoolbreeze surveillance glass, shattered tempered glass, metal endcap, epoxy, ink, acrylic paint, 74 3/4 x 59 3/8 x 1 3/4 inches, 80 1/4 x 64 7/8 x 3 3/4 inches framed. © Charisse Pearlina Weston. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interstitial-institutionalism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b256b8f8-b5a7-4640-a602-d8d95b5f9256/Maria+Hassabi_Plastic_2.jpg</image:loc>
      <image:title>Home - Interstitial Institutionalism&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Maria Hassabi, PLASTIC, 2016. Installation view at MoMA, NY. Courtesy the artist. Photography by Thomas Poravas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/45a95bfd-83fe-40a2-aef7-d2d913d3d633/Lucinda+Childs_Street+Dance_1.jpg</image:loc>
      <image:title>Home - Interstitial Institutionalism&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucinda Childs, Street Dance, 1964–2025. Photograph (October 6th, 2013). At this point in the dance, the narrative is, “Below the text there are some Braille markings that read...[silence].” Dancer: Michele Tantoco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54a9a7fa-b433-461b-87a5-9725d7d6f34f/Maria+Hassabi_Plastic_1.jpg</image:loc>
      <image:title>Home - Interstitial Institutionalism&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Maria Hassabi, PLASTIC, 2016. Rehearsal photograph at MoMA, NY (October 30th, 2015). Dancer: Hristoula Harakas. Courtesy the artist. Photography by Julieta Cervantes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/048b5b9e-4b25-4853-acdd-446bbc4dfa1b/Cally+Spooner_On+False+Tears+and+Outsourcing_1.jpg</image:loc>
      <image:title>Home - Interstitial Institutionalism&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Cally Spooner, On False Tears and Outsourcing, 2016. Courtesy the artist. Choreographed and Performed by: Holly Curran, Maja Ho, Emily McDaniel, Ashton Muniz, José Rivera Jr, Maggie Segale, and Jennifer Tchiakpe. Photography by Luis Antonio Ruiz / Matte Projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/adversarial-networks-on-joseph-nechvatal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b13c1b64-0e68-4a76-9697-fde62c375483/magenta_plains_6052.jpg</image:loc>
      <image:title>Home - Adversarial Networks: on Joseph Nechvatal - Make it stand out</image:title>
      <image:caption>Installation view, Joseph Nechvatal: Information Noise Saturation, Magenta Plains, New York, NY, 2025. Courtesy of Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/681f9494-93bd-4fa5-bb48-5fddfb59695a/JN_008.jpg</image:loc>
      <image:title>Home - Adversarial Networks: on Joseph Nechvatal - Make it stand out</image:title>
      <image:caption>Joseph Nechvatal, No Future, 1983. Graphite on paper. Diptych, Overall: 11 x 28 in. 27.9 x 71.1 cm. Individual: 11 x 14 in. 27.9 x 35.6 cm. Framed: 17 3/4 x 34 3/4 x 1 1/2 in. Courtesy of the artist and Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/849d59f6-4368-48d7-83c9-b7733c4e4add/JN_018.jpg</image:loc>
      <image:title>Home - Adversarial Networks: on Joseph Nechvatal - Make it stand out</image:title>
      <image:caption>Joseph Nechvatal, Profusely Informed Personage, 1986. Computer-robotic assisted acrylic painting on canvas. 72 x 96 in. 182.9 x 243.8 cm. Courtesy of the artist and Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b4f2fd9-7c11-486f-ab87-30ff33c8ec48/JN_012.jpg</image:loc>
      <image:title>Home - Adversarial Networks: on Joseph Nechvatal - Make it stand out</image:title>
      <image:caption>Joseph Nechvatal, Without Chains, 1990. Computer-robotic assisted acrylic painting on canvas. 96 x 72 in. 243.8 x 182.9 cm. Courtesy of the artist and Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b78908f-d97d-498c-883c-6c4a7feccfdd/jn_019.jpg</image:loc>
      <image:title>Home - Adversarial Networks: on Joseph Nechvatal - Make it stand out</image:title>
      <image:caption>Joseph Nechvatal, Infinite Apocalyptic Messenger, 1987. Computer-robotic assisted acrylic painting on canvas, 72 x 96 in. 182.9 x 243.8 cm. Courtesy of the artist and Magenta Plains.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/mother-tongues-in-conversation-with-aracelis-girmay-and-alva-mooses</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/865decb3-facc-4fd1-8eb8-153f54ce21ed/02_Alva_Mooses_Exhibition_Floor+Vinyl.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Alva Mooses. Portals, 2025. Floor vinyl at Brooklyn Central Library. Photo: Natalie Conn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff516282-17b2-45de-a83b-46133fbe8529/03_Alva_V_folding_rotation.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Alva Mooses. Folding / rotation V, 2025. Video still: Yaching Cheung</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9dc0d389-6f4a-4623-9288-107d20e963fb/05_Alva_Mooses_CulebraTruenaTormenta.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Alva Mooses. Culebra, truena, tormenta, 2022. Courtesy of Greenwhich House Pottery. Photo: Alan Wiener</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3533cdb8-3727-466b-a561-02666d8392ff/06_Alva_Mooses_Metal+wire+hanging.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Alva Mooses. Telluric pulse, 2024. Courtesy of the artist and Casa Lo’ol. Photo: Ernesto Hernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/61f1a866-ad28-4942-b85c-01525b4bd8a5/07_Alva_Mooses_Metal+Vertical+Piece.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Alva Mooses. Olotón, 2024. Courtesy of the artist and Casa Lo’ol. Photo: Ernesto Hernandez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d7e82ab2-0d53-4d82-ab2a-7bede9a591d5/08_AM4_7637.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Mother Tongues, 2025. Riso Publication Print by Hverdag Books in Norway. Photo: Yaching Cheung</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a958917e-58bc-4906-b1fc-8d03b2917f3c/09_Alva_Mooses_Exhibition_View_01.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Installation by Alva Mooses, Mother Tongues, 2025. Courtesy Brooklyn Public Library. Photo: Gregg Richards</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c77b50d4-d091-4b64-a622-84b4961f68eb/10_Alva_Mooses_BPL_Exhibition_Performance.jpg</image:loc>
      <image:title>Home - Mother Tongues: Alva Mooses &amp;amp; Aracelis Girmay - Make it stand out</image:title>
      <image:caption>Installation by Alva Mooses. Sound activation by Armando Rosales, Carmen Maldonado, and Ukiah Mooses. Courtesy Brooklyn Public Library for Mother Tongues, 2025. Photo: Gregg Richards</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/bodily-malleability-yi-hsuan-lais-rubber-rubber</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/302341e6-6f88-45ee-b9a2-70128672ed56/SoMad_Exhibition_20257158_1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Yi Hsuan Lai. Embed Into Soft Landing, 2025. Assemblage of dye sublimation prints on aluminum. 19 x 27 x 1 in. Image courtesy of the artist and SoMad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1261a0b6-6dc5-421b-aa49-e0d178b47a3d/Trust_4163%EF%BC%BF1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Yi Hsuan Lai, Echo, 2025. Dye sublimation print on aluminum, 42.5 x 56.75 inches. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06437bc5-60a4-4bc9-be4a-cbcee003961c/SoMad_Exhibition_20256971_1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Installation view of Yi Hsuan Lai: Rubber, Rubber, 2025. Image courtesy of the artist and SoMad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e14dba34-2e7d-4282-b4f3-42bb57a88b5b/%28update%29SoMad_Exhibition_20256976_1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Installation view of Yi Hsuan Lai: Rubber, Rubber, 2025. Image courtesy of the artist and SoMad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b69dc2b-1c79-4b77-9437-a65ebca75fa3/SoMad_Exhibition_20256944_1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Installation view of Yi Hsuan Lai: Rubber, Rubber, 2025. Image courtesy of the artist and SoMad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/454f6bc4-f355-4f5d-88fd-2437e26a3b73/SoMad_Exhibition_20256955_1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Yi Hsuan Lai, Residual Glitter, 2025, Dye sublimation print on aluminum, 42.5 x 56.625 in. Installation view of Rubber, Rubber, 2025. Image courtesy of the artist and SoMad</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/216335d2-12de-4869-89db-02eebde96828/SoMad_Exhibition_20257186_1300px.jpg</image:loc>
      <image:title>Home - “Rubber, Rubber”: A Surrealist Fever Dream - Make it stand out</image:title>
      <image:caption>Installation view of Yi Hsuan Lai: Rubber, Rubber, 2025. Image courtesy of the artist and SoMad</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-political-potential-of-the-one-liner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84bb4d22-a0ee-4a5a-9b30-4803951003b4/1+-+Scenes_class_struggle.jpg</image:loc>
      <image:title>Home - The Political Potential of the One-Liner - Make it stand out</image:title>
      <image:caption>The cast of Scenes from the Class Struggle in Beverly Hills (1989), courtesy of Anthology Film Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e3da62bc-3fbd-4025-9cf8-d0f40ef3da89/2+-+Scenes_class_struggle.png</image:loc>
      <image:title>Home - The Political Potential of the One-Liner - Make it stand out</image:title>
      <image:caption>Mary Woronov and Wallace Shawn in Scenes from the Class Struggle in Beverly Hills (1989), courtesy of Anthology Film Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ea52506-2558-41b2-9a64-d5834dcb1140/3+-+Scenes_class_struggle.jpg</image:loc>
      <image:title>Home - The Political Potential of the One-Liner - Make it stand out</image:title>
      <image:caption>Ed Begley Jr. and Mary Woronov in Scenes from the Class Struggle in Beverly Hills (1989), courtesy of Anthology Film Archives.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/carla-stellwegs-artes-visuales</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/77cfaf20-a803-48f8-bbc3-3d1a9ef3c9b5/Installation+view+of+Artes+Visuales_+The+Latin+American+Avant-Garde+in+Print%2C+Image+courtesy+of+the+Hunter+College+Art+Galleries+and+JSP+Art+Photography_%281%29.jpeg</image:loc>
      <image:title>Home - Carla Stellweg’s “Artes Visuales” - Make it stand out</image:title>
      <image:caption>Installation view of Artes Visuales: The Latin American Avant-Garde in Print, Image courtesy of the Hunter College Art Galleries and JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/688c3452-c714-45c3-8ad0-342985c5605e/Installation+view+of+Artes+Visuales_+The+Latin+American+Avant-Garde+in+Print%2C+Image+courtesy+of+the+Hunter+College+Art+Galleries+and+JSP+Art+Photography_.jpeg</image:loc>
      <image:title>Home - Carla Stellweg’s “Artes Visuales” - Make it stand out</image:title>
      <image:caption>Installation view of Artes Visuales: The Latin American Avant-Garde in Print, Image courtesy of the Hunter College Art Galleries and JSP Art Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c181373b-40c5-4593-9806-dab88370e1fa/Installation+view+of+Artes+Visuales_+The+Latin+American+Avant-Garde+in+Print%2C+Image+courtesy+of+the+Hunter+College+Art+Galleries+and+JSP+Art+Photography_%284%29.jpeg</image:loc>
      <image:title>Home - Carla Stellweg’s “Artes Visuales” - Make it stand out</image:title>
      <image:caption>Installation view of Artes Visuales: The Latin American Avant-Garde in Print, Image courtesy of the Hunter College Art Galleries and JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c13b3d13-7b26-4411-9604-a95d847627d2/Installation+view+of+Artes+Visuales_+The+Latin+American+Avant-Garde+in+Print%2C+Image+courtesy+of+the+Hunter+College+Art+Galleries+and+JSP+Art+Photography_%283%29.jpeg</image:loc>
      <image:title>Home - Carla Stellweg’s “Artes Visuales” - Make it stand out</image:title>
      <image:caption>Installation view of Artes Visuales: The Latin American Avant-Garde in Print, Image courtesy of the Hunter College Art Galleries and JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5dd3ab9d-7bd1-4f78-bdf6-038df94ad23e/Installation+view+of+Artes+Visuales_+The+Latin+American+Avant-Garde+in+Print%2C+Image+courtesy+of+the+Hunter+College+Art+Galleries+and+JSP+Art+Photography_%282%29.jpeg</image:loc>
      <image:title>Home - Carla Stellweg’s “Artes Visuales” - Make it stand out</image:title>
      <image:caption>Installation view of Artes Visuales: The Latin American Avant-Garde in Print, Image courtesy of the Hunter College Art Galleries and JSP Art Photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lance-weiler-on-memory-mystery-and-algorithmic-grief-of-where-theres-smoke</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2cf48da7-7555-490b-94dc-bac0f24bd093/DSCF0627.JPG</image:loc>
      <image:title>Home - Lance Weiler on Memory, Mystery, and Algorithmic Grief - Make it stand out</image:title>
      <image:caption>Lance Weiler, Where There’s Smoke performance, November 5, 2025. Installed in RLWindow at RYAN LEE Gallery, New York. © Lance Weiler; courtesy of the artist and RYAN LEE Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/967e45a3-b1c4-4d2a-b9ac-cb322fdb21b7/Where+There%27s+Smoke+5.jpg</image:loc>
      <image:title>Home - Lance Weiler on Memory, Mystery, and Algorithmic Grief - Make it stand out</image:title>
      <image:caption>Lance Weiler, Where There’s Smoke, 2025. © Lance Weiler; courtesy of the artist and RYAN LEE Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d72d97f-f907-49bb-8a54-f7812454a253/DSCF0566.JPG</image:loc>
      <image:title>Home - Lance Weiler on Memory, Mystery, and Algorithmic Grief - Make it stand out</image:title>
      <image:caption>Lance Weiler, Where There’s Smoke performance, November 5, 2025. Installed in RLWindow at RYAN LEE Gallery, New York. © Lance Weiler; courtesy of the artist and RYAN LEE Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5314315a-1726-4b15-be6e-81c3236ddee4/Where+There%27s+Smoke+3.png</image:loc>
      <image:title>Home - Lance Weiler on Memory, Mystery, and Algorithmic Grief - Make it stand out</image:title>
      <image:caption>Lance Weiler, Where There’s Smoke, 2025. © Lance Weiler; courtesy of the artist and RYAN LEE Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f99bf14c-8373-466c-b2b0-b55bf31eaa4d/Where+There%27s+Smoke+6.jpg</image:loc>
      <image:title>Home - Lance Weiler on Memory, Mystery, and Algorithmic Grief - Make it stand out</image:title>
      <image:caption>Lance Weiler, Where There’s Smoke, 2025. © Lance Weiler; courtesy of the artist and RYAN LEE Gallery, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/100-years-of-the-bauhaus-dessau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a00c2aa-8ca0-4472-89d2-b47489897a69/Image_1.JPG</image:loc>
      <image:title>Home - 100 Years of the Bauhaus Dessau - Make it stand out</image:title>
      <image:caption>Bauhaus Building (1925-26), Architect: Walter Gropius, View from southwest. Photo credit: Thomas Meyer, 2017 / OSTKREUZ.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0bf54fb6-27c4-4054-af89-3749d20a99dd/Image_2.JPG</image:loc>
      <image:title>Home - 100 Years of the Bauhaus Dessau - Make it stand out</image:title>
      <image:caption>Bauhaus Building (1925-26), Architect: Walter Gropius, Southeast side with studio building. Photo credit: Thomas Meyer, 2019 / OSTKREUZ.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd2d0d82-9f1b-4082-8de1-d3016f55672e/Image_3.JPG</image:loc>
      <image:title>Home - 100 Years of the Bauhaus Dessau - Make it stand out</image:title>
      <image:caption>Exhibition Lernort Bauhaus, Bauhaus Building, Bridge, 2nd floor. February 24, 2024. Photo credit: Thomas Meyer, 2024 / OSTKREUZ.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d40f8d3-7542-4823-ba5d-9681a11bcff5/Image_4.JPG</image:loc>
      <image:title>Home - 100 Years of the Bauhaus Dessau - Make it stand out</image:title>
      <image:caption>Exhibition After Modern Brightness: Ecologies of Light, Bauhaus Building, August 1, 2025, Photo credit: Thomas Meyer, 2025 / OSTKREUZ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb03c045-84ee-421c-ac41-4f68c0ecc14c/Image_5.JPG</image:loc>
      <image:title>Home - 100 Years of the Bauhaus Dessau - Make it stand out</image:title>
      <image:caption>Exhibition After Modern Brightness: Ecologies of Light, Bauhaus Building, August 1, 2025, Photo credit: Thomas Meyer, 2025 / OSTKREUZ.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-stripper-and-his-tank-in-conversation-with-dahlia-bloomstone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec3016da-b6e5-48e2-86e1-1890c0da68b7/option+2+for+bach+party+stripper+youth.png</image:loc>
      <image:title>Home - THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone - Make it stand out</image:title>
      <image:caption>Installation view of Unless the Outcome is Income. Courtesy of Dahlia Bloomstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f39df5c9-bba2-45e7-ad2c-24df026a55d4/IMG_5617-Edit.png</image:loc>
      <image:title>Home - THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone - Make it stand out</image:title>
      <image:caption>Installation view of Unless the Outcome is Income. Courtesy of Dahlia Bloomstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d375742e-5ecf-44d7-9ecf-659d1d617cbf/image+%281%29_upscaled.png</image:loc>
      <image:title>Home - THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone - Make it stand out</image:title>
      <image:caption>Still from Unless the Outcome is Income. Courtesy of Dahlia Bloomstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76f4c15e-26bd-4739-8102-8234a75d1b82/Install+shot+can+go+under+broader+concerns+question.png</image:loc>
      <image:title>Home - THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone - Make it stand out</image:title>
      <image:caption>Installation view of Unless the Outcome is Income. Courtesy of Dahlia Bloomstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6c0087e7-d6bd-42ea-af8a-c12e8cabe3bf/Option+1+for+Memories+are+work.png</image:loc>
      <image:title>Home - THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone - Make it stand out</image:title>
      <image:caption>Installation view of Unless the Outcome is Income. Courtesy of Dahlia Bloomstone</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93d5ae4b-7ff8-4ace-b5ce-3474b4548954/Option+2+for+memories+are+work.png</image:loc>
      <image:title>Home - THE STRIPPER AND HIS TANK: In conversation with Dahlia Bloomstone - Make it stand out</image:title>
      <image:caption>Still from Unless the Outcome is Income. Courtesy of Dahlia Bloomstone</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/what-comes-after-the-real</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/659a194c-c28f-44c7-82fb-4fe98b3dc195/solis1.jpeg</image:loc>
      <image:title>Home - What Comes After the Real - Make it stand out</image:title>
      <image:caption>Studio Sven Sauer, Solis, 2023. Light, haze, and projection installation, dimensions variable. Artist: Sven Sauer. Creative Coding: Markus Graf. Production: Sevval Gür &amp; Fabrizio Ollargiu. Sound: Sven Laux. Sun inspired by Boris Acket’s Sunrise for the Sleepers. Documentation: Frank Sauer. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1723ea9-7651-4265-9877-97699ddbc5ea/Peros2.jpg</image:loc>
      <image:title>Home - What Comes After the Real - Make it stand out</image:title>
      <image:caption>Lolo &amp; Sosaku, Perros, 2024. Kinetic sound installation with motorized sculptural dogs, dimensions variable. Courtesy of the artists. Photos by Blanca Galindo &amp; David Simon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/74b04cf3-2c00-448e-ad0e-575296121b8e/La+Salle.jpg</image:loc>
      <image:title>Home - What Comes After the Real - Make it stand out</image:title>
      <image:caption>Sandy Davis, RABIA, 2024. Interactive sound and visual installation with sensor-embedded boxing bags, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da5d4e02-e475-49b3-b417-da6dc2f8f750/P1026939ret.jpg</image:loc>
      <image:title>Home - What Comes After the Real - Make it stand out</image:title>
      <image:caption>Torbellino, 2025. Immersive visual installation, dimensions variable. Photos courtesy of the IED.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-november-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8dffe97d-548e-4027-ac94-3012b8c6605a/clairehentschkerportriat2.jpeg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Photo of the artist, Claire Hentschker. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c2088ba-53f7-4989-988b-7b5b02a9d1c7/2025+0824+20_FullSize.jpg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Claire Hentschker, iPod Toilet Paper Dock, 2025. 3D reconstructions from Sky Mall ad, UV resin, builder gel, nail powders/polish, eyeshadow pigment, rhinestones, E6000, magazine clippings. 3.5 x 6 x 3.5 inches. Courtesy of the artist. From the recent High Dynamic Range dual show alongside Lou Fauroux at Spill180.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6c412e1-86ad-49b7-b35e-7164cb341bb5/PhotoByCharlotteErcoli.jpeg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Maya Man. Photography by Charlotte Ercoli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e247464-ce6a-4ba8-af84-846d7ddbddd3/Maya+Man%2C+StarQuest%2C+S29_+Exceptional%2C+2025.+Still+from+AI-generated+video.+Courtesy+the+artist+and+Feral+File.png</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Maya Man, StarQuest, S29_ Exceptional, 2025. Still from AI-generated video. Courtesy the artist and Feral File.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/af473df9-7455-46c2-a406-562731d93ca3/Minku+Kim_Portrait-1.jpg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Photograph by Daniel Greer, courtesy of the Minku Kim Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18957f5d-d0a5-408d-b932-266f2f7e2d56/Minku+Kim_%27SARANG+No.6%27+%2C2025.jpg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Minku Kim, Sarang No.6, 2024–2025. Oil, acrylic on canvas, 60 x 48 inches (152.4 x 121.9 cm). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15d936f8-eacd-48d3-a798-e6426e3c155e/Screenshot+2025-12-01+at+12.37.31%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Frank WANG Yefeng in his studio. Photo by a015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7b31b6b-a47c-468b-89e0-093334954445/Screenshot+2025-12-01+at+12.37.42%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Frank WANG Yefeng, Groundless Flower — ཨ, 2025. 4K video with sound, 13’23”, High Line Originals, a co-commission by High Line Art and CHANEL Culture Fund, curated by Taylor Zakarin.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7bfb591a-631b-4671-a96c-d52ef8890914/Christopher+Gambino+Studio+Portrait_+Photo+credit_+Sofia+Alfaro_P1023943.jpg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Christopher Gambino, in their studio. Photography by Sofia Alfaro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20e34961-8e33-4d97-9489-1bc53c2e69b8/5.+Olof+Marsja_+Photo+Ricard+Estay+_+Public+Art+Agency+Sweden.jpg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist, Olof Marsja. Photography by Ricard Estay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9ea8f93-49d3-4528-978f-6bceda920bdd/1.+To+carry+this+body+of+an+animal+forth%2C+1646_Photo+Documentommy.JPG</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Olof Marsja, To carry this body of an animal forth, 2025. Image courtesy of the artist and 1646 Experimental Art Space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ac292b0b-1c88-47b9-b1cd-8837cfa96411/EB.Edge33.3651.PH.2019.framed.nil.jpeg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Erica Baum, Edge 33 (Patterns), 2019. Archival pigment print 16 × 17.48 in. Image courtesy of the artist and Bureau.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a7da827-36c0-482e-8c85-ced807bb4073/IMG_9593.jpeg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e1ee55d-781c-4e3f-8a79-7aeae82c5acc/Tonye_1.jpg</image:loc>
      <image:title>Home - Face to Face: November 2025 - Make it stand out</image:title>
      <image:caption>Studio shot of the artist, Tonye Ekine, with the painting Date Night, 2023. Acrylic on Linen, 150cm x 180cm. Photograph by Emily Marshall, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/project-iii-x-embodied-earth-pulse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93dc08a8-c884-465c-a418-5ee8b778bbe3/Image+1.JPG</image:loc>
      <image:title>Home - Project III x Embodied Earth: PULSE - Make it stand out</image:title>
      <image:caption>PULSE attendees in front of Embodied Earth’s photo installation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/77f5347c-06d4-45a5-b7da-19ba1d36183c/Image+2.JPG</image:loc>
      <image:title>Home - Project III x Embodied Earth: PULSE - Make it stand out</image:title>
      <image:caption>Still of dancers John Crim (left) and Colton Dane (right) during their duet, choreographed by Kasey Broekema</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23421e23-f503-4e4c-ba30-234cb0484b9a/Image+3.JPG</image:loc>
      <image:title>Home - Project III x Embodied Earth: PULSE - Make it stand out</image:title>
      <image:caption>Embodied Earth founder Nicole Jackson (left) and Project III founder Kasey Broekema (right)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standouts-at-the-2025-performa-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be0c0ed8-6eef-4d30-83a8-f476228d43a2/walter-wlodarczyk-2025-11-13-WWRA2780.jpeg</image:loc>
      <image:title>Home - Standouts at the 2025 Performa Biennial - Make it stand out</image:title>
      <image:caption>Ayoung Kim, Body^n, Performa Commission, Performa Biennial 2025. Photo Walter Wlodarczyk, courtesy the artist and Performa.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6369edd7-b567-4bb3-8eeb-d2f749c63bd1/walter-wlodarczyk-2025-11-14-WWRA4387.jpeg</image:loc>
      <image:title>Home - Standouts at the 2025 Performa Biennial - Make it stand out</image:title>
      <image:caption>Pakui Hardware, Spores, Performa Commission, Performa Biennial 2025. Photo Walter Wlodarczyk, courtesy the artists and Performa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/502814af-3177-4b59-a232-f230dbd57720/La+fuerza+de+la+izquierda+%28The+Strength+of+the+Left%29+by+Regina+Jose%CC%81+Galindo+in+the+Salon+Simo%CC%81n+Bolivar+at+Americas+Society%2C+photography+by+Nicolas+Poblete%2C+2025..jpg</image:loc>
      <image:title>Home - Standouts at the 2025 Performa Biennial - Make it stand out</image:title>
      <image:caption>Regina José Galindo: La fuerza de la izquierda (The Strength of the Left), 2025, in the Salon Simón Bolivar at the Americas Society. Photography by Nicolas Poblete.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/efa2e0ce-e5bc-4365-a30b-6c7504c80872/walter-wlodarczyk-2025-11-06-WWRA4135.jpeg</image:loc>
      <image:title>Home - Standouts at the 2025 Performa Biennial - Make it stand out</image:title>
      <image:caption>Tau Lewis, No one ascends from the underworld unmarked, Performa Commission, Performa Biennial 2025. Photo Walter Wlodarczyk, courtesy the artist and Performa. Performers left to right: Stacy Lynn Smith, Lysis, Kristel Baldoz, Bett Danganan, Maddie Hopfield, Oluwadamilare (dare) Ayorinde.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0cc8777b-b9af-4121-a41f-4e9c1ec68570/Photograph+of+Shoft+Plower+by+Robertas+Narkus.+Image+courtesy+of+the+Performa+Biennial%2C+2025..jpeg</image:loc>
      <image:title>Home - Standouts at the 2025 Performa Biennial - Make it stand out</image:title>
      <image:caption>Robertas Narkus, Shoft Plower, Performa Commission, Performa Biennial 2025. Courtesy the artist and Performa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d90efc84-b9d8-4ad7-b2af-f037101ff3e3/Screenshot+2025-11-26+at+3.27.08%E2%80%AFPM.png</image:loc>
      <image:title>Home - Standouts at the 2025 Performa Biennial - Make it stand out</image:title>
      <image:caption>Lina Lapelytė, The Speech, Performa Commission, Performa Biennial 2025. Courtesy the artist and Performa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/theaster-gatess-harvest-season-in-chicago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e57936be-979e-4bbc-a60e-63116992a1b9/Screenshot+2025-11-25+at+1.50.23%E2%80%AFPM.png</image:loc>
      <image:title>Home - Theaster Gates’s Harvest Season in Chicago - Make it stand out</image:title>
      <image:caption>Installation view of Theaster Gates: OH, YOU’VE GOT TO COME BACK TO THE CITY, 2025. Image courtesy of the artist and GRAY.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bf2653d4-ba8c-4202-b30c-c268cdcdc797/Screenshot+2025-11-25+at+1.51.09%E2%80%AFPM.png</image:loc>
      <image:title>Home - Theaster Gates’s Harvest Season in Chicago - Make it stand out</image:title>
      <image:caption>Installation view of Theaster Gates: OH, YOU’VE GOT TO COME BACK TO THE CITY, 2025. Image courtesy of the artist and GRAY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8bb4e031-db1f-47f3-8d40-c7baa79bb5b5/Screenshot+2025-11-25+at+1.50.52%E2%80%AFPM.png</image:loc>
      <image:title>Home - Theaster Gates’s Harvest Season in Chicago - Make it stand out</image:title>
      <image:caption>Installation view of Theaster Gates: Unto Thee, 2025. Image courtesy of the artist and the Smart Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-being-shit-and-loving-dick</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/403e0f63-bb1d-4312-b84b-4028b37e4dc5/Image_1_PdT.jpg</image:loc>
      <image:title>Home - On Being Shit and Loving Dick - Make it stand out</image:title>
      <image:caption>Collective exhibition view, ECHO DELAY REVERB: American art, Francophone thought, Palais de Tokyo (Paris), 10.22.2025 –02.15.2026, photo credit: Aurélien Mole.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b05465a-f51d-4365-acab-fbd11a93ba97/Image_2_PdT.jpeg</image:loc>
      <image:title>Home - On Being Shit and Loving Dick - Make it stand out</image:title>
      <image:caption>Collective exhibition view, ECHO DELAY REVERB: American art, Francophone thought, Palais de Tokyo (Paris), 10.22.2025 –02.15.2026, photo credit: Aurélien Mole.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/633c3930-6b81-4434-8bfb-dfdb5fb7813e/Image_4_PdT.jpeg</image:loc>
      <image:title>Home - On Being Shit and Loving Dick - Make it stand out</image:title>
      <image:caption>Tala Madani, Shitmom Treehouse, 2025. Oil on linen. Courtesy the artist and Pilar Corrias, London.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/66b64e0d-76ff-4924-8360-271d8a7a6042/Image_3_PdT.jpeg</image:loc>
      <image:title>Home - On Being Shit and Loving Dick - Make it stand out</image:title>
      <image:caption>Collective exhibition view, ECHO DELAY REVERB: American art, Francophone thought, Palais de Tokyo (Paris), 10.22.2025 –02.15.2026, photo credit: Aurélien Mole.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/violence-upended</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0955c290-bfb5-42ed-8ac2-5c409fd547c2/Jay+Payton+DSF1117+v1.jpg</image:loc>
      <image:title>Home - Violence Upended - Make it stand out</image:title>
      <image:caption>Jay Payton, NEURAL CIRCUITS OF AGGRESSION, 2025. Oil and wax on canvas, 72 x 60 in. Image by Sebastian Bach, courtesy of the artist and 15 Orient, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c290ee1a-86ac-4436-9038-c685bba97721/15_orient_oct_28_wall_DSC06002_11.jpg</image:loc>
      <image:title>Home - Violence Upended - Make it stand out</image:title>
      <image:caption>Jay Payton, Jhator “Giving Alms to the Birds” (quadriptych), 2025. Oil on linen, 90 x 144 in. Image by Jason Loebs, courtesy of the artist and 15 Orient, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f31dd289-1c15-4ca5-8f42-9adde3303938/15_orient_oct_22_DSC05886+copy.jpg</image:loc>
      <image:title>Home - Violence Upended - Make it stand out</image:title>
      <image:caption>Jay Payton, The Death of the Ball Turret Gunner by Randall Jarrell, 2025. Oil, wax, and cotton on canvas, 60 x 80 in. Image by Jason Loebs, courtesy of the artist and 15 Orient, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a621cbf6-2cf9-40e0-93dd-2979aada66a6/15_orient_oct_22_DSC05897+copy.jpg</image:loc>
      <image:title>Home - Violence Upended - Make it stand out</image:title>
      <image:caption>Jay Payton, BEWARE OF THE NUCLEAR WEAPON!, 2025. Oil on canvas, 48 x 68 in. Image by Jason Loebs, courtesy of the artist and 15 Orient, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/494aac99-b540-4297-b5fc-3d4fe95b92cf/15_orient_oct_28_DSC06159.jpg</image:loc>
      <image:title>Home - Violence Upended - Make it stand out</image:title>
      <image:caption>Jay Payton, If you hold a gun and I hold a gun, we can talk about the law. If you hold a knife and I hold a knife, we can talk about rules... But if you hold a gun and I only have a knife, then the truth lies in your hand?, 2025. Time magazine, human mandibles, laser print photo, and circuit boards on acrylic, 72 x 84 in. Image by Jason Loebs, courtesy of the artist and 15 Orient, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/salvation-and-care-in-clay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f38e55c-56b4-4a5b-9df7-e4be20738208/2025_09_08_Argenis_Apolinario_BxMA_Ministry_Installs_13290.jpg</image:loc>
      <image:title>Home - Salvation and Care in Clay&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Ministry: Reverend Joyce McDonald, Courtesy of The Bronx Museum. Photo by Argenis Apolinario, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/949f1560-377e-4551-9c53-c503814fd792/3.jpg</image:loc>
      <image:title>Home - Salvation and Care in Clay&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Reverend Joyce McDonald (1951). My Dad, My Hero (Willie McDonald), 1998. House paint, Mod Podge on air-dry clay, and the artist’s father’s shirt and camera. 13 × 11 ½ × 12 inches. Collection of Beth Rudin DeWoody.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/60aa204e-0b73-4e00-886c-6b98088663a9/Reverend+Joyce+McDonald_Mommas+Love_1998_Courtesy+of+the+artist%2C+Gordon+Robichaux%2C+New+York%2C+and+Maureen+Paley%2C+London.jpg</image:loc>
      <image:title>Home - Salvation and Care in Clay&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Reverend Joyce McDonald (1951). Momma’s Love, 1998 Acrylic, Mod Podge, paper towel, bracelet, and sequins on air-dry clay 11 × 7 × 7 ¾ inches. Courtesy of the artist, Gordon Robichaux, New York, and Maureen Paley, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aac18f2f-58e2-40d8-9b87-500a439df919/JM0178_250320_GR_JoyceMcDonald13500.jpg</image:loc>
      <image:title>Home - Salvation and Care in Clay&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Reverend Joyce McDonald (1951). Oh Lord..., 2002. Spray paint, Mod Podge, fabric, and graphite on air-dry clay. 6 × 8 × 5 inches. Courtesy of the artist, Gordon Robichaux, New York, and Maureen Paley, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c2c19c1-b791-43f5-bef0-9f22bb083a64/Reverend+Joyce+McDonald_Queen+Detox_1998_Courtesy+of+the+artist%2C+Gordon+Robichaux%2C+New+York%2C+and+Maureen+Paley%2C+LondonJM0185_250320_GR_JoyceMcDonald12707.jpg</image:loc>
      <image:title>Home - Salvation and Care in Clay&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Reverend Joyce McDonald (1951). Queen Detox, 1998. Acrylic and fabric on air-dry clay, 9 × 13 × 6 inches. Courtesy of the artist, Gordon Robichaux, New York, and Maureen Paley, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reflections-on-proximity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13660130-c157-4438-9823-b8cb5b696952/Leslie+Hewitt+Achromatic+Scales-007.jpg</image:loc>
      <image:title>Home - Reflections on Proximity - Make it stand out</image:title>
      <image:caption>Installation view of Leslie Hewitt: Achromatic Scales, 2025–26. Image courtesy of the artist and the Norton Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6d8749a6-7602-475f-a8ba-66a49092c841/Screenshot+2025-11-23+at+2.55.21%E2%80%AFPM.png</image:loc>
      <image:title>Home - Reflections on Proximity - Make it stand out</image:title>
      <image:caption>Leslie Hewitt, In Collaboration with Jamal Cyrus, Rhombus or Humming Song (I-IV-V), 2025. Bronze, White Oak, 33 × 33 × 7.6 cm, 13 × 13 × 3 inches, unique. Image courtesy of the artist and Perrotin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/caa3c074-f764-4407-9c84-e7e61d0c6f05/LH_Riffs+on+Real+Time+%286+of+10%29%2C+2012+%E2%80%93+2017.jpeg</image:loc>
      <image:title>Home - Reflections on Proximity - Make it stand out</image:title>
      <image:caption>Leslie Hewitt, Riffs on Real Time (6 of 10), 2012–2017. Silver gelatin print, edition 2 of 5, 30 ¾ x 37 ¾ in. (78.1 x 78.1 cm). Courtesy of the artist and Perrotin. Photo: Guillaume Ziccarell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/30e73ed1-f6d6-480d-ae36-02b5cda8bb57/Screenshot+2025-11-23+at+3.01.43%E2%80%AFPM.png</image:loc>
      <image:title>Home - Reflections on Proximity - Make it stand out</image:title>
      <image:caption>Leslie Hewitt, Birthmark, 2022. Bronze, boulder, 45.7 × 81.3 × 58.4 cm, 18 × 32 × 23 inches, unique. Image courtesy of the artist and Perrotin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3789bba0-2afe-4d40-ae7f-8af45a6a462f/LH_Unique+Capture%2C+2018.jpeg</image:loc>
      <image:title>Home - Reflections on Proximity - Make it stand out</image:title>
      <image:caption>Leslie Hewitt, Unique Capture, 2018. Digital chromogenic prints, unique, 45 x 92 1/16 x 2 1/16 in. (114.3 x 233.7 x 5.1 cm). Courtesy of the artist and Perrotin. Photo: Guillaume Ziccarell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reclaiming-the-fantastic-at-the-studio-museum-in-harlem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/485fbf4c-235b-412b-b6fb-9853796ec3ee/StudioMuseuminHarlem_BuildingImagery_Exterior-3.jpeg</image:loc>
      <image:title>Home - Reclaiming the Fantastic at the Studio Museum in Harlem - Make it stand out</image:title>
      <image:caption>Exterior view of the Studio Museum in Harlem’s new building, 2025, featuring David Hammons, Untitled (African-American Flag), 1990/2004. Courtesy Studio Museum in Harlem. Photo: © Albert Vecerka/Esto.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10764302-a45a-4135-9825-04d5c6195490/2_FromNowACollectioninContext_InstallationView-1.jpg</image:loc>
      <image:title>Home - Reclaiming the Fantastic at the Studio Museum in Harlem - Make it stand out</image:title>
      <image:caption>From Now: A Collection in Context (installation view), 2025. Courtesy Studio Museum in Harlem. Photo: Kris Graves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b5698374-49a9-42f0-b2e0-1e408d3b4249/CamilleNorment_Untitledheliotrope_2025.jpeg</image:loc>
      <image:title>Home - Reclaiming the Fantastic at the Studio Museum in Harlem - Make it stand out</image:title>
      <image:caption>Camille Norment, Untitled (heliotrope), 2025 (installation view). Courtesy Studio Museum in Harlem. Photo: © Albert Vecerka/Esto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c8a11887-7041-4ee0-ae53-f39b29918c8a/RosanaPaulino_Gemeas_2023.jpg</image:loc>
      <image:title>Home - Reclaiming the Fantastic at the Studio Museum in Harlem - Make it stand out</image:title>
      <image:caption>Rosana Paulino, Gêmeas (from the Jatobás series), 2023. Graphite, acrylic, and natural pigment on canvas, each: 84 5/8 × 63 in. Studio Museum in Harlem; Museum purchase with funds provided by The Holly Peterson Foundation TD.017.1. Photo: John Berens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b71a275f-23f4-4692-bf7f-4e3768a0ea4c/StudioMuseuminHarlem_BuildingImagery_EducationWorkshop.jpeg</image:loc>
      <image:title>Home - Reclaiming the Fantastic at the Studio Museum in Harlem - Make it stand out</image:title>
      <image:caption>Christopher Myers, Harlem Is a Myth, 2025 (installation view). Courtesy Studio Museum in Harlem. Photo: © Albert Vecerka/Esto.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/an-antidote-to-art-cynicism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dfd2a332-71d5-4f7b-aed4-7dde58fa23b2/Bread+and+Puppet+in+front+of+the+Big+Top%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>Bread and Puppet in front of the Big Top at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb526597-bb79-46d0-9c23-18c33ea039d4/The+Big+Top%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>The Big Top at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f246ac4d-711d-4b6c-a78a-50c005309aee/Artist+Booths+by+the+Big+Top%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>Artist booths by the Big Top at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/82ff5798-2d17-4e65-bbf0-67c648056fdc/Bread+and+Puppet+mock+presentation%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>Bread and Puppet mock presentation at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5afc8d75-b98c-48e8-919f-555cfadf1b5c/Larry+Krone+and+the+Aerialas%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>Larry Krone and the Aerialas at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c2d6b123-f3c5-46d1-8507-b17a633d040b/Bread+and+Puppet+performance+in+the+Big+Top%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>Bread and Puppet performance in the Big Top at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/df098d6d-efb0-4359-9919-484d2fe6c1b0/Bread+and+Puppet+during+the+Closing+Parade%2C+Photography+by+Nicolas+Poblete%2C+2025_.jpg</image:loc>
      <image:title>Home - An Antidote to Art Cynicism - Make it stand out</image:title>
      <image:caption>Bread and Puppet during the Closing Parade at CIRCUS OF LIFE, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/an-ode-to-waste</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a94dbe9-3dcb-4c29-bb39-123a499aef8f/RSmith_15.jpg</image:loc>
      <image:title>Home - An Ode to Waste - Make it stand out</image:title>
      <image:caption>Rosalie Smith, SH.18 Communication Receiver, 2025. Papasan chair, bar stool, threaded rod, driftwood, back scratcher, rice paddle, Mother of Millions plant, Purple Heart plant, canteen, lab-grown crystals, silver platters, Mallorcan basket, vape, buzzball, artificial palm frond, artificial rose, artificial eucalyptus, matches, chain, pigeon feathers, bread tabs, caster, foam, steering wheel, cables, clothes hanger hook, plastic gua sha, found jaw bone, wax, debris, dust, model-making grass flock, aluminum paint, acrylic paint. Phototography by Kelci Verdon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/49191f77-bb7c-4856-97f5-6ccbb7f9eb03/RSmith_23.jpg</image:loc>
      <image:title>Home - An Ode to Waste - Make it stand out</image:title>
      <image:caption>Rosalie Smith, Aspirational Cleanse, 2025. Nails, vacuum, bike seat, candle stand, wires, remote control, sand, dirt, flocking powder, oil crayon, 33 x 44 x 11 in. Photography by Jordan Rodriguez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a79afc92-5f62-44c0-b1ef-f86016dbb628/RSmith_2.jpg</image:loc>
      <image:title>Home - An Ode to Waste - Make it stand out</image:title>
      <image:caption>Rosalie Smith, Marriage Bed and Breathing Tube Support Station with Herb Garden, 2025. Respirator, granny cart, beach chaise, artificial flowers, game controller, grass flock, debris, wires, tubes, plaster, grow light, herbs, rolling desk caddy. Pegboard, glove, broom, miniature armoire, grates, flock, plaster. Courtesy of the artist, Mindu Mindaugas, and Paula DeMartino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a158c84-a82c-43fb-add2-52a0e9491f11/RSmith_19.jpg</image:loc>
      <image:title>Home - An Ode to Waste - Make it stand out</image:title>
      <image:caption>Rosalie Smith, Rougarou (Mobile Nursing Station), 2024–2025, bike frame, IV stand, rebar, fidget spinner, kickstand, bike pedal, casters, clamp, driftwood, earbud, lightbulb, wires, gum, crab claw, buzzballz, hair bows, shells, artificial rose petals, toy grenade, cigarette, matches, clothespin, artist’s hair, cable, ribbon, zip tie, 9 x 3.5 x 1.5 ft. Photography by Mindu Mindaugas.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a025a03-77c1-46b3-ba8e-25233e772c84/RSmith_21.JPG</image:loc>
      <image:title>Home - An Ode to Waste - Make it stand out</image:title>
      <image:caption>Portrait of Rosalie Smith in her studio. Photography by Marisa Kriangwiwat.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/abbott-stillman-a-view-to-the-far-horizon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4620518e-006a-4ed2-8135-eac894dc8aac/0de63ac8f025b7165ebe7b7ff9fa4ea0.jpeg</image:loc>
      <image:title>Home - Abbott Stillman: A View to the Far Horizon - Make it stand out</image:title>
      <image:caption>Installation view of Abbott Stillman: A View to the Far Horizon. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9e6937ce-2638-4091-ac0b-da3b8425ae7d/1b866c5c3e2db9ed3fef49b39689cee4.jpeg</image:loc>
      <image:title>Home - Abbott Stillman: A View to the Far Horizon - Make it stand out</image:title>
      <image:caption>Abbott Stillman, Adagio, 2024. Engraved brass signature plate, acrylic on canvas. 60 × 60 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed6ed95f-b3f5-4600-8437-d4514f5d9276/8bf34c17b7c5306b582e4063c966dea8.jpeg</image:loc>
      <image:title>Home - Abbott Stillman: A View to the Far Horizon - Make it stand out</image:title>
      <image:caption>Installation view of Abbott Stillman: A View to the Far Horizon. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc514ad9-ea59-4f00-9eaa-5c39cf51a834/98cdf82dcd0a61e90adc031f233cfde6.jpeg</image:loc>
      <image:title>Home - Abbott Stillman: A View to the Far Horizon - Make it stand out</image:title>
      <image:caption>Installation view of Abbott Stillman: A View to the Far Horizon. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sound-as-body-coco-klockner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3430dd55-b200-4fd3-b0d9-c75acaa5f219/SC_CKlockner_Oct25_037.jpg</image:loc>
      <image:title>Home - Sound as Body: Coco Klockner - Make it stand out</image:title>
      <image:caption>In Practice: Coco Klockner, SculptureCenter, New York, 2025, installation view. Courtesy the artist and SculptureCenter, New York. Photo: Charles Benton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aa6ab70b-a644-437b-8280-a55a77154ee8/SC_CKlockner_Oct25_055.jpg</image:loc>
      <image:title>Home - Sound as Body: Coco Klockner - Make it stand out</image:title>
      <image:caption>Coco Klockner, Untitled, 2025. Plastic mouth retractor, wood filler, 935 silver. Dimensions variable. Commissioned by SculptureCenter, New York, 2025. Courtesy the artist. Photo: Charles Benton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/246b5be2-729d-4e95-9f48-6c15de12b77a/SC_CKlockner_Oct25_039.jpg</image:loc>
      <image:title>Home - Sound as Body: Coco Klockner - Make it stand out</image:title>
      <image:caption>Coco Klockner, Null dialogue, 2025, detail. Modified subwoofers, amplifier, construction fill, mild steel, fog machine, jeweler’s wax, cardboard, and motion-triggered stereo audio. 8:24 mins (two movements, 7:20 and 1:04 mins). Dimensions variable. Commissioned by SculptureCenter, New York, 2025. Courtesy the artist. Photo: Charles Benton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-time-it-takes-to-see</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/523f282f-0e0f-4a12-b767-4de05a89396d/5I6A0027-HDR+copy.jpg</image:loc>
      <image:title>Home - Review: “The Time It Takes to See” - Make it stand out</image:title>
      <image:caption>Installation view of The Time It Takes to See, featuring the work of Ye Cheng and Xinran Guan. Courtesy of the artists and LATITUDE Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/170d7bc5-1957-46e7-94c3-7ded8024aec4/fc67c70b56bb4d0300a626fc090efa92j.jpeg</image:loc>
      <image:title>Home - Review: “The Time It Takes to See” - Make it stand out</image:title>
      <image:caption>Ye Cheng, Happy Excursion No. 20, 2025. Acrylic on synthetic silk. 46 × 38 in. Courtesy of the artist and LATITUDE Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/65a2bd4b-d63d-4546-84a5-44aa0a272708/IMG_8462.jpg</image:loc>
      <image:title>Home - Review: “The Time It Takes to See” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b27e1873-36c9-4b77-8cda-cdfd096ee6ae/0344164b7aed0e3a9caad2b84a5b7a55j.jpeg</image:loc>
      <image:title>Home - Review: “The Time It Takes to See” - Make it stand out</image:title>
      <image:caption>Xinran Guan, Dog, 2024. Oil on panel, 10 × 8 in. Courtesy of the artist and LATITUDE Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6adb3d76-a4b0-49da-93c3-84f7c15765fd/5I6A0033-HDR+copy.jpg</image:loc>
      <image:title>Home - Review: “The Time It Takes to See” - Make it stand out</image:title>
      <image:caption>Installation view of The Time It Takes to See, featuring the work of Ye Cheng and Xinran Guan. Courtesy of the artists and LATITUDE Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-november-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7d2ef4a5-a475-4e90-a35e-b72a699623ce/Sisters+Saints+Sibyls_SIO2565.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Nan Goldin, Sisters, Saints, Sibyls (2004–2022). Three-channel video with sculptural elements and ephemera. © Nan Goldin. Courtesy the artist, Kramlich Collection and Pirelli HangarBicocca, Milan. Photo Agostino Osio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/66ba8467-a093-409c-b9d1-69bd801c7376/FJR-Butler-Case-1+%281%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Francisco Javier Ramírez and Edwards Schwartz: Streets Taken, 2025. Image courtesy of the artists and Columbia University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2fd655bc-2f50-492a-81fd-47f4a8cf6bce/MagicGrasshopper-Install-MichaelHullPhoto-9.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Yvette Mayorga, Magic Grasshopper, 2025. Courtesy of the artist and Michael Hull.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75c8c248-ff95-4384-9e97-42ac2aead588/20251016_And+She+Made+the+Moon+a+Light+in+Their+Midst-13.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Bahareh Khoshooee and Naz Orakzay: And She Made the Moon a Light in Their Midst, 2025. Courtesy of the artists and Penumbra Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/29567327-b91a-47ad-811e-08e5783c8de9/B0006261.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>evan ray suzuki, plot hole, 2025. Photography by Nyah Maudrina Raposo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/17501011-d605-4a2e-890a-7420f8d6a3ee/_DSC4360.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Installation image of Ayanna Dozier, Doing it for Daddy, 2024, 16mm film, color, silent, 2 minutes, 50 seconds, Edition 1 of 5 (2 APs), and Nightwalker, 2022, Super 8mm to 16mm film, color, sound, 6 minutes, Edition 2 of 5 (2 APs). Photograph by Aidan McLellan, courtesy of the artist and Microscope Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a325ba11-6d50-4b9f-a0d6-a52273c5678c/Wali.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Konstantina, Wali, 2025. Acrylic on linen, 75.5 cm x 75.5 cm. Image courtesy of the artist and JGM Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3a556a95-ac80-4095-bc5e-f8aac1c8ca1e/IMG_0137.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Cin Cin! A Toast to Living. Foreground: Belle Zhao, Love to Miss You Candelabra (2025). Courtesy of Flowing Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/80a43412-a14c-4e00-9a97-41cf1b0a9fe9/IMG_0279.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Courtesy of GinFuse and Flowing Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/81962c14-b1d8-40a6-a3a4-e68a12880af9/MTN+648+crop+2%2C+2025+%C2%A9+Doug+and+Mike+Starn+%28Courtesy+of+HackelBury%2C+London%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: November 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Doug and Mike Starn: A Tragedy of Infinite Beauty, featuring MTN 648 crop 2, 2025. Acrylic paint on Epson K3 Ultrachrome inkjet print on gelatin hand-coated Zerkall paper, Scotch tape, art size: 129 x 223 cm / 50.8 x 87.8 inches, framed size: 156.2 x 250.2 cm / 61.5 x 98.5 inches. Copyright the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/denise-markonish-on-larry-bell-improvisations-in-the-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3ceeb7df-bedd-4893-b9a7-42473a2ed1b6/Improvisations+in+the+Park_04.png</image:loc>
      <image:title>Home - Denise Markonish on “Improvisations in the Park” - Make it stand out</image:title>
      <image:caption>Installation view of Larry Bell’s Blues from Aspen (2018) in Improvisations in the Park. Courtesy the artist, Hauser &amp; Wirth and Anthony Meier, Mill Valley. Photo: Timothy Schenck</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/563a721b-e985-4ad8-8b83-c7cbbc2f8846/Improvisations+in+the+Park_08.png</image:loc>
      <image:title>Home - Denise Markonish on “Improvisations in the Park” - Make it stand out</image:title>
      <image:caption>Installation view of Larry Bell’s Cantaloupe but Honeydew (2025) in Improvisations in the Park. Courtesy the artist, Hauser &amp; Wirth and Anthony Meier, Mill Valley. Photo: Timothy Schenck</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/031ddf1f-7ddf-42e8-b550-ac1fb413a9dd/Improvisations+in+the+Park_10.png</image:loc>
      <image:title>Home - Denise Markonish on “Improvisations in the Park” - Make it stand out</image:title>
      <image:caption>Installation view of Larry Bell’s Fourth of July in Venice Fog (2018) in Improvisations in the Park. Courtesy the artist, Hauser &amp; Wirth and Anthony Meier, Mill Valley. Photo: Timothy Schenck</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98571da5-0555-4e15-b146-a73c67aa9860/Improvisations+in+the+Park_18.png</image:loc>
      <image:title>Home - Denise Markonish on “Improvisations in the Park” - Make it stand out</image:title>
      <image:caption>Installation view of Larry Bell’s Pacific Red II (2017) in Improvisations in the Park. Courtesy the artist, Hauser &amp; Wirth and Anthony Meier, Mill Valley. Photo: Timothy Schenck</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/39bd1944-9702-4a94-a2bd-8cdfa10235b9/Improvisations+in+the+Park_21.png</image:loc>
      <image:title>Home - Denise Markonish on “Improvisations in the Park” - Make it stand out</image:title>
      <image:caption>Installation view of Larry Bell’s Red Eyes (2025) in Improvisations in the Park. Courtesy the artist, Hauser &amp; Wirth and Anthony Meier, Mill Valley. Photo: Timothy Schenck</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/art-mumbai-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1884f9e6-af2e-456c-94ec-2a8b8e49ccaf/8dc02a7bd560581bee9d728c013d82ce.jpeg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Ganesh Pyne, Untitled, 1995. Pen and ink on paper. 8.25 x 10.25 inches. Courtesy of Sanchit Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/542be38b-4705-4ac9-9406-cc5527a0f6db/HS035-image1.jpg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Hema Shironi, In the Shadow of Broken House (ii), 2025. Appliqué and hand stitch on organza fabric. 40 x 22 inches. Courtesy of Shrine Empire</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84ee53a9-33a8-43e8-aac8-dd6873d7c2ec/1-2.jpg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Vikrant Bhise, Untitled, 2025. Mixed media on canvas. 96 x 72 inches. Courtesy of Experimenter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a59bfa3-75b2-479f-bc8e-c7a325ee103c/3.jpg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Installation view of Tarq’s booth at Art Mumbai. Courtesy of Tarq</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/591a65a9-5ce1-48ce-b36f-800c2a075349/dfcafb00-6deb-4565-a31a-e72429ef7384.JPG</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Installation view of Art and Charlie’s booth at Art Mumbai. Courtesy of Art and Charlie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36d0e17c-077d-4dae-9dd8-0c3ef4d5ba84/AB4118.jpg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Arunima Choudhury, Odd Men of the Jungle, 2025. Eco print with natural colours on rice paper pasted on handmade paper. 30 1/8 x 22 1/2 inches. Courtesy of Emami Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/552b8361-4416-43c1-ae00-057c37be07da/WhatsApp+Image+2025-11-14+at+9.39.54+AM+%281%29.jpeg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Installation view of Method’s booth at Art Mumbai. Courtesy of Method</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13b2d28e-64fd-4cc4-9726-19b5e68454b0/Gouri+Bhanja_Joba+%28Study+and+Composition%29_Tempera+on+card_3.5+x+5.5+inches_1956.jpg</image:loc>
      <image:title>Home - Art Mumbai: A Quick Glance and a Second Look - Make it stand out</image:title>
      <image:caption>Gouri Bhanja, Joba (Study and Composition), 1956. Tempera on card, 3.5 x 5.5 inches. Courtesy of Akar Prakar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/after-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/27080dbb-e3f6-4043-8681-6b7581afa908/8_Repeatedly+failing+to+align+with+light_Camera+Austria_Photo_Markus+Krottendorfer_2025.jpg</image:loc>
      <image:title>Home - After Images - Make it stand out</image:title>
      <image:caption>Installation view, Repeatedly failing to align with light, Camera Austria, Graz, 2025. Photo: Markus Krottendorfer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db107585-3818-46b0-aeea-4e4d58ac11ca/20_Repeatedly+failing+to+align+with+light_Camera+Austria_Photo_Markus+Krottendorfer_2025.jpg</image:loc>
      <image:title>Home - After Images - Make it stand out</image:title>
      <image:caption>Installation view, Repeatedly failing to align with light, Camera Austria, Graz, 2025. Photo: Markus Krottendorfer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cba1ab89-754f-4b25-8c71-00c28cec4f5f/22_Repeatedly+failing+to+align+with+light_Camera+Austria_Photo_Markus+Krottendorfer_2025.jpg</image:loc>
      <image:title>Home - After Images - Make it stand out</image:title>
      <image:caption>Installation view, Repeatedly failing to align with light, Camera Austria, Graz, 2025. Photo: Markus Krottendorfer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f58978a8-b7d9-4c6b-a37d-ee4fca8e724a/17_Repeatedly+failing+to+align+with+light_Camera+Austria_Photo_Markus+Krottendorfer_2025.jpg</image:loc>
      <image:title>Home - After Images - Make it stand out</image:title>
      <image:caption>Installation view, Repeatedly failing to align with light, Camera Austria, Graz, 2025. Photo: Markus Krottendorfer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c34d47a0-d53a-4e75-bd56-4b26ac18d875/29_Repeatedly+failing+to+align+with+light_Camera+Austria_Photo_Markus+Krottendorfer_2025.jpg</image:loc>
      <image:title>Home - After Images - Make it stand out</image:title>
      <image:caption>Installation view, Repeatedly failing to align with light, Camera Austria, Graz, 2025. Photo: Markus Krottendorfer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/40801529-f70f-47ff-9860-4ce7478dc54a/10_Repeatedly+failing+to+align+with+light_Camera+Austria_Photo_Markus+Krottendorfer_2025.jpg</image:loc>
      <image:title>Home - After Images - Make it stand out</image:title>
      <image:caption>Installation view, Repeatedly failing to align with light, Camera Austria, Graz, 2025. Photo: Markus Krottendorfer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/public-art-fund-curator-melanie-kress-on-monira-al-qadiri-first-sun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee6f647e-5437-4fc6-9578-5e0432151761/MoniraAlQadiri-6071v2-scaled.jpg</image:loc>
      <image:title>Home - Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun” - Make it stand out</image:title>
      <image:caption>Monira Al Qadiri, First Sun, 2025. Cast aluminum, steel, automotive paint, patinated brass pedestal. Courtesy of the artist. Photo: Nicholas Knight, courtesy of Public Art Fund, NY. Co-commissioned by Public Art Fund and Lassonde Art Trail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab21893a-bf98-4d91-b4bf-a7ea0e408d0a/MoniraAlQadiri-5704v2-scaled.jpg</image:loc>
      <image:title>Home - Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun” - Make it stand out</image:title>
      <image:caption>Monira Al Qadiri, First Sun, 2025. Cast aluminum, steel, automotive paint, patinated brass pedestal. Courtesy of the artist. Photo: Nicholas Knight, courtesy of Public Art Fund, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ac4e6d1-3168-47ea-a8ae-743ac479cf53/MoniraAlQadiri-5702v2-scaled.jpg</image:loc>
      <image:title>Home - Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun” - Make it stand out</image:title>
      <image:caption>Monira Al Qadiri, First Sun, 2025. Cast aluminum, steel, automotive paint, patinated brass pedestal. Courtesy of the artist. Photo: Nicholas Knight, courtesy of Public Art Fund, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7a64179-93c8-47d5-a680-4fb528b26fd1/MoniraAlQadiri-6173v2-scaled.jpg</image:loc>
      <image:title>Home - Public Art Fund Curator Melanie Kress on Monira Al Qadiri “First Sun” - Make it stand out</image:title>
      <image:caption>Monira Al Qadiri, First Sun, 2025. Cast aluminum, steel, automotive paint, patinated brass pedestal. Courtesy of the artist. Photo: Nicholas Knight, courtesy of Public Art Fund, NY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-charles-moore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2afa930f-5cd5-4b04-acab-b170d5c99b18/3.jpg</image:loc>
      <image:title>Home - Interview with Charles Moore - Make it stand out</image:title>
      <image:caption>Portrait of Charles Moore (2024). Courtesy of the author and The Betsy Hotel South Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6677a4a7-80c1-4a03-a596-d8ca8df08948/2.jpg</image:loc>
      <image:title>Home - Interview with Charles Moore - Make it stand out</image:title>
      <image:caption>24-Hour Interview (2025). Courtesy of the author and Mousse Publishing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ae645033-a76c-40a5-87a1-0a35225dff97/1.jpg</image:loc>
      <image:title>Home - Interview with Charles Moore - Make it stand out</image:title>
      <image:caption>Telvin Wallace, The Spook Who Sat by the Door, II, 2025. Oil and Acrylic on canvas. Courtesy of the artist and Brown University.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/cruising-the-margins-christy-gasts-intimate-materiality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e3053acf-4e67-4ad5-9a6a-3cad1347585e/Library-11.jpeg</image:loc>
      <image:title>Home - Cruising the Margins: Christy Gast’s Intimate Materiality - Make it stand out</image:title>
      <image:caption>Installation view of Christy Gast, Cruising // the stacks, 2025. Courtesy of the artist and Nina Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75454095-3ad5-4cbf-a2fa-0dc711448f33/Library-1.jpg</image:loc>
      <image:title>Home - Cruising the Margins: Christy Gast’s Intimate Materiality - Make it stand out</image:title>
      <image:caption>Installation view of Christy Gast, Cruising // the stacks, 2025, featuring Gloria, 2025, and Cruising, 2025. Courtesy of the artist and Nina Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71545966-a466-4269-a746-e4845ffc482d/Library-9.jpeg</image:loc>
      <image:title>Home - Cruising the Margins: Christy Gast’s Intimate Materiality - Make it stand out</image:title>
      <image:caption>Installation view of Christy Gast, Cruising // the stacks, 2025, featuring Cruising, 2025. Courtesy of the artist and Nina Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32d3d0e7-b65b-4489-9e5b-8b374564f0d8/Library-14.jpeg</image:loc>
      <image:title>Home - Cruising the Margins: Christy Gast’s Intimate Materiality - Make it stand out</image:title>
      <image:caption>Installation view of Christy Gast, Cruising // the stacks, 2025. Courtesy of the artist and Nina Johnson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/506b7c2f-36cd-4651-9f5b-c08d1867d0d5/Library-7.jpeg</image:loc>
      <image:title>Home - Cruising the Margins: Christy Gast’s Intimate Materiality - Make it stand out</image:title>
      <image:caption>Installation view of Christy Gast, Cruising // the stacks, 2025. Courtesy of the artist and Nina Johnson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-conversation-with-lucia-reissig</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e97b740c-3289-4f36-9ab1-5d234c139565/GLOSSARY_INSTALLATION+VIEW+_+COURTESY+OF+MIMO%2C+PH+LUIS+CORZO.jpg</image:loc>
      <image:title>Home - In Conversation with Lucía Reissig&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucía Reissig, Hero, 2025, Fiberglass, epoxy resin, 57x21x23 in.COURTESY OF MIMO, PH LUIS CORZO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e11841d2-f84b-40a5-843d-9d73a213a6d8/5_Lucia+Reissig%2C+Glossary%2C+2025.+Work+in+progress.+Courtesy_+Mimo%2C+New+York_+PH+Luis+Corzo_.jpg</image:loc>
      <image:title>Home - In Conversation with Lucía Reissig&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucia Reissig, Glossary, 2025. Work in progress. Courtesy: Mimo, New York, photography by Luis Corzo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb58afbc-0b3e-4b80-a6b9-d1112b46152a/1_Lucia+Reissig%2C+287%2C5+kilos%2C+2023.+Solo+show+at+Mo%CC%81vil%2C+CheLA%2C+Buenos+Aires.+Installation+view.+Courtesy_+Hache+Gallery%2C+Buenos+Aires_+PH%2C+Ignacio+Iasparra..jpg</image:loc>
      <image:title>Home - In Conversation with Lucía Reissig&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucia Reissig, 287,5 kilos, 2023. Solo show at Móvil, CheLA, Buenos Aires. Installation view. Courtesy: Hache Gallery, Buenos Aires, photography by Ignacio Iasparra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5cb94465-273d-46c3-92c4-3b7b2c5bdb02/3_Lucia+Reissig%2C+Maples%2C+2023%2C+2024.+Epoxy+Resin%2C+Papercrete%2C+and+Egg+Crates%2C+variable+measures.+Courtesy_+Hache+Gallery%2C+Buenos+Aires_+PH%2C+Ignacio+Iasparra_.jpg</image:loc>
      <image:title>Home - In Conversation with Lucía Reissig&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucía Reissig, Maples, 2023, 2024. Epoxy Resin, Papercrete, and Egg Crates, variable measures. Courtesy: Hache Gallery, Buenos Aires, photography by Ignacio Iasparra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/818dba53-a636-4a45-9fd6-fa298009e878/2_Lucia+Reissig%2C+Todo+estaba+sucio+%28everything+was+dirty%29%2C+2022.+5-year+archive+of+rags+used+in+domestic+work%2C+hand-sewn.+300x330cm._118x130in.+Courtesy_+Museo+Municipal+de+Arte+Moderno+de+Mendoza_.jpg</image:loc>
      <image:title>Home - In Conversation with Lucía Reissig&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucía Reissig, 287,5 kilos, 2023. Solo show at Móvil, CheLA, Buenos Aires. Installation view. Courtesy: Hache Gallery, Buenos Aires, photography by Ignacio Iasparra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/929f27cf-9d82-4093-bab8-afd3317f6588/4_Lucia+Reissig%2C+Roscas%2C+2024.+Urethane+resin%2C+epoxy+resin%2C+fiber-glass%2C+aluminum+pole.+Variable+heights%2C+tallest+column+is+8+ft%2C+14+in+diameter.+PH+Estefani%CC%81a+Landesmann_.jpg</image:loc>
      <image:title>Home - In Conversation with Lucía Reissig&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Lucía Reissig, Roscas, 2024. Urethane resin, epoxy resin, fiber-glass, aluminum pole. Variable heights, tallest column is 8 ft, 14 in diameter. Photography by Estefanía Landesmann.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/work-without-end-sabriels-consolation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dca24b1c-1daa-4e34-b9b2-beda404194ef/sabrielsconsolation_4.JPG</image:loc>
      <image:title>Home - Work Without End: “Sabriel’s Consolation” - Make it stand out</image:title>
      <image:caption>He Yunchang, Sabriel’s Consolation, July 19, 2025. Image courtesy of the artist He Yunchang and studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e7ef79d8-34e5-42ce-b253-c2443480d168/sabrielsconsolation_2.JPG</image:loc>
      <image:title>Home - Work Without End: “Sabriel’s Consolation” - Make it stand out</image:title>
      <image:caption>He Yunchang, Sabriel’s Consolation, July 19, 2025. Image courtesy of the artist He Yunchang and studio</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/74200a6d-60b4-4eeb-9d37-92405c1f0848/He+Yunchang_6.jpg</image:loc>
      <image:title>Home - Work Without End: “Sabriel’s Consolation” - Make it stand out</image:title>
      <image:caption>He Yunchang, Sabriel’s Consolation, July 19, 2025. Image courtesy of the artist He Yunchang and studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98555b70-b8d8-417e-84aa-adeef63826bd/He+Yunchang_7.jpeg</image:loc>
      <image:title>Home - Work Without End: “Sabriel’s Consolation” - Make it stand out</image:title>
      <image:caption>He Yunchang, Sabriel’s Consolation, July 19, 2025. Image courtesy of the artist He Yunchang and studio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/i-am-still-alive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f86c5dda-7685-4dee-becb-b181dd36cce5/251026+TUR+125+MAIDEN+LN7942.jpg</image:loc>
      <image:title>Home - “I Am Still Alive”—A Tautology of Transmission - Make it stand out</image:title>
      <image:caption>On Kawara, I Am Still Alive. Telegram sent to German curator Dr. Zdenek Felix in 1972. Shown at 125 Maiden Lane. Photo: Significant Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06b992ee-f086-4a94-b13d-caa7c53b8ce9/251026+TUR+125+MAIDEN+LN7861.jpg</image:loc>
      <image:title>Home - “I Am Still Alive”—A Tautology of Transmission - Make it stand out</image:title>
      <image:caption>On Kawara, I Am Still Alive. Installation shots at 125 Maiden Lane. Photo: Significant Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13dbc439-bd94-42c0-aeee-de510f2c97b2/251028+TURQUOISE8166.jpg</image:loc>
      <image:title>Home - “I Am Still Alive”—A Tautology of Transmission - Make it stand out</image:title>
      <image:caption>On Kawara, I Am Still Alive. Installation shots at Turquoise Gallery. Photo: Significant Images</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/timekeeping-and-shapeshifting-in-clay-in-conversation-with-jasmin-franko</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1823a8b1-8811-472a-8392-2b8beb2cd491/1.+Gene+pool.+Photo_+Malle+madsen.jpg</image:loc>
      <image:title>Home - Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko - Make it stand out</image:title>
      <image:caption>Jasmin Franko, Gene Pool (installation photo), Folk &amp; Lore, group exhibition, Rønnebæksholm, 2025. Photo: Malle Madsen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9929fcfb-bcbf-4012-96fc-5e863246f766/Artist+portrait.+Photo_+Kristian+Emdal.jpg</image:loc>
      <image:title>Home - Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko - Make it stand out</image:title>
      <image:caption>Portrait of the artist. Photo by Kristian Emdal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1f045a3-a44f-4e7c-9b50-1f6e32a2bd64/2.+Amnesia.+Photo_+Malle+Madsen.jpeg</image:loc>
      <image:title>Home - Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko - Make it stand out</image:title>
      <image:caption>Jasmin Franko, Amnesia (installation photo), solo exhibition, Andersen’s Contemporary, Copenhagen, 2022–2023. Photo: Malle Madsen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/737a1283-257e-4257-aa33-8dd7a08c6720/3.+%2B+4.+Alchemical+Heart+%2B+Sower.+Photo+Miu+Mana.jpg</image:loc>
      <image:title>Home - Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko - Make it stand out</image:title>
      <image:caption>To the left: Jasmin Franko, Alchemical Heart, ceramics, metal, omega3 tablets, 210 x 43 x 77 cm. To the right: Jasmin Franko, Sower, ceramics, praying beads, 45 x 155 x 38 cm. Bli Noe Annet (graduation show), group exhibition, Seilduken, Oslo, 2025. Photos: Miu Mana.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f3d90ea-a7dd-438f-aa38-283905026b71/5.+Nectar.+photo_+OleArkh%C3%B8j.jpeg</image:loc>
      <image:title>Home - Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko - Make it stand out</image:title>
      <image:caption>Jasmin Franko, Nectar (installation photo), solo exhibition, Peach Corner, Copenhagen, 2023. Photo: Ole Arkhøj.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9687fbde-f728-46ed-81c3-724262466921/6.+Vapor+Lace.+Photo_+Embla+Moe.jpg</image:loc>
      <image:title>Home - Timekeeping and Shapeshifting in Clay: In Conversation with Jasmin Franko - Make it stand out</image:title>
      <image:caption>Jasmin Franko, Vapor Lace, ceramics, aluminium, glass, bone, plastic, 41 x 178 x 36 cm. In the corner of my eye, group exhibition, RAM Gallery, Oslo, 2025 Photo: Embla Moe.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/art-work-and-the-invisible-at-non-stndrd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e8781607-6665-4808-8476-2d80829af466/1.jpg</image:loc>
      <image:title>Home - Art, Work, and the Invisible at NON STNDRD - Make it stand out</image:title>
      <image:caption>Jeremiah Hulsebos-Spofford and Leticia Pardo, Exhibition View of A Matter of the Invisible, 2025. Image courtesy of the artists and NON STNDRD, and photography by Mikey Mosher Photo.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8bf74a4d-fda7-4c90-9016-24e426db3b4f/3.jpg</image:loc>
      <image:title>Home - Art, Work, and the Invisible at NON STNDRD - Make it stand out</image:title>
      <image:caption>Jeremiah Hulsebos-Spofford, Metabolic Drift, 2025. Safety vests, thread, wood, plastic hardware, screw jacks. Image courtesy of the artist and NON STNDRD, and photography by Mikey Mosher Photo.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5ac823db-b757-4a54-9bb0-19bd9204a777/4.jpg</image:loc>
      <image:title>Home - Art, Work, and the Invisible at NON STNDRD - Make it stand out</image:title>
      <image:caption>Jeremiah Hulsebos-Spofford, Metabolic Drift 4, 2025. Safety vests, thread, zippers, hardware, plastic. Image courtesy of the artist and NON STNDRD, and photography by Mikey Mosher Photo.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ae8950b7-aea6-43ae-8a64-8520af93a8fb/2.jpg</image:loc>
      <image:title>Home - Art, Work, and the Invisible at NON STNDRD - Make it stand out</image:title>
      <image:caption>Leticia Pardo, Palíndromo, Parte II: cuadrilla, 2025. Spikes collected during dérives along railway tracks. Image courtesy of the artist and NON STNDRD, and photography by Mikey Mosher Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f2b6c914-80c0-407f-8f10-d3b023185f3c/5.jpg</image:loc>
      <image:title>Home - Art, Work, and the Invisible at NON STNDRD - Make it stand out</image:title>
      <image:caption>Leticia Pardo, Palíndromo, Parte I: en resistencia al olvido, 2025. Latex and cotton manta registers from abandoned railway tracks built by braceros. Image courtesy of the artist and NON STNDRD, and photography by Mikey Mosher Photo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/performing-at-art-basel-paris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2c934b7f-8c29-4fef-a4dc-c0bb51b622c6/Image_1.jpg</image:loc>
      <image:title>Home - Performing at Art Basel Paris - Make it stand out</image:title>
      <image:caption>Joan Semmel, Through the Object’s Eye, 1975. Oil on canvas. Courtesy of Coco Brooks.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/714304f1-d92d-4607-98c0-d3efc15d7923/Image_2.jpeg</image:loc>
      <image:title>Home - Performing at Art Basel Paris - Make it stand out</image:title>
      <image:caption>Maurizio Cattelan, BEING AN ARTIST IS NOT A JOB, IT’S A MALFUNCTION (2025). 1/3 Editions + 2 APs. Photo by Spencer Klink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc153e7b-f58d-43d7-9b7c-6a30c93aa6dc/Image_3.jpeg</image:loc>
      <image:title>Home - Performing at Art Basel Paris - Make it stand out</image:title>
      <image:caption>Siyi Li, New Energy, 2025. 15 mins 6k cinemascope video with subtitles, edition of 3 + 2 APs. Courtesy of the artist and Cibrián.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/alive-with-ghosts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2457c7f8-3804-490d-8cac-e6613f96827f/250609_THEALDRICH_POTTINGER_002.jpg</image:loc>
      <image:title>Home - Alive With Ghosts - Make it stand out</image:title>
      <image:caption>Installation view of Nickola Pottinger: fos born, 2025. Image courtesy of The Aldrich Contemporary Art Museum and the artist. Photo: Olympia Shannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/083b5ec9-2cb1-4384-97d4-59f292d2c31e/NP_033_004.jpg</image:loc>
      <image:title>Home - Alive With Ghosts - Make it stand out</image:title>
      <image:caption>Nickola Pottinger: Mumma, 2023. Paper pulp, pigments, oil pastel, and teeth, 37 × 12 × 10 in. Courtesy of the artist and Mrs. Maspeth, © Nickola Pottinger. Photo: Olympia Shannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f36431ba-cb69-42f7-872d-3456505a32e6/NP_032_002.jpg</image:loc>
      <image:title>Home - Alive With Ghosts - Make it stand out</image:title>
      <image:caption>Nickola Pottinger, Alvernia prep school, 2023. Paper pulp, yagua, pigments, oil pastel, gold leaf, and paper clips, 59 × 13 × 17½ in. Courtesy of the artist and Mrs. Maspeth, © Nickola Pottinger. Photo: Olympia Shannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41c67589-b04f-4c7a-8e11-3405b4655931/NP_047_02.jpg</image:loc>
      <image:title>Home - Alive With Ghosts - Make it stand out</image:title>
      <image:caption>Nickola Pottinger, Give tanks and praises, 2025. Paper Pulp, Wood, Polyurethane, Hair Clips, Gold Leaf, 44 x 30 x 26 in. Courtesy of the artist and Mrs. Maspeth, © Nickola Pottinger. Photo: Olympia Shannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0cff8714-2996-420c-b605-6319b1e705d0/250609_THEALDRICH_POTTINGER_004.jpg</image:loc>
      <image:title>Home - Alive With Ghosts - Make it stand out</image:title>
      <image:caption>Installation view of Nickola Pottinger: fos born, 2025. Image courtesy of The Aldrich Contemporary Art Museum and the artist. Photo: Olympia Shannon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-october-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9ed44a0-c9da-416f-ad25-03cbecaffe92/2025_07_18+Wschod+33_web.jpg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Adam Shiu-Yang Shaw, Towers, Wood, MDF, XPS Foam, plastic, cardboard, newsprint, tissue paper, wood filler, joint compound, wood glue, primer, polyurethane enamel, aqueous pigments, acrylic varnish, 30 x 39 x 84 cm. Courtesy: © the artist and Wschód; Photo: Bartosz Zalewski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6105ed7e-f0c4-4adb-950b-e7ed7d8c50de/2025_07_18+Wschod+37_web.jpg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Adam Shiu-Yang Shaw, Installation view, Instrument Cluster at Wschód Warsaw, 2025. Courtesy: © the artist and Wschód; Photo: Bartosz Zalewski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21d2b1eb-5957-4ec4-a0d3-6ed9400a976d/AlecShea.jpeg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist. Photo documentation by Alec Shea (@shea.alec).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/29d11f43-bc06-41cd-8939-1eeed31a1bc6/ALEX_SCHMIDT_PAINTINGS_001.jpg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Alex Schmidt, Surveillance in the Playroom, 2023. Oil on canvas after performance, 32 x 44 inches. Photo documentation taken by Logan White (@loganwhitephoto).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2923c614-fa62-40c7-9f57-9210c497b4dc/Esvin_2.jpg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Esvin Alarcón Lam, Memoria del Viento (Memory of the Wind), 2025. Cured and lacquered bamboo. Variable dimensions. Photograph by Cohete Studio, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a9f4b70b-308f-46a4-9e36-e06514ff980b/Esvin_1.jpeg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Esvin Alarcon Lam, Cardamom Drawings (the line), 2021. Performance, Al-Batha, Saudi Arabia. Supported by Misk Art Institute. Photograph by Nada Alturki, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75cda494-0ef0-4223-83cc-d607783c3e49/Benjamin+Langford+Twilight%2C+2024+Oil%2C+acrylic%2C+colored+pencil%2C+graphite%2C+pigment+print%2C+and+waxed+thread+on+canvas+72+x+95.5+in+182.9+x+242.6+cm.+Image+courtesy+of+the+Artist+and+OCHI.+Photo+by+Callum+Stearns..jpg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Benjamin Langford, Twilight, 2024. Oil, acrylic, colored pencil, graphite, pigment print, and waxed thread on canvas, 72 x 95.5 in, 182.9 x 242.6 cm. Image courtesy of the artist and OCHI. Photo by Callum Stearns.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3fd24a98-cb76-494c-a96f-555f0e23bd95/Benjamin+Langford+Weeping+Spruce%2C+2024+Oil%2C+acrylic%2C+and+pigment+print+on+canvas+55.5+x+42+in+141+x+106.7+cm.+Image+courtesy+of+the+Artist+and+OCHI.+Photo+by+Callum+Stearns..jpg</image:loc>
      <image:title>Home - Face to Face: October 2025 - Make it stand out</image:title>
      <image:caption>Benjamin Langford, Weeping Spruce, 2024. Oil, acrylic, and pigment print on canvas, 55.5 x 42 in, 141 x 106.7 cm. Image courtesy of the artist and OCHI. Photo by Callum Stearns.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/regenerative-skin-in-conversation-with-austin-kim-amp-jerome-wang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4629c2f3-42a5-4ec7-86c5-7dc9a9dd2f55/living+skin%2C+2025.jpg</image:loc>
      <image:title>Home - Regenerative Skin: In Conversation with Austin Kim &amp;amp; Jerome Wang - Make it stand out</image:title>
      <image:caption>Austin Kim and Jerome Wang, before moving out of 61 Wyckoff Ave. 16mm still, 2025. Image courtesy of Connor Sen Warnick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7937f91a-5aa3-4840-828a-d73f4a31534d/Sally%2C+Seung-Jun+Lee%2C+Residency.jpeg</image:loc>
      <image:title>Home - Regenerative Skin: In Conversation with Austin Kim &amp;amp; Jerome Wang - Make it stand out</image:title>
      <image:caption>Image courtesy of Living Skin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/33369fb2-51d5-4118-a0cd-bda256913367/Jerome+Wang%2C+WTDTYWYGHBAC%2C+2023.JPG</image:loc>
      <image:title>Home - Regenerative Skin: In Conversation with Austin Kim &amp;amp; Jerome Wang - Make it stand out</image:title>
      <image:caption>Jerome Wang, What they don’t tell you when you get hit by a car. Living Skin opening exhibition, 2023. Image courtesy of Living Skin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be16fbd3-59ab-41a3-bc05-3413cbc65ead/Tapas%2C+2024.jpg</image:loc>
      <image:title>Home - Regenerative Skin: In Conversation with Austin Kim &amp;amp; Jerome Wang - Make it stand out</image:title>
      <image:caption>Tapas: Banquet, Group Exhibition, 2024. Image courtesy of Far Far Studio and Living Skin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6592dc74-5ec7-4592-a4a3-ee4662ae3f44/Nine+Curators.jpg</image:loc>
      <image:title>Home - Regenerative Skin: In Conversation with Austin Kim &amp;amp; Jerome Wang - Make it stand out</image:title>
      <image:caption>Left to right: Seoyoung Kim, Austin Kim, Phillip McClure, and Jordan Segal of Nine. Photo courtesy of HK Jang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75675c7b-5435-4d33-bb56-8650e73b8df9/Group+Shower%2C+Nine%2C+2025.jpg</image:loc>
      <image:title>Home - Regenerative Skin: In Conversation with Austin Kim &amp;amp; Jerome Wang - Make it stand out</image:title>
      <image:caption>Group Shower, 2025. Nine Opening Exhibition. Image courtesy of Far Far Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/7-rue-froissart-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1eed85f7-35b6-40fc-bf42-bbdca6fee52e/DSCF1933.jpg</image:loc>
      <image:title>Home - The Return of Art School Cool: Inside 7 Rue Froissart - Make it stand out</image:title>
      <image:caption>Courtesy of 7 Rue Froissart. Photo: Sean Fader</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb33fcac-a3c9-4f2b-a83e-544867845107/DSCF1929+copy.jpg</image:loc>
      <image:title>Home - The Return of Art School Cool: Inside 7 Rue Froissart - Make it stand out</image:title>
      <image:caption>Courtesy of 7 Rue Froissart. Photo: Sean Fader</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/427cacf2-e66b-4841-9013-d6ca4bd9a96d/DSCF1347.JPG</image:loc>
      <image:title>Home - The Return of Art School Cool: Inside 7 Rue Froissart - Make it stand out</image:title>
      <image:caption>Courtesy of 7 Rue Froissart. Photo: Sean Fader</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/705385fe-2945-4598-a1b4-6928125d3a00/Installation_View_7_rue_Froissart_2025_%C2%A9Nicolas_Brasseur_courtesy_HESSE_FLATOW%281%29.jpg</image:loc>
      <image:title>Home - The Return of Art School Cool: Inside 7 Rue Froissart - Make it stand out</image:title>
      <image:caption>Courtesy of HESSE FLATOW, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f4dae45f-3ebf-477e-9432-887d8338742e/DSCF1353.JPG</image:loc>
      <image:title>Home - The Return of Art School Cool: Inside 7 Rue Froissart - Make it stand out</image:title>
      <image:caption>Courtesy of 7 Rue Froissart. Photo: Sean Fader</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jafar-panahis-cinema-of-mutual-captivity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9acd9b4d-a1d0-4439-9edf-3d63a155c792/Mohamad+Ali+Elyasmehr%2C+Majid+Panahi%2C+and+Hadis+Pakbaten+in+IT+WAS+JUST+AN+ACCIDENT+-+COURTESY+OF+NEON.jpg</image:loc>
      <image:title>Home - Jafar Panahi’s Cinema of Mutual Captivity - Make it stand out</image:title>
      <image:caption>Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident (2025), Courtesy of NEON.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7ddc50a-fba3-4a7c-ad62-d92a6127d217/Afssaneh+Najmabadi%2C+Delmaz+Najafi%2C+and+Ebrahim+Azizi+in+IT+WAS+JUST+AN+ACCIDENT%2C+COURTESY+OF+NEON.jpg</image:loc>
      <image:title>Home - Jafar Panahi’s Cinema of Mutual Captivity - Make it stand out</image:title>
      <image:caption>Afssaneh Najmabadi, Delmaz Najafi, and Ebrahim Azizi in It Was Just an Accident (2025), Courtesy of NEON.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9e3e70d-28ad-4abf-b0b8-51e2d3c30d1a/Vahid+Mobasseri+in+IT+WAS+JUST+AN+ACCIDENT%2C+COURTESY+OF+NEON.jpg</image:loc>
      <image:title>Home - Jafar Panahi’s Cinema of Mutual Captivity - Make it stand out</image:title>
      <image:caption>Vahid Mobasseri in It Was Just an Accident (2025), Courtesy of NEON.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/opaque-intimacies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9355f19-8f25-464b-97c1-05f9eedb2da8/Image+1.jpg</image:loc>
      <image:title>Home - Opaque Intimacies - Make it stand out</image:title>
      <image:caption>Anna de Castro Barbosa, installation view of All that you touch, you Change. All that you Change, Changes you, 2025. Courtesy of the artist and THIRD BORN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0e21efe3-62f4-46bc-8804-b449d76a8380/Image+3.jpg</image:loc>
      <image:title>Home - Opaque Intimacies - Make it stand out</image:title>
      <image:caption>Anna de Castro Barbosa, Regressive touch II, 2025. Stainless steel, silicone, 4.33 x 7.17 x 1.42 inches. Courtesy of the artist and THIRD BORN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b250fe22-b2cf-40a6-9651-504fd84935ab/Image+2.jpg</image:loc>
      <image:title>Home - Opaque Intimacies - Make it stand out</image:title>
      <image:caption>Anna de Castro Barbosa, Étude pour un opéra de sourdes, 2025. Silicone, laying eggs, tights. 5.43 x 4.17 x 2.52 inches. Courtesy of the artist and THIRD BORN.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/fracture-aesthetic-at-frieze-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23a590fe-77ad-4052-b9ac-0bb5121e85f1/OMR+install+shot.jpg</image:loc>
      <image:title>Home - Fracture Aesthetic at Frieze Week - Make it stand out</image:title>
      <image:caption>OMR booth at Frieze London, October 15–19, The Regent’s Park. Photo by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e5c329e8-bd0f-4272-8bac-9e8c6da39e0c/Pia+Camil.jpg</image:loc>
      <image:title>Home - Fracture Aesthetic at Frieze Week - Make it stand out</image:title>
      <image:caption>Pia Camil, from the BRAGUETA XL series, against Alberto Perera wallpaper at OMR’s booth, Frieze London, October 15–19, The Regent’s Park. Photo by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ea41050c-a6b3-4d75-b165-db936fa92dbf/Artwin+Gallery+Install+shot.jpg</image:loc>
      <image:title>Home - Fracture Aesthetic at Frieze Week - Make it stand out</image:title>
      <image:caption>To everything spurn, spurn, spurn, Artwin Gallery, on view at Frieze No.9 Cork Street, October 10–25, 2025. Photo by author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/95bedc26-2a82-439e-b345-906848e25b18/Screenshot+2025-10-28+at+2.42.32%E2%80%AFPM.png</image:loc>
      <image:title>Home - Fracture Aesthetic at Frieze Week - Make it stand out</image:title>
      <image:caption>Nuriia Nurgalieva, Come into My Bedroom, 2024. Watercolor on stretched canvas, 100 × 150 cm. Copyright the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bacff2ed-6762-42ac-8629-07acd1f16ac2/Jodie+Carey_Earthen+Two.jpg</image:loc>
      <image:title>Home - Fracture Aesthetic at Frieze Week - Make it stand out</image:title>
      <image:caption>Detail of Jodie Carey, Earthen, on view at Artist’s Garden. Photo by the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/art-as-place-chiharu-shiotas-two-home-countries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fed30b4b-f8f8-435e-8a84-58c43d8682be/2010_Wall_video+still_1.jpg</image:loc>
      <image:title>Home - Art as Place: Chiharu Shiota’s “Two Home Countries” - Make it stand out</image:title>
      <image:caption>Chiharu Shiota, still from Wall, 2010. Performance Video: tube, red liquid. Courtesy of ARS, New York, 2025, and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc5d8530-2db9-4b5d-a07f-ca7dacf61631/JS-20250618_1646.jpeg</image:loc>
      <image:title>Home - Art as Place: Chiharu Shiota’s “Two Home Countries” - Make it stand out</image:title>
      <image:caption>Chiharu Shiota, Diary, 2025. Mixed media. Courtesy of Go Sugimoto and Japan Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d4c4916-f704-417e-b4ee-de7cd9b9bab5/JS-20250618_1507.jpeg</image:loc>
      <image:title>Home - Art as Place: Chiharu Shiota’s “Two Home Countries” - Make it stand out</image:title>
      <image:caption>Chiharu Shiota, Two Home Countries, 2025. Metal frame, wire, rope, beads. Courtesy of Go Sugimoto and Japan Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/79102edf-c7b4-43bb-97c3-43f62d09e436/JS-20250915_907.jpeg</image:loc>
      <image:title>Home - Art as Place: Chiharu Shiota’s “Two Home Countries” - Make it stand out</image:title>
      <image:caption>Chiharu Shiota, Beyond my Body, 2025. Leather, bronze. Courtesy of Go Sugimoto and Japan Society.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/kids-dont-run-around-the-patio-it-will-seem-bigger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fe9b686f-9b09-4fcd-ad26-566cb7466749/2025_03_EstherGaton_Affiliate_19_HD.jpg</image:loc>
      <image:title>Home - Kids, don't run around the patio. It will seem bigger. - Make it stand out</image:title>
      <image:caption>Courtesy of AFFILIATE WIELS and Esther Gatón. Photo by Fabrice Schneider</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06477efd-c9f8-4cd1-bd6b-c4baa83dc634/2025_03_EstherGaton_Affiliate_16_HD.jpg</image:loc>
      <image:title>Home - Kids, don't run around the patio. It will seem bigger. - Make it stand out</image:title>
      <image:caption>Courtesy of AFFILIATE WIELS and Esther Gatón. Photo by Fabrice Schneider</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ceb4a3f3-d7c8-4cb0-94dd-03a32aa44a30/2025_03_EstherGaton_Affiliate_14_HD.jpg</image:loc>
      <image:title>Home - Kids, don't run around the patio. It will seem bigger. - Make it stand out</image:title>
      <image:caption>Courtesy of AFFILIATE WIELS and Esther Gatón. Photo by Fabrice Schneider</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8696f44d-629f-422d-9e8d-704fca26d770/2025_03_EstherGaton_Affiliate_7_HD.jpg</image:loc>
      <image:title>Home - Kids, don't run around the patio. It will seem bigger. - Make it stand out</image:title>
      <image:caption>Courtesy of AFFILIATE WIELS and Esther Gatón. Photo by Fabrice Schneider</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tangled-threads-of-work-and-play</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4bc2d1d0-b0d0-4d58-8ef0-6ffe245255af/Obsesion%21_Install.jpg</image:loc>
      <image:title>Home - Tangled Threads of Work and Play - Make it stand out</image:title>
      <image:caption>Installation view showing works by (left to right) Jessica Lagunas, Maria Yolanda Liebana, Justin Favela, and Lina Puerta. Courtesy of the artists and apexart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f0422722-63dc-46f7-81d1-8638e599ebf4/Obsesion%21_Granados_RetdeFrancisco.jpg</image:loc>
      <image:title>Home - Tangled Threads of Work and Play - Make it stand out</image:title>
      <image:caption>Gloria Martinez Granados, Retrato de Francisco, 2025, Cross-stitch on produce bags, 65 x 38 in. Courtesy of the artist and apexart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5fbd3af-e35c-4bdc-989f-fd61f58daa6a/Obsesion%21_Install02.jpg</image:loc>
      <image:title>Home - Tangled Threads of Work and Play - Make it stand out</image:title>
      <image:caption>Installation view showing works by (left to right) Juan Hinojosa, Jessica Lagunas, and the “Collective Weaving + Resource Library.” Courtesy of the artists and apexart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ba068f25-9e8b-405c-9125-f8d933eddf65/Obsesion%21_Puerta_Mother.jpg</image:loc>
      <image:title>Home - Tangled Threads of Work and Play - Make it stand out</image:title>
      <image:caption>Lina Puerta, Moth(er), 2020, Digitally printed fabric of food wrappings; discarded food nets, recycled fabrics; hand-woven, indigenous Misak (Colombian) belt; Peruvian textile and t-shirt previously worn by artist; fake fur, sequined and textured fabrics; shells from necklaces previously worn by artist; crocheted flower made by artist’s late mother, repurposed buttons and googly eyes, 84 x 72 in. Courtesy of the artist and apexart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/622f28d0-eed1-41f2-b202-90b7a7e447b5/Obsesion%21_Paz_Centro_en_Quemas.jpg</image:loc>
      <image:title>Home - Tangled Threads of Work and Play - Make it stand out</image:title>
      <image:caption>Daniela Gomez Paz, Centro en quemas, Red’s center, 2024, Coiled yarn, roving wool, felted wool, found objects, and hand-embroidered cloth, 48 x 43 x 9 in. Courtesy of the artist and apexart.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/amiko-lis-ouroboros-of-motion-and-stillness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2be04099-a86b-4f86-9572-be6212c267c3/Install+View_Nothing+to+do+here+but+Wait_28.jpg</image:loc>
      <image:title>Home - Amiko Li’s Ouroboros of Motion and Stillness - Make it stand out</image:title>
      <image:caption>Amiko Li, Nothing to do but Wait, installation view. Photographed by Amiko Li. Courtesy of the artist and Mandarin Express.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c6ece2bf-246a-4283-90f9-bf71f4457aee/IMG_4501.JPG</image:loc>
      <image:title>Home - Amiko Li’s Ouroboros of Motion and Stillness - Make it stand out</image:title>
      <image:caption>Amiko Li, Penrose Loop #1, 2025. Acrylic paint on SLA Resin, 35 x 38.5 x 29 cm. Installation view, photographed by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2749b2cf-87f1-46ec-8e1c-e52d3179a0e7/Install+View_Nothing+to+do+here+but+Wait_2.jpg</image:loc>
      <image:title>Home - Amiko Li’s Ouroboros of Motion and Stillness - Make it stand out</image:title>
      <image:caption>Amiko Li, Nothing to do but Wait, installation view. Photographed by Amiko Li. Courtesy of the artist and Mandarin Express.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/99db9063-b100-43d1-92e7-6bae23fa2636/Install+View_Nothing+to+do+here+but+Wait_12.jpg</image:loc>
      <image:title>Home - Amiko Li’s Ouroboros of Motion and Stillness - Make it stand out</image:title>
      <image:caption>Amiko Li, Nothing to do but Wait, installation view. Photographed by Amiko Li. Courtesy of the artist and Mandarin Express.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/control-environment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b59d34b-bdad-4121-8c00-a984b796f60c/PSTAFFDZ69SHOW2025_EXTERIOR_V2.jpg</image:loc>
      <image:title>Home - Control Environment - Make it stand out</image:title>
      <image:caption>Installation view, P. Staff: Possessive, David Zwirner, New York, September 18—October 25, 2025. Courtesy David Zwirner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a69caf32-6108-4bc0-9b53-8125131c073f/PSTAFFDZ69SHOW2025_INSTALL_V10.jpg</image:loc>
      <image:title>Home - Control Environment - Make it stand out</image:title>
      <image:caption>Installation view, P. Staff: Possessive, David Zwirner, New York, September 18—October 25, 2025. Courtesy David Zwirner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c7160e2c-2d33-4d92-90f7-e294deda258f/PSTAFFDZ69SHOW2025_INSTALL_V16.jpg</image:loc>
      <image:title>Home - Control Environment - Make it stand out</image:title>
      <image:caption>Installation view, P. Staff: Possessive, David Zwirner, New York, September 18—October 25, 2025. Courtesy David Zwirner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/690c7c29-96d4-4fc9-b535-91514000efe2/PSTAFFDZ69SHOW2025_INSTALL_V19.jpg</image:loc>
      <image:title>Home - Control Environment - Make it stand out</image:title>
      <image:caption>Installation view, P. Staff: Possessive, David Zwirner, New York, September 18—October 25, 2025. Courtesy David Zwirner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/hybrid-mythology-in-conversation-with-rajni-perera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55ecafd2-5229-4b55-a993-05c8c3e0024b/Artist+Portrait.+Image+credit_+Ted+Belton.+Copyright+%26+Courtesy_+Rajni+Perera.jpg</image:loc>
      <image:title>Home - Hybrid Mythology: In Conversation with Rajni Perera - Make it stand out</image:title>
      <image:caption>Artist Portrait. Photi by Ted Belton. Copyright and courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b531d20-9ecd-4b28-ad33-84c73afa8a64/Rajni+Perera%2C+Dark+Matter%2C+2025.+Acrylic+gouache%2C+polymer+clay%2C+polyester+thread%2C+glass+pearls+on+polyester%2C+120+x+84+in.+Copyright+Rajni+Perera+2025.+Courtesy+of+the+artist+and+Rajiv+Menon+Contemporary.+Photo_+Darren+Rigo.jpg</image:loc>
      <image:title>Home - Hybrid Mythology: In Conversation with Rajni Perera - Make it stand out</image:title>
      <image:caption>Rajni Perera, Dark Matter, 2025. Acrylic gouache, polymer clay, polyester thread, glass pearls on polyester, 120 x 84 in. Copyright Rajni Perera 2025. Courtesy of the artist and Rajiv Menon Contemporary. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/107599cd-a3ce-4d5c-bedf-32dc139a0373/Rajni+Perera%2C+Durian%2C+2025.+Acrylic+gouache+on+polyester%2C+84+x+60+in.+Copyright+Rajni+Perera+2025.+Courtesy+of+the+artist+and+Rajiv+Menon+Contemporary.+Photo_+Darren+Rigo.jpg</image:loc>
      <image:title>Home - Hybrid Mythology: In Conversation with Rajni Perera - Make it stand out</image:title>
      <image:caption>Rajni Perera, Durian, 2025. Acrylic gouache on polyester, 84 x 60 in. Copyright Rajni Perera 2025. Courtesy of the artist and Rajiv Menon Contemporary. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21d169e5-0818-42f4-b49f-efd3802ab271/Rajni+Perera%2C+Be+Prepared%2C+2025.+Acrylic+gouache+on+polyester%2C+84+x+60+in.+Copyright+Rajni+Perera+2025.+Courtesy+of+the+artist+and+Rajiv+Menon+Contemporary.+Photo_+Darren+Rigo.jpg</image:loc>
      <image:title>Home - Hybrid Mythology: In Conversation with Rajni Perera - Make it stand out</image:title>
      <image:caption>Rajni Perera, Be Prepared, 2025. Acrylic gouache on polyester, 84 x 60 in. Copyright Rajni Perera 2025. Courtesy of the artist and Rajiv Menon Contemporary. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54bcdddd-612c-4a7f-b972-8c38efbe53fb/Rajni+Perera%2C+Primitive%2C+2025.+Acrylic+gouache%2C+aluminum%2C+glass%2C+and+semiprecious+stone+beads%2C+mother+of+pearl+beads%2C+and+charcoal+on+polyester%2C+60+x+84+in.+Copyright+Rajni+Perera+2025.+Courtesy+of+the+artist+and+Rajiv+Menon+Contemporary.+P.jpg</image:loc>
      <image:title>Home - Hybrid Mythology: In Conversation with Rajni Perera - Make it stand out</image:title>
      <image:caption>Rajni Perera, Primitive, 2025. Acrylic gouache, aluminum, glass, and semiprecious stone beads, mother of pearl beads, and charcoal on polyester, 60 x 84 in. Copyright Rajni Perera 2025. Courtesy of the artist and Rajiv Menon Contemporary. Photo: Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/82512768-ff09-4f5b-a571-dfc3fc80b9d0/Rajni+Perera%2C+Swampgirly%2C+2025.+Foam+with+steel+armature%2C+coated+with+a+layer+of+polymer+clay+paint%2C+an+additional+layer+of+wax%2C+and+beading%2C+Dimensions+variable.+Copyright+Rajni+Perera+2025.+Courtesy+of+the+artist+and+Rajiv+Menon+Contempor.jpg</image:loc>
      <image:title>Home - Hybrid Mythology: In Conversation with Rajni Perera - Make it stand out</image:title>
      <image:caption>Rajni Perera, Swampgirly, 2025. Foam with steel armature, coated with a layer of polymer clay paint, an additional layer of wax, and beading, Dimensions variable. Copyright Rajni Perera 2025. Courtesy of the artist and Rajiv Menon Contemporary. Photo: Darren Rigo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/next-to-something-wonderful-whiting-tenniss-refuge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36109368-9491-4868-98eb-18242b0b82ff/Tennis_Conservatory_2025.jpg</image:loc>
      <image:title>Home - Next to Something Wonderful: Whiting Tennis’s “Refuge” - Make it stand out</image:title>
      <image:caption>Whiting Tennis, CONSERVATORY, 2025. Acrylic and collage on canvas, 54 x 84 in. Courtesy of Greg Kucera Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18fcac7d-e510-4c4a-abfc-8af09f812a8c/compressed-tinyjpg-Tennis_Life+Force+Object_2025.jpg</image:loc>
      <image:title>Home - Next to Something Wonderful: Whiting Tennis’s “Refuge” - Make it stand out</image:title>
      <image:caption>Whiting Tennis, LIFE FORCE OBJECT, 2025. Cast plaster, 40 x 14 x 14 in. Courtesy of Greg Kucera Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/411662b6-7052-4b8f-a517-070ed8b15dc9/Tennis_King_2025_postcard-1.jpg</image:loc>
      <image:title>Home - Next to Something Wonderful: Whiting Tennis’s “Refuge” - Make it stand out</image:title>
      <image:caption>Whiting Tennis, KING, 2025. Acrylic paint on cardboard, 7 x 4.5 in. Courtesy of Greg Kucera Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7b958415-28b8-4bce-a379-9c45c15a1a11/tennis_hudson_hires.jpg</image:loc>
      <image:title>Home - Next to Something Wonderful: Whiting Tennis’s “Refuge” - Make it stand out</image:title>
      <image:caption>Whiting Tennis, HUDSON, 2023. Acrylic, collage, and oil pastel on canvas, 80 x 60 in. Courtesy of Greg Kucera Gallery and the artist. Photograph by Evan Ling.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-october-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86b119e6-0c57-486f-ada5-81401f6b8afb/Ansichten_1_Etage-51.jpg</image:loc>
      <image:title>Home - Editors’ Selects: October 2025 - Make it stand out</image:title>
      <image:caption>After Nautre Prize 25: Lisa Barnard. You Only Look Once, installation view at C/O Berlin, 2025 © C/O Berlin Foundation, Fenja Cambeis. Studio Replica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d780bdc-e099-4c2c-a80f-a21408f0e7d1/IMG_9910.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: October 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Trees Never End and Houses Never End, Sky High Farm 2025 Biennial. Photo courtesy of Emma Fiona Jones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6791e320-330a-43df-bcaf-0fe05565eea7/Screenshot+2025-10-17+at+4.52.03%E2%80%AFAM.png</image:loc>
      <image:title>Home - Editors’ Selects: October 2025 - Make it stand out</image:title>
      <image:caption>Ehinomen Okoeki, The Borderline 4, 2025. Mixed media on canvas, 24 x 36 in. Image courtesy of the artist and Yenwa Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/74bc786c-ce3c-4d2a-b0a2-705545077575/pic4.png</image:loc>
      <image:title>Home - Editors’ Selects: October 2025 - Make it stand out</image:title>
      <image:caption>Yufeng Zhao, Aligned Waters, 2025. Digital Website (local deployment). Horizon Labeling Tool, 2025. Digital Website (local deployment). Photographer Yufeng Zhao, Courtesy of curator.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54a7a635-a4d7-4419-8932-f6c27d61119f/photo+courtesy+of+the+artist_4.JPG</image:loc>
      <image:title>Home - Editors’ Selects: October 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24edbd1f-96c7-48ac-a7c5-02dcb03b6c75/Spiro+Image+1.jpg</image:loc>
      <image:title>Home - Editors’ Selects: October 2025 - Make it stand out</image:title>
      <image:caption>Installation shot of Yasmin Spiro’s Cornerstone, 2025, at Hyde Park Art Center. Photography by Mikey Mosher.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/huracn-architectures-reveals-fragments-and-resilience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/abe60155-43d2-4358-9de6-d266d4eba63a/Home+Ruins_2019.jpg</image:loc>
      <image:title>Home - “Huracán Architectures” Reveals Fragments and Resilience - Make it stand out</image:title>
      <image:caption>Ruben Natal-San Miguel, Home Ruins, 2019. Kodak Endura Luster Finish Photograph, 16 x 20 inches. Courtesy of the artist and the Hemispheric Institute at New York University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ba992db-f8ca-477e-93de-f8316c63ca5a/Mama_2017.jpg</image:loc>
      <image:title>Home - “Huracán Architectures” Reveals Fragments and Resilience - Make it stand out</image:title>
      <image:caption>Ruben Natal-San Miguel, "Mama" (Beautiful Skin), 2017. Dye Sublimation on Aluminum Mat Finish Photograph, 30 x 30 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b12fb0ba-f1a6-4b51-b9ac-28e5d8841eec/Boat_2019.jpg</image:loc>
      <image:title>Home - “Huracán Architectures” Reveals Fragments and Resilience - Make it stand out</image:title>
      <image:caption>Ruben Natal-San Miguel, Boat, 2019. Kodak Endura Luster Finish Photograph, 16 x 20 inches. Courtesy of the artist and The Hemispheric Institute at New York University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/46dcca38-0263-4d82-ac90-47a58f1cdbbd/Home+Ruins_2017.jpg</image:loc>
      <image:title>Home - “Huracán Architectures” Reveals Fragments and Resilience - Make it stand out</image:title>
      <image:caption>Ruben Natal-San Miguel, Home Ruins, 2017. Kodak Endura Luster Finish Photograph, 16 x 20 inches. Courtesy of the artist and the Hemispheric Institute at New York University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ef2f068c-a92e-4f83-b7e1-9f46441c27d8/Home+Ruins+Pile+Up_2017.jpg</image:loc>
      <image:title>Home - “Huracán Architectures” Reveals Fragments and Resilience - Make it stand out</image:title>
      <image:caption>Ruben Natal-San Miguel, Home Ruins Pile Up, 2017. Kodak Endura Luster Finish Photograph, 16 x 20 inches. Courtesy of the artist and the Hemispheric Institute at New York University.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/echoes-of-subjectivity-in-abstract-and-surrealist-translation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a15493e-e85d-4e29-be77-edacbd9dd15c/Installation+View+-+10.JPG</image:loc>
      <image:title>Home - Echoes of Subjectivity in Abstract and Surrealist Translation - Make it stand out</image:title>
      <image:caption>Luke Agada, To Translate is to Move Across, September 20—November 1, 2025, moniquemeloche. Image courtesy of the artist and Monique Meloche Gallery, Chicago. Photo: Bob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/efe48703-e8d6-4183-a488-de63bf4f20da/Transfiguration+%28MFL%29%2C+2025.JPG</image:loc>
      <image:title>Home - Echoes of Subjectivity in Abstract and Surrealist Translation - Make it stand out</image:title>
      <image:caption>Luke Agada, Transfiguration (MFL), 2025. Charcoal on canvas mounted on panel, 17 1/4 x 40 3/4 in, 43.8 x 103.5 cm. Image courtesy of the artist and Monique Meloche Gallery, Chicago. Photo: Bob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e92c197-2a7a-4687-9191-bacc581a4c43/BC390_1_300.jpg</image:loc>
      <image:title>Home - Echoes of Subjectivity in Abstract and Surrealist Translation - Make it stand out</image:title>
      <image:caption>Bethany Collins, Moby Dick, Vol. 1, 2024–25. Graphite on Somerset paper, 44 x 30 in. | 111.8 x 76.2cm. Framed: 46 ½ x 32 ½ x1 ½ | 118.1 x 82.55 x 3.8cm. Image courtesy of the artist and Patron Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a6b7b8d-229a-43d8-b3f9-12ff19a9af08/BC393_Moby+Dick%2C+Vol.+1_2024_300%284%29.jpeg</image:loc>
      <image:title>Home - Echoes of Subjectivity in Abstract and Surrealist Translation - Make it stand out</image:title>
      <image:caption>Bethany Collins, Moby Dick, Vol. 2, 2024. Somerset paper and blue eraser, 52 x 10 x 10 in. | 132 x 25.4 x 25.4 cm. Image courtesy of the artist and Patron Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97f67207-3aef-4c18-b981-912455035d5b/Compound+Consciousness%2C+2025.JPG</image:loc>
      <image:title>Home - Echoes of Subjectivity in Abstract and Surrealist Translation - Make it stand out</image:title>
      <image:caption>Luke Agada, Compound Consciousness, 2025. Oil on canvas, 84 x 72 in, 213.4 x 182.9 cm. Image courtesy of the artist and Monique Meloche Gallery, Chicago. Photo: Bob.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7779b26c-9f6c-4282-947c-86b4eb9e9cc4/BC396_When+springtime+blooms+appear_2025_300.jpeg</image:loc>
      <image:title>Home - Echoes of Subjectivity in Abstract and Surrealist Translation - Make it stand out</image:title>
      <image:caption>Bethany Collins, When springtime blooms appear, 2025. Wax, pastel, and acrylic on paper, 40 x 60 in. | 101.6 x 152.4 cm. Framed: 44 x 63 ½ x 1 ¾ in. | 111.8 x 161.3 x 4.5 cm. Image courtesy of the artist and Patron Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/windbreak-meditations-on-john-zurier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de51b8cf-952f-48d5-a16b-979650c9e600/JZ24-10_A+History+of+Pink+Dust_John+Zurier.jpg</image:loc>
      <image:title>Home - Windbreak: Meditations on John Zurier - Make it stand out</image:title>
      <image:caption>John Zurier, A History of Pink Dust, 2024. Oil on linen, 78 x 84 in. Courtesy of the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b737957-64a5-4be8-bd47-98fc907cd89d/10.Zurier_Convalescent_2025_oil_on_linen_50x60cm_19.68x.23.62in.jpg</image:loc>
      <image:title>Home - Windbreak: Meditations on John Zurier - Make it stand out</image:title>
      <image:caption>John Zurier, Convalescent, 2025. Oil on linen, 19 3/4 x 23 5/8 in. Courtesy of the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4bca08d2-ac4c-4c13-a6ed-4c49ff0561c5/JZ25-05_May%2C+Morning+Evening_John+Zurier.jpg</image:loc>
      <image:title>Home - Windbreak: Meditations on John Zurier - Make it stand out</image:title>
      <image:caption>John Zurier, May, Morning Evening, 2025. Oil on linen, 21 5/8 x 15 3/4 in. Courtesy of the artist and Peter Blum Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/shared-sand-and-soul-a-walk-through-coxs-bazar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ec3b12d-eb57-4958-a416-474df8b54f1c/NS-4+-+Cr.jpg</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, Sea Beach, 2022. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1333160d-d0d8-4daf-b614-105e960c2c0b/S-15+-+Cr.jpg</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, Sea Beach, 2022. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fcc992a0-ffca-4379-99e6-1ea5e36b7e90/IF_Sea+Beach_04+-+Cr.JPG</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, 2022. Digital photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21b0e0ac-2a46-4c72-bb99-7a9813bb37e1/IF_Sea+Beach_02+-+Cr.JPG</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, 2022. Digital photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09e08519-0fe3-430d-a909-4de42d7d3b36/IF_Sea+Beach_07+-+Cr.JPG</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, 2022. Digital photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/53b320c1-57c5-4a03-a817-2fad464b32e9/IF_Sea+Beach_03+-+Cr.JPG</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, 2022. Digital photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ae53cb8-72e9-413a-b2c3-ee4cd59e92b8/IF_Sea+Beach_01.JPG</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, 2022. Digital photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b5861c25-ed40-4bce-acee-f4873be6b7e1/IF_Sea+Beach_06+-+Cr.JPG</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, 2022. Digital photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ba7ca8e4-8365-4a5d-ab92-82b4f6319ee3/S-6+copy+-+Cr.jpg</image:loc>
      <image:title>Home - Shared Sand and Soul: In Conversation with Ismail Ferdous - Make it stand out</image:title>
      <image:caption>Ismail Ferdous, Sea Beach, 2022. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/raul-de-nieves-wants-you-to-reimagine-the-sacred</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a57d4cf-24a5-4901-9b6d-718159d6e46e/Installation+View_+In+Light+of+Innocence%2C+2025.+Photography+by+Nicolas+Poblete.jpg</image:loc>
      <image:title>Home - Raúl de Nieves Wants You to Reimagine the Sacred - Make it stand out</image:title>
      <image:caption>Installation view of Raùl de Nieves, In Light of Innocence, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3f6e5450-08d9-4fa3-8560-c6d048c0a059/Installation+View_+In+Light+of+Innocence%2C+2025.+Photography+by+Nicolas+Poblete%283%29.jpg</image:loc>
      <image:title>Home - Raúl de Nieves Wants You to Reimagine the Sacred - Make it stand out</image:title>
      <image:caption>Installation view of Raùl de Nieves, In Light of Innocence, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/08a19f97-f61b-4fbc-93b1-9c25a9372df9/Installation+View_+In+Light+of+Innocence%2C+2025.+Photography+by+Nicolas+Poblete%281%29.jpg</image:loc>
      <image:title>Home - Raúl de Nieves Wants You to Reimagine the Sacred - Make it stand out</image:title>
      <image:caption>Installation view of Raùl de Nieves, In Light of Innocence, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3af08d23-b6bf-44b2-a79e-dfc0248633a4/Installation+View_+In+Light+of+Innocence%2C+2025.+Photography+by+Nicolas+Poblete%282%29.jpg</image:loc>
      <image:title>Home - Raúl de Nieves Wants You to Reimagine the Sacred - Make it stand out</image:title>
      <image:caption>Installation view of Raùl de Nieves, In Light of Innocence, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/972b3355-1613-4cc1-a4c3-8513057f0f80/in+light+of+innocence_1.2.1.jpg</image:loc>
      <image:title>Home - Raúl de Nieves Wants You to Reimagine the Sacred - Make it stand out</image:title>
      <image:caption>Installation view of Raùl de Nieves, In Light of Innocence, 2025. Photography by Nicolas Poblete.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-widening-gyroscope-william-kentridges-all-seeing-opera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67ba2308-b569-47ca-a6e7-fc4fa699e16c/Stella+Olivier-175+%282%29.jpg</image:loc>
      <image:title>Home - The Widening Gyroscope: William Kentridge’s All-Seeing Opera - Make it stand out</image:title>
      <image:caption>Still from Waiting for the Sibyl (2025 performance).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6970d5e5-70ce-454b-a036-aa4b439c0eb0/Stella+Olivier-22.jpg</image:loc>
      <image:title>Home - The Widening Gyroscope: William Kentridge’s All-Seeing Opera - Make it stand out</image:title>
      <image:caption>Still from Waiting for the Sibyl (2025 performance).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d9ce510a-8efd-4c15-8774-4827f6af3ef6/Stella+Olivier-98.jpg</image:loc>
      <image:title>Home - The Widening Gyroscope: William Kentridge’s All-Seeing Opera - Make it stand out</image:title>
      <image:caption>Still from Waiting for the Sibyl (2025 performance).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/to-confound-or-excite</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4a8c8797-30ac-4737-a464-969734740a79/Nayland+Blake_Sex+in+the+90s_2025_Matthew+Marks+Gallery_Install_01.jpg</image:loc>
      <image:title>Home - To Confound or Excite? - Make it stand out</image:title>
      <image:caption>Installation view of Nayland Blake: Sex in the 90s, Matthew Marks Gallery, New York, September 11–October 25, 2025. © Nayland Blake, courtesy Matthew Marks Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fe69c9d6-edbd-46e8-8b16-b924cb408e59/Blake_Untitled_1992_Matthew+Marks+Gallery.jpg</image:loc>
      <image:title>Home - To Confound or Excite? - Make it stand out</image:title>
      <image:caption>Nayland Blake, Untitled, 1992. Mixed media, 61 ¼ x 44 in. © Nayland Blake, courtesy Matthew Marks Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41f1aa4e-c4dc-4d31-9340-9fe53c69d005/Inside+Curated+by+Nayland+Blake_2025_Matthew+Marks+Gallery_Install_06.jpg</image:loc>
      <image:title>Home - To Confound or Excite? - Make it stand out</image:title>
      <image:caption>Installation view of Inside, curated by Nayland Blake, Matthew Marks Gallery, New York, September 11–October 25, 2025. © Nayland Blake, courtesy Matthew Marks Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3bba6de0-408a-47fa-9171-4cb0fc28b64e/Nayland+Blake_Session_2025_Matthew+Marks+Gallery_Install_04.jpg</image:loc>
      <image:title>Home - To Confound or Excite? - Make it stand out</image:title>
      <image:caption>Installation view of Nayland Blake: Session, Matthew Marks Gallery, New York, September 11–October 25, 2025. © Nayland Blake, courtesy Matthew Marks Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8f133872-3bb7-4f1b-8d15-bf765dca8ca2/Blake_Charm+1_2025_Detail_01_Matthew+Marks+Gallery.jpg</image:loc>
      <image:title>Home - To Confound or Excite? - Make it stand out</image:title>
      <image:caption>Detail shot of Nayland Blake: Session, Matthew Marks Gallery, New York, September 11–October 25, 2025. © Nayland Blake, courtesy Matthew Marks Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-back-homeecce-mole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a79586f5-303b-408a-b5ad-fcf725885787/Back+Home+%2B+Ecce+Mole.jpeg</image:loc>
      <image:title>Home - Review: “Back Home”/”Ecce Mole” - Make it stand out</image:title>
      <image:caption>Still from Back Home (2025), dir. Tsai Ming-liang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1126013f-4710-4a7d-a261-95d4833ae271/Back+Home+%E2%80%94+Tsai+Ming-liang+%5BVenice+%2725+Review%5D+_+In+Review+Online.jpeg</image:loc>
      <image:title>Home - Review: “Back Home”/”Ecce Mole” - Make it stand out</image:title>
      <image:caption>Still from Back Home (2025), dir. Tsai Ming-liang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9763ab3a-edd0-4d20-893c-5aede580f3ae/Back+Home+%2B+Ecce+Mole+%281%29.jpeg</image:loc>
      <image:title>Home - Review: “Back Home”/”Ecce Mole” - Make it stand out</image:title>
      <image:caption>Still from Ecce Mole (2025), dir. Heinz Emigholz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb70e47e-b55f-4c2b-98ba-9cb3cb99d179/Ecce+Mole+Regie_+Heinz+Emigholz+_+Filmgalerie+451.jpeg</image:loc>
      <image:title>Home - Review: “Back Home”/”Ecce Mole” - Make it stand out</image:title>
      <image:caption>Still from Ecce Mole (2025), dir. Heinz Emigholz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d55846fe-0d3e-487b-b961-5d48e3dbf5c5/Back-Home_NYFF63_04.jpeg</image:loc>
      <image:title>Home - Review: “Back Home”/”Ecce Mole” - Make it stand out</image:title>
      <image:caption>Still from Back Home (2025), dir. Tsai Ming-liang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-organization-and-collaboration-at-eva</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/40fb2524-fe96-4c75-8eb7-62ad911839a0/Ruth+Clinton+and+Niamh+Moriarty+indirect+fire+Presented+as+part+of+A+Disentailing+Deed%2C+2025.Installation+view+of+41st+edition+of+EVA+International+2025%2C+Limerick.+Image+courtesy+of+the+artist+and+EVA+International.jpeg</image:loc>
      <image:title>Home - On Organization and Collaboration at EVA - Make it stand out</image:title>
      <image:caption>Ruth Clinton and Niamh Moriarty, indirect fire, presented as part of A Disentailing Deed, 2025. Installation view of the 41st edition of EVA International 2025, Limerick. Image courtesy of the artist and EVA International.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be793084-dfc4-4f17-89d3-d4ac56fc808b/Ciara%CC%81n+O%CC%81+Dochartaigh%2C+Triploid+_+Diploid%2C+2025.+Installation+view+of+41st+edition+of+EVA+International+2025%2C+Limerick.+Image+courtesy+of+the+artist+and+EVA+International.jpeg</image:loc>
      <image:title>Home - On Organization and Collaboration at EVA - Make it stand out</image:title>
      <image:caption>Ciarán Ó Dochartaigh, Triploid / Diploid, 2025. Installation view of the 41st edition of EVA International 2025, Limerick. Image courtesy of the artist and EVA International.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/92e4ae2f-8ac4-424d-b3b2-5555df043b7a/Naeem+Mohaiemen%2C+A+Missing+Can+of+Film%2C+2025.+IInstallation+view+of+41st+edition+of+EVA+International+2025%2C+Limerick.+Image+courtesy+of+the+artist+and+EVA+International.jpeg</image:loc>
      <image:title>Home - On Organization and Collaboration at EVA - Make it stand out</image:title>
      <image:caption>Naeem Mohaiemen, A Missing Can of Film, 2025. Installation view of the 41st edition of EVA International 2025, Limerick. Image courtesy of the artist and EVA International.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f63d9a1-5006-42e4-9d37-6b14346bee82/Eimear+Walshe+ROMANTIC_IREALND+Installation+view+of+41st+edition+of+EVA+International+2025%2C+Limerick.+Image+courtesy+of+the+artist+and+EVA+International.jpeg</image:loc>
      <image:title>Home - On Organization and Collaboration at EVA - Make it stand out</image:title>
      <image:caption>Eimear Walshe, ROMANTIC IRELAND, 2024. Installation view of the 41st edition of EVA International 2025, Limerick. Image courtesy of the artist and EVA International.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32a64a5b-199d-4bf1-a805-c4dd5a08eaf2/E%CC%81ireann+and+I%2C+Call+Centre+Sound+Structure%2C+2025.+Installation+view+of+41st+edition+of+EVA+International+2025%2C+Limerick.+Image+courtesy+of+the+artist+and+EVA+International.jpeg</image:loc>
      <image:title>Home - On Organization and Collaboration at EVA - Make it stand out</image:title>
      <image:caption>Éireann and I, Call Centre Sound Structure, 2025. Installation view of the 41st edition of EVA International 2025, Limerick. Image courtesy of the artist and EVA International.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aebfdc24-539a-4b24-9038-066cf373d53e/Eoghan+Ryan%2C+Carceral+Jigs%2C+2025Installation+view+of+41st+edition+of+EVA+International+2025%2C+Limerick.+Image+courtesy+of+the+artist+and+EVA+International.jpeg</image:loc>
      <image:title>Home - On Organization and Collaboration at EVA - Make it stand out</image:title>
      <image:caption>Eoghan Ryan, Carceral Jigs, 2025. Installation view of the 41st edition of EVA International 2025, Limerick. Image courtesy of the artist and EVA International.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/an-image-erased-in-conversation-with-ken-gonzales-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c78f279a-b5d4-4057-9d32-cb7b0f61be0a/Image_1-Ken-Gonzales-Day.jpg</image:loc>
      <image:title>Home - An Image Erased: In Conversation with Ken Gonzales-Day - Make it stand out</image:title>
      <image:caption>Ken Gonzales-Day, 1993–1996/2017, from The Bone-Grass Boy: The Secret Banks of the Conejos River, digitally-altered photograph. Courtesy of Ken Gonzales-Day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32fa5ddc-4596-4386-b453-9b935c8eed09/Image_2-Ken-Gonzales-Day.jpg</image:loc>
      <image:title>Home - An Image Erased: In Conversation with Ken Gonzales-Day - Make it stand out</image:title>
      <image:caption>Ken Gonzales-Day, 1993–1996/2017, from The Bone-Grass Boy: The Secret Banks of the Conejos River, digitally-altered photograph. Courtesy of Ken Gonzales-Day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9706be79-9e2f-40bd-a4c1-2b2a35b458fa/Image_3-Ken-Gonzales-Day.jpg</image:loc>
      <image:title>Home - An Image Erased: In Conversation with Ken Gonzales-Day - Make it stand out</image:title>
      <image:caption>Ken Gonzales-Day, Set #4 Erased Lynching Series, 2024. 15 images. Courtesy of Ken Gonzales-Day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3100aca7-3778-4f2d-9ab9-75420d6f947b/Image_4-Ken-Gonzales-Day.jpg</image:loc>
      <image:title>Home - An Image Erased: In Conversation with Ken Gonzales-Day - Make it stand out</image:title>
      <image:caption>no author, n.d., Seven women in men’s suits, gelatin silver print. Collection of Ken Gonzales-Day. Courtesy of Ken Gonzales-Day.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/preslav-kostov-soft-focus-at-tara-downs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/984988ff-c311-4869-a263-05e5b74aafd6/12_Tara+Downs%2C+Soft+Focus%2C+2025.jpg</image:loc>
      <image:title>Home - Preslav Kostov: “Soft Focus” at Tara Downs - Make it stand out</image:title>
      <image:caption>Installation view of Preslav Kostov: Soft Focus (2025). Image courtesy of the artist and Tara Downs Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/48b39de8-c667-4efa-bc7b-2cf8b665948b/Facade.jpeg</image:loc>
      <image:title>Home - Preslav Kostov: “Soft Focus” at Tara Downs - Make it stand out</image:title>
      <image:caption>Preslav Kostov, Facade, 2025. Oil on canvas, 70 3/4 x 55 in. Image courtesy of the artist and Tara Downs Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10a211d4-9511-4bb6-85fe-7a941bff55b9/Parade+%28Masstige+Paradise%29.jpeg</image:loc>
      <image:title>Home - Preslav Kostov: “Soft Focus” at Tara Downs - Make it stand out</image:title>
      <image:caption>Preslav Kostov, Parade (Massage Paradise), 2025. Oil on canvas, 78 x 90 in. Image courtesy of the artist and Tara Downs Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5c2c322-0025-4d86-896a-119aa3101849/Tara+Downs%2C+Soft+Focus%2C+2025.jpg</image:loc>
      <image:title>Home - Preslav Kostov: “Soft Focus” at Tara Downs - Make it stand out</image:title>
      <image:caption>Installation view of Preslav Kostov: Soft Focus (2025). Image courtesy of the artist and Tara Downs Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/time-to-pretend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/03148f8b-f534-40c9-879c-faa12d06f34c/Visionary+rumor+-+High+res.jpg</image:loc>
      <image:title>Home - Time to Pretend - Make it stand out</image:title>
      <image:caption>Chloe Wise, Visionary rumor, 2025. Oil on linen, 182.9 x 153 x 3.8 cm (72 ¼ x 60 ¼ x 1 1/2 in.). © Chloe Wise—Courtesy of the Artist and Almine Rech. Photo by Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed99e9c6-22f1-4c93-a3ac-e032db50f725/Numinous+communion+-+High+res.jpg</image:loc>
      <image:title>Home - Time to Pretend - Make it stand out</image:title>
      <image:caption>Chloe Wise, Numinous communion, 2025. Oil on linen, 182.9 x 153 x 4.1 cm (72 x 60 1/4 x 1 5/8 in.). © Chloe Wise—Courtesy of the Artist and Almine Rech. Photo by Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b6280a74-b9b2-4ea3-9197-9f7d0c5fab58/Numinous+communion+-+detail.jpg</image:loc>
      <image:title>Home - Time to Pretend - Make it stand out</image:title>
      <image:caption>Chloe Wise, Numinous communion, 2025 (detail). Oil on linen, 182.9 x 153 x 4.1 cm (72 x 60 1/4 x 1 5/8 in.). © Chloe Wise—Courtesy of the Artist and Almine Rech. Photo by Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/849038ee-84ab-4dfb-b181-fecc6656fa49/Screen+memories+-+High+res.jpg</image:loc>
      <image:title>Home - Time to Pretend - Make it stand out</image:title>
      <image:caption>Chloe Wise, Screen memories, 2025. Oil on linen, 61 x 45.7 x 3.5 cm (24 x 18 x 1 3/8 in.). © Chloe Wise—Courtesy of the Artist and Almine Rech. Photo by Dan Bradica.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-fish-that-plays-the-reed-organ</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/658e2ea3-11a9-43f4-8a39-6245128c3bfd/_AGO9496.jpg</image:loc>
      <image:title>Home - The Fish that Plays the Reed Organ - Make it stand out</image:title>
      <image:caption>Exhibition view of Yuko Mohri, Entaglements (2025) at Pirelli HangarBicocca with I/O in the foreground. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo by Agostino Osio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/48d8f9b3-634c-48a5-964b-f98f58b86d74/_AGO9508.jpg</image:loc>
      <image:title>Home - The Fish that Plays the Reed Organ - Make it stand out</image:title>
      <image:caption>Yuko Mohri, Moré Moré (Leaky): Variations (Flow #1, Flow #2, Flow #3), 2018. Wooden frame, mirror, stainless steel hanger, kitchen tools, plastic tube, pump. Wooden frame: 125 x 80 x 9 cm, Variable overall dimensions. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo by Agostino Osio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c4a93c90-fc12-4ed8-8504-07b31f7d6dc6/_AGO9578.jpg</image:loc>
      <image:title>Home - The Fish that Plays the Reed Organ - Make it stand out</image:title>
      <image:caption>Yuko Mohri, Flutter, 2018/2025. Aquarium, Black Moor goldfish, compass needle, copper, acrylic element, wooden table, reed organ, solenoid, sensor, cable, chain, electric thread, spoon, magnet, motor. Variable overall dimensions. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo by Agostino Osio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f5497e0-f5c0-48a4-ba85-bbc7f1b8f97b/_AGO9772.jpg</image:loc>
      <image:title>Home - The Fish that Plays the Reed Organ - Make it stand out</image:title>
      <image:caption>View of Black Moor goldfish in Flutter. Yuko Mohri, Flutter, 2018/2025. Aquarium, Black Moor goldfish, compass needle, copper, acrylic element, wooden table, reed organ, solenoid, sensor, cable, chain, electric thread, spoon, magnet, motor. Variable overall dimensions. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo by Agostino Osio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f72f0452-06d2-4c86-a7ec-54aad576c099/_AGO9647.jpg</image:loc>
      <image:title>Home - The Fish that Plays the Reed Organ - Make it stand out</image:title>
      <image:caption>Feather dusters in I/O. Yuko Mohri, I/O, 2011–ongoing. Wooden structure, paper roll, toilet tissue, sensor, lightbulb, bell-lyra, fan, duster, bird cage, spoon, blind, glass prism, rock, lamp shade, butterfly toy, salt, solar panel, motor, variable overall dimensions. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo by Agostino Osio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/focus-america-at-contemporary-istanbul</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8bfed7a5-ebc6-4b99-ba73-b96c4aef6f42/forma</image:loc>
      <image:title>Home - Focus America at Contemporary Istanbul - Make it stand out</image:title>
      <image:caption>Installation view of Grimanesa Amorós, PASSAGE (2025). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1757341d-30fa-407c-a87d-0135baa1e693/Contemporary+Istanbul+Foundation+Dialogues+featuring+Jean+Cooney%2C+director+of+Times+Square+Arts+%28photo+by+author%29.jpg</image:loc>
      <image:title>Home - Focus America at Contemporary Istanbul - Make it stand out</image:title>
      <image:caption>Contemporary Istanbul Foundation Dialogues. Photo by Matt Hanson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aad1c490-f92d-4277-a4b7-026bda8605fc/Judy+Chicago%2C+What+If+Women+Ruled+The+World+%28detail%29+%282022-ongoing%29+%28photo+by+author%29.jpg</image:loc>
      <image:title>Home - Focus America at Contemporary Istanbul - Make it stand out</image:title>
      <image:caption>Judy Chicago, What If Women Ruled The World (detail) (2022–ongoing). Photo by Matt Hanson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c5ccb647-848c-45d6-908a-89dcf4dada5d/Hwang+Seontae%2C+The+Space+with+Sunshine+III%2C+2024%2C+Tempered+Glass%2C+Sandblast+%26+LED+Backlit%2C+79+x+101+x+4+cm+%2831.1+x+39.8+x+1.6+in%29.jpg</image:loc>
      <image:title>Home - Focus America at Contemporary Istanbul - Make it stand out</image:title>
      <image:caption>Hwang Seontae, The Space with Sunshine III, 2024. Tempered Glass, Sandblast &amp; LED Backlit, 79 x 101 x 4 cm (31.1 x 39.8 x 1.6 in). Photo courtesy of the artist and Pontone Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/material-as-language-in-conversation-with-man-yau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/64c6b1ff-e812-45bb-8781-d03faec44635/1_Man_Yau_Rosie+Wallpaper+02.jpg</image:loc>
      <image:title>Home - Material as Language: In Conversation with Man Yau - Make it stand out</image:title>
      <image:caption>Man Yau, Rosie Wallpaper 02, 2025. Forged steel, mouth-blown glass, porcelain, glaze, pearl thread, silky ribbon. Dimensions vary according to the space. Photography by Antti Sompinmäki, image courtesy by the artist and Tampere Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1f8a575-bbab-425d-a5e2-945e29ff1b32/2_Man_Yau_Rosie+Wallpaper+01.jpg</image:loc>
      <image:title>Home - Material as Language: In Conversation with Man Yau - Make it stand out</image:title>
      <image:caption>Man Yau, Rosie Wallpaper 01 (detail), 2022. Forged steel, glass, cast aluminum, porcelain, silky ribbon. Dimensions vary according to the space (installation view from Kunsthalle Helsinki, 2023). Photography by Patrik Rastenberger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/08888b79-fbd1-49a2-bae8-62e6a124cda5/3_Man_Yau_M.Y.+Chinoiserie.jpg</image:loc>
      <image:title>Home - Material as Language: In Conversation with Man Yau - Make it stand out</image:title>
      <image:caption>Man Yau, M.Y. Chinoiserie, 2021. Ceramics, glaze, ceramic decals (on-glaze), baroque pearls, silky ribbon, blued steel 200 × 160 × 60 cm. (Installation view from Gallery Elverket, 2024). Photography by Ahmed Alalousi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a752e456-3118-4ba2-b26c-876a86b56d4c/4_Man_Yau_Faux+Bone+China%2C+Bow+boots%2C+self-portrait+and+Artemis+%28arrows%29.jpg</image:loc>
      <image:title>Home - Material as Language: In Conversation with Man Yau - Make it stand out</image:title>
      <image:caption>Installation view: Faux Bone China, Bow boots, self-portrait, and Artemis (arrows). (Installation view from WHILE I CAST A SHADOW ALREADY CAST, TIME LEAKS STEADILY OUT OF MY PALM, Pitted Dates, 2025). Photography by Sakari Tervo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/11f073a5-b0bb-45e3-8f16-8200a660b545/5%2B6_Installview_Peep+show+Installation+views.jpg</image:loc>
      <image:title>Home - Material as Language: In Conversation with Man Yau - Make it stand out</image:title>
      <image:caption>Man Yau, Peep show, installation views at Tampere Art Museum. Left: HARDENER 02, 2025. Cast bronze, patina, wax, porcelain, glaze, ceramic decals (on-glaze), towel, 17 × 22 × 33 cm. Right: POLISHER, 2025. Cast bronze, patina, wax, porcelain, glaze, ceramic decals (on-glaze), towel, 15 × 40 × 15 cm. Photography by Patrik Rastenberger, image courtesy of the artist and Tampere Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/00793104-7641-4e2d-8ef3-2abc06d783b3/7%2B8_self-portrait+%28From+the+series+Peep+show%29+%2B+artist+photo.jpg</image:loc>
      <image:title>Home - Material as Language: In Conversation with Man Yau - Make it stand out</image:title>
      <image:caption>Left: Man Yau, Peep show, installation view at Tampere Art Museum: self-portrait, 2025. Porcelain, glaze, ceramic decals (on-glaze), silver, jewelry holder (wood, velvet), 40 × 30 × 20 cm. Photography by Patrik Rastenberger, image courtesy of the artist and Tampere Art Museum. Right: Artist portrait. Photography by Sakari Piippo, image courtesy of the artist and Tampere Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standout-booths-at-split-level</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85152dca-af70-4210-832f-b0b6eaf9bf27/IMG_4464.jpg</image:loc>
      <image:title>Home - Standout Booths at SPLIT LEVEL - Make it stand out</image:title>
      <image:caption>Gitte Maria Möller, Untitled (Charm), 2024. Digital Print on Perspex with mixed media, 12 x 3 1/2 in (30.5 x 8.9 cm). Image courtesy of the artist and Chozick Family Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d62508b1-c690-43c4-bbff-b658be3faf15/IMG_7791.jpg</image:loc>
      <image:title>Home - Standout Booths at SPLIT LEVEL - Make it stand out</image:title>
      <image:caption>Carrie R, moonlit pandiculation, 2024. Wire, aqua-resin, aqua-glass, pigment, oil color 18 × 12 × 14 in. Image courtesy of the artist and Blah Blah Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0202c075-a3b9-4d84-9fbb-715096b00c67/Screenshot+2025-10-03+at+5.51.09%E2%80%AFPM.png</image:loc>
      <image:title>Home - Standout Booths at SPLIT LEVEL - Make it stand out</image:title>
      <image:caption>Madeline Brice, bye bye grief i’ve found the perfect playmate, 2024. Oil on canvas, 36 × 48 × 1.5 in. Image courtesy of the artist and Blah Blah Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9cb3eca5-db76-41ac-ba7a-7a39b2c1e2ee/ALEX+STOLLER_CHRIS_BEESTON_Lamp2FionaTwins_mixedmedia_%242600.jpeg</image:loc>
      <image:title>Home - Standout Booths at SPLIT LEVEL - Make it stand out</image:title>
      <image:caption>Chris Beeston, Lamp 2 (Fiona Twins #1 and #2), 2022. Plastic containers, LEDs, electronic components, steel hardware, drywall anchors, measured individually: 11 × 6 1⁄2 × 6 3⁄4 inches. Image courtesy of the artist and Alex Stoller Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/51d625c2-5e4a-4b39-98a6-1f3205dd2d24/split+level-installation-aerial+landing.jpg</image:loc>
      <image:title>Home - Standout Booths at SPLIT LEVEL - Make it stand out</image:title>
      <image:caption>Resurrect Studio, Aerial Landing, 2024. Antique glassware and resin sculpture, 18 x 21 x 16 in (45.7 x 53.3 x 40.6 cm). Courtesy of the artists and Kelly-McKenna Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/zoe-leonard-display-at-maxwell-graham</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/12276a8b-8009-4076-834e-1534fb00e101/ZL_MG_2025_07.jpg</image:loc>
      <image:title>Home - Zoe Leonard: “Display” at Maxwell Graham - Make it stand out</image:title>
      <image:caption>Installation view of Zoe Leonard, Display (2025). Image courtesy the artist and Maxwell Graham Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ce049286-77f8-431b-9b66-65083d1903b7/ZL3953_01.jpg</image:loc>
      <image:title>Home - Zoe Leonard: “Display” at Maxwell Graham - Make it stand out</image:title>
      <image:caption>Zoe Leonard, Display V, 1991/2025. 2 Gelatin silver prints, overall: 33 ¼ × 46 ½ inches (84.46 × 118.11 cm), each: 33 ¼ × 23 ¼ inches (84.46 × 59.06 cm). Image courtesy the artist and Maxwell Graham Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b845a87d-4083-4bbd-9732-94e04f010976/ZL3960_01.jpg</image:loc>
      <image:title>Home - Zoe Leonard: “Display” at Maxwell Graham - Make it stand out</image:title>
      <image:caption>Zoe Leonard, Display III, 1991/2025. Gelatin silver print, 33 ¼ × 23 ¼ inches (84.46 × 59.06 cm). Image courtesy the artist and Maxwell Graham Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/308c3a6d-16a3-43d5-9e68-b828d187192a/ZL_MG_2025_10.jpg</image:loc>
      <image:title>Home - Zoe Leonard: “Display” at Maxwell Graham - Make it stand out</image:title>
      <image:caption>Installation view of Zoe Leonard, Display (2025). Image courtesy the artist and Maxwell Graham Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lets-circle-back-next-quarter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/81697890-6cfc-41d5-ba5a-19ce49beea3d/Q3_CuratedByProblemChildAdvisory_ADG_72.jpeg</image:loc>
      <image:title>Home - Let’s Circle Back Next Quarter - Make it stand out</image:title>
      <image:caption>Installation view: Q3 curated by ProblemChild Advisory, Alyssa Davis Gallery, 2025. Courtesy of Alyssa Davis Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a7bbbb81-d03b-4975-bc12-d86bd19282cb/installation.png</image:loc>
      <image:title>Home - Let’s Circle Back Next Quarter - Make it stand out</image:title>
      <image:caption>Installation view: Q3 curated by ProblemChild Advisory, Alyssa Davis Gallery, 2025. Courtesy of Alyssa Davis Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b53ef7ce-e944-4d61-aacb-c43296847fab/2+works.png</image:loc>
      <image:title>Home - Let’s Circle Back Next Quarter - Make it stand out</image:title>
      <image:caption>Installation view: Q3 curated by ProblemChild Advisory, Alyssa Davis Gallery, 2025. Left: Nina Hartmann, Orgone Accumulator Diagram, 2024. Resin, Pigment, Acrylic paint, UV print, 19 x 19 x 1 in. Right: Cameron Spratley, Black Figurative Painting, 2025. Acrylic, oil, ashe, ink, Epson Ultrachrome inkjet prints, and cut paper on canvas, 78 x 67 in. Courtesy of the artists and Alyssa Davis Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/edc99ba6-dc11-4121-8cf3-823de87d2234/danka.png</image:loc>
      <image:title>Home - Let’s Circle Back Next Quarter - Make it stand out</image:title>
      <image:caption>Danka Latorre, Trixie Ate Pixie Killed Dixie (Troxler Sister), 2025. Gum bichromate on watercolor paper, duct tape frame, 20 x 16 in. Courtesy of the artist and Alyssa Davis Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8cd88cac-a21f-486c-98e4-43c7f96d7e14/terrified.png</image:loc>
      <image:title>Home - Let’s Circle Back Next Quarter - Make it stand out</image:title>
      <image:caption>Kyle Gallagher, Terrified Victim, 2025. Acrylic on canvas over panel, 16 x 12 in. Courtesy of the artist and Alyssa Davis Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-september-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/45215463-0d20-4e25-8dd9-2670663add93/Partial_Objects_group.jpg</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Zorica Čolić, Partial Objects (unfinished).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a44afff4-cbc6-458d-8897-92916bf8aedc/Zorica_portrait_2.jpg</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fdda1018-01bd-4641-89bf-9e3d4136f236/biraajdodiya%2Biaf%2B24+Large.jpeg</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Biraaj Dodiya, Seal for Separate Skies I, II, and III, 2023–24. Oil paint on linen; oil paint, red oxide primer, and etch primer on galvanized steel; etch primer on mild steel. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/60984229-e7c7-4f98-9206-f2dbc1c1b966/5.jpg</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Installation shot of Shadow Speak at Bureau, New York. 2023. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e932c28-b6b4-48c8-805f-5d6d13417703/Screenshot+2025-09-30+at+5.47.41%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist. Photo: Dan Bradica, Courtesy Petzel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f343719-e5d3-4db1-b15c-9654daaa76d6/AMW+25_xxx37.jpg</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Austin Martin White in his Philadelphia studio, 2025. Photo: Dan Bradica, Courtesy Petzel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d72dddcc-9a4e-4c76-9541-1fed003db91b/Screenshot+2025-10-01+at+10.29.53%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Łukasz Stokłosa, Paris, Palais Galliera (the hat), 2025. Oil on canvas, 19 3⁄4 x 15 3⁄4 in. Courtesy the artist and Rose Easton, London. Photography by Jack Elliot Edwards.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c99c349a-a779-437f-979e-042f963e9bf3/CHSK_2025_+MuiMui.jpg</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Chris Huen Sin-kan, MuiMui, 2025. Oil on canvas, 86 5/8 x 126 inches. Courtesy of Chris Huen Sin Kan and Matt Carey-Williams Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d9430400-c89e-4965-aa23-f9bac1b257ad/Screenshot+2025-09-30+at+6.17.24%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Leila Seyedzadeh, Threads of Longing (miniature model). 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e670d592-5f42-4c8e-9258-275fe1afbe89/Screenshot+2025-10-01+at+2.17.24%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: September 2025 - Make it stand out</image:title>
      <image:caption>Hannah Bang, still from Around Roundy: The Round Things, September 10, 2025. Video and performance.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/cut-flowers-turn-towards-the-midnight-sun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3239b846-ceaa-4145-afad-e54465c89076/Sunflower+and+Palette%2C+2025%2C+Oil+on+canvas%2C+22+x+30+in..jpg</image:loc>
      <image:title>Home - Cut Flowers Turn Towards the Midnight Sun - Make it stand out</image:title>
      <image:caption>Brandi Twilley, Sunflower and Palette, 2025. Oil on canvas, 30 x 22 inches. Courtesy of the artist and Sargent’s Daughters</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db41d4bd-308d-4328-b6a3-9f51306e733a/BrandiTwilley-6251.jpg</image:loc>
      <image:title>Home - Cut Flowers Turn Towards the Midnight Sun - Make it stand out</image:title>
      <image:caption>Brandi Twilley, Two Tulips I, II (left) and White Tulip I, II (right), 2025. Oil on Canvas, 30 x 23 and 30 x 24 inches. Courtesy of the artist and Sargent’s Daughters. Photograph by Nicholas Knight</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1d8679b-41cc-4b58-8eba-c552253f95cb/Black+Tulips+I+and+II%2C+2025%2C+Oil+on+canvas%2C+19+x+24+in.+copy.jpg</image:loc>
      <image:title>Home - Cut Flowers Turn Towards the Midnight Sun - Make it stand out</image:title>
      <image:caption>Brandi Twilley, Black Tulips I and II, 2025. Oil on canvas, 19 x 24 inches. Courtesy of the artist and Sargent’s Daughters</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c412acd7-0813-4670-98b3-1b40492aa65e/BrandiTwilley-6248.jpg</image:loc>
      <image:title>Home - Cut Flowers Turn Towards the Midnight Sun - Make it stand out</image:title>
      <image:caption>Brandi Twilley, Black Tulips III, IV, V, 2025. Oil on canvas, 30 x 24 inches. Courtesy of the artist and Sargent’s Daughters. Photograph by Nicholas Knight</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb8bfd52-9a14-4175-8cfe-728e1ca1db98/Sunflowers+and+Bellflowers%2C+2025%2C+Oil+on+canvas%2C+22+x+30+in.jpg</image:loc>
      <image:title>Home - Cut Flowers Turn Towards the Midnight Sun - Make it stand out</image:title>
      <image:caption>Brandi Twilley, Sunflowers and Bellflowers, 2025. Oil on canvas, 30 x 22 inches. Courtesy of the artist and Sargent’s Daughters</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/earthly-intelligence-in-the-desert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2e381e1e-3393-4f2a-b071-7f3328956162/Image+1.jpg</image:loc>
      <image:title>Home - Earthly Intelligence in the Desert - Make it stand out</image:title>
      <image:caption>Installation view, Eleanor Mahin Thorp, Bend of the Southern Cross at PLATO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b836f5d5-6deb-4fd1-8e68-b142a49eb3ff/Image+2.jpg</image:loc>
      <image:title>Home - Earthly Intelligence in the Desert - Make it stand out</image:title>
      <image:caption>Eleanor Mahin Thorp, Momentum Relations (2025). Oil and stone on panel. 60 x 40 in. Courtesy of the artist and PLATO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a16263e9-b058-40db-a137-8eccdada8b8d/Image+3.jpg</image:loc>
      <image:title>Home - Earthly Intelligence in the Desert - Make it stand out</image:title>
      <image:caption>Eleanor Mahin Thorp, Downswing (2025). Oil and stone on panel. 40 x 30 in. Courtesy of the artist and PLATO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f47cc13f-437d-4643-b722-67efbe36b41a/Image+4.jpg</image:loc>
      <image:title>Home - Earthly Intelligence in the Desert - Make it stand out</image:title>
      <image:caption>Eleanor Mahin Thorp, We Met Before Flamingoes (2024). Oil and stone on panel. 40 x 70 in. Courtesy of the artist and PLATO.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/rene-matics-silhouettes-of-refusal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5121873b-e8ac-4f1d-b4f5-17550e439417/Untitled_%28point_de_vue%29%2C_Nie%CC%81pce_1827_%E2%80%94_HRC_2020_%28cropped%29.jpeg</image:loc>
      <image:title>Home - Rene Matic’s Silhouettes of Refusal - Make it stand out</image:title>
      <image:caption>Nicéphore Niépce, View from the Window at Le Gras, (1826/27). Harry Ransom Center, University of Texas at Austin. Public Domain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28c9671e-72c0-4d03-9eeb-2b5e0dff2ca3/RM_91_Shadow+8%2C+America_1+front.jpg</image:loc>
      <image:title>Home - Rene Matic’s Silhouettes of Refusal - Make it stand out</image:title>
      <image:caption>Rene Matić, Shadow 8, America, 2025. Silkscreen on canvas, 60 7/8 x 41 3/8 in (154.6 x 105.1 cm), unique. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a7519da2-358a-447c-a134-a4950905e6d6/RM_88_Shadow+5%2C+London_1+front.jpg</image:loc>
      <image:title>Home - Rene Matic’s Silhouettes of Refusal - Make it stand out</image:title>
      <image:caption>Rene Matić, Shadow 5, London, 2025. Silkscreen on canvas, 60 7/8 x 41 3/8 in (154.6 x 105.1 cm), unique. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b73cee47-7289-4ed1-bb97-edbe260e5107/RM_92_Shadow+9%2C+America_1+front.jpg</image:loc>
      <image:title>Home - Rene Matic’s Silhouettes of Refusal - Make it stand out</image:title>
      <image:caption>Rene Matić, Shadow 9, America, 2025. Silkscreen on canvas, 60 7/8 x 41 3/8 in (154.6 x 105.1 cm), unique. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/22f30721-15ff-4ae0-9fd5-23f7570426d4/RM+Installation+view+_Baby__8.jpg</image:loc>
      <image:title>Home - Rene Matic’s Silhouettes of Refusal - Make it stand out</image:title>
      <image:caption>Rene Matić, Baby. Installation view, 2025. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/process-as-resistance-in-conversation-with-mona-bozorgi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/842428f0-e3de-4b17-93d1-f6640deb65f0/Mona+Bozorgi%2C+Unbidden%2C+2023%2C+Photography%2C+archival+inkjet+print%2C+dismantled+silk%2C+20+x+20+inches.jpg</image:loc>
      <image:title>Home - Process as Resistance: In Conversation with Mona Bozorgi - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Unbidden, 2023. Photography, archival inkjet print, dismantled silk, 20 x 20 inches, courtesy of the artist and L’Space Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d3237498-dea3-4efc-98be-16b693c56523/Mona+Bozorgi%2C+Non-Lethal%2C+Photography%2C+archival+inkjet+print+on+fabric%2C+dismantled%2C+23+x+23+x+3+in.jpg</image:loc>
      <image:title>Home - Process as Resistance: In Conversation with Mona Bozorgi - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Non-Lethal, 2024. Archival inkjet print on fabric, dismantled, 23 x 23 x 3 in, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/998a068b-db27-4b0e-8d56-8806fa0675e0/Mona+Bozorgi%2C+Monocular+I%2C+2025%2C+Photography%2C+archival+inkjet+print%2C+dismantled+silk%2C+30+x+10+inches.jpg</image:loc>
      <image:title>Home - Process as Resistance: In Conversation with Mona Bozorgi - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Monocular I, 2025. Photography, archival inkjet print, dismantled silk, 30 x 10 inches, courtesy of the artist and L’Space Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c7a22d91-a971-4d20-8b0f-6ac6067090dc/Mona+Bozorgi%2C+Sarv%2C+2025%2C+Photography%2C+archival+inkjet+print%2C+dismantled+silk%2C+28+x+24+inches.jpg</image:loc>
      <image:title>Home - Process as Resistance: In Conversation with Mona Bozorgi - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Sarv, 2025. Photography, archival inkjet print, dismantled silk, 28 x 24 inches, courtesy of the artist and L’Space Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/45dde7b9-dfe9-4c08-ab09-1a0336b68aea/Mona+Bozorgi%2C+Haftsin%2C+2025%2C+Photography%2C+archival+inkjet+print%2C+dismantled+silk%2C+28+x+24+inches.jpg</image:loc>
      <image:title>Home - Process as Resistance: In Conversation with Mona Bozorgi - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Haftsin, 2025. Photography, archival inkjet print on dismantled silk, 28 x 24 inches, courtesy of the artist and L’Space Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sound-and-land-in-torkwase-dysons-akua</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/398de3a1-859f-416b-8107-0b68d6d89e0f/TorkwaseDyson-9146.jpg</image:loc>
      <image:title>Home - Sound and Land in Torkwase Dyson’s “Akua” - Make it stand out</image:title>
      <image:caption>Torkwase Dyson: Akua, 2025. Photo by Nicholas Knight, courtesy Public Art Fund, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4e3375b-4185-4498-9f63-0b2b1fc2e4ae/TorkwaseDyson-858.jpg</image:loc>
      <image:title>Home - Sound and Land in Torkwase Dyson’s “Akua” - Make it stand out</image:title>
      <image:caption>Torkwase Dyson: Akua, 2025. Photo by Nicholas Knight, courtesy Public Art Fund, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb08f389-85ac-475c-93cc-4ae70f04b061/TorkwaseDyson-8783.jpg</image:loc>
      <image:title>Home - Sound and Land in Torkwase Dyson’s “Akua” - Make it stand out</image:title>
      <image:caption>Torkwase Dyson: Akua, 2025. Photo by Nicholas Knight, courtesy Public Art Fund, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18f51269-d9b3-4908-8ecd-24f13c91fc89/TorkwaseDyson-9146.jpg</image:loc>
      <image:title>Home - Sound and Land in Torkwase Dyson’s “Akua” - Make it stand out</image:title>
      <image:caption>Torkwase Dyson: Akua, 2025. Photo by Nicholas Knight, courtesy Public Art Fund, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c935a499-f3a8-49a5-8de7-839ec0b56c05/TorkwaseDyson-9303.jpg</image:loc>
      <image:title>Home - Sound and Land in Torkwase Dyson’s “Akua” - Make it stand out</image:title>
      <image:caption>Torkwase Dyson: Akua, 2025. Photo by Nicholas Knight, courtesy Public Art Fund, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/horse-power-susan-rothenbergs-iterative-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bc0d925a-6c64-458c-80ff-521ad15a7dc1/ROTHE_iv_542_2025+013-hires.jpg</image:loc>
      <image:title>Home - Horse Power: Susan Rothenberg’s Iterative Images - Make it stand out</image:title>
      <image:caption>Installation view, Susan Rothenberg. The Weather at Hauser &amp; Wirth New York, 22nd Street. 4 September–18 October 2025. © 2025 The Estate of Susan Rothenberg / Artists Rights Society (ARS), New York. Courtesy Hauser &amp; Wirth. Photo: Thomas Barratt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/569c4157-fbb9-4c2d-aff6-fb0389cda7d9/ROTHE141171-hires.jpg</image:loc>
      <image:title>Home - Horse Power: Susan Rothenberg’s Iterative Images - Make it stand out</image:title>
      <image:caption>Susan Rothenberg, Mary I, 1974. Acrylic and tempera on canvas, 117.5 x 198.1 x 4.4 cm / 46 1/4 x 78 x 1 3/4 in. Photo: Sarah Muehlbauer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a2a0ed4-af2e-494a-8423-d47ad3cbe30a/ROTHE141178-hires.jpg</image:loc>
      <image:title>Home - Horse Power: Susan Rothenberg’s Iterative Images - Make it stand out</image:title>
      <image:caption>Susan Rothenberg, Dos Equis, 1974. Acrylic and tempera on canvas, 169.9 x 296.2 x 4.1 cm / 66 7/8 x 116 5/8 x 15/8in. Photo: Object Studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/47f2536d-ccde-4604-a938-c69f2ef264d3/ROTHE141181-hires.jpg</image:loc>
      <image:title>Home - Horse Power: Susan Rothenberg’s Iterative Images - Make it stand out</image:title>
      <image:caption>Susan Rothenberg, Foxes on a Hill, 1972. Acrylic on canvas, 134.9 x 197.8 x 4.4 cm / 53 1/8 x 77 7/8 x 1 ¾ in. Photo: Sarah Muehlbauer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9628a664-8157-4698-8fb4-b31b2ddd2a4c/ROTHE141175-hires+.jpg</image:loc>
      <image:title>Home - Horse Power: Susan Rothenberg’s Iterative Images - Make it stand out</image:title>
      <image:caption>Susann Rothenberg, Blue Frontal, 1978. Acrylic, Flashe, and tempera on canvas, 200.7 x 228.6 x 3.2 cm / 79 x 90 x 1 1/4 in. Photo: Object Studies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-city-in-full-chorus-chicago-exhibition-weekend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84144f36-5230-49b5-9c3e-59fec22a4704/image_processing20250918-2-tmaviv.jpg</image:loc>
      <image:title>Home - A City in Full Chorus: Chicago Exhibition Weekend&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Gertie x Chicago Exhibition Weekend, Over My Head: Encounters with Conceptual Art in a Flyover City, 1984–2015. Chicago, 2025. Photo by Bob (Robert Heishman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de8f9026-69d4-403c-9bc9-04fa5a7ead63/image_processing20250918-2-sd2q9w.jpg</image:loc>
      <image:title>Home - A City in Full Chorus: Chicago Exhibition Weekend&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Gertie x Chicago Exhibition Weekend, Over My Head: Encounters with Conceptual Art in a Flyover City, 1984–2015. Chicago, 2025. Photo by Bob (Robert Heishman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ddaf69ce-1516-4460-af42-1a36356114db/Screen+Shot+2025-09-22+at+11.58.35+PM.png</image:loc>
      <image:title>Home - A City in Full Chorus: Chicago Exhibition Weekend&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Sunday Shopping by RJ Juguilon. 11.5 x 15 in. Marker on paper, 2025. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bfc68f95-7ce1-4088-8b98-3c9907712af3/Sayeda+Misa+Sourour+installation+view+of+When+There+is+No+One+Left+to+Sit+at+Co-Prosperity+Sphere+2025_Photo+Nicky+Ni%2C.jpeg</image:loc>
      <image:title>Home - A City in Full Chorus: Chicago Exhibition Weekend&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Sayeda Misa Sourour, installation view of When There is No One Left to Sit at Co-Prosperity Sphere, 2025. Photo by Nicky Ni</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/quan-wenfeis-digital-nostalgia-and-the-internet-of-our-childhood</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/faf70c60-e4d3-4e56-90aa-466d1f79183c/a7732e73c47be95657b0e6f328d42ac7.jpg</image:loc>
      <image:title>Home - Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood - Make it stand out</image:title>
      <image:caption>Installation view of Internet Archaeology, courtesy of Eli Klein Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28dc7b46-0366-4835-9a1c-cb6d2af33f0f/Screenshot+2025-09-16+at+12.47.08%E2%80%AFAM.png</image:loc>
      <image:title>Home - Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood - Make it stand out</image:title>
      <image:caption>Quan Wenfei, Tetris Remix 1, 2023. Acrylic on shaped canvases, wood. 120 x 135cm, courtesy of Eli Klein Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8154309-7ffd-4a5a-a783-ec7657e15f3c/Screenshot+2025-09-16+at+12.43.29%E2%80%AFAM.png</image:loc>
      <image:title>Home - Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood - Make it stand out</image:title>
      <image:caption>Installation view of Internet Archaeology, courtesy of Vinh Phu Pham</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1dfd46b1-17b1-44d4-aaa6-30dad7b9f17c/Screenshot+2025-09-16+at+12.39.50%E2%80%AFAM.png</image:loc>
      <image:title>Home - Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood - Make it stand out</image:title>
      <image:caption>Quan Wenfei, Duodecimal, 2025. Glove, leather, and acrylic. 12 x 22 x 3 cm, courtesy of Vinh Phu Pham</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0cdc6b0b-8994-4fb1-8528-6d9d3343e38a/1b8b6dce43a99e484d10714a2c52ecdc.jpg</image:loc>
      <image:title>Home - Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood - Make it stand out</image:title>
      <image:caption>Quan Wenfei, Click and Win! Peach 1, 2025. Oil and silkscreen on canvas, 114 x 160 cm. Courtesy of Eli Klein Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9def7273-2048-4bff-a4c5-5f1c87e90fb5/Screenshot+2025-09-16+at+12.52.20%E2%80%AFAM.png</image:loc>
      <image:title>Home - Quan Wenfei’s Digital Nostalgia and the Internet of Our Childhood - Make it stand out</image:title>
      <image:caption>Quan Wenfei, CAPTCHA 1, 2025. Drawing on archival digital print. 86 x 102 cm. Courtesy of Eli Klein Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/little-boy-blue-a-review-of-house-of-mcqueen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/787efc13-9062-49da-81cb-f5a73bf41ad4/Luke+Newton+and+Jonina+Thorsteinsdottir.++Photo+by+Thomas+Hodges+%286%29.jpg</image:loc>
      <image:title>Home - Little Boy Blue: A review of “House of McQueen” - Make it stand out</image:title>
      <image:caption>Luke Newton and Jonina Thorsteinsdottir in House of McQueen (2025). Photo by Thomas Hodges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8de74cb7-1e62-433c-b891-d1f7075724e6/Emily+Skinner+and+Luke+Newton.+Photo+by+Thomas+Hodges+%2842%29.jpeg</image:loc>
      <image:title>Home - Little Boy Blue: A review of “House of McQueen” - Make it stand out</image:title>
      <image:caption>Emily Skinner and Luke Newton in House of McQueen (2025). Photo by Thomas Hodges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b600a37-cf79-4ca9-b1fd-83849b58382d/Catherine+LeFrere.+Photo+by+Thomas+Hodges+%283%29.jpeg</image:loc>
      <image:title>Home - Little Boy Blue: A review of “House of McQueen” - Make it stand out</image:title>
      <image:caption>Catherine LeFrere in House of McQueen (2025). Photo by Thomas Hodges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6496238-b6cf-40fe-b15d-ba1ac1985117/Luke+Newton+and+Catherine+LeFrere.++Photo+by+Thomas+Hodges+%2823%29.jpeg</image:loc>
      <image:title>Home - Little Boy Blue: A review of “House of McQueen” - Make it stand out</image:title>
      <image:caption>Luke Newton and Catherine LeFrere in House of McQueen (2025). Photo by Thomas Hodges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/599fbc09-52a6-4259-bbbd-c0e4ba8cec40/Luke+Newton+as+Lee+McQueen.+Photo+by+Thomas+Hodges+%2826%29.jpg</image:loc>
      <image:title>Home - Little Boy Blue: A review of “House of McQueen” - Make it stand out</image:title>
      <image:caption>Luke Newton as Lee McQueen in House of McQueen (2025). Photo by Thomas Hodges.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/to-hell-with-the-gander-interview-with-elbert-joseph-perez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/95632ce0-b1ab-42f2-9c44-cfd6698e1b34/68b9b0299b4c8574fb78cabc_THWTG+install01.jpg</image:loc>
      <image:title>Home - TO HELL WITH THE GANDER: Interview with Elbert Joseph Perez - Make it stand out</image:title>
      <image:caption>Installation view of Elbert Joseph Perez: TO HELL WITH THE GANDER. Courtesy of the artist and Chozick Family Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b6664960-163f-48b9-88b7-78123ac59873/mail+just+piles+up.jpg</image:loc>
      <image:title>Home - TO HELL WITH THE GANDER: Interview with Elbert Joseph Perez - Make it stand out</image:title>
      <image:caption>Elbert Joseph Perez, Mail Just Piles Up, 2025. Oil on canvas, 26 × 32 in. Courtesy of the artist and Chozick Family Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b432c767-63e7-4ffd-82f9-a52d18bfe874/homeland.jpg</image:loc>
      <image:title>Home - TO HELL WITH THE GANDER: Interview with Elbert Joseph Perez - Make it stand out</image:title>
      <image:caption>Elbert Joseph Perez, Homeland Security an Neighborhood Watch (Check Out My Badge), 2025. Oil on canvas. 27 ½ x 36 × 1 ½ in. Courtesy of the artist and Chozick Family Art Gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7208ca5e-5c01-41c6-aa02-f0fe5fcd624c/can+and+able.jpg</image:loc>
      <image:title>Home - TO HELL WITH THE GANDER: Interview with Elbert Joseph Perez - Make it stand out</image:title>
      <image:caption>Elbert Joseph Perez, Can and Able, 2025. Oil on canvas. 37.5 x 27 x 1.5 in. Courtesy of the artist and Chozick Family Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24aa76b1-a88d-416b-9cda-d0c5ff0495fa/still+waiting.jpg</image:loc>
      <image:title>Home - TO HELL WITH THE GANDER: Interview with Elbert Joseph Perez - Make it stand out</image:title>
      <image:caption>Elbert Joseph Perez, Still Waiting on a Reason, 2025. Oil on canvas. 36.5 x 28 x 1.5 in. Courtesy of the artist and Chozick Family Art Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-refusing-the-refuge-of-the-past</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/45bd424a-969e-4832-81a6-1373e6694afe/SmallUrban-1.jpg</image:loc>
      <image:title>Home - On Refusing the Refuge of the Past - Make it stand out</image:title>
      <image:caption>William H. Whyte, The Social Life of Small Urban Spaces (1980). Courtesy of Direct Cinema Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2adc9456-96a8-463f-a076-b59f9c053591/SmallUrban-2.jpg</image:loc>
      <image:title>Home - On Refusing the Refuge of the Past - Make it stand out</image:title>
      <image:caption>William H. Whyte, The Social Life of Small Urban Spaces (1980). Courtesy of Direct Cinema Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/94596361-39c8-4b67-95f8-250f616eede5/SmallUrban-3.jpg</image:loc>
      <image:title>Home - On Refusing the Refuge of the Past - Make it stand out</image:title>
      <image:caption>William H. Whyte, The Social Life of Small Urban Spaces (1980). Courtesy of Direct Cinema Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f3f08854-aa1d-42fd-8ccc-bbf236424540/SmallUrban-4.jpg</image:loc>
      <image:title>Home - On Refusing the Refuge of the Past - Make it stand out</image:title>
      <image:caption>William H. Whyte, The Social Life of Small Urban Spaces (1980). Courtesy of Direct Cinema Ltd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc1d0556-770d-44b0-bcb9-5adb6611b50d/SmallUrban-5.jpg</image:loc>
      <image:title>Home - On Refusing the Refuge of the Past - Make it stand out</image:title>
      <image:caption>William H. Whyte, The Social Life of Small Urban Spaces (1980). Courtesy of Direct Cinema Ltd.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standouts-at-the-affordable-art-fair-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cae7bd71-8f5c-473c-b98c-0eb291b80707/AAF+Spring+2025+2+%281%29.jpg</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of Affordable Art Fair.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8f6a32b-2566-430b-96ea-c92bed2a0565/Copy+of+MG_AAF_03-19-25_032.jpg</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Image courtesy of Affordable Art Fair.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75aa09a4-7459-4d86-b36a-02cd88e0f4de/image-a5b33a6e-1489-4ece-a728-5b0961a5bbcc.png</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Daphne Anastassiou, Trip to the Unconscious—Angel III, 2014. Mixed media on canvas, 41 x 29 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c4f40e7c-d7c7-4532-b70a-ab04ff1f66ab/HarshCollective-OliviaChigas-His-Hands-Around-Her-Waist-After-Weegee-2024-GraphiteandCharcoalonPaper-24x18in-550_7052-S-C+copy.jpg</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Olivia Chigas, His Hands Around Her Waist (After Weegee), 2024. Graphite and charcoal on paper, 24 x 18 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab6a9a62-01c0-46f5-a11e-cdc9c403dd66/pwilliams_refuge%2Band%2Beternity_oil%2Bon%2Bcanvas_101x101cm_%C2%A35000.webp</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Philip Williams, REFUGE &amp; ETERNITY, 2024. Oil on canvas, 100 × 100 × 3 cm. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb2b561a-2e2a-472b-87ba-fecf2d0bb6de/Screenshot+2025-09-19+at+2.43.19%E2%80%AFAM.png</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Madalena Negrone, Untitled, 2025. Oil on canvas, 11.81 x 11.81 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a8b77e9-d619-4d70-9a87-97994dba4b8e/Screenshot+2025-09-19+at+2.47.03%E2%80%AFAM.png</image:loc>
      <image:title>Home - Standouts at the Affordable Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Won-Geun Kim, Cute Boxer, 2025. Epoxy resin, 13.5 × 10 × 86.5 inches. Courtesy of the artist and ART MORA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/trajal-harrell-breaks-the-catwalk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aed5aff9-f0af-42cc-9956-4c6114849096/Monkey+off+My+Back_01.jpeg</image:loc>
      <image:title>Home - Trajal Harrell Breaks the Catwalk - Make it stand out</image:title>
      <image:caption>Perle Palombe in Trajal Harrell’s Monkey Off My Back or The Cat’s Meow, 2025, at Park Avenue Armory. Photo: Stephanie Berger.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84c3c0ee-b970-44b6-9e53-95336b4eb3d0/Monkey+off+My+Back_12.jpeg</image:loc>
      <image:title>Home - Trajal Harrell Breaks the Catwalk - Make it stand out</image:title>
      <image:caption>Trajal Harrell’s Monkey Off My Back or The Cat’s Meow, 2025, at Park Avenue Armory. Photo: Stephanie Berger.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d0e61abd-683f-4c3b-9746-141532bae764/Monkey+off+My+Back_05.jpeg</image:loc>
      <image:title>Home - Trajal Harrell Breaks the Catwalk - Make it stand out</image:title>
      <image:caption>Trajal Harrell’s Monkey Off My Back or The Cat’s Meow, 2025, at Park Avenue Armory. Photo: Stephanie Berger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eebaf5b6-8c4a-43c0-a7da-4357be60b091/Monkey+off+My+Back_04.jpeg</image:loc>
      <image:title>Home - Trajal Harrell Breaks the Catwalk - Make it stand out</image:title>
      <image:caption>Trajal Harrell in Monkey Off My Back or The Cat’s Meow, 2025, at Park Avenue Armory. Photo: Stephanie Berger.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-digital-sensation-and-rotting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3b761800-97d7-4c73-9f88-1f22b0b0e004/Image_1-Art_Tech.png</image:loc>
      <image:title>Home - On Digital Sensation and Rotting - Make it stand out</image:title>
      <image:caption>Still from Dennis Rudolph, Das Portal, 2012–2024. AR app. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/96e77d8e-1c18-44ac-a8f2-0d57a23a2631/Image_2-Art_Tech.jpeg</image:loc>
      <image:title>Home - On Digital Sensation and Rotting - Make it stand out</image:title>
      <image:caption>Zach Blas, Fag Face Mask, 2012, from Facial Weaponization Suite, 2012–2014. Painted, vacuum-formed recycled polyethylene terephthalate. Photo by Spencer Klink.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/hannah-wilkes-enduring-gestures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d73701b5-08f1-42f8-b915-303365720388/Install+shot.jpeg</image:loc>
      <image:title>Home - Hannah Wilke’s Enduring Gestures - Make it stand out</image:title>
      <image:caption>Installation view, Hannah Wilke, Abstract Bodies, Petzel, 2025. Photo by Meg Symanow. All images courtesy of Petzel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2946b098-f900-4228-86e1-7ba6740f5207/Primary+Life.jpeg</image:loc>
      <image:title>Home - Hannah Wilke’s Enduring Gestures - Make it stand out</image:title>
      <image:caption>Hannah Wilke, Primary Life, 1983–1992. Nine painted ceramic folds on painted wooden bases. Installed: 7 x 58 x 58 in. © Donald and Helen Goddard.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/851f6732-e90e-4448-9630-bc8ca162af0d/B.C.+Series.jpeg</image:loc>
      <image:title>Home - Hannah Wilke’s Enduring Gestures - Make it stand out</image:title>
      <image:caption>Hannah Wilke, B.C. Series, February 16, 1987, 1987. Watercolor on Arches paper. Framed: 32 3/8 x 24 in. Unframed: 30 x 22 1/2 in. © Donald and Helen Goddard.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/731724b7-6fc0-46be-b7b3-fdae10571c95/Intra-Venus.jpeg</image:loc>
      <image:title>Home - Hannah Wilke’s Enduring Gestures - Make it stand out</image:title>
      <image:caption>Hannah Wilke, Intra-Venus Face #2, January 21, 1992, 1992. Watercolor on paper. Framed: 17 5/8 x 14 1/4 in. Unframed: 12 1/2 x 9 1/2 in. © Donald and Helen Goddard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-september-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/70f20154-a1c1-4b62-a6fd-e05591f6faa0/1-DSC08695.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Photo by Samantha Palazzi.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f685fb24-44b6-4a1b-8c4b-aed61300a734/Install_1+%281%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Installation of Fraught Imaginaries: Maggie Hazen and the Columbia Collective, August 23rd–October 5th, 2025. Courtesy of Transmitter, NYC. Photo by Carl Gunhouse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/832b01cd-a30b-4a13-a857-f674af85b51b/OHSH_PEDIGREE_INSTALL-SHOT_%C2%A9BJDeakin_Photograpy_1.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Installation view of PEDIGREE. Image courtesy of OHSH Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09df5005-e6ee-410c-8309-2c9989c71b2a/Markov+MANAGEMENT+Photo.jpg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Vladislav Markov, OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR, installation view. Courtesy of the artist and Management, New York. Photography by Inna Svyatsky / installshots.art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/177abfd9-cc4b-46c2-8289-a1706ccc13a7/1_LastArtSchool_Image+%281%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Last Art School. Image by Lindsey White. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e780468f-5f2d-47b3-94e1-536a715a24d7/IMG_6602.JPG</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Andra Ursuța: Retina Turner. Photo by Ciaran Short.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98f31cf1-46f3-40c7-8341-617a9811eb12/2_Jeannie+Rhyu_Impulse.jpg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Jeannie Rhyu, Entanglement (Black-Crowned Night Heron II), 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bbcd16b3-7b72-4f6f-95c1-49234ba08cad/PARK+SEO-BO+X+LG+OLED+TV_05+2.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: September 2025 - Make it stand out</image:title>
      <image:caption>Courtesy of Park Seo-bo Foundation x LG OLED.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/toy-story</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6e8f963c-6848-4fd7-ad84-b1887a035489/IMG_2458.JPG</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Installation view of TOYS! TOYS! TOYS!, 2025. Image courtesy of SPIELZEUG, photography by Sebastián Ore Blas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5771f09e-b7ef-48c8-87d6-ff874c05e264/Mace%2C+2021.jpeg</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Thomas Liu Le Lann, Mace, 2021. Denim, vinyl, cotton, steel, and wadding, 95 in. x 16 in. x 5 in. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/412cb8b9-f16d-4457-ad1f-04c116e588e9/GAMBINO%2C+CHRISTOPHER+_+JUDY.jpg</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Christopher Gambino, Judy nods off backstage, 2025. Clock, chair legs, stockings, shoes, and resin, 25 in. x 22 in. x 17 in. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b83a0807-9abc-481b-abfa-542d05913e7f/IMG_2469.jpg</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Installation view of TOYS! TOYS! TOYS!, 2025. Image courtesy of SPIELZEUG, photography by Sebastián Ore Blas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0cb5636e-098c-4f23-9dd0-1fb28d6a7d74/IMG_2459.JPG</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Installation view of TOYS! TOYS! TOYS!, 2025. Image courtesy of SPIELZEUG, photography by Sebastián Ore Blas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4ea78ba1-347f-4485-a10d-6823e737bc3f/2.+DPRK+Traffic+Girl_Michelle+Im.jpg</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Michelle Im, Traffic Girl, 2025. Ceramic, epoxy, acrylic, enamel, 10.5 in. x 7 in. x 24.5 in. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de33a4e2-702a-4cee-919d-31512b74b717/IMG_7443.jpg</image:loc>
      <image:title>Home - TOY STORY - Make it stand out</image:title>
      <image:caption>Kerin Rose Gold, Driving Force, 2024 (left). Crystals, adhesive acrylic paint, air-dry clay, crystal package waste, leather, 4 in. x 4 in. x 12 in. Apex Predator, 2025 (right). Crystals, adhesive acrylic paint, air-dry clay, crystal package waste, leather, 5 in. x 5 in. x 9.5 in. Photography by Matilda Lin Berke.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lost-memories-and-relics-of-urban-living</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e0a0db7c-df90-401d-adbd-727557364ff4/Whiteread_Untitled+%28Night+Drawings%29.jpg</image:loc>
      <image:title>Home - Lost Memories and Relics of Urban Living - Make it stand out</image:title>
      <image:caption>Rachel Whiteread, Untitled (Night Drawing), 2018. Gouache and ink on papier-mâché, 26 x 25 3/16 x 1 9/16 inches. Courtesy of the artist and Gagosian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/271d553f-02f2-48f6-92c9-827d5beac618/Whiteread_Untitled+%28Blue+Notes%29+I.jpg</image:loc>
      <image:title>Home - Lost Memories and Relics of Urban Living - Make it stand out</image:title>
      <image:caption>Rachel Whiteread, Untitled (Blue Notes) I, 2022. Resin and steel, 37 3/8 x 25 9/16 x 3 3/8 inches. Courtesy of the artist and Gagosian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8cabe5db-730d-4b39-87f7-28ada981b339/Miletic_Materials.jpg</image:loc>
      <image:title>Home - Lost Memories and Relics of Urban Living - Make it stand out</image:title>
      <image:caption>Hold Still, installation view. Hana Miletić, Materials, 2023. Crocheted textile (amber orange raw cord, carrot orange, organic linen, metal wire, orange organic silk, and pale orange organic wool), 70 7/8 x 14 15/16 inches. Courtesy of the artist and The Approach, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ecbf267-ac7a-4188-84cb-f1ac4720e9c1/Bucher_Untitled.jpg</image:loc>
      <image:title>Home - Lost Memories and Relics of Urban Living - Make it stand out</image:title>
      <image:caption>Heidi Bucher, Untitled, 1979. Latex, textile, and mother-of-pearl, 26 9/16 x 19 inches. Courtesy of the Estate of Heidi Bucher and The Approach, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d117de95-d71d-48f6-a822-8350a6cfece1/Hold+Still+-+Main+Gallery+2.jpg</image:loc>
      <image:title>Home - Lost Memories and Relics of Urban Living - Make it stand out</image:title>
      <image:caption>Hold Still, installation view. Courtesy of The Approach, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/natasha-roberts-on-where-art-and-fashion-collide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ffe2dda-2bf1-4e2a-b0cc-ce1ff55a4470/Alex+Anderson_Seeing+is+Believing.jpg</image:loc>
      <image:title>Home - Natasha Roberts on Contemporary Art with Style and Substance - Make it stand out</image:title>
      <image:caption>Alex Anderson, Seeing is Believing. Courtesy of the artist/The KNOW</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1925edf1-2d9e-4177-b862-8a659035a96f/Edgard+Barbosa_KORi_24_20_300.jpg</image:loc>
      <image:title>Home - Natasha Roberts on Contemporary Art with Style and Substance - Make it stand out</image:title>
      <image:caption>Edgard Barbosa, KORi_24_20. Courtesy of the artist/The KNOW</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ecb01c0-88cb-4792-87c8-ed9c8569347f/Manuela+Gonzalez_Flores+Negras%2C+Acrylic+on+Mixed+Fabrics%2C+12_x+15_+2023.jpg</image:loc>
      <image:title>Home - Natasha Roberts on Contemporary Art with Style and Substance - Make it stand out</image:title>
      <image:caption>Manuela Gonzalez, Flores Negras. Courtesy of the artist/The KNOW</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ec1f5a4-dcb1-4e80-b05c-c8a3ba41ca69/Kouros+M_Behsheen+chairs.jpg</image:loc>
      <image:title>Home - Natasha Roberts on Contemporary Art with Style and Substance - Make it stand out</image:title>
      <image:caption>Kouros Maghsoudi, Behsheen Chair. Courtesy of the artist/The KNOW</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ff0a9bd-0738-4031-aae4-5ed968cf1354/Audrey+Schilt+Behind+the+Scenes+2.jpg</image:loc>
      <image:title>Home - Natasha Roberts on Contemporary Art with Style and Substance - Make it stand out</image:title>
      <image:caption>Audrey Schilt, BTS at Ralph Lauren. Courtesy of the artist/The KNOW</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71c25159-45fd-4197-9888-8964c6ca6331/chinglish-wang-balenciaga-brands-citybag-sculpture-%E7%8E%8B%E4%B9%9D%E6%80%9D-3.jpg</image:loc>
      <image:title>Home - Natasha Roberts on Contemporary Art with Style and Substance - Make it stand out</image:title>
      <image:caption>CHiNGLiSH WANG, CHiNGLiSH Brands: Balenciaga City. Courtesy of the artist/The KNOW</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/metaphorical-births-and-exorcisms-with-elizabeth-glaessner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aeee1bd8-bee0-42ee-9d4b-09a660fb2ddf/26d6f8501a86bea7952b6b184beb4875.jpeg</image:loc>
      <image:title>Home - Metaphorical Births and Exorcisms with Elizabeth Glaessner - Make it stand out</image:title>
      <image:caption>Elizabeth Glaessner, Holy Fury, 2025. Oil on linen, 58 x 48 inches (174.3 x 121.9 cm). Courtesy of Elizabeth Glaessner and P·P·O·W, New York. Photo: JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be76341d-dcd5-426d-b367-7ebbc7d55166/18cdeecbf3883e27a9d6497aca88fed9.jpeg</image:loc>
      <image:title>Home - Metaphorical Births and Exorcisms with Elizabeth Glaessner - Make it stand out</image:title>
      <image:caption>Elizabeth Glaessner, Out of Body, 2025. Oil on linen, 82 x 110 inches (208.3 x 279.4 cm). Courtesy of Elizabeth Glaessner and P·P·O·W, New York. Photo: JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a7043038-08fd-4b47-8aa5-ee671f3a6cd3/813c3c918f3b124b3214773aff5ba21d.jpeg</image:loc>
      <image:title>Home - Metaphorical Births and Exorcisms with Elizabeth Glaessner - Make it stand out</image:title>
      <image:caption>Elizabeth Glaessner, Out of Body study, 2025. Charcoal on paper, 25 1/2 x 33 1/4 x 1 1/2  inches (64.8 x 84.5 x 3.8 cm). Courtesy of Elizabeth Glaessner and P·P·O·W, New York. Photo: JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c0810b8-6c31-4dd3-8482-5017a53d2d50/2a24e38a834deab94b1267c996ae3825.jpeg</image:loc>
      <image:title>Home - Metaphorical Births and Exorcisms with Elizabeth Glaessner - Make it stand out</image:title>
      <image:caption>Elizabeth Glaessner, Big Head, 2025. Oil on linen, 82 x 68 inches (208.3 x 172.7 cm). Courtesy of Elizabeth Glaessner and P·P·O·W, New York. Photo: JSP Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f57f07ea-209f-4544-997f-20fb3705903a/e28b89a8169441d6190fa004cbc10a69.jpeg</image:loc>
      <image:title>Home - Metaphorical Births and Exorcisms with Elizabeth Glaessner - Make it stand out</image:title>
      <image:caption>Elizabeth Glaessner, In Labor, 2025. Oil on linen, 58 x 46 inches (147.3 x 116.8 cm). Courtesy of Elizabeth Glaessner and P·P·O·W, New York. Photo: JSP Art Photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/split-bodies-unstable-flesh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/90b14bfb-3784-4df1-bf77-2110945225ab/In+This+Here+Place%2C+We+Flesh_-5.jpg</image:loc>
      <image:title>Home - Split Bodies, Unstable Flesh - Make it stand out</image:title>
      <image:caption>Installation view of In This Here Place, We Flesh, 2025. Left: Aineki Traverso, A Sweet Summer Afternoon, 2025. Oil on canvas, 36 x 144 inches. Right: Shiri Mordechay, Between Thoughts, 2022. Watercolors on paper, 89 x 114 inches. Image courtesy of the artists and Gallery 495.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bf69bdce-9bc4-4ab3-9995-3c99fac884fd/In+This+Here+Place%2C+We+Flesh_-24.jpg</image:loc>
      <image:title>Home - Split Bodies, Unstable Flesh - Make it stand out</image:title>
      <image:caption>Aineki Traverso, Sub Specie Aeterni (detail), 2025. Oil on paper 3 x 4 in each, (approx.). Image courtesy of the artist and Gallery 495.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41d4a403-2a03-4138-a25b-7138c694cffa/In+This+Here+Place%2C+We+Flesh_-10.jpg</image:loc>
      <image:title>Home - Split Bodies, Unstable Flesh - Make it stand out</image:title>
      <image:caption>Shiri Mordechay, Shore Leave, 2021. Watercolors on paper, 24 x 22 inches. Image courtesy of the artist and Gallery 495.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0568915f-cb3a-4803-94d5-779b314b071a/Screenshot+2025-09-09+at+2.46.17%E2%80%AFPM.png</image:loc>
      <image:title>Home - Split Bodies, Unstable Flesh - Make it stand out</image:title>
      <image:caption>Nkechi Ebubedike, Woman on Stakes II, 2025. Acrylic, mylar, wood, collage on paper, 42 x 42 inches. Image courtesy of the artist and Gallery 495.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/army-of-love-an-interview-with-patricia-cronin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb644669-8f24-44c8-8ef1-531afc1fd85c/Portrait+_+Credit+Clara+Ha.jpeg</image:loc>
      <image:title>Home - “Army of Love”: An Interview with Patricia Cronin - Make it stand out</image:title>
      <image:caption>Portrait of Patricia Cronin. Photo: Clara Ha. Courtesy of Patricia Cronin Studio LLC and CHART, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ebb97702-709e-4f0d-960b-ba9d0cee5fa7/PATRICIA+CRONIN+SHOOT_INSTALLS_2000+PIXEL+LONGEST+EDGE+JPEGS_PATRICIA+CRONIN__10.jpg</image:loc>
      <image:title>Home - “Army of Love”: An Interview with Patricia Cronin - Make it stand out</image:title>
      <image:caption>Installation view, Patricia Cronin: Army of Love. Photo: KC Crow Maddux. Courtesy of Patricia Cronin Studio LLC and CHART, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/529e21ee-7df3-4246-9067-2860d9593750/PATRICIA+CRONIN+SHOOT_INSTALLS_2000+PIXEL+LONGEST+EDGE+JPEGS_PATRICIA+CRONIN__03.jpg</image:loc>
      <image:title>Home - “Army of Love”: An Interview with Patricia Cronin - Make it stand out</image:title>
      <image:caption>Installation view, Patricia Cronin: Army of Love. Photo: KC Crow Maddux. Courtesy of Patricia Cronin Studio LLC and CHART, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/791a6ed6-0835-42c0-9331-84d5a0752405/Memorial_Marble_Aerial_View.tiff_Credit+Stephen+Bates.jpg</image:loc>
      <image:title>Home - “Army of Love”: An Interview with Patricia Cronin - Make it stand out</image:title>
      <image:caption>Patricia Cronin, Memorial To A Marriage, 2002. Carrara marble, over life size. Photo: Stephen Bates. Courtesy of Patricia Cronin Studio LLC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1279017-5da4-40e5-892b-93d0e49ee673/PATRICIA+CRONIN+SHOOT_INSTALLS_2000+PIXEL+LONGEST+EDGE+JPEGS_PATRICIA+CRONIN__08.jpg</image:loc>
      <image:title>Home - “Army of Love”: An Interview with Patricia Cronin - Make it stand out</image:title>
      <image:caption>Installation view, Patricia Cronin: Army of Love. Photo: KC Crow Maddux. Courtesy of Patricia Cronin Studio LLC and CHART, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standouts-at-the-armory-show-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1f9dcb55-a87e-4b31-bfcf-0a93d9d90d02/ClubhouseGalleryRussellCraig.JPG</image:loc>
      <image:title>Home - Standouts at The Armory Show 2025 - Make it stand out</image:title>
      <image:caption>Russell Craig, Carceral Views. Installation view of Clubhouse Gallery, The Armory Show 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a0e59a0-bbe8-4eb9-8956-cdae2d809b7e/EDJIGalleryRobertMartin.JPG</image:loc>
      <image:title>Home - Standouts at The Armory Show 2025 - Make it stand out</image:title>
      <image:caption>Robert Martin, various works. Installation view of EDJI Gallery, The Armory Show 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7bc63030-8642-43d9-a224-be77e094a66b/CARVALHOPerraultTouborgWeiss.JPG</image:loc>
      <image:title>Home - Standouts at The Armory Show 2025 - Make it stand out</image:title>
      <image:caption>Various works by Elisabeth Perrault, Kritian Touborg, Rachel Mica Weiss. Installation view of CARVALHO, The Armory Show 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d1fa27f-1d36-4214-84a1-ff165c2c0299/SouthernGuildMivekanninMuholiFani.JPG</image:loc>
      <image:title>Home - Standouts at The Armory Show 2025 - Make it stand out</image:title>
      <image:caption>Works by Romeo Mivekannin, Zanele Muholi, and Madoda Fani. Installation view of Southern Guild, The Armory Show 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd28af44-64e8-47da-a08b-ab329b99acb6/RoFaProjectsKukuliVelarde.JPG</image:loc>
      <image:title>Home - Standouts at The Armory Show 2025 - Make it stand out</image:title>
      <image:caption>Kukuli Velarde, Santiago Mata Indios (left), pieces from A Mi Vida (center), La Linda, Shipibo-Konibo (right). Installation view of RoFa Projects, The Armory Show 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/privacy-labor-and-the-myth-of-the-copy-with-emma-safir</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab062d21-1547-403a-bf59-3f941882536a/STARINA.ES.jpg</image:loc>
      <image:title>Home - Privacy, Labor, and the Myth of the Copy with Emma Safir - Make it stand out</image:title>
      <image:caption>Emma Safir, STARINA, 2025. Digitally printed silk, pewter, mirrored glass beads, reflective thread, neoprene, ochre oxide pigment, 33 x 28 x 2 inches. Courtesy of the artist and HESSE FLATOW.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0bf54031-17b3-4c74-acf0-57cc154de653/screenednacre.ES.jpg</image:loc>
      <image:title>Home - Privacy, Labor, and the Myth of the Copy with Emma Safir - Make it stand out</image:title>
      <image:caption>Emma Safir, screened nacre, 2025. Digitally printed silk, silk georgette, mirrored glass beads, stainless steel, 69 x 65 x 33 inches. Courtesy of the artist and HESSE FLATOW.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/66a74b05-393b-44ac-88ae-0855c29e7c90/Amalgamation%28large%29.ES.jpg</image:loc>
      <image:title>Home - Privacy, Labor, and the Myth of the Copy with Emma Safir - Make it stand out</image:title>
      <image:caption>Emma Safir, Amalgamation (large), 2025. Pewter, reflective thread, 11 x 8 x 2 inches. Courtesy of the artist and HESSE FLATOW.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d79556f1-12cb-428e-82c1-322a80c0f3cb/StVeronica.HM.jpg</image:loc>
      <image:title>Home - Privacy, Labor, and the Myth of the Copy with Emma Safir - Make it stand out</image:title>
      <image:caption>Hans Memling, Saint Veronica, c. 1470–1475. Oil on panel, 12 x 9 inches. Courtesy of the National Gallery of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/acb7a340-7e71-4dfc-9963-f404c2272674/APRICOTSILK.ES.jpg</image:loc>
      <image:title>Home - Privacy, Labor, and the Myth of the Copy with Emma Safir - Make it stand out</image:title>
      <image:caption>Emma Safir, APRICOT SILK, 2025. Digitally printed silk, pewter, silk screened tulle, mirrored glass beads, reflective thread, neoprene, ochre oxide pigment, 33 x 23 x 2 inches. Courtesy of the artist and HESSE FLATOW.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/business-is-not-the-enemy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0cd4e2ac-a933-4e58-9183-ea3e07c206c3/ArtSmart_Book+Coverjpg.jpg</image:loc>
      <image:title>Home - Business Is Not the Enemy - Make it stand out</image:title>
      <image:caption>Courtesy of Atelier Éditions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42897796-9802-4ed9-a85b-a0dffa7accb4/ArtSmart_BookSpread7.jpg</image:loc>
      <image:title>Home - Business Is Not the Enemy - Make it stand out</image:title>
      <image:caption>Courtesy of Atelier Éditions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b8f042c-5b67-422a-82d3-d609dea4d5b7/ArtSmart_BookSpread4.jpg</image:loc>
      <image:title>Home - Business Is Not the Enemy - Make it stand out</image:title>
      <image:caption>Courtesy of Atelier Éditions</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/mdr1rtprpq7l5g2mbkxr7exmmrefks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f70e09ea-3ca9-4543-88d9-f09cd06748c0/1_Virtual+Installation+View%2C+The+Pond+of+Person+A+%282025%29%2C+web-based+exhibition..png</image:loc>
      <image:title>Home - In Conversation with Muhammad Toukhy - Make it stand out</image:title>
      <image:caption>Virtual installation view, The Pond of Person A (2025), web-based exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e736fac-f71a-4a12-977c-87cbbd46ab82/2_Opening+view+of+the+web-based+virtual+space+from+The+Pond+of+Person+A+%282025%29..png</image:loc>
      <image:title>Home - In Conversation with Muhammad Toukhy - Make it stand out</image:title>
      <image:caption>Opening view of the web-based virtual space from The Pond of Person A (2025).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7cb43280-406c-4058-ba71-3c7d28828771/3_Muhammad+Toukhy%2C+KISMET+%282024%29%2C+Screenshot+from+web-based+interactive+virtual+artwork..png</image:loc>
      <image:title>Home - In Conversation with Muhammad Toukhy - Make it stand out</image:title>
      <image:caption>Opening view of the web-based virtual space from The Pond of Person A (2025).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8bb05da3-09e7-48aa-b70d-a46f50a78fc7/4_Virtual+Installation+View+of+KISMET+%282024%29+in+The+Pond+of+Person+A+%282025%29..png</image:loc>
      <image:title>Home - In Conversation with Muhammad Toukhy - Make it stand out</image:title>
      <image:caption>Virtual Installation View of KISMET, 2024, in The Pond of Person A (2025).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4e90004-6d70-4762-b194-b79011e31760/5_Virtual+Installation+View%2C+The+Pond+of+Person+A+%282025%29%2C+web-based+exhibition..png</image:loc>
      <image:title>Home - In Conversation with Muhammad Toukhy - Make it stand out</image:title>
      <image:caption>Virtual installation view, The Pond of Person A (2025), web-based exhibition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-august-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ed9b99a-f239-4f53-a465-fde0da23fe46/SMN_Studio+Portrait.jpg</image:loc>
      <image:title>Home - Face to Face: August 2025 - Make it stand out</image:title>
      <image:caption>Portrait of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc5153ff-77ac-4ac1-9d25-505955e70ad7/liza+jo+eilers.jpg</image:loc>
      <image:title>Home - Face to Face: August 2025 - Make it stand out</image:title>
      <image:caption>Liza Jo Eilers, If you weren’t coming back here, this won’t exist, 2024. Acrylic, pigment transfer, glitter, and hydrochromic ink on linen. 39 x 54 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ee260d7-9cf1-453e-83a1-2834ed553188/Screenshot+2025-08-31+at+11.01.30%E2%80%AFPM.png</image:loc>
      <image:title>Home - Face to Face: August 2025 - Make it stand out</image:title>
      <image:caption>Lizzy Choi, SIDON’S CLASPER, 2025. “Double-penetrative thong inspired by Yaoi hentai of the character Sidon from The Legend of Zelda: Breath of the Wild. Fit to my ex-girlfriend ✌️✌️✌️✌️” Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sceneries-of-myth-in-conversation-with-anh-nguyen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/467b147d-0cfe-496a-8ab9-ec8fae83798a/8.jpg</image:loc>
      <image:title>Home - Sceneries of Myth: In Conversation with Anh Nguyen - Make it stand out</image:title>
      <image:caption>Anh Nguyen, Bánh Tét, 2025. Digital image, courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ce5f4fe2-537b-48f6-8bd1-a48a57906a9a/9.jpg</image:loc>
      <image:title>Home - Sceneries of Myth: In Conversation with Anh Nguyen - Make it stand out</image:title>
      <image:caption>Anh Nguyen, Self Portrait (Bitter Melon), 2024. Digital image, courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7b2f9f19-f1a8-4b4e-a74d-02f2db413450/6.jpg</image:loc>
      <image:title>Home - Sceneries of Myth: In Conversation with Anh Nguyen - Make it stand out</image:title>
      <image:caption>Anh Nguyen, Quail Eggs, 2024. Digital image, courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ce50675-90ad-4082-9285-b9ae76ecb23d/12.jpg</image:loc>
      <image:title>Home - Sceneries of Myth: In Conversation with Anh Nguyen - Make it stand out</image:title>
      <image:caption>Anh Nguyen, Ông Địa (Earth God), 2025. Digital image, courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f03e402f-e6f1-4b60-ae9e-1ee5865961d1/7.jpg</image:loc>
      <image:title>Home - Sceneries of Myth: In Conversation with Anh Nguyen - Make it stand out</image:title>
      <image:caption>Anh Nguyen, Gathering, 2024. Digital image, courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1631608-87b3-48e6-b563-1a3a8a99009d/1.jpg</image:loc>
      <image:title>Home - Sceneries of Myth: In Conversation with Anh Nguyen - Make it stand out</image:title>
      <image:caption>Anh Nguyen, Offering Table, 2024. Digital image, courtesy of artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/where-do-we-go-from-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1877ab22-c009-44f9-b6a2-3017d01a4058/Bukra_149351698_thumbnail.jpg</image:loc>
      <image:title>Home - Where Do We Go from Here? - Make it stand out</image:title>
      <image:caption>Bukra. Director Alex Aljouni. United States, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d8776e8-6cfa-43ac-ab44-0d17fca0bec7/THE-DEBUTANTE.jpg</image:loc>
      <image:title>Home - Where Do We Go from Here? - Make it stand out</image:title>
      <image:caption>The Debutantes. Director Contessa Gayles. United States, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f869e632-4d61-4cbb-ae35-4251192dfe1f/Hostsforhalfacentury_149351698_xinuxi_myky.png</image:loc>
      <image:title>Home - Where Do We Go from Here? - Make it stand out</image:title>
      <image:caption>Hosts for Half a Century. Director Typju Mỹky and André Tupxi Lopes. Brazil, 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/specters-of-queerness-in-weapons-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4daf15ce-c4cb-40a7-98ae-df6925b8f62f/Weapons-trailer.webp</image:loc>
      <image:title>Home - Specters of Queerness in “Weapons” (2025) - Make it stand out</image:title>
      <image:caption>Courtesy of Warner Bros.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c392054-fe7f-4117-826f-305dc0fdb5b0/Weapons.webp</image:loc>
      <image:title>Home - Specters of Queerness in “Weapons” (2025) - Make it stand out</image:title>
      <image:caption>Julia Garner as Justine Gandy in Weapons. Courtesy of Warner Bros.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b94728a-1426-4e3c-aad7-4572ed5b4430/sRsfFqPHwPUdDyp6Go996g.jpg</image:loc>
      <image:title>Home - Specters of Queerness in “Weapons” (2025) - Make it stand out</image:title>
      <image:caption>Josh Brolin as Archer Graff in Weapons. Courtesy of Warner Bros.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36a5d38b-9353-406a-9521-4f3511b5abff/weapons_h.webp</image:loc>
      <image:title>Home - Specters of Queerness in “Weapons” (2025) - Make it stand out</image:title>
      <image:caption>Courtesy of Warner Bros.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/studio-talk-with-eva-tellier</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ac4b9947-8062-4239-9d86-06fcced72aca/14.jpg</image:loc>
      <image:title>Home - Studio Talk with Eva Tellier - Make it stand out</image:title>
      <image:caption>Installation view from the show titled ant/i/bodies, by Eva Tellier. May 2025. Photo: Zander Jonsson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/64b2a4b1-a598-48bd-b5db-585d046fc70e/8+%281%29.jpg</image:loc>
      <image:title>Home - Studio Talk with Eva Tellier - Make it stand out</image:title>
      <image:caption>Twisted Wings, 2025, from the show titled ant/i/bodies, by Eva Tellier. May 2025. Photo: Zander Jonsson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7b284189-bf3d-4b56-ab96-1e41b76a6063/1.jpg</image:loc>
      <image:title>Home - Studio Talk with Eva Tellier - Make it stand out</image:title>
      <image:caption>Studio view at SculptureSpace NYC in LIC, Queens. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cf456e56-1bf0-4d08-be6e-22a1dc3f31a0/7+.jpg</image:loc>
      <image:title>Home - Studio Talk with Eva Tellier - Make it stand out</image:title>
      <image:caption>Sketch by Eva Tellier. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/611314d8-0f9a-43e2-bc2f-5b06ca5411c7/2+.jpg</image:loc>
      <image:title>Home - Studio Talk with Eva Tellier - Make it stand out</image:title>
      <image:caption>Piece by Eva Tellier, in the studio of SculptureSpace NYC in LIC, Queens. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42938d42-6dfe-4a41-ab30-323ad14b23ef/12.jpeg</image:loc>
      <image:title>Home - Studio Talk with Eva Tellier - Make it stand out</image:title>
      <image:caption>Cradleme, from the show titled ant/i/bodies, by Eva Tellier. May 2025. Photo: Zander Jonsson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ballroom-culture-and-community-in-legendary-looks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2bbf5bdb-3c4d-44d1-a87f-5a10a95ebb53/Curated-by-Jonovia-Chase-Twiggy-Pucci-Garcon-Michael-Roberson-Imgs-Courtesy-Gallery-1.jpg</image:loc>
      <image:title>Home - Ballroom Culture and Community in “Legendary Looks” - Make it stand out</image:title>
      <image:caption>Installation view of Legendary Looks: Preserving Our Legacy (2025). Curated by Icon International Mother Twiggy Pucci Garçon, Legendary NYC Mother Jonovia Chase Lanvin, and Icon Ballroom Hall of Famer Founder Michael Roberson Maison-Margiela. Image courtesy of City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/48072428-6b16-496c-aa1d-6a7d700973cb/Curated-by-Jonovia-Chase-Twiggy-Pucci-Garcon-Michael-Roberson-Imgs-Courtesy-Gallery-2.jpg</image:loc>
      <image:title>Home - Ballroom Culture and Community in “Legendary Looks” - Make it stand out</image:title>
      <image:caption>Installation view of Legendary Looks: Preserving Our Legacy (2025). Curated by Icon International Mother Twiggy Pucci Garçon, Legendary NYC Mother Jonovia Chase Lanvin, and Icon Ballroom Hall of Famer Founder Michael Roberson Maison-Margiela. Image courtesy of City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b134627e-db2e-4d3c-8844-7f666bb10ec9/Curated-by-Jonovia-Chase-Twiggy-Pucci-Garcon-Michael-Roberson-Imgs-Courtesy-Gallery-5.jpg</image:loc>
      <image:title>Home - Ballroom Culture and Community in “Legendary Looks” - Make it stand out</image:title>
      <image:caption>Installation view of Legendary Looks: Preserving Our Legacy (2025). Curated by Icon International Mother Twiggy Pucci Garçon, Legendary NYC Mother Jonovia Chase Lanvin, and Icon Ballroom Hall of Famer Founder Michael Roberson Maison-Margiela. Image courtesy of City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e84edc7d-bc1f-4413-8339-fc8d66f58e33/Curated-by-Jonovia-Chase-Twiggy-Pucci-Garcon-Michael-Roberson-Imgs-Courtesy-Gallery-3.jpg</image:loc>
      <image:title>Home - Ballroom Culture and Community in “Legendary Looks” - Make it stand out</image:title>
      <image:caption>Installation view of Legendary Looks: Preserving Our Legacy (2025). Curated by Icon International Mother Twiggy Pucci Garçon, Legendary NYC Mother Jonovia Chase Lanvin, and Icon Ballroom Hall of Famer Founder Michael Roberson Maison-Margiela. Image courtesy of City Lore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c6382477-1a83-497c-b9ac-ff3cee56c483/Curated-by-Jonovia-Chase-Twiggy-Pucci-Garcon-Michael-Roberson-Imgs-Courtesy-Gallery-4.jpg</image:loc>
      <image:title>Home - Ballroom Culture and Community in “Legendary Looks” - Make it stand out</image:title>
      <image:caption>Installation view of Legendary Looks: Preserving Our Legacy (2025). Curated by Icon International Mother Twiggy Pucci Garçon, Legendary NYC Mother Jonovia Chase Lanvin, and Icon Ballroom Hall of Famer Founder Michael Roberson Maison-Margiela. Image courtesy of City Lore.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/carpal-bones-de-anima</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/64470b5c-d636-48c1-927c-f4ee3ff36708/SI-De-Anima-WEB-20-2048x1366.jpg</image:loc>
      <image:title>Home - Carpal Bones: “De Anima” - Make it stand out</image:title>
      <image:caption>Louise Bonnet and Elizabeth King: De Anima, 2025. Installation view. Image courtesy of Swiss Institute / Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7c34b3e2-2d1d-4259-8a34-365f2c6aa613/SI-De-Anima-WEB-28-1-1325x2048.jpg</image:loc>
      <image:title>Home - Carpal Bones: “De Anima” - Make it stand out</image:title>
      <image:caption>Elizabeth King, Bartlett’s Left Hand, 2017. Carved and turned English boxwood. Image courtesy of the artist and Swiss Institute / Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b3505d57-549f-4e85-a786-e8b9ef4b97df/SI-De-Anima-WEB-18-2048x1366.jpg</image:loc>
      <image:title>Home - Carpal Bones: “De Anima” - Make it stand out</image:title>
      <image:caption>Louise Bonnet and Elizabeth King: De Anima, 2025. Installation view. Image courtesy of Swiss Institute / Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/83f995c1-7353-4e5d-ba1d-ccead986a16b/SI-De-Anima-WEB-16-1366x2048.jpg</image:loc>
      <image:title>Home - Carpal Bones: “De Anima” - Make it stand out</image:title>
      <image:caption>Elizabeth King, Untitled Articulated Figure, 1974–78 (detail). Porcelain, copper-plated steel, bronze, glass eyes, hair, Alaskan cedar frame. Image courtesy of the artist and Swiss Institute / Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/14b027b0-0ebd-40cf-a878-e7657c72c111/SI-De-Anima-WEB-24-1366x2048.jpg</image:loc>
      <image:title>Home - Carpal Bones: “De Anima” - Make it stand out</image:title>
      <image:caption>Louise Bonnet, Shoe, 2025. Oil on linen. Image courtesy of the artist and Swiss Institute / Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3c52d418-6fdb-4f92-8352-b579be42733f/SI-De-Anima-WEB-29-2048x1366.jpg</image:loc>
      <image:title>Home - Carpal Bones: “De Anima” - Make it stand out</image:title>
      <image:caption>Elizabeth King, Studio Objects and Glass Eyes, n.d. Image courtesy of the artist and Swiss Institute / Contemporary Art New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/where-cruelty-is-a-waste-of-pain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a8a95f9f-b5f9-4e19-9885-bf76db23a846/Khoros.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Installation view of Berlinde De Bruyckere: Khorós, 2025. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cda538e5-d805-4742-8109-a903c489b244/Lost+I%2C+2006.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Berlinde De Bruyckere, Lost I, 2006. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e8eb8c04-4054-4c51-af30-30d9949215aa/Lost+V%2C+2021-2022.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Berlinde De Bruyckere, Lost V, 2021–2022. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52b89f5c-abb1-46d6-972a-2493a85cf380/Arcangelo+III%2C+2022-2023.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Berlinde De Bruyckere, Arcangelo III, 2022–2023. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10b32945-fd7e-41ae-af43-f26b6e2d6aa4/Lingam+II%2C+2012.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Berlinde De Bruyckere, Lingam II, 2012. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bf1f0ae3-1702-46eb-bc98-45a89b427775/Invisible+Love%2C+2011.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Berlinde De Bruyckere, Invisible Love, 2011. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb0472d7-4a5b-474c-99c7-1b8e2e8fe06a/San+Sebastian%2C+2019%E2%80%932022.jpg</image:loc>
      <image:title>Home - Where Cruelty Is a Waste of Pain - Make it stand out</image:title>
      <image:caption>Berlinde De Bruyckere, San Sebastian, 2019–2020. Image courtesy of the artist and Bozar Centre for Fine Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/questions-on-the-canon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e11b3d11-d415-4b15-8c44-23e07adba060/aru-520-edit.webp</image:loc>
      <image:title>Home - Questions on the Canon - Make it stand out</image:title>
      <image:caption>Artist Unknown, Monumental Venetian Blind / Flag, ca. 1958–64. Painted metal strips, canvas webbing, 86 x 116 in. Image courtesy of Ricco/Marcesa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c2608fda-b5c1-425a-bb00-598d41a29159/aru-506-quad.jpg</image:loc>
      <image:title>Home - Questions on the Canon - Make it stand out</image:title>
      <image:caption>Artist Unknown, Mystery Game Box with Rotating Card Suits, ca. 1930–40. Wood with original polychrome and glass window, 18 1/2 x 13 1/2 x 4 1/4 in. Image courtesy of Ricco/Marcesa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/601764a0-1087-45b4-bb83-9f080d23eef4/acm-1_1.webp</image:loc>
      <image:title>Home - Questions on the Canon - Make it stand out</image:title>
      <image:caption>A.C. Morse, Rhode Island Hospital Architect’s Model, 1863. Wood with original polychrome, 18 x 51 x 13 1/2 in. Image courtesy of Ricco/Marcesa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ac11a39a-5ff4-45dc-8bf9-881f51bb1033/aru-521.webp</image:loc>
      <image:title>Home - Questions on the Canon - Make it stand out</image:title>
      <image:caption>Artist Unknown, All Seeing Eye (Fraternal Lodge?), early 20th century. Painted and pressed tin in original frame, 48 x 48 in. Image courtesy of Ricco/Marcesa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-august-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7912be6b-7c8d-41d8-94ea-1383336b6d5b/2025+_+Fragments+of+Presence+1.jpg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Installation View. A moment of silence or a millennia of silencing (2022) by Elisa Lutteral. Courtesy of Praxis Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2da7b453-728d-4e39-856b-2a4ac838a788/PS1_042325_32-1600x2000.jpg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Selma Selman. Flower of Life. 2024. Construction grabs, acrylic on steel, metal, electric motor, engine oil, tubes, and cables. Installation view of The Gatherers, on view at MoMA PS1 from April 24 through October 6, 2025. Courtesy MoMA PS1. Photo: Kris Grave.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6d273493-e6ef-4ef0-aba2-5ff688b2e8de/BDG-Holly+Chang-007.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Holly Chang, Fuk Luk Sau (2024). Cyanotypes toned with walnuts and black tea, quilting techniques, naturally dyed textiles. Garden into Infinity at Blouin Division Project Space, 2025. Photo by Darren Rigo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/346def26-931b-4d43-bbfc-bbf03ef88041/IMG_3087.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Installation view of DAISIES, 2025. Image courtesy of Tempest Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f8c7ffe8-093b-42b8-b535-4c8c3290de85/01.jpg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Harris Rosenblum: Hybrid Moments, 2025. Image courtesy of Harris Rosenblum and Foreign &amp; Domestic. Photography by Stephen Faught.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dce06bfe-b0d7-499d-a61c-f65961ef409e/250810_AIR+Gallery_Installation_G1_05+%281%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Exhibition view, Sehee Kim, Chronomatic Echoes, 2025, A.I.R. Gallery, Brooklyn, NY. Photography by Matthew Sherman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/80b2cbac-220b-451f-b48e-98efc9f1ff4c/Children%E2%80%99s+Games+by+Lina+Lapelyte%CC%87+and+Thuthuka+Sibisi.jpg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Performance of Lina Lapelytė and Thuthuka Sibisi, Children’s Games, 2025. Courtesy Madison McGaw/BFA.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b897334b-8533-4d43-a02f-3e664be08749/ISABELLA+ROSSELLINI%27S+GREEN+PORN+INSTALL-1.jpg</image:loc>
      <image:title>Home - Editors’ Selects: August 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Isabella Rossellini, Green Porno, 2008. Courtesy the artist and Madison McGaw/BFA.com.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/rethinking-landscape-with-alien-shores</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0bad457-fed5-45bc-ba28-c53a274d2d71/92878+%28medium+res%29+14.jpg</image:loc>
      <image:title>Home - Rethinking Landscape with “Alien Shores” - Make it stand out</image:title>
      <image:caption>Installation view of Alien Shores, 2025, White Cube Bermondsey, 9 July–7 September 2025. Photo © White Cube (Ollie Hammick).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1669a88c-bfd0-45e0-9010-325c42d3e301/92878+%28medium+res%29+12.jpg</image:loc>
      <image:title>Home - Rethinking Landscape with “Alien Shores” - Make it stand out</image:title>
      <image:caption>Installation view of Alien Shores, 2025, White Cube Bermondsey, 9 July–7 September 2025. Photo © White Cube (Ollie Hammick).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/70b4fe31-443b-4934-ae04-23f2903dbe0f/92878+%28medium+res%29+15.jpg</image:loc>
      <image:title>Home - Rethinking Landscape with “Alien Shores” - Make it stand out</image:title>
      <image:caption>Installation view of Alien Shores, 2025, White Cube Bermondsey, 9 July–7 September 2025. Photo © White Cube (Ollie Hammick).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff8fc08e-3290-4e45-a854-babe1741d60f/92878+%28medium+res%29+9.jpg</image:loc>
      <image:title>Home - Rethinking Landscape with “Alien Shores” - Make it stand out</image:title>
      <image:caption>Installation view of Alien Shores, 2025, White Cube Bermondsey, 9 July–7 September 2025. Photo © White Cube (Ollie Hammick).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/no-silence-will-ever-protect-you</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/895fa4ac-3789-47b7-801c-7c857a339ea0/2.jpeg</image:loc>
      <image:title>Home - No Silence Will Ever Protect You* - Make it stand out</image:title>
      <image:caption>Installation view of Laia Estruch: HELLO EVERYONE, 2025. Courtesy Ehrhardt Florez Gallery. Photography: Jonás Bel, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c4bb35c-8bfd-4d26-9543-6ec567451abc/3.jpeg</image:loc>
      <image:title>Home - No Silence Will Ever Protect You* - Make it stand out</image:title>
      <image:caption>Installation view of Laia Estruch: HELLO EVERYONE, 2025. Courtesy Ehrhardt Florez Gallery. Photography: Jonás Bel, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e5afd89-138b-4196-a587-2c198660f478/1.jpeg</image:loc>
      <image:title>Home - No Silence Will Ever Protect You* - Make it stand out</image:title>
      <image:caption>Installation view of Laia Estruch: HELLO EVERYONE, 2025. Image courtesy of Museo Nacional Centro de Arte Reina Sofía.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/14c124b8-9526-4fb9-a05a-7885ed40dfc0/4.extra.jpeg</image:loc>
      <image:title>Home - No Silence Will Ever Protect You* - Make it stand out</image:title>
      <image:caption>Installation view of Laia Estruch: HELLO EVERYONE, 2025. Image courtesy of Museo Nacional Centro de Arte Reina Sofía.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/gisela-mcdaniel-on-painting-as-a-communal-process</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a8b82ca-f778-4039-9034-6b90426e2ae1/1.%29+Installation+View+McDaniel.jpg</image:loc>
      <image:title>Home - Gisela McDaniel on Painting as a Communal Process - Make it stand out</image:title>
      <image:caption>Installation image of Gisela McDaniel: If the land continues to be eaten by this scary thing, our land will definitely become divided in two, 2025. Photo courtesy of Superposition Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0452e0fb-6f5d-4758-b3e2-755ca439c29c/2.%29+Take+a+good+look+at+me%2C+for+this+will+be+the+last+time+we+will+see+each+other.jpg</image:loc>
      <image:title>Home - Gisela McDaniel on Painting as a Communal Process - Make it stand out</image:title>
      <image:caption>Gisela McDaniel, Take a good look at me, for this will be the last time we will see each other, 2025. Oil on canvas, flower, resin, sound. 44 x 65 x 4.25 in. Photo courtesy of Superposition Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0bcca9c5-f9b7-42e1-bc4c-ef12af2c5cca/3.%29+Not+enough+patience+in+this+world.jpg</image:loc>
      <image:title>Home - Gisela McDaniel on Painting as a Communal Process - Make it stand out</image:title>
      <image:caption>Gisela McDaniel, Not enough patience in this world, 2025. Oil on canvas, teeth, flower, resin, object from subject collaborator, sound. 90 x 60 x 5.5 in. Photo courtesy of Superposition Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e09a9535-a3ae-4726-be0b-78f07d3c1ab9/4.%29+You+meant+_erotic+and+exotic_+as+a+compliment%2C+but...jpg</image:loc>
      <image:title>Home - Gisela McDaniel on Painting as a Communal Process - Make it stand out</image:title>
      <image:caption>Gisela McDaniel, You meant "erotic and exotic" as a compliment, but..., 2025. Oil on canvas, soil, pufferfish spikes. 63 x 78.5 x 1 inches. Photo courtesy of Superposition Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/89a590b5-89fe-4167-aa9c-6bae25592697/5.%29+Gisela+McDaniel+Headshot+-+Credits+Myles+Loftin.jpg</image:loc>
      <image:title>Home - Gisela McDaniel on Painting as a Communal Process - Make it stand out</image:title>
      <image:caption>Portrait of the Artist. Photo Credits Myles Loftin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/illuminating-queerness-through-haze-and-shadow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52e625a6-94f1-4739-9354-9fa44a81e3e3/ICASF_May+2025+opening_SP25-072.jpg</image:loc>
      <image:title>Home - Illuminating Queerness through Haze and Shadow - Make it stand out</image:title>
      <image:caption>Installation view of David Antonio Cruz: stay, take your time, my love, 2025, featuring stay,takeyourtime,mylove, 2025. Image courtesy of the artist and the Institute of Contemporary Art San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4ac3779-f96b-4ac2-8d23-839e7bca2805/andifeelyourbodyclose%2Cifeelikeineedsomemore1.jpg</image:loc>
      <image:title>Home - Illuminating Queerness through Haze and Shadow - Make it stand out</image:title>
      <image:caption>David Antonio Cruz, andifeelyourbodyclose,ifeelikeineedsomemore, 2025. Ink, flashe, wax pencil on double-layered watercolor paper, 72 x 52 inches. Courtesy of the artist and Monique Meloche Gallery, Chicago.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a254f42-c56c-4a46-80eb-ebb0ce9e3e9c/Canopy%2C+Cradle%2C+Breeze_+Keep+You+Near+Me.jpg</image:loc>
      <image:title>Home - Illuminating Queerness through Haze and Shadow - Make it stand out</image:title>
      <image:caption>Khari Johnson Ricks, Canopy, cradle, breeze/ keep you near me, 2025. Watercolor, suminagashi, shellac ink, and colored paper on watercolor paper, 69 x 54 in. Courtesy of the artist and Jonathan Carver Moore. Photography by Francis Baker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2803f0b0-4c35-4e75-af50-0b600e2b3f74/Onsen+uu.jpg</image:loc>
      <image:title>Home - Illuminating Queerness through Haze and Shadow - Make it stand out</image:title>
      <image:caption>Khari Johnson Ricks, Onsen uu, 2025. Watercolor, suminagashi, shellac ink, velvet paper, colored paper, kenwashi on watercolor paper, 81 x 67 in. Courtesy of the artist and Jonathan Carver Moore. Photography by Francis Baker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9843f742-dff8-48f4-894f-8c1b0e33cbb6/ICASF_May+2025+opening_SP25-078.jpg</image:loc>
      <image:title>Home - Illuminating Queerness through Haze and Shadow - Make it stand out</image:title>
      <image:caption>Installation view of David Antonio Cruz: stay, take your time, my love, 2025. Image courtesy of the artist and the Institute of Contemporary Art San Francisco.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/drifting-without-handlebars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76be1e0a-1711-485a-99d9-c2e2aa60bd5d/Gallery+View+Essex+aai.jpg</image:loc>
      <image:title>Home - Drifting without Handlebars - Make it stand out</image:title>
      <image:caption>Installation view of No Handlebars, 2025, with (right to left) Nikita Gale, NOSEBLEED 12, 2024, and NOSEBLEED 14, 2024; Victoria Shen, One Thousand Cuts, 2024; and Jude Tallichet, Ghost Bike Fabricated and pressed, 2016. Image courtesy of Cuchifritos Gallery. Photo: Brad Farwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e3cd41aa-75c7-42df-9b8f-419ebc600c7a/Aric+Grauke-Smoke+Break.jpg</image:loc>
      <image:title>Home - Drifting without Handlebars - Make it stand out</image:title>
      <image:caption>Detail of Aric Grauke, Smoke Break, 2025. Nitinol, copper, stainless steel, paper, ash, phenolic, acrylic, LEDs, electronics, dimensions variable. Image courtesy of the artist and Below Grand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c90cd25-da5b-4ee3-9f8e-29fab5755867/Peggy+Chiang-WITHOUT+BREAK+WITH+ALL+POWER.jpg</image:loc>
      <image:title>Home - Drifting without Handlebars - Make it stand out</image:title>
      <image:caption>Peggy Chiang, WITHOUT BREAK WITH ALL POWER, 2024. Steel, cast aluminum, spoons, hardware, magnets, 19 x 8 x 6 ½ in. Image courtesy of the artist and Below Grand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f0ebe032-dbb3-4873-beff-fa90970916f5/Victoria+Shen-One+Thousands+Cuts2.jpg</image:loc>
      <image:title>Home - Drifting without Handlebars - Make it stand out</image:title>
      <image:caption>Detail of Victoria Shen, One Thousand Cuts, 2024. Whip, vinly, wood, acrylic, electronics, dimensions variable. Image courtesy of the artist and Brad-Farwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a39c1691-d645-47d0-85ce-19ae7c0f6399/Jude+Tallichet-Ghost+Bike+Fabricated+and+pressed+3.jpg</image:loc>
      <image:title>Home - Drifting without Handlebars - Make it stand out</image:title>
      <image:caption>Jude Tallichet, Ghost Bike Fabricated and pressed, 2016. Aluminum foil, aluminum armature. Image courtesy of the artist and Brad-Farwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7b2becf3-6206-4ece-80a2-fc89947d07da/Nikita+Gale-NOSEBLEED+12+and+NOSEBLEED+14.jpg</image:loc>
      <image:title>Home - Drifting without Handlebars - Make it stand out</image:title>
      <image:caption>Installation view of No Handlebars with Nikita Gale, NOSEBLEED 12 (right) and NOSEBLEED 14 (left), 2024. C-print on Canson Baryta paper mounted on Sintra, 62 x 54 x 33 in. Image courtesy of the artist and Brad-Farwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/knots-ruth-asawa-at-sfmoma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/441b8ba1-90be-4b12-aea7-c418c1d4bc8f/21_Artist+Ruth+Asawa+making+wire+sculptures.jpg</image:loc>
      <image:title>Home - Knots: Ruth Asawa at SFMOMA - Make it stand out</image:title>
      <image:caption>Artist Ruth Asawa making wire sculptures, California, United States, November 1954; image: Nat Farbman/The LIFE Picture Collection/Shutterstock; artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2cea964-61df-4969-af7a-0ffacf40b53e/SFMOMA_Ruth+Asawa+Retrospective_159213b_-%C2%ACHenrik+Kam+2025.jpg</image:loc>
      <image:title>Home - Knots: Ruth Asawa at SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa: Retrospective (installation view, SFMOMA); artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner; photo: Henrik Kam.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f2250b7-df6d-487a-a1a7-356a399bffc9/06_Asawa_ZP.16B.jpg</image:loc>
      <image:title>Home - Knots: Ruth Asawa at SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa, Untitled (ZP.16B, Twelve Looped-Wire Sculptural Forms), mid- to late 1950s; private collection; © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner; photo: James Paonessa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bab5e089-c6d1-43a7-86be-2df973cfbfe7/x2025.4075_09_P02-Large+JPEG_5x7.jpg</image:loc>
      <image:title>Home - Knots: Ruth Asawa at SFMOMA - Make it stand out</image:title>
      <image:caption>Ruth Asawa: Retrospective (installation view, SFMOMA); artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner; photo: Don Ross.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/computer-dreams-on-information-and-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d8542535-b540-42a2-86ea-070b49f6d3dd/The+First+Circle_instview_7.jpg</image:loc>
      <image:title>Home - Computer Dreams: On Information and Images - Make it stand out</image:title>
      <image:caption>The First Circle: Radical Humanism, 2025, installation view, Microscope Gallery, New York. Courtesy of the artists and Microscope Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1bfc7303-c678-4dac-944a-06f1666c0fbd/The+First+Circle_instview_2.jpg</image:loc>
      <image:title>Home - Computer Dreams: On Information and Images - Make it stand out</image:title>
      <image:caption>The First Circle: Radical Humanism, 2025, installation view, Microscope Gallery, New York, featuring Adrianne Wortzel, CRETACEOUS COLORADO, 2007. Courtesy of the artist and Microscope Gallery, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c70eb8b0-690f-4153-9e23-73bbb186ca4c/The+First+Circle_instview_8.jpg</image:loc>
      <image:title>Home - Computer Dreams: On Information and Images - Make it stand out</image:title>
      <image:caption>The First Circle: Radical Humanism, 2025, installation view, Microscope Gallery, New York. Courtesy of the artists and Microscope Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b7441d6-c25e-4e8e-82c2-6ced1b66b09b/Dual+Pneuma+by+Chico+MacMurtrie_TFC.jpg</image:loc>
      <image:title>Home - Computer Dreams: On Information and Images - Make it stand out</image:title>
      <image:caption>Chico MacMurtrie, Dual Pneuma, 2024. Single-channel video. Courtesy of the artist and Microscope Gallery, New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15357e76-8d94-43ff-a46c-46fccb54dc95/LeVeque+Doppler+Beaming+%239+%28flowers%29_TFC.jpg</image:loc>
      <image:title>Home - Computer Dreams: On Information and Images - Make it stand out</image:title>
      <image:caption>Les LeVeque, Doppler Beaming #9, 2022, LCD display, media player, LED display, LED UV lights, wire, fluorescent paint, wood panel, 20 x 16 inches. Courtesy of the artist and Microscope Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbd82df4-130a-43f3-9a20-9c171d51c337/The+First+Circle_instview_1.jpg</image:loc>
      <image:title>Home - Computer Dreams: On Information and Images - Make it stand out</image:title>
      <image:caption>The First Circle: Radical Humanism, 2025, installation view, Microscope Gallery, New York. Courtesy of the artists and Microscope Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/brand-me-tender-one-in-the-hand-two-in-the-fold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5f74a053-a68f-4e62-b369-d9caa08b001e/14.jpg</image:loc>
      <image:title>Home - Brand me Tender: “One in the Hand, Two in the Fold” - Make it stand out</image:title>
      <image:caption>Installation view of One in the Hand, Two in the Fold. Courtesy of the artists and OXH Gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/741d2ff3-682e-4791-bbb4-71618e9782d1/IMG_1057.jpeg</image:loc>
      <image:title>Home - Brand me Tender: “One in the Hand, Two in the Fold” - Make it stand out</image:title>
      <image:caption>Installation view of One in the Hand, Two in the Fold. Courtesy of the artists and OXH Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4cdd7f5a-32c6-4f8e-b811-59f22ecdaeb5/IMG_1060.jpeg</image:loc>
      <image:title>Home - Brand me Tender: “One in the Hand, Two in the Fold” - Make it stand out</image:title>
      <image:caption>Installation view of One in the Hand, Two in the Fold. Courtesy of the artists and OXH Gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9fd92a59-b547-4240-8c7f-55bfb39f5d6f/IMG_8349.jpg</image:loc>
      <image:title>Home - Brand me Tender: “One in the Hand, Two in the Fold” - Make it stand out</image:title>
      <image:caption>Installation view of One in the Hand, Two in the Fold. Courtesy of the artists and OXH Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/through-the-flowers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e1ba89c-405a-4299-9e02-6cd3b7cab225/03_Install_MIT+List-List+Projects+32-Elif+Saydam_JuliaFeatheringill_18.jpg</image:loc>
      <image:title>Home - Through the Flowers - Make it stand out</image:title>
      <image:caption>Exhibition view: List Projects 32: Elif Saydam, MIT List Visual Arts Center, 2025. Photo: Julia Featheringill.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1c23040d-3768-4ff8-8e1b-455018192e3c/Install_MIT+List-List+Projects+32-Elif+Saydam_JuliaFeatheringill_25.jpg</image:loc>
      <image:title>Home - Through the Flowers - Make it stand out</image:title>
      <image:caption>Elif Saydam, Getting the Slip, Hurling a Brick, 2023 (detail). Installation view: List Projects 32: Elif Saydam, MIT List Visual Arts Center, 2025. Courtesy the artist and Tanya Leighton, Berlin and Los Angeles. Photo: Julia Featheringill.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4bc9ef96-e33a-400f-a787-acf76a37a307/Install_MIT+List-List+Projects+32-Elif+Saydam_JuliaFeatheringill_26.jpg</image:loc>
      <image:title>Home - Through the Flowers - Make it stand out</image:title>
      <image:caption>Elif Saydam, After (THE RENT IS TOO HIGH), 2023. Installation view: List Projects 32: Elif Saydam, MIT List Visual Arts Center, 2025. Courtesy the artist and Tanya Leighton, Berlin and Los Angeles. Photo: Julia Featheringill.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da6ff810-304e-4e00-9d6e-7e89d70da58c/Install_MIT+List-List+Projects+32-Elif+Saydam_JuliaFeatheringill_6.jpg</image:loc>
      <image:title>Home - Through the Flowers - Make it stand out</image:title>
      <image:caption>Elif Saydam, Beusselstrasse 17 10553 Alt Moabit, 2022–23 (detail). Installation view: List Projects 32: Elif Saydam, MIT List Visual Arts Center, 2025. Courtesy Tanya Leighton, Berlin and Los Angeles. Photo: Julia Featheringill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c3c9e455-0a7f-404c-8904-6dd5eae27c43/Install_MIT+List-List+Projects+32-Elif+Saydam_JuliaFeatheringill_13.jpg</image:loc>
      <image:title>Home - Through the Flowers - Make it stand out</image:title>
      <image:caption>Elif Saydam, Cupid (forget me not), 2023. Installation view: List Projects 32: Elif Saydam, MIT List Visual Arts Center, 2025. Courtesy the artist and Tanya Leighton, Berlin and Los Angeles. Photo: Julia Featheringill.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18041ca7-df39-4ac5-9248-b31be785140e/Install_MIT+List-List+Projects+32-Elif+Saydam_JuliaFeatheringill_31.jpg</image:loc>
      <image:title>Home - Through the Flowers - Make it stand out</image:title>
      <image:caption>Elif Saydam, Love Poem (Censored), 2025. Installation view: List Projects 32: Elif Saydam, MIT List Visual Arts Center, 2025. Courtesy the artist and Tanya Leighton, Berlin and Los Angeles. Photo: Julia Featheringill.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/unwasted-moments-re-evaluating-tangerine-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e46c8031-d5c4-49f3-8769-d383d094f761/7.jpg</image:loc>
      <image:title>Home - Unwasted Moments: Re-evaluating “Tangerine” (2015) - Make it stand out</image:title>
      <image:caption>Mickey O’Hagan and Kitana Kiki Rodriguez in Tangerine (2015), a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/784f345a-eca6-4ff6-9606-c945b8d2ea87/3.jpg</image:loc>
      <image:title>Home - Unwasted Moments: Re-evaluating “Tangerine” (2015) - Make it stand out</image:title>
      <image:caption>Kitana Kiki Rodriguez and Mickey O’Hagan in Tangerine (2015), a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f244aeec-0e38-48ac-be3b-16893147145c/1.jpg</image:loc>
      <image:title>Home - Unwasted Moments: Re-evaluating “Tangerine” (2015) - Make it stand out</image:title>
      <image:caption>Mya Taylor and Kitana Kiki Rodriguez in Tangerine (2015), a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/daniel-giordanos-praxis-of-excess</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/867050f8-d337-4c6d-9c80-c6de6556dfbe/cojone_docu-5.jpg</image:loc>
      <image:title>Home - Daniel Giordano’s Praxis of Excess - Make it stand out</image:title>
      <image:caption>Installation view of Daniel Giordano, Study For Chronos XIV (Jupiter Optimus Maximus) (2025), The Green Lodge, Chatham, New York, 2025. Photo: Owen Barensfeld.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f3953c00-2ec0-4aa9-a2f5-7c911a8520d8/cojone_docu-22.jpg</image:loc>
      <image:title>Home - Daniel Giordano’s Praxis of Excess - Make it stand out</image:title>
      <image:caption>Detail of Study For Chronos XIV (Jupiter Optimus Maximus) (2025). Photo: Owen Barensfeld.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4fd5608-bf9a-4221-aca9-2273e630cbad/cojone_docu-24.jpg</image:loc>
      <image:title>Home - Daniel Giordano’s Praxis of Excess - Make it stand out</image:title>
      <image:caption>Installation view of Daniel Giordano: I Knew Your Father When He Had Cojones, The Green Lodge, Chatham, New York, 2025. Photo: Owen Barensfeld.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a2ce8d9-3d78-4737-8a37-09dd831482a5/cojone_docu-7.jpg</image:loc>
      <image:title>Home - Daniel Giordano’s Praxis of Excess - Make it stand out</image:title>
      <image:caption>Installation view of Study For Chronos XIV (Jupiter Optimus Maximus) (2025). Photo: Owen Barensfeld.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3aec6f95-af1f-479e-a981-8c127970d537/dg_181_happening_docu-7.jpg</image:loc>
      <image:title>Home - Daniel Giordano’s Praxis of Excess - Make it stand out</image:title>
      <image:caption>Installation view of Study For Chronos XIV (Jupiter Optimus Maximus) (2025), featuring the 181. Photo: Owen Barensfeld.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/panel-discussion-art-and-climate-in-dialogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f868ef15-429d-4e09-94e0-8da9a35dc187/impulse-embodied-earth-006.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdddabb6-9dee-4497-94a6-872c56353139/impulse-embodied-earth-016.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0efeb1f5-c70d-4332-9709-4b724e2816e0/impulse-embodied-earth-039.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Xuezhu Jenny Wang, Sasha Fishman, and Supermrin. Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c1b98325-5d71-48f5-9190-f9500f45f3cb/impulse-embodied-earth-114.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Supermrin. Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a4f7355-9f60-4ac7-b980-ce7062f8910c/impulse-embodied-earth-060.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Sasha Fishman. Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fdfe78b6-6865-42d8-80fb-d3d95f281475/impulse-embodied-earth-135.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Supermrin. Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e16ecb03-4999-4b1c-8a2c-f9e0dc6cc0a4/impulse-embodied-earth-141.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec4a8c23-7e46-4960-98b9-7abfa5e71e71/impulse-embodied-earth-073.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a4c617d-f04f-437e-8705-1cfb47df3a08/impulse-embodied-earth-100.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Will Chan. Photo by Carol Yuan, courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3d191834-0da1-49a7-9804-10f485907557/impulse-embodied-earth-146.jpg</image:loc>
      <image:title>Home - Panel Discussion: Art and Climate in Dialogue - Make it stand out</image:title>
      <image:caption>Left to right: Nicole Jackson, Xuezhu Jenny Wang, Sasha Fishman, Whitney McGuire, Supermrin, and Will Chan. Photo by Carol Yuan. Courtesy of Embodied Earth and IMPULSE Magazine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/peace-is-the-possibility-of-you</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c7c132c0-602a-48a9-ae5b-098342d84c73/Stuart_Sandford_Polaroid_Collage_XVIII_2022+copy.jpg</image:loc>
      <image:title>Home - Peace is the Possibility of You - Make it stand out</image:title>
      <image:caption>Stuart Sandford, Polaroid Collage XVIII, 2022. Unique Polaroid prints, 4.2 x 3.5 in. Courtesy of Slava Mogutin and The Bureau of General Services—Queer Division.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc89848f-b23a-4523-8baa-b3e433dc727e/Screenshot+2025-07-28+at+6.25.36%E2%80%AFPM.png</image:loc>
      <image:title>Home - Peace is the Possibility of You - Make it stand out</image:title>
      <image:caption>Slava Mogutin, War &amp; Peace (Martin), Berlin, 2024. Offset print, 20 x 27.5 in. Courtesy of Slava Mogutin and The Bureau of General Services—Queer Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ae9d8bc2-cd84-4dac-8a7b-c8451d1a3ab8/Cameron_Lee_Phan_Self-Portrait_in_Paris_2020+copy.jpg</image:loc>
      <image:title>Home - Peace is the Possibility of You - Make it stand out</image:title>
      <image:caption>Cameron Lee Phan, Self-Portrait in Paris, 2020. Analog C-print on platine paper, 16 x 20 inches. Courtesy of Slava Mogutin and The Bureau of General Services—Queer Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e029399e-ea98-4ea4-8816-95fa873adfd0/Miguel_Villalobos_Untitled_Nick_2008+copy.jpg</image:loc>
      <image:title>Home - Peace is the Possibility of You - Make it stand out</image:title>
      <image:caption>Miguel Villalobos, Untitled (Nick), Chelsea, NYC, circa 2008. Archival pigment print, 11 x 14 inches. Courtesy of Slava Mogutin and The Bureau of General Services—Queer Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d43278b1-a092-4b72-b5de-3c58563d50a4/%C2%A9Ben-Prince-ANGEL%2C-SOMEWHERE-OFF-I-10_2024.jpg</image:loc>
      <image:title>Home - Peace is the Possibility of You - Make it stand out</image:title>
      <image:caption>Ben Prince, Angel, Somewhere off I-10, 2024. Giclée print on luster fine art paper mounted on D-bond, 15 x 13 inches. Courtesy of Slava Mogutin and The Bureau of General Services—Queer Division.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/62d87280-9579-4fc7-bfa6-d7932656a812/%C2%A9Ross_Collab_Lover_s_Kiss_Brooklyn_2022_WEB+copy.jpg</image:loc>
      <image:title>Home - Peace is the Possibility of You - Make it stand out</image:title>
      <image:caption>Ross Collab, Lover's Kiss, Brooklyn, 2022. Digital C-print from 35mm film, 12 x 18 inches. Courtesy of Slava Mogutin and The Bureau of General Services—Queer Division.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-anti-image-in-the-age-of-visual-noise</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2bff77b6-c6bf-4694-92a9-d46414fa0eb3/Victory+Over+the+sun+Installed+6.jpg</image:loc>
      <image:title>Home - The Anti-Image in the Age of Visual Noise - Make it stand out</image:title>
      <image:caption>Victory Over the Sun installed at RYAN LEE Gallery, 2025 (courtesy of RYAN LEE Gallery).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97d0d035-e61a-4b4d-967b-a0fc7906fc26/Victory+Over+the+sun+Installed+3.jpg</image:loc>
      <image:title>Home - The Anti-Image in the Age of Visual Noise - Make it stand out</image:title>
      <image:caption>Victory Over the Sun installed at RYAN LEE Gallery, 2025 (courtesy of RYAN LEE Gallery).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b630032-5ff9-44d4-9d62-c0325e5d4516/Victory+Over+the+sun+Installed+1.jpg</image:loc>
      <image:title>Home - The Anti-Image in the Age of Visual Noise - Make it stand out</image:title>
      <image:caption>Victory Over the Sun installed at RYAN LEE Gallery, 2025 (courtesy of RYAN LEE Gallery).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/83264c2e-0194-4fb3-902d-770759ae67cb/Victory+Over+the+sun+Installed+4.jpg</image:loc>
      <image:title>Home - The Anti-Image in the Age of Visual Noise - Make it stand out</image:title>
      <image:caption>Victory Over the Sun installed at RYAN LEE Gallery, 2025 (courtesy of RYAN LEE Gallery).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b44abac7-4c6c-4b7c-b092-b2d85109eb59/Victory+Over+the+sun+Installed+2.jpg</image:loc>
      <image:title>Home - The Anti-Image in the Age of Visual Noise - Make it stand out</image:title>
      <image:caption>Victory Over the Sun installed at RYAN LEE Gallery, 2025 (courtesy of RYAN LEE Gallery).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-conversation-with-ceirra-evans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8f70c331-775b-4633-957e-64a1e05451b4/Evans+slides-01.jpeg</image:loc>
      <image:title>Home - In Conversation with Ceirra Evans - Make it stand out</image:title>
      <image:caption>Ceirra Evans, Fixin’ to rain, 2025. Oil on canvas, 54 x 68 inches. Courtesy of the artist and Institute 193.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de46c25e-86a6-4031-ba78-3120eaecc7fa/Evans+slides-06.jpeg</image:loc>
      <image:title>Home - In Conversation with Ceirra Evans - Make it stand out</image:title>
      <image:caption>Ceirra Evans, Milk, Eggs, and Bread, 2025. Oil on canvas, 80 x 56 inches. Courtesy of the artist and Institute 193.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c2b096b9-0621-4e42-9132-5d05f343b970/Evans+slides-08.jpeg</image:loc>
      <image:title>Home - In Conversation with Ceirra Evans - Make it stand out</image:title>
      <image:caption>Ceirra Evans, Gotta Do What You Gotta Do, 2025. Oil on canvas, 38 x 52 inches. Courtesy of the artist and Institute 193.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/790fb249-387c-45c1-a3af-e637d8fb9027/Evans+slides-04.jpeg</image:loc>
      <image:title>Home - In Conversation with Ceirra Evans - Make it stand out</image:title>
      <image:caption>Ceirra Evans, Coming up Roses, 2025. Oil on canvas, 64 x 46 inches. Courtesy of the artist and Institute 193.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3b06ced8-c203-4363-9694-03f0efb03555/Evans+slides-15.jpeg</image:loc>
      <image:title>Home - In Conversation with Ceirra Evans - Make it stand out</image:title>
      <image:caption>Ceirra Evans, In Spite of Ourselves, 2025. Oil on canvas, 66 x 42 inches. Courtesy of the artist and Institute 193.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7ee92cba-04cf-45f0-84a3-c43d31d2bbdd/Evans+slides-13.jpeg</image:loc>
      <image:title>Home - In Conversation with Ceirra Evans - Make it stand out</image:title>
      <image:caption>Ceirra Evans, Winner, Winner, Chicken Dinner, 2025. Oil on canvas, 50 x 72 inches. Courtesy of the artist and Institute 193.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-july-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3254cbbb-bd3b-4644-ac35-983ee836d3ab/DSC_2186.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Sympathetic Lightning at Springs Projects, Brooklyn. Photograph by Ocean Studios</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43c2e389-33ec-4882-8128-b93e7d9438f3/Screen+Shot+2025-07-11+at+11.19.54+AM.png</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore (1999). Video. Courtesy of the artist, Gladstone Gallery, Cabinet Gallery, Galerie Buchholz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2f779f7d-ae4d-45ca-9559-1cdb62d41132/Screen+Shot+2025-07-11+at+11.19.46+AM.png</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Arthur Jafa, Love is the Message, the Message Is Death (2016). Video. Courtesy of the artist, Gladstone Gallery, Sprüth Magers, Sadie Coles HQ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76e3b89b-9471-4a19-bbe8-cbf3bed5b7ba/Horizontal-image-for-the-website-cover-1300x865.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Installation view of The Thin Place. Zesheng Li, 2022-2025. Image by Jimmy Liu. Courtesy of The London Art Collective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c9712932-eb56-47ce-8530-0f762fe80c2c/Youngmin+park_hole+in+the+city_Image+Courtesy_+the+Artist+and+Make+Room+Gallery.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Youngmin Park, Hole in the city, 2025. Pencil and color pencil on paper pinned with enamel coated fly made with ceramic, paper, and wire, 4 ⅛ x 5 ¾ in, 10 ⅜ x 12 in (framed). Image courtesy of the artist and Make Room Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38f83495-4a80-4a79-ae49-0d0f791bc2fb/9.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Youngmin Park: Holes in the City, 2025. Image courtesy of the artist and Make Room Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4e400a0d-caea-4dc4-bbc2-ea4c8ba3d883/Screen+Shot+2025-07-11+at+1.30.04+PM.png</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Installation view of REPORT FROM NORI MOUNTAIN, on view at S M I L E R S. Photo courtesy of Laura Tighe</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ea74fe99-9ccc-446e-8246-c39d9e113282/Theodora+Allen%2C+The+Divide%2C+2025+%C2%A9+Theodora+Allen.+Courtesy+of+the+aritst+and+Kasmin%2C+New+York.+Photo+by+Marten+Elder.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Theodora Allen, The Divide, 2025 © Theodora Allen. Courtesy of the artist and Kasmin, New York. Photo by Marten Elder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55a99510-23ee-47a0-a56c-dc19a9533ed0/ChoichunLeung_Beast.JPEG</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Choichun Leung, GREED AND THE UNACHIEVABLE NATURE OF IMMORTALITY (2021). Ink on paper, 22 x 30 in. Courtesy of the artist and RUBY/DAKOTA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2ee4193a-2523-47d0-87e3-372560a974dd/BER_0249-Pano-2_WEB.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Bayan Kiwan, Intimate Trespasses (2025). Oil on canvas, 137 x 70 inches. Courtesy of Brief Histories and the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0fedbb1-0fef-40fd-9f78-a0729ecadd9c/Elemental+Forms%2C+Landscape+Rearticulated%2C+Plurality%2C+2022+%C2%A9+Nadezda+Nikolova+%28Courtesy+HackelBury+Fine+Art%2C+London%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: July 2025 - Make it stand out</image:title>
      <image:caption>Elemental Forms, Landscape Rearticulated, Plurality, 2022 © Nadezda Nikolova (Courtesy HackelBury Fine Art, London).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-elegy-of-distance-a-return-and-a-farewell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2eccde37-2869-4914-842c-a9366c702025/Michael+Tracy-The+Elegy+of+Distance+HighRes-16.jpg</image:loc>
      <image:title>Home - “The Elegy of Distance”: A Return and a Farewell - Make it stand out</image:title>
      <image:caption>Installation view of Michael Tracy: The Elegy of Distance. Courtesy of McNay Art Museum, photo by Jacklyn Velez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23f02c32-dd9f-4c41-b7f2-bb8e259e6e11/Michael+Tracy-The+Elegy+of+Distance+HighRes-18.jpg</image:loc>
      <image:title>Home - “The Elegy of Distance”: A Return and a Farewell - Make it stand out</image:title>
      <image:caption>Installation view of Michael Tracy: The Elegy of Distance. Courtesy of McNay Art Museum, photo by Jacklyn Velez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a57a4cd-0224-4376-abdd-cc6e5406e8f0/Michael+Tracy-The+Elegy+of+Distance+HighRes-11.jpg</image:loc>
      <image:title>Home - “The Elegy of Distance”: A Return and a Farewell - Make it stand out</image:title>
      <image:caption>Installation view of Michael Tracy: The Elegy of Distance. Courtesy of McNay Art Museum, photo by Jacklyn Velez</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-july-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91443365-1189-47fe-b500-94201ca6c1fa/Shared+Grounds+-+Preview+-71.jpg</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Photo: Yann Chashanovski</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ea3b2b2a-37ae-4a55-9f62-07875516b0b7/Shared+Grounds+-+Preview+-69.jpg</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Photo: Yann Chashanovski</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55c9fc5b-7e49-473b-a94e-ba3b024d9b32/IMG_7648.jpg</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Austin Clay Willis in his studio before Room Set (2024). Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ddb9ffaa-7e28-4708-ae0e-b6cb21b185e3/Shin_Jennifer4.JPG</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Jennifer Shin, One Year of Papers (2023). 5.5” x 7.5” x 2.625”, compilation of 40 different kinds of vegetable papers created between 2022 and 2023. Stored in a clamshell box with a radish tracing as the cover, the collection is meant to contain a year's worth of research and experiments. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb61bd66-3967-45e3-9dae-3bfccd1e6239/DS_Portrait.JPG</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Studio portrait of Dragan Strukelj. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/92a6de60-707a-406c-9c7a-36a589048476/DSC_0149.JPG</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Studio view. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/66f80f2f-a3de-4649-bb45-66399128583f/bio.jpg</image:loc>
      <image:title>Home - Face to Face: July 2025 - Make it stand out</image:title>
      <image:caption>Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-engrossing-psychology-of-ophelia-arc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13150b47-c3e6-492e-8a81-d6816675d596/DSCF1783.jpg</image:loc>
      <image:title>Home - The Engrossing Psychology of Ophelia Arc - Make it stand out</image:title>
      <image:caption>Ophelia Arc, The Natal Lacuna, 2025. Installation View at Lyles &amp; King, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc205cdf-cfdd-448e-8b36-3f9b970b5dda/DSCF1910.jpg</image:loc>
      <image:title>Home - The Engrossing Psychology of Ophelia Arc - Make it stand out</image:title>
      <image:caption>Ophelia Arc, reaD into a loWly Key, (i hope you are doing well), 2025, hand dyed yarn, dye stained gauze, Alex and Ani sparkle unicorn bangle charm, tattooed doll arm (right), magnets, thread, and tulle on stretcher. 20 x 16 1/2 x 4 inches. Courtesy of the artist and Lyles &amp; King.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f11272d2-ad35-44f1-bc82-f481d39f583b/DSCF1855.jpg</image:loc>
      <image:title>Home - The Engrossing Psychology of Ophelia Arc - Make it stand out</image:title>
      <image:caption>Ophelia Arc, starvation motive, 2024, Hand dyed yarn, thread, tulle, $30 in quarters, specimen cup, and IV pole. Variable dimensions. Courtesy of the artist and Lyles &amp; King.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec6260f7-c6f8-4ccf-8eec-63f80d33df0a/DSCF1986.jpg</image:loc>
      <image:title>Home - The Engrossing Psychology of Ophelia Arc - Make it stand out</image:title>
      <image:caption>Ophelia Arc, self embodiment II, 2024, crayon, graphite, Arcoroc Canterbury Dinner Plate rubbing, photos of the artist's teeth, and graph paper. 75 x 44 inches. Courtesy of the artist and Lyles &amp; King.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be7404ff-0d70-4067-ac7c-9a0e9bc25679/DSCF1959.jpg</image:loc>
      <image:title>Home - The Engrossing Psychology of Ophelia Arc - Make it stand out</image:title>
      <image:caption>Ophelia Arc, anniversary effect (congratulations on 10 years of mapping airless space), 2025, screen grabs from a video of The Outlook NYP 2010, reproduction of letters from the artists mother, photo of artist's dollhouse and accessories, photos from artist's childhood home, photos of the Bloomingdale Hospital/Westchester Division from New York-Presbyterian/Weill Cornell Medical Center Archives Digital Collection (early 1900’s), thread, graphite, and crayon mounted on panel. 24 x 36 x 1 1/2 inches. Courtesy of the artist and Lyles &amp; King.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/magali-lara-stitched-to-the-body</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7915f73a-07d6-4eac-9f47-317532c28934/ISLAA_Magali+Lara_+Stitched+to+the+Body_Image+3.jpg</image:loc>
      <image:title>Home - Magali Lara: “Stitched to the Body” - Make it stand out</image:title>
      <image:caption>Installation view of Magali Lara: Stitched to the Body, Institute for Studies on Latin American Art (ISLAA), New York, 2025. Photo: George Etheredge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d5beeb6-54fa-44bc-a7b0-dc27fe9b436a/ISLAA_Magali+Lara_+Stitched+to+the+Body_Image+5.jpg</image:loc>
      <image:title>Home - Magali Lara: “Stitched to the Body” - Make it stand out</image:title>
      <image:caption>Magali Lara, New York, from the series Frida (1978). © Magali Lara</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0da9781b-06f2-4d82-91f5-c7c3b57c6e38/ISLAA_Magali+Lara_+Stitched+to+the+Body_Image+4.jpeg</image:loc>
      <image:title>Home - Magali Lara: “Stitched to the Body” - Make it stand out</image:title>
      <image:caption>Magali Lara, De lo amoroso, personal, confidencial, etcétera (1982). © Magali Lara</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2299951-26e3-430a-abc5-ecebe97fafeb/ISLAA_Magali+Lara_+Stitched+to+the+Body_Image+1.jpg</image:loc>
      <image:title>Home - Magali Lara: “Stitched to the Body” - Make it stand out</image:title>
      <image:caption>Installation view of Magali Lara: Stitched to the Body, Institute for Studies on Latin American Art (ISLAA), New York, 2025. Photo: George Etheredge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/addb56f6-28b1-4cf8-b91f-a97e34210050/5.jpg</image:loc>
      <image:title>Home - Magali Lara: “Stitched to the Body” - Make it stand out</image:title>
      <image:caption>Magali Lara, Luego lo lavo, from the series Historias de casa (1984). © Magali Lara</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-exhibition-design-with-grace-caiazza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e421a9bc-e2ee-4a7e-8b64-844b9ef4166a/GC+Headshot.jpeg</image:loc>
      <image:title>Home - On Exhibition Design with Grace Caiazza - Make it stand out</image:title>
      <image:caption>Courtesy of Grace Caiazza</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a2fa6a4-2a46-4d19-8b0e-7d217d41b866/250703EFrossard_Kaje_Art_1180.jpg</image:loc>
      <image:title>Home - On Exhibition Design with Grace Caiazza - Make it stand out</image:title>
      <image:caption>Installation view of Arachnophobia. Courtesy of KAJE World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/47bf995c-d182-4e7d-b05b-ffd16e4912e8/Screenshot+2025-07-08+at+11.25.24%E2%80%AFPM.png</image:loc>
      <image:title>Home - On Exhibition Design with Grace Caiazza - Make it stand out</image:title>
      <image:caption>Rendering for the exhibition design of Arachnophobia. Courtesy of Grace Caiazza</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/afbd3ca5-ee83-49e3-9b19-2beb03acb08c/250703EFrossard_Kaje_Art_1219a.jpg</image:loc>
      <image:title>Home - On Exhibition Design with Grace Caiazza - Make it stand out</image:title>
      <image:caption>Installation view of Arachnophobia. Courtesy of KAJE World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/05dff004-bd23-4e71-b722-f889352e0ebf/250703EFrossard_Kaje_Art_1229.jpg</image:loc>
      <image:title>Home - On Exhibition Design with Grace Caiazza - Make it stand out</image:title>
      <image:caption>Installation view of Arachnophobia. Courtesy of KAJE World</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/immigrant-theatermakers-take-center-stage-at-global-forms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/306e3965-eebb-4740-9ebb-5625d34caa06/Global+Forms+2024_web%28c%29Bronwen_Sharp.jpg</image:loc>
      <image:title>Home - Immigrant Theatermakers Take Center Stage at Global Forms - Make it stand out</image:title>
      <image:caption>Production at the Global Forms Festival, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a2ded4d0-165b-4d39-89c4-ab0bf13eb7e0/IMGP5637-scaled.jpg</image:loc>
      <image:title>Home - Immigrant Theatermakers Take Center Stage at Global Forms - Make it stand out</image:title>
      <image:caption>Production at the Global Forms Festival, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a7fc97bc-7b87-4d5b-b807-e65625927ed5/Screenshot+2025-04-30+at+11.38.08.png</image:loc>
      <image:title>Home - Immigrant Theatermakers Take Center Stage at Global Forms - Make it stand out</image:title>
      <image:caption>Production at the Global Forms Festival, 2025. Photo by HanJie Chow</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/identity-as-process-of-mutual-becoming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2e6871b8-980d-4340-b74e-015ef43e85e3/2b69a33a-29b9-4495-800f-c94f6ae7c63c.JPG</image:loc>
      <image:title>Home - Identity as Process of Mutual Becoming - Make it stand out</image:title>
      <image:caption>Installation view of María Paula Suárez’s first solo show in Bogotá. Courtesy of the artist and Otros 360 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/88f89289-6382-4c31-ae2e-d2146d9dbe89/SubjectToRelation_EmbroideryOnPaper_UNITEDNATIONS.jpg</image:loc>
      <image:title>Home - Identity as Process of Mutual Becoming - Make it stand out</image:title>
      <image:caption>María Paula Suárez, Subject to Relation (2025). Paper and embroidery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b22eb5ad-af03-4dea-858d-9775795d6ad6/PHOTO.JPG</image:loc>
      <image:title>Home - Identity as Process of Mutual Becoming - Make it stand out</image:title>
      <image:caption>Courtesy of María Paula Suárez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ecb4ca61-4107-4161-ac6b-3f339596645a/ElSilencioDelViento.JPG</image:loc>
      <image:title>Home - Identity as Process of Mutual Becoming - Make it stand out</image:title>
      <image:caption>Installation view of Paisaje Continuo, María Paula Suárez’s solo show in Mexico City. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jochen-mhlenbrinks-illusions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f5fc696d-e0ca-406d-a28d-c957fa7b46ce/LSS-5-15-2025+3.jpg</image:loc>
      <image:title>Home - Jochen Mühlenbrink’s Illusions - Make it stand out</image:title>
      <image:caption>Installation view of Jochen Mühlenbrink: STILL (Lifes and Dreams). Courtesy of the artist and Long Story Short</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb365de3-dd4b-4681-ba6a-b8fda7b64e2f/LSS-5-15-2025+22.jpg</image:loc>
      <image:title>Home - Jochen Mühlenbrink’s Illusions - Make it stand out</image:title>
      <image:caption>Installation view of Jochen Mühlenbrink: STILL (Lifes and Dreams). TPR Venus (2011/2025), TP Raw (2024), and TP Raw (2024). Courtesy of the artist and Long Story Short</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/56af225c-2d46-4acb-b1cb-f9279ca94f7f/LSS-5-15-2025+19.jpg</image:loc>
      <image:title>Home - Jochen Mühlenbrink’s Illusions - Make it stand out</image:title>
      <image:caption>Installation view of Jochen Mühlenbrink: STILL (Lifes and Dreams). WP BCP (2025) and WTP (2023). Courtesy of the artist and Long Story Short</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/no-longer-me-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9926851c-221a-4a63-9997-3c4375c96f5b/01.ZHacmon_GhostM.jpg</image:loc>
      <image:title>Home - “No Longer Me”: Displacement Echoed in Steel and Sound - Make it stand out</image:title>
      <image:caption>Installation view of No Longer Me. Photo by Etienne Frossard. Courtesy of Zac Hacmon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cf065ac6-4a22-44a7-91c3-809f6c23dac6/04.ZHacmon_GhostM.jpg</image:loc>
      <image:title>Home - “No Longer Me”: Displacement Echoed in Steel and Sound - Make it stand out</image:title>
      <image:caption>Installation view of No Longer Me. Photo by Etienne Frossard. Courtesy of Zac Hacmon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/40e3a140-2823-43fb-9374-01a5d7c8493e/03.ZHacmon_GhostM.jpg</image:loc>
      <image:title>Home - “No Longer Me”: Displacement Echoed in Steel and Sound - Make it stand out</image:title>
      <image:caption>Installation view of No Longer Me. Photo by Etienne Frossard. Courtesy of Zac Hacmon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6bf1b3b-cc2f-44dc-9d29-a30ea508e649/250607EFrossard_ZHacmon_GhostM_0437.jpg</image:loc>
      <image:title>Home - “No Longer Me”: Displacement Echoed in Steel and Sound - Make it stand out</image:title>
      <image:caption>Installation view of No Longer Me. Photo by Etienne Frossard. Courtesy of Zac Hacmon</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-a-field-of-wild-glyphs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f5444721-6e3a-477a-9ea4-6f3e01bf30fc/JK_VersesOnOxherding_23.jpg</image:loc>
      <image:title>Home - On a Field of Wild Glyphs - Make it stand out</image:title>
      <image:caption>Installation view, Jenny Jisun Kim:Verses on Oxherding, 2025, Al Held Foundation. Photo courtesy of Jenny Jisun Kim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41e52aab-03a1-4237-bacc-d93759745059/JK25009.jpg</image:loc>
      <image:title>Home - On a Field of Wild Glyphs - Make it stand out</image:title>
      <image:caption>Jenny Jisun Kim, Carried, 2025, Acrylic, gouache, graphite, and pigment on linen, 20 x 20 inches. Photo courtesy of Jenny Jisun Kim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3268b1ae-5008-4bd4-b188-4b3b2be91a74/JK250014.jpg</image:loc>
      <image:title>Home - On a Field of Wild Glyphs - Make it stand out</image:title>
      <image:caption>Jenny Jisun Kim,The Hand of the Ordinary, 2025. Conte, gouache, ink, pigment, watercolor, and wood stain on linen, 20 x 20 inches. Photo courtesy of Jenny Jisun Kim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc23a571-5d8a-4f86-9bb1-83827e237014/JK25005.jpg</image:loc>
      <image:title>Home - On a Field of Wild Glyphs - Make it stand out</image:title>
      <image:caption>Jenny Jisun Kim, Figure, 2025. Acrylic, conte, gouache, oil, watercolor, and wood stain on linen, 20 x 20 inches. Photo courtesy of Jenny Jisun Kim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b1255bd-e261-4669-8aec-1594df346070/JK25004.jpg</image:loc>
      <image:title>Home - On a Field of Wild Glyphs - Make it stand out</image:title>
      <image:caption>Jenny Jisun Kim, Marks, 2025. Graphite, ink, and wood stain on linen, 20 x 20 inches. Photo courtesy of Jenny Jisun Kim.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/mercy-clubhouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3dcf101c-6df4-4388-902a-0c11c5f4ce83/DSCF2104_mercyclubhouse_edit.jpg</image:loc>
      <image:title>Home - Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse” - Make it stand out</image:title>
      <image:caption>Installation view of Mercy Clubhouse at Spill 180. The exhibition presented 54 collaborative new works by Agnes Walden &amp; Creighton Baxter. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a51553e4-8e15-48dd-b485-199c9519204b/DSCF2160_widefullwall_edit.jpg</image:loc>
      <image:title>Home - Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse” - Make it stand out</image:title>
      <image:caption>Installation view of Mercy Clubhouse at Spill 180. The exhibition presented 54 collaborative new works by Agnes Walden &amp; Creighton Baxter. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73fe5a38-b090-4c3b-8a8f-e25a41667bc6/DSCF2141_edit.jpg</image:loc>
      <image:title>Home - Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse” - Make it stand out</image:title>
      <image:caption>Installation view of Mercy Clubhouse at Spill 180. The exhibition presented 54 collaborative new works by Agnes Walden &amp; Creighton Baxter. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38119622-c93b-4a62-bfad-0a4c2ef584f3/DSCF2149_edit.jpg</image:loc>
      <image:title>Home - Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse” - Make it stand out</image:title>
      <image:caption>Installation view of Mercy Clubhouse at Spill 180. The exhibition presented 54 collaborative new works by Agnes Walden &amp; Creighton Baxter. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a36ac984-199d-4af8-a9b8-d881a9a889eb/IMG_1360.jpg</image:loc>
      <image:title>Home - Creighton Baxter and Agnes Walden Take Us Inside Their “Mercy Clubhouse” - Make it stand out</image:title>
      <image:caption>Creighton Baxter and Agnes Walden at the Mercy Clubhouse opening reception, held on March 7th, 2025, at the Spill 180 gallery &amp; garden. Image courtesy of Chaitanya Harshita Nedunuri Kahn.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/emma-sarpaniemi-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5fcad1e-df97-4006-a951-51bbd0b10a8f/emma-sarpaniemi-orange-moon.jpg</image:loc>
      <image:title>Home - Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze - Make it stand out</image:title>
      <image:caption>Emma Sarpaniemi, Orange Moon (2024). Archival pigment print on dibond. Ed. 1/5 + 2 AP. 125 cm x 100 cm. Courtesy of the artist and Helsinki Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93dbadd8-663a-4079-b271-2e8d3857d583/emma-sarpaniemi-spring-green.jpg</image:loc>
      <image:title>Home - Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze - Make it stand out</image:title>
      <image:caption>Emma Sarpaniemi, Spring Green (2025). Lambda print on dibond, framed. Ed. 1/5 + 2 AP. 28 cm x 35 cm. Courtesy of the artist and Helsinki Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee37572b-6829-4230-bc5a-dcdb219890cd/emma-sarpaniemi-exhibition-view-snake-lifter-6.jpg</image:loc>
      <image:title>Home - Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze - Make it stand out</image:title>
      <image:caption>Installation view of Emma Sarpaniemi: Snake Lifter. Courtesy of the artist and Helsinki Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ea764ca-6a99-4e4f-8f45-abe28e1a8326/emma-sarpaniemi-ohjus.jpg</image:loc>
      <image:title>Home - Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze - Make it stand out</image:title>
      <image:caption>Emma Sarpaniemi, Ohjus (2025). Lambda print on dibond, framed. Ed. 1/5 + 2 AP. 35 cm x 28 cm. Courtesy of the artist and Helsinki Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd8cf755-0da9-4ec5-a4bf-286d68d383e9/emma-sarpaniemi-an-attempt-to-become-a-mountain-ii.jpg</image:loc>
      <image:title>Home - Emma Sarpaniemi on Costume, Color, and the Camera’s Gaze - Make it stand out</image:title>
      <image:caption>Emma Sarpaniemi, An Attempt to Become a Mountain II (2024). Archival pigment print on dibond. Ed. 1/5 + 2 AP. 125 cm x 100 cm. Courtesy of the artist and Helsinki Contemporary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/cosmic-bodies-collective-futures-in-conversation-with-tanya-aguiiga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d6aab130-60ae-4b54-b49c-105e488e94f3/AB15128_Aguiniga_lg.jpg</image:loc>
      <image:title>Home - Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga - Make it stand out</image:title>
      <image:caption>Tanya Aguiñiga, Alcyoneus, 2025. Cochinilla-dyed cotton rope and heckled flax. Dimensions as installed: 143 x 157 x 44 inches. Courtesy of the artists and albertz benda NY | LA. Photo: Thomas Muller.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/794c43b9-1786-4bd0-a59f-91701fcae65f/Tanya_3_lg.jpg</image:loc>
      <image:title>Home - Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga - Make it stand out</image:title>
      <image:caption>Tanya Aguiñiga. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b7db9bb4-7053-4003-bb19-30c246cb40a9/Aguin%CC%83iga_Install_11_lg.jpg</image:loc>
      <image:title>Home - Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga - Make it stand out</image:title>
      <image:caption>Tanya Aguiñiga: Weighted, albertz benda, New York. May 8–June 21, 2025. Photo: Thomas Mueller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21c98d5a-6cbe-4d08-8351-e98e6cc2cf56/Aguin%CC%83iga_Install_10_lg.jpg</image:loc>
      <image:title>Home - Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga - Make it stand out</image:title>
      <image:caption>Tanya Aguiñiga: Weighted, albertz benda, New York. May 8–June 21, 2025. Photo: Thomas Mueller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c1e1912b-65b0-46b4-8027-f09bc8481d53/Tanya_4_lg.jpg</image:loc>
      <image:title>Home - Cosmic Bodies, Collective Futures: In Conversation with Tanya Aguiñiga - Make it stand out</image:title>
      <image:caption>Portrait of the artist. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/002-fusion-a-jest-in-three-acts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a70f216-69b8-4a63-bc44-975ab8483a08/Nguyen_016.jpg</image:loc>
      <image:title>Home - “002 Fusion”: A Jest in Three Acts - Make it stand out</image:title>
      <image:caption>Installation view of Fusion, 2025. Courtesy of Open Kitchen, photography by Anh Nguyen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ac82ecf7-6880-404f-8e47-f6bbd845dfaa/IMG_8409.jpg</image:loc>
      <image:title>Home - “002 Fusion”: A Jest in Three Acts - Make it stand out</image:title>
      <image:caption>Installation view of Fusion, 2025. Courtesy of Open Kitchen, photography by Anh Nguyen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0909492-eb5b-49b5-a476-3f3a2c0f706f/Nguyen_001.jpg</image:loc>
      <image:title>Home - “002 Fusion”: A Jest in Three Acts - Make it stand out</image:title>
      <image:caption>Installation view of Fusion, 2025. Courtesy of Open Kitchen, photography by Anh Nguyen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dadbd651-af0c-414a-9b39-d70eded4fdad/Nguyen_015.jpg</image:loc>
      <image:title>Home - “002 Fusion”: A Jest in Three Acts - Make it stand out</image:title>
      <image:caption>Installation view of Fusion, 2025. Courtesy of Open Kitchen, photography by Anh Nguyen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/510fde92-30d2-4d86-b6f8-b4e18e6d9f6e/Nguyen_005.jpg</image:loc>
      <image:title>Home - “002 Fusion”: A Jest in Three Acts - Make it stand out</image:title>
      <image:caption>Installation view of Fusion, 2025. Courtesy of Open Kitchen, photography by Anh Nguyen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/rainbird-ascends-into-the-ethereal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/51a5ccc6-aff7-4a5f-84be-cffe7d3fc099/Rainbird_Baranova-0864.jpg</image:loc>
      <image:title>Home - “Rainbird” Ascends into the Ethereal - Make it stand out</image:title>
      <image:caption>Beatrice (Gelsey Bell) and Godfrey Rainbird (Chris Dimeglio) in Rainbird (2025). Photo by Maria Baranova, courtesy of Experiments in Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7956dd9d-c9dd-4388-a5c0-a1b05a1fef76/Rainbird_Baranova-1083.jpg</image:loc>
      <image:title>Home - “Rainbird” Ascends into the Ethereal - Make it stand out</image:title>
      <image:caption>Company of Rainbird (2025). Photo by Maria Baranova, courtesy of Experiments in Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7ca5e7ce-d7ce-4814-9b75-fde21d6afac4/Rainbird_Baranova-1176.jpg</image:loc>
      <image:title>Home - “Rainbird” Ascends into the Ethereal - Make it stand out</image:title>
      <image:caption>Beatrice (Gelsey Bell) and Godfrey Rainbird (Chris Dimeglio) in Rainbird (2025). Photo by Maria Baranova, courtesy of Experiments in Opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d6840e1f-a697-44b6-9ac4-0355aa211aa9/Rainbird_Baranova-1889.jpg</image:loc>
      <image:title>Home - “Rainbird” Ascends into the Ethereal - Make it stand out</image:title>
      <image:caption>Rainbird (2025). Photo by Maria Baranova, courtesy of Experiments in Opera.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/palestinian-love-and-american-bureaucracy-in-mo-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b155138-4e75-43b7-b2f9-3f8d7a73331b/MO_207_Unit_01800RC.jpeg</image:loc>
      <image:title>Home - Palestinian Love and American Bureaucracy in “Mo” (2022–) - Make it stand out</image:title>
      <image:caption>Mo (2022–).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8f1af156-f8c0-4288-bc04-52cfbfeed7b3/TCDMOOO_ZX024.jpeg</image:loc>
      <image:title>Home - Palestinian Love and American Bureaucracy in “Mo” (2022–) - Make it stand out</image:title>
      <image:caption>Farah Bsieso and Mo Amer in Mo (2022–).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9479c2ff-eef2-43c6-a717-419082550474/Mo-Amer-Omar-Elba-Cherien-Dabis-who-play-siblings-in-MO-praying-Netflix-sm.jpg</image:loc>
      <image:title>Home - Palestinian Love and American Bureaucracy in “Mo” (2022–) - Make it stand out</image:title>
      <image:caption>Mo Amer, Omar Elba, and Cherien Dabis in Mo (2022–).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/64298b9f-e175-4f25-a6d6-80332b354d2b/Mo_n_S2_E8_00_07_23_06RC.jpg</image:loc>
      <image:title>Home - Palestinian Love and American Bureaucracy in “Mo” (2022–) - Make it stand out</image:title>
      <image:caption>Mo (2022–).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ccf6f342-835c-4dae-8610-3bb1a2ac4f8d/Mo_Season1_Episode7_00_13_13_11R.jpg</image:loc>
      <image:title>Home - Palestinian Love and American Bureaucracy in “Mo” (2022–) - Make it stand out</image:title>
      <image:caption>Lee Eddy, Farah Bsieso, Omar Elba, Cherien Dabis, and Mo Amer in Mo (2022–).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-clown-walks-into-the-crowd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7ff2c866-381f-4bc4-9b88-105d41590a19/2+-+Julia+Masli+in+Ha+Ha+Ha+Ha+Ha+Ha+Ha+%28credit+Austin+Ruffer%29.jpg</image:loc>
      <image:title>Home - A Clown Walks into the Crowd - Make it stand out</image:title>
      <image:caption>Image by Austin Ruffer, courtesy of The Public Theater.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2bf67b6a-d9ab-4fd6-b83e-b87b83b23d43/credit+Cameron+Whitman+20240716-0492.jpg</image:loc>
      <image:title>Home - A Clown Walks into the Crowd - Make it stand out</image:title>
      <image:caption>Image by Cameron Whitman, courtesy of The Public Theater.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f6552ee-9dd7-4db4-bd81-856094e431d8/credit+Cameron+Whitman+20240716-6717.jpg</image:loc>
      <image:title>Home - A Clown Walks into the Crowd - Make it stand out</image:title>
      <image:caption>Image by Cameron Whitman, courtesy of The Public Theater.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/dylan-rose-rheingold-unlocks-our-core-memories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0629a5a7-9cdd-4459-9373-314cdbb23278/Screenshot+2025-06-17+at+3.23.49+PM.png</image:loc>
      <image:title>Home - Dylan Rose Rheingold Unlocks Our Core Memories - Make it stand out</image:title>
      <image:caption>Dylan Rose-Rheingold, Better than Ever, 2024. Oil, acrylic, and sumi ink on canvas. Photo Credit: Mico Corvino. Courtesy of Ward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/61b34e2c-c1f2-4709-92a4-fa8f41fdcae3/Screenshot+2025-06-17+at+3.24.02+PM.png</image:loc>
      <image:title>Home - Dylan Rose Rheingold Unlocks Our Core Memories - Make it stand out</image:title>
      <image:caption>Pictured (left to right): Gabrielle Richardson, Saam Niami, Dylan Rose-Rheingold. Photo credit: Mico Corvino. Courtesy of Ward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/46933106-7968-4486-a531-8ebcdf8f095d/Screenshot+2025-06-17+at+3.24.15+PM.png</image:loc>
      <image:title>Home - Dylan Rose Rheingold Unlocks Our Core Memories - Make it stand out</image:title>
      <image:caption>Dylan Rose-Rheingold, Reflections from the Dollhouse, 2024. Oil stick, acrylic, pastel, spray paint, and collaged linen on canvas. Photo Credit: Mico Corvino. Courtesy of Ward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7c9b9151-0319-49a3-a493-48e3cd2d84b9/Screenshot+2025-06-17+at+3.24.39+PM.png</image:loc>
      <image:title>Home - Dylan Rose Rheingold Unlocks Our Core Memories - Make it stand out</image:title>
      <image:caption>Installation view of The Blueprint, 2025. Photo credit: Eric Mura. Courtesy of Ward Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/740a6103-ec2e-445e-aa27-ec28ab9ccc58/Screenshot+2025-06-17+at+3.25.00+PM.png</image:loc>
      <image:title>Home - Dylan Rose Rheingold Unlocks Our Core Memories - Make it stand out</image:title>
      <image:caption>Installation view of The Blueprint, 2025. Photo credit: Eric Mura. Courtesy of Ward Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-june-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b1bff9f7-3b8e-4bcf-9334-65b7407f91e4/Screenshot+2025-06-14+at+8.54.26+PM.png</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Installation view, Chloë Bass: Twice Seen, Alexander Gray Associates, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/19c623fd-099e-4cd9-ba21-c23a31f9c11d/Michelle+Im_007_Geum-Bi+%28%E9%87%91+%E8%B2%BB%29_5_2500px.jpg</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Geum-Bi (金 費), 2025. Ceramic, epoxy, acrylic. 42 ½ x 12 x 12 in, 108 x 30.5 x 30.5 cm. Courtesy of Dimin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07dce5ce-0ae8-424e-a628-b101405796bd/Mriya+Gallery.JPG</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Roses of Heliogabalus, courtesy of Mriya Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6077a145-aea6-4eb1-8fec-9c7dd201dfac/2025+0528+Blade+Study+Jo+Shane+18_FullSize_MidCropped.jpg</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Installation view from Lilies Into the Void by Jo Shane. Photo by Kunning Huang, courtesy of Blade Study.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d8ab91f-7eb0-406a-92aa-dfd26003d18a/WL_005.jpg</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Wen Liu, In Light, Where Edges Yield, 2025, Prescribed herbal medicine, epoxy clay, resin, acrylic, varnish, stainless steel. Photographed by Adam Reich. Courtesy of the gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c86adcfa-cca4-43a2-999a-5577131af0c2/6-Untitled+%28The+Crown+Act%29-The-Reinforcements-QianaMestrich-2023.jpg</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Qiana Mestrich, The Crown Act, 2023. Mixed media collage on vintage computer punch cards. 13 in x 7 3/8 in. Courtesy of BAXTER ST at the Camera Club of New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/34739e78-b123-4800-9072-90a404b13456/240530_IbukiMinami_9288.jpg</image:loc>
      <image:title>Home - Editors’ Selects: June 2025 - Make it stand out</image:title>
      <image:caption>Courtesy of Ibuki Minami and GOCA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/prosperous-fools-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbd58a52-fdd7-4f4b-97ad-76d531003d11/1+Prosperous+Fools+TFANA+Photo+by+Travis+Emery+Hackett.jpg</image:loc>
      <image:title>Home - Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth - Make it stand out</image:title>
      <image:caption>Megumi Iwama as Muse #2, Ian Joseph Paget as Prometheus Dancer, Taylor Mac as Artist, Em Stockwell as Muse #1, Cara Seymour as Muse #3. Photo by Travis Emery Hackett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98de39e8-b50c-4137-a770-1bb959bee6bb/3+Prosperous+Fools+TFANA+Photo+by+Travis+Emery+Hackett.jpg</image:loc>
      <image:title>Home - Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth - Make it stand out</image:title>
      <image:caption>Jennifer Smith as Stage Manager, Jennifer Regan as Philanthropoid, Jason O’Connell as $#@%$. Photo by Travis Emery Hackett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6b82638e-0721-4b4d-a3a6-62bcda6eb7a7/4+Prosperous+Fools+TFANA+Photo+by+Travis+Emery+Hackett.jpg</image:loc>
      <image:title>Home - Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth - Make it stand out</image:title>
      <image:caption>Sierra Boggess as ####-###, Aerina Park DeBoer as Pot-Bellied Child. Photo by Travis Emery Hackett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/441e1c3c-0666-43c8-b15c-95f90dc2d81e/28+Prosperous+Fools+TFANA+Photo+by+Travis+Emery+Hackett.jpg</image:loc>
      <image:title>Home - Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth - Make it stand out</image:title>
      <image:caption>Jason O’Connell as $#@%$. Photo by Travis Emery Hackett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da75b708-393a-42fa-b8af-c34828d66f30/20+Prosperous+Fools+TFANA+Photo+by+Hollis+King.jpg</image:loc>
      <image:title>Home - Lipstick Traces: Taylor Mac's Satire Takes the Hand of Philanthropy in Its Teeth - Make it stand out</image:title>
      <image:caption>Taylor Mac as Artist. Photo by Hollis King.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/bryan-castro-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bff2df2e-f02a-454d-8c8f-418502ae6d7c/Untitled+Re-Mix%2C+Part+1+%28%5BBryan+or%5D+B%2C+_+You+_+you+say+_+things+_+the+wrong+way%29%2C+2023+-+2025+Acrylic+and+graphite+on+canvas%2C+16+x+20+inches.jpg</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, Untitled Re-Mix, Part 1 ([Bryan or] B, / You / you say / things / the wrong way) (2023-25). Acrylic and graphite on canvas, 16 x 20 inches, courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c4e33293-e08c-4fa4-8be2-96b7d53a3f6c/A+Karaoke+Screen+Within+a+Blackboard+%28+You+Can+_+Be+the+Chalk+_+and+I+_+Could+Be+the+_+Blackboard+%29+%2C+2024-2025+Water-based_pigment-based+ink%2C+colored+pencils%2C+and+graphite+on+paper%2C+10.x+13+inches.jpg</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, Karaoke Screen Within a Blackboard ( You Can / Be the Chalk / and I / Could Be the / Blackboard ) (2023-25). Water-based/pigment-based ink, colored pencils, and graphite on paper, 10 x 13 inches, courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d049fff-0cdc-498b-98c0-af2b33d89a40/_to+visualize+whiteness+stu_ering+via+text-based+marks+or+glyphs+as+a+visual+art+medium_+Bryan+Castro.png</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, to visualize whiteness stu"ering via text-based marks or glyphs as a visual art medium (2023–25). Water-based/pigment-based ink and graphite on paper, frame, 10 x 13 inches. Courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8681d870-aedf-478c-ab6c-66a7e067f857/Ms.Wave%E2%80%99s+Bedroom+Studio%2C+2024-2025+Water-based_pigment-based+ink%2C+gel-based_pigment-based+ink%2C+ballpoint+pen%2C+and+graphite+on+paper%2C+frame+10+x+13+inches.jpg</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, Ms.Wave’s Bedroom Studio (2024–25). Water-based/pigment-based ink, gel-based/pigment-based ink, ballpoint pen, and graphite on paper, frame. 10 x 13 inches, courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b2ecbb6-cbed-43af-89cf-ba089b3e56a6/Presupposing+the+Mouth+as+a+Musical+Instrument%2C+Part+2%2C+2023-2025+Acrylic+and+graphite+on+paper%2C+frame%2C+10+x+13+inches.jpg</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, Presupposing the Mouth as a Musical Instrument, Part 2 (2023–25), Acrylic and graphite on paper, frame, 10 x 13 inches. Courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d6ea713-a61e-49ac-8970-e56104a17745/Mouth%E2%80%99s+Mountain%2C+2024-2025+Water-based_pigment-based+ink+on+paper%2C+frame%2C+10+x+13+inches.jpg</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, Mouth’s Mountain (2023–25). Water-based/pigment-based ink on paper, frame, 10 x 13 inches. Courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/35d24c14-aa06-4898-b333-cd7d441a387d/An+Asemic+Approach%2C+2025+Acrylic+on+canvas%2C+12+x+9+inches.jpg</image:loc>
      <image:title>Home - BBBBBBBRYAN: Anti-Language, Anti-Painting - Make it stand out</image:title>
      <image:caption>Bryan Castro, An Asemic Approach (2025). Acrylic on canvas, 12 x 9 inches. Courtesy of the artist and D. D. D. D.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/indoctrinating-trauma-and-inequality-on-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9d2b5615-89f8-44df-aad8-6c428c6bfdc6/On+Education+932-04.jpg</image:loc>
      <image:title>Home - Indoctrinating Trauma and Inequality: “On Education” - Make it stand out</image:title>
      <image:caption>Installation view of On Education, March 20–August 17, 2025, Amant, Brooklyn, NY. Photo: New Document.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/17888897-e441-428f-9614-c5e57b3f12ae/On+Education+932-14.jpg</image:loc>
      <image:title>Home - Indoctrinating Trauma and Inequality: “On Education” - Make it stand out</image:title>
      <image:caption>Installation view of On Education, March 20–August 17, 2025, Amant, Brooklyn, NY. Photo: New Document.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84e958c0-0f28-4caa-9f6d-88fb1fdeddcf/Screenshot+2025-06-13+at+1.07.34+PM.png</image:loc>
      <image:title>Home - Indoctrinating Trauma and Inequality: “On Education” - Make it stand out</image:title>
      <image:caption>Brad Kronz, I had all the tools even at a young age, 2014. Installation with three folding canteen tables, slide projector, mirrored pedestal, and adhesive wall mirror panels, dimensions variable. Courtesy the artist and Gandt, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2ccbd713-917e-4805-a1c7-4e1ba0da263b/On+Education+315-20.jpg</image:loc>
      <image:title>Home - Indoctrinating Trauma and Inequality: “On Education” - Make it stand out</image:title>
      <image:caption>Tetsuya Ishida, untitled, 2003, acrylic &amp; oil on canvas, 91 x 117cm. Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52973e12-f3d2-4896-ac26-76acd4a11f0e/Screenshot+2025-06-13+at+1.17.57+PM.png</image:loc>
      <image:title>Home - Indoctrinating Trauma and Inequality: “On Education” - Make it stand out</image:title>
      <image:caption>Dominique Gonzalez-Foerster, Part Two (Constructing), 1992. Courtesy the artist and Galerie Chantal Crousel, Paris.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/worlds-through-minds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7618b80f-f21e-47fb-8fe6-de8cc140cdba/Group+photo.png</image:loc>
      <image:title>Home - Photography Is the Best Language - Make it stand out</image:title>
      <image:caption>Curators Macy Castañeda Lee and Mengwen Cao with Creative Director Liz Wood and Gallery Lead of Fugue Gallery Eric Chan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/400ea6a8-7544-4dd5-916b-2994f4a56b3a/Show+1.jpg</image:loc>
      <image:title>Home - Photography Is the Best Language - Make it stand out</image:title>
      <image:caption>Image during the June 12 opening of Imaginary Ceilings at 141 Canal Street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0eca728f-50d3-4870-b976-b15e4a95cafe/Show+2.jpg</image:loc>
      <image:title>Home - Photography Is the Best Language - Make it stand out</image:title>
      <image:caption>Image during the June 12 opening of Imaginary Ceilings at 141 Canal Street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8530649b-011d-456c-974e-ad485e5b211f/Ceiling.jpg</image:loc>
      <image:title>Home - Photography Is the Best Language - Make it stand out</image:title>
      <image:caption>Image of ceiling layout of Imaginary Ceilings gallery show.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/hello-eternal-loving-presence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/feeb6ac5-215d-45e4-9af6-ca0c8ee0d2b7/Mariel+Rolwing+Montes%2C+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Mariel Rolwing Montes. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b87a098b-5681-4a84-87ac-645f490dc235/Jacob+Muilenburg%2C+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Jacob Muilenburg. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb30dd07-4781-45a4-bed5-4e195df5d946/Katelyn+Reece+Farstad.+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Katelyn Reece Farstad. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/05db360e-b00d-4a0c-bc90-177769df112c/Yuhan+Hu.+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Yuhan Hu. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1e43057a-c503-45d8-9a8c-257d86f99b23/Marc+Ferraro.+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Marc Ferraro. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2ecbe88e-2b71-400c-88bd-8fc58646e8e6/Shannon+Pritchard.+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Shannon Pritchard. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8d38083-3078-4030-a89b-dd5736bdce78/Aashish+Gadani.+HELLO+ETERNAL+LOVING+PRESENCE%2C+Hunter+MFA+2025.jpg</image:loc>
      <image:title>Home - HELLO ETERNAL LOVING PRESENCE - Make it stand out</image:title>
      <image:caption>Aashish Gadani. Installation view of HELLO ETERNAL LOVING PRESENCE, Hunter MFA, 2025.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/learning-to-fly-with-ester-petukhova</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0a7a5788-ede3-4e27-b461-c2f9a80a8bcf/13.jpg</image:loc>
      <image:title>Home - Learning to Fly with Ester Petukhova - Make it stand out</image:title>
      <image:caption>Ester Petukhova. Photo courtesy of Oliver Flynn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0b12b3a-0348-48b4-be83-41f79c0ebf20/If+and+When+You+Find+Me.jpg</image:loc>
      <image:title>Home - Learning to Fly with Ester Petukhova - Make it stand out</image:title>
      <image:caption>If and When You Find Me, 2023. Printed by Conveyor Studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/915aae40-17b0-458d-a687-07b0017bdf2f/Little+Odessa.jpg</image:loc>
      <image:title>Home - Learning to Fly with Ester Petukhova - Make it stand out</image:title>
      <image:caption>Little Odessa, A Brighton Beach Anthology, 2025. Printed and bound by Conveyor Studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c677881-8034-46f7-89ce-96b7f4803322/Little+Odessa+Excerpt+2.png</image:loc>
      <image:title>Home - Learning to Fly with Ester Petukhova - Make it stand out</image:title>
      <image:caption>Excerpt from Little Odessa, A Brighton Beach Anthology, 2025. Printed and bound by Conveyor Studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f383b71e-c311-41cf-89f7-4587fccea485/Little+Odessa+Excerpt+1.png</image:loc>
      <image:title>Home - Learning to Fly with Ester Petukhova - Make it stand out</image:title>
      <image:caption>Excerpt from Little Odessa, A Brighton Beach Anthology, 2025. Printed and bound by Conveyor Studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2b805ae-5afc-4aac-a356-3ff3ed3bf13c/A+Silent+Strike.jpg</image:loc>
      <image:title>Home - Learning to Fly with Ester Petukhova - Make it stand out</image:title>
      <image:caption>A Silent Strike, 2024. Acrylic on paper. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/artist-duo-celeste-talks-diy-attitudes-and-mexican-hospitality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f3e036f8-4c4b-4190-bc3d-92fcbac6ca26/RCP_Celeste_Installation+Image+7.jpg</image:loc>
      <image:title>Home - Celeste Talks DIY Attitudes and Mexican Hospitality&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Celeste, Hacer Brotar / To Sprout, 2025. Photo by Robert Divers Herrick. Courtesy Rebecca Camacho Presents, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b5834fa7-4433-42ce-b788-b207af583914/RCP-Celeste_Que+llueva.jpg</image:loc>
      <image:title>Home - Celeste Talks DIY Attitudes and Mexican Hospitality&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Celeste, ¡Qué llueva, qué llueva!, 2025. Pigments and acrylic base on dyed cotton canvas. 66 x 109 inches (167.6 x 276.9 cm). Photo by Ramiro Chavez. Courtesy of Rebecca Camacho Presents, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/613f5d12-9b8f-4788-a93f-0ebc8e0b8e19/Photo+by+Mila+Bright+Zlatanovic%2C+Courtesy+of+the+Bentway.jpeg</image:loc>
      <image:title>Home - Celeste Talks DIY Attitudes and Mexican Hospitality&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Celeste, Sun/Shade, 2025. Photo by Mila Bright Zlatanovic. Courtesy of The Bentway.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5bcc3a50-d5c9-4543-a6d5-7dead65f6b4c/0L2A2158+%281%29.jpg</image:loc>
      <image:title>Home - Celeste Talks DIY Attitudes and Mexican Hospitality&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view featuring Celeste (Gabriel Rosas Alemán, left, and María Fernanda Camarena, right) in front of Sun/Shade 2025. Courtesy of Celeste and The Bentway.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/you-know-youve-seen-me-somewhere-catalina-schliebener-munoz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/232e8104-3677-4afb-9bb8-ec9f7604a2e8/Install_1.jpg</image:loc>
      <image:title>Home - You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz - Make it stand out</image:title>
      <image:caption>Catalina Schliebener Muñoz: was it a cat i saw, 2025. Installation view, Olympia Gallery New York. Photo courtesy of the gallery and artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/156df378-855b-4983-a7f3-441fd346d700/Install_3.jpg</image:loc>
      <image:title>Home - You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz - Make it stand out</image:title>
      <image:caption>Catalina Schliebener Muñoz: was it a cat i saw, 2025. Installation view, Olympia Gallery New York. Photo courtesy of the gallery and artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bebe5703-61d2-4b35-a317-a26f49c89a5e/Screenshot+2025-06-05+at+3.31.47+PM.png</image:loc>
      <image:title>Home - You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz - Make it stand out</image:title>
      <image:caption>Catalina Schliebener Muñoz, Coloring Book Series: Goofy, 2023–25. Photo courtesy of the gallery and artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9013ee18-4855-4298-9a33-02acad73f463/Detail_2.jpg</image:loc>
      <image:title>Home - You Know You’ve Seen Me Somewhere: Catalina Schliebener Muñoz - Make it stand out</image:title>
      <image:caption>Catalina Schliebener Muñoz: was it a cat i saw (detail), 2025. Installation view, Olympia Gallery New York. Photo courtesy of the gallery and artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-panny-chayapumh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/284af56f-9e10-455d-9932-bb0c2d2b21c9/Pic-1_Crop.jpg</image:loc>
      <image:title>Home - The “Structured Freedom” of Designer Panny Chayapumh - Make it stand out</image:title>
      <image:caption>Studio portrait of Panny Chayapumh. Photo by Thanh Bui</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/31c0f797-c29d-4a11-8653-8a2a44c971d5/Work-Pic-1.jpg</image:loc>
      <image:title>Home - The “Structured Freedom” of Designer Panny Chayapumh - Make it stand out</image:title>
      <image:caption>Elements designed by Panny Chayapumh for the 4N Universe, a project by Special Special, which focuses on building community and showcasing emerging international talent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/031c9fe0-7add-47a0-9631-7e02cccbdec5/Pic-3.jpg</image:loc>
      <image:title>Home - The “Structured Freedom” of Designer Panny Chayapumh - Make it stand out</image:title>
      <image:caption>Panny Chayapumh in her home office, photo by Thanh Bui</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0f39ec90-1e2f-48c8-95ab-683b9fd34559/Pic-2.jpg</image:loc>
      <image:title>Home - The “Structured Freedom” of Designer Panny Chayapumh - Make it stand out</image:title>
      <image:caption>Publications designed by Panny Chayapumh placed alongside miscellaneous personal belongings. Photo by Thanh Bui</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97f108d4-f5bd-435a-8a58-0de5a7247d83/Work+Pic-2.jpg</image:loc>
      <image:title>Home - The “Structured Freedom” of Designer Panny Chayapumh - Make it stand out</image:title>
      <image:caption>Standard Deviation: On Love and Loss Across Time, by Meetra Javed with illustrations by Miller McCormick and contributions from Frances Waite and Maxime Bagni</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/zt-nguyen-facts-are-bigger-in-the-dark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85689402-6231-4707-91ae-15f54c44c087/2025_Island_8-min.jpg</image:loc>
      <image:title>Home - Z.T. Nguyen: “Facts Are Bigger in the Dark” - Make it stand out</image:title>
      <image:caption>Installation view, Z.T. Nguyễn: Facts Are Bigger in the Dark, island, New York, NY, 2025. Courtesy of island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1c536c4-82cf-4f7a-b62d-eb0d1e657a07/Screenshot+2025-06-03+at+5.24.48+PM.png</image:loc>
      <image:title>Home - Z.T. Nguyen: “Facts Are Bigger in the Dark” - Make it stand out</image:title>
      <image:caption>Z.T. Nguyễn, Red Night, 2024, Acrylic and graphite on paper, 31.25 x 87.25 in. Courtesy of island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f0f0c738-985c-4018-b693-465f7b277f0f/2025_Island_5-min.jpg</image:loc>
      <image:title>Home - Z.T. Nguyen: “Facts Are Bigger in the Dark” - Make it stand out</image:title>
      <image:caption>Installation view, Z.T. Nguyễn: Facts Are Bigger in the Dark, island, New York, NY, 2025. Courtesy of island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/35fd227a-a9c1-43f1-b04a-90100f42cf37/2025_Island_7-min.jpg</image:loc>
      <image:title>Home - Z.T. Nguyen: “Facts Are Bigger in the Dark” - Make it stand out</image:title>
      <image:caption>Installation view, Z.T. Nguyễn: Facts Are Bigger in the Dark, island, New York, NY, 2025. Courtesy of island.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/66d4ed95-7583-49fc-9f43-7c97bb5014bc/Hold+Me+%281%29.jpg</image:loc>
      <image:title>Home - Z.T. Nguyen: “Facts Are Bigger in the Dark” - Make it stand out</image:title>
      <image:caption>Z.T. Nguyễn, Hold Me, 2024, Acrylic and graphite on paper, 31.13 x 40 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/490673c3-1a9c-47c0-b57c-d400cfe7c4d9/Obey+%281%29.jpg</image:loc>
      <image:title>Home - Z.T. Nguyen: “Facts Are Bigger in the Dark” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/seeing-time-alicja-kwades-clockwork</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/820d06b3-be45-45be-8b03-59d026167d6a/2025-05-02_inst_KWADE_v07_2AuLmXT.width-2000.jpeg</image:loc>
      <image:title>Home - Seeing Time: Alicja Kwade’s Clockwork - Make it stand out</image:title>
      <image:caption>Exhibition view: Alicja Kwade, Telos Tales, Pace Gallery, New York, 2025. Courtesy of the artist and Pace Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a9461156-2b7d-429c-9baf-e56b8849598d/2025-05-02_inst_KWADE_vDet_05.width-2000.jpeg</image:loc>
      <image:title>Home - Seeing Time: Alicja Kwade’s Clockwork - Make it stand out</image:title>
      <image:caption>Exhibition view: Alicja Kwade, Telos Tales, Pace Gallery, New York, 2025. Courtesy of the artist and Pace Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c4cae298-f9ad-4781-8c13-1ed4b2bc48f2/2025-05-02_inst_KWADE_v10.width-2000.jpeg</image:loc>
      <image:title>Home - Seeing Time: Alicja Kwade’s Clockwork - Make it stand out</image:title>
      <image:caption>Exhibition view: Alicja Kwade, Telos Tales, Pace Gallery, New York, 2025. Courtesy of the artist and Pace Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e883f282-840c-4f0d-93ff-ba0604bba570/2025-05-02_inst_KWADE_v13.width-2000.jpeg</image:loc>
      <image:title>Home - Seeing Time: Alicja Kwade’s Clockwork - Make it stand out</image:title>
      <image:caption>Exhibition view: Alicja Kwade, Telos Tales, Pace Gallery, New York, 2025. Courtesy of the artist and Pace Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-ari-melenciano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55747a03-a0f5-43da-aeae-e6355b980275/Cosmeage2.png</image:loc>
      <image:title>Home - Mapping Self Through Sound: An Interview with Ari Melenciano - Make it stand out</image:title>
      <image:caption>Ari Melenciano, Cosmeage (2025). 3D rendered animation film, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5cb4356a-39ba-4c9c-8d8a-be9501c2184f/Cosmeage4.png</image:loc>
      <image:title>Home - Mapping Self Through Sound: An Interview with Ari Melenciano - Make it stand out</image:title>
      <image:caption>Ari Melenciano, Cosmeage (2025). 3D rendered animation film, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5442fb00-095d-42b6-b12a-1f6bb6fbd7fb/Cosmeage7.png</image:loc>
      <image:title>Home - Mapping Self Through Sound: An Interview with Ari Melenciano - Make it stand out</image:title>
      <image:caption>Ari Melenciano, Cosmeage (2025). 3D rendered animation film, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/57fb15dd-1796-4abe-951b-7b26d52da4b6/Cosmeage8.png</image:loc>
      <image:title>Home - Mapping Self Through Sound: An Interview with Ari Melenciano - Make it stand out</image:title>
      <image:caption>Ari Melenciano, Cosmeage (2025). 3D rendered animation film, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/932459d2-1bdb-4606-ae78-a0b5b9e2ad70/Cosmeage9.png</image:loc>
      <image:title>Home - Mapping Self Through Sound: An Interview with Ari Melenciano - Make it stand out</image:title>
      <image:caption>Ari Melenciano, Cosmeage (2025). 3D rendered animation film, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/zoe-blue-m-girls-just-want-to-play-and-bathe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9726ee8-6fe2-4ce4-a7dc-7e013888d4ef/zbm_install_05-1000x749.jpg</image:loc>
      <image:title>Home - Zoé Blue M.: Girls Just Want to Play and Bathe - Make it stand out</image:title>
      <image:caption>Installation view of Zoé Blue M., Hard Boiled, 2025. Photo by Charles White / JW Photos. Courtesy of the artist and Jeffrey Deitch, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b594ee9e-9f28-488d-9709-ed73e076a7b1/Photo-Charles_White-jwpictures.com-DSCF6865.jpg</image:loc>
      <image:title>Home - Zoé Blue M.: Girls Just Want to Play and Bathe - Make it stand out</image:title>
      <image:caption>Installation view of Zoé Blue M., Hard Boiled, 2025. Photo by Charles White / JW Photos. Courtesy of the artist and Jeffrey Deitch, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/82003cf9-857e-4181-aebe-5b610327fc1f/Screenshot+2025-05-30+at+4.32.07+PM.png</image:loc>
      <image:title>Home - Zoé Blue M.: Girls Just Want to Play and Bathe - Make it stand out</image:title>
      <image:caption>Installation view of Zoé Blue M., Hard Boiled, 2025. Photo by Charles White / JW Photos. Courtesy of the artist and Jeffrey Deitch, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3bf73580-8b21-45e5-9c32-8d9deb610b98/Screenshot+2025-06-05+at+3.08.24+PM.png</image:loc>
      <image:title>Home - Zoé Blue M.: Girls Just Want to Play and Bathe - Make it stand out</image:title>
      <image:caption>Installation view of Zoé Blue M., Hard Boiled, 2025. Photo by Charles White / JW Photos. Courtesy of the artist and Jeffrey Deitch, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7f29d1e-0423-4e17-a4ac-e1032c6ccd16/Screenshot+2025-05-30+at+4.32.47+PM.png</image:loc>
      <image:title>Home - Zoé Blue M.: Girls Just Want to Play and Bathe - Make it stand out</image:title>
      <image:caption>Installation view of Zoé Blue M., Hard Boiled, 2025. Photo by Charles White / JW Photos. Courtesy of the artist and Jeffrey Deitch, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93dbf6d9-db33-464d-ae3f-d29433544ac1/zbm_install_08-1000x749.jpg</image:loc>
      <image:title>Home - Zoé Blue M.: Girls Just Want to Play and Bathe - Make it stand out</image:title>
      <image:caption>Installation view of Zoé Blue M., Hard Boiled, 2025. Photo by Charles White / JW Photos. Courtesy of the artist and Jeffrey Deitch, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ghosts-never-leave-berlin-gallery-weekend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d550508-f179-4536-b804-0410effa8366/12.InstallationView_TYGERTYGER.jpg</image:loc>
      <image:title>Home - Ghosts Never Leave: Berlin Gallery Weekend - Make it stand out</image:title>
      <image:caption>Installation view of I Sought My Soul, 2025, courtesy Tyger Tyger. Photograph: Trevor Good.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/495fb2e7-bdf1-4647-b49a-be947b64c87e/4_AI260425_3.jpg</image:loc>
      <image:title>Home - Ghosts Never Leave: Berlin Gallery Weekend - Make it stand out</image:title>
      <image:caption>Installation view of Anne Imhof, Cold Hope, 2025. Courtesy Galerie Buchholz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed3c5ddf-a58a-4802-9ae1-2a794037b409/CGA_Install_2025_Retinal_Rivalry_SMB_04.jpg</image:loc>
      <image:title>Home - Ghosts Never Leave: Berlin Gallery Weekend - Make it stand out</image:title>
      <image:caption>Cyprien Gaillard, Retinal Rivalry, Installation view, Sprüth Magers, Berlin, May 3–July 26, 2025. Photo: Timo Ohler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4f1a3af-3250-4ccb-8ff7-3b1ce7f8ca59/csm_HBF_Hosnedlov_10_af73c25e55.jpg</image:loc>
      <image:title>Home - Ghosts Never Leave: Berlin Gallery Weekend - Make it stand out</image:title>
      <image:caption>Klára Hosnedlová, CHANEL Commission: Klára Hosnedlová. embrace, 2025, installation view Hamburger Bahnhof – Nationalgalerie der Gegenwart, 1.5. – 26.10.2025 © Courtesy Artist, Kraupa-Tuskany Zeidler, White Cube / Nationalgalerie – Staatliche Museen zu Berlin, Zdeněk Porcal – Studio Flusser.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8f6b4180-e842-496f-9aea-91424830f67b/250328_Schninkel_0231-bea_Frank_Sperling_HQ.jpeg</image:loc>
      <image:title>Home - Ghosts Never Leave: Berlin Gallery Weekend - Make it stand out</image:title>
      <image:caption>Installation view of Pol Taburet, The Burden of Papa Tonnerre, 2025. Courtesy of the artist and Mendes Wood DM, São Paulo, Brussels, Paris, New York. Photo: Frank Sperling.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-car-driving-itself-in-conversation-with-the-founders-of-pop-gun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/611c38e4-4e13-4ce7-9508-9b7d63b1a489/05_2025_Kline_Sony_A7RV_0090+copy.jpg</image:loc>
      <image:title>Home - A Car Driving Itself: In Conversation With the Directors of Pop Gun - Make it stand out</image:title>
      <image:caption>Pop Gun directors Gunner Dongieux and Karla Zurita. Photo Courtesy: Ian Kline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/44ecd068-4714-4ed5-89f1-890b9af2b204/Install1.png</image:loc>
      <image:title>Home - A Car Driving Itself: In Conversation With the Directors of Pop Gun - Make it stand out</image:title>
      <image:caption>Installation view of Internet Personality Quiz, 2024. Photo courtesy of Pop Gun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c1080bf0-eb84-498e-af6f-55210432ea19/1install.JPG</image:loc>
      <image:title>Home - A Car Driving Itself: In Conversation With the Directors of Pop Gun - Make it stand out</image:title>
      <image:caption>Installation view of The 60s, 2025. Photo courtesy of Pop Gun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e6a038cd-31d5-4333-a4f5-e98cffbe414a/1.jpg</image:loc>
      <image:title>Home - A Car Driving Itself: In Conversation With the Directors of Pop Gun - Make it stand out</image:title>
      <image:caption>Installation view of Miniotics, 2025. Photo courtesy of Pop Gun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d9ec66cd-e619-40e4-9574-54593b8016bc/12.jpeg</image:loc>
      <image:title>Home - A Car Driving Itself: In Conversation With the Directors of Pop Gun - Make it stand out</image:title>
      <image:caption>Installation view of Miniotics, 2025. Photo courtesy of Pop Gun.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/faded-figures-in-a-greenpoint-window</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b29d683d-0dab-4bc7-9407-27b1875dc8d5/7_Hoda+Kasiha_The+Doubt+Between+Us+Sways+Like+Hung+Mirrored+Eyes.jpg</image:loc>
      <image:title>Home - Faded Figures in a Greenpoint Window - Make it stand out</image:title>
      <image:caption>Installation View, Hoda Kashiha: The Doubt Between Us Sways Like Hung Mirrored Eyes, episode, NY, 2025. Image courtesy of the artist and episode, NY. Photography by Archtechtonic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a63d0926-9a6e-45c9-8cbc-73b2eaa23a44/Screenshot+2025-05-28+at+7.29.04+AM.png</image:loc>
      <image:title>Home - Faded Figures in a Greenpoint Window - Make it stand out</image:title>
      <image:caption>Hoda Kashiha, Folding gaze, 2025. Acrylic on canvas, 48 x 37.8 inches (122 x 96 cm). Image courtesy of the artist and episode, NY. Photography by Archtechtonic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee01b568-01b4-4713-ab2a-6242e82a735a/Screenshot+2025-05-28+at+7.31.47+AM.png</image:loc>
      <image:title>Home - Faded Figures in a Greenpoint Window - Make it stand out</image:title>
      <image:caption>Hoda Kashiha, The hole, 2024. Acrylic on canvas. 14 x 18 inches (35.5 x 45.7 cm); 24 x 18 inches (60.9 x 45.7 cm). Image courtesy of the artist and episode, NY. Photography by Archtechtonic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4ab913a1-4121-4d92-8337-035288b0b239/Screenshot+2025-05-28+at+7.30.17+AM.png</image:loc>
      <image:title>Home - Faded Figures in a Greenpoint Window - Make it stand out</image:title>
      <image:caption>Hoda Kashiha, Mirror, 2024. Acrylic on canvas, hinged diptych. Each: 36 x 24 inches (91.4. x 60.9 cm) two canvases. Image courtesy of the artist and episode, NY. Photography by Archtechtonic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ede8c5a6-d197-4b72-b414-11c053948802/2_Hoda+Kasiha_The+Doubt+Between+Us+Sways+Like+Hung+Mirrored+Eyes.jpg</image:loc>
      <image:title>Home - Faded Figures in a Greenpoint Window - Make it stand out</image:title>
      <image:caption>Installation View, Hoda Kashiha: The Doubt Between Us Sways Like Hung Mirrored Eyes, episode, NY, 2025. Image courtesy of the artist and episode, NY. Photography by Archtechtonic.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/gregory-kalliches-anvil-a-digital-gesamtkunstwerk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f3abd7d-53b9-47e3-b88d-f9cf3138e85a/Screen+Shot+2025-05-27+at+1.22.08+PM.png</image:loc>
      <image:title>Home - Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk - Make it stand out</image:title>
      <image:caption>Gregory Kalliche, Anvil (2025). 4K video with sound, 9-channel lighting program, DMX controllers, lighting interface. Courtesy of the artist and Kaje gallery, photo by Etienne Frossard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cad9812e-7d89-465e-bb7b-06a622c93ee9/Gregory+Kalliche%2C+Anvil%2C+2025+4K+video+with+sound%2C+9-channel+lighting+program%2C+DMX+controllers%2C+lighting+interface%2C+5_18%2C++photo+by+Yonatan+Eshban-Laderman.jpg</image:loc>
      <image:title>Home - Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk - Make it stand out</image:title>
      <image:caption>Gregory Kalliche, Anvil (2025). 4K video with sound, 9-channel lighting program, DMX controllers, lighting interface. Photo by Yonatan Eshban-Laderman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8429af30-036c-4203-b9a3-f0e829d082e1/Gregory+Kalliche%2C+Anvil%2C+2025+4K+video+with+sound%2C+9-channel+lighting+program%2C+DMX+controllers%2C+lighting+interface%2C+5_18%2C+courtesy+of+the+artist+and+Kaje+gallery%2C+photo+by+Etienne+Frossard.png2.jpg</image:loc>
      <image:title>Home - Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk - Make it stand out</image:title>
      <image:caption>Gregory Kalliche, Anvil (2025). 4K video with sound, 9-channel lighting program, DMX controllers, lighting interface. Courtesy of the artist and Kaje gallery, photo by Etienne Frossard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7d1a1549-02dd-421e-9958-54365650076b/Gregory+Kalliche%2C+Anvil%2C+2025+4K+video+with+sound%2C+9-channel+lighting+program%2C+DMX+controllers%2C+lighting+interface%2C+5_18%2C+courtesy+of+the+artist+and+Kaje+gallery%2C+photo+by+Etienne+Frossard.jpg</image:loc>
      <image:title>Home - Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk - Make it stand out</image:title>
      <image:caption>Gregory Kalliche, Anvil (2025). 4K video with sound, 9-channel lighting program, DMX controllers, lighting interface. Courtesy of the artist and Kaje gallery, photo by Etienne Frossard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d41d1fa4-187d-4ab5-86dd-388188796ba9/Screen+Shot+2025-05-27+at+1.22.27+PM.png</image:loc>
      <image:title>Home - Gregory Kalliche’s “Anvil”: a Digital Gesamtkunstwerk - Make it stand out</image:title>
      <image:caption>Gregory Kalliche, Anvil (2025). 4K video with sound, 9-channel lighting program, DMX controllers, lighting interface. Courtesy of the artist and Kaje gallery, photo by Etienne Frossard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/against-all-odds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cca6050d-afb6-4603-b48d-d87661894f7e/MOT184+-+Propaganda+Devices%2C+2025+%28Install%29.jpg</image:loc>
      <image:title>Home - Against All Odds - Make it stand out</image:title>
      <image:caption>Moffat Takadiwa, Propaganda Devices, 2025, courtesy of the artist and Nicodim. Shark Senesac / New Document.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3a346e15-8858-4bdd-9d72-90ea626e9892/MOT184+-+Propaganda+Devices%2C+2025+%28detail+2%29.jpg</image:loc>
      <image:title>Home - Against All Odds - Make it stand out</image:title>
      <image:caption>Moffat Takadiwa, Propaganda Devices, 2025 (detail), courtesy of the artist and Nicodim. Shark Senesac / New Document.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd8805cb-8319-40a6-b55b-78e1cc4a4144/Second+Life+-+Install+View+10.jpg</image:loc>
      <image:title>Home - Against All Odds - Make it stand out</image:title>
      <image:caption>Moffat Takadiwa: Second Life. Installation View (featuring Bhiro ne Bepa (pen and paper), 2023), Nicodim New York. Courtesy of the artist and Nicodim.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ce9ec64a-25cd-4bdf-a96e-2a03eb5d22c9/MOT182+-+Fashion+Brands+%28a%29%2C+2025+%28detail+6%29.jpg</image:loc>
      <image:title>Home - Against All Odds - Make it stand out</image:title>
      <image:caption>Moffat Takadiwa, Fashion Brands (a), 2025 (detail), courtesy of the artist and Nicodim. Shark Senesac / New Document.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-may-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3608ca2b-cbaf-4e85-8713-87390a0f88d1/DSC_1315b.jpg</image:loc>
      <image:title>Home - Face to Face: May 2025 - Make it stand out</image:title>
      <image:caption>Studio portrait of André Hemer. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbe32cc9-1de6-4e68-97fd-5a4e6c8ccb7e/3.jpg</image:loc>
      <image:title>Home - Face to Face: May 2025 - Make it stand out</image:title>
      <image:caption>Armando Nin’s studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/428ec8a4-9bb3-4ecc-a8c6-24c4f2a8bd8f/Miya_Ando_Indigo_Portrait_.jpg</image:loc>
      <image:title>Home - Face to Face: May 2025 - Make it stand out</image:title>
      <image:caption>Portrait of Miya Ando, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5fe166ae-cb60-4121-a634-de45e3b1f0cc/Adrian_Toynton_YSLxAndo__8769.jpg</image:loc>
      <image:title>Home - Face to Face: May 2025 - Make it stand out</image:title>
      <image:caption>Miya Ando, Mono no aware. Photo by Adrian Toynton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ab4ad1e-a9f1-4889-ab83-9bc7e1f92081/Screen+Shot+2025-05-24+at+1.47.38+AM.png</image:loc>
      <image:title>Home - Face to Face: May 2025 - Make it stand out</image:title>
      <image:caption>Portraits of Wei Yang (left) and Zishi Han (right). Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bff26db1-e52b-4b52-852f-71dcb8aa21f8/walter-wlodarczyk-2025-03-13-WWRA8242.jpg</image:loc>
      <image:title>Home - Face to Face: May 2025 - Make it stand out</image:title>
      <image:caption>Zishi Han and Wei Yang, Hairpin Beneath 2 钗之后 二 (2025), performance view, SculptureCenter, New York, 2025. HD single-channel video, live performance, light, color, sound. 29:48 mins. Commissioned by SculptureCenter, New York, 2025. Video cast depicted: Wei Yang, Chengyu Wu, Antone Liu. Live cast depicted: Wei Yang, Yushu Wang, Yimiao Liu. Courtesy the artists. Photo: Walter Wlodarcyzk.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/becoming-venus-in-conversation-with-maria-yolanda-liebana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a73e11cd-e885-44f4-b51b-e6dca64baa4e/The+Venus+Crusades_Installation+View_1.jpg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Installation view of The Venus Crusades. Courtesy the artist and Kravets Wehby Gallery. Photo: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f423c83a-3f7b-4276-bb74-b9174b9296cc/Maria+Yolanda+Liebana_The+Farce+of+Venus%E2%80%99s+Efflorescnence_2024.jpg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Maria Yolanda Liebana, The Farce of Venus’s Efflorescence, 2024. Acrylic and mixed media collage, mirror tiles, wallpaper, foam, foam clay, sequins, fabric paint, oyster shells, inkjet on paper, glitter, and beads on wood panel. 48 x 34 inches. Courtesy the artist and Kravets Wehby Gallery. Photo: Adam Reich.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2038730c-0e91-41b0-b786-069011d567bf/Courtesy+of+the+artist.jpeg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Maria Yolanda Liebana DJ’ing at the opening of The Venus Crusades. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be01aa33-5eb2-455c-8188-46ebf82662db/Maria+Yolanda+Liebana_The+Aleph_s+Seduction_2024.jpg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Maria Yolanda Liebana, The Aleph’s Seduction, 2024. Acrylic and mixed media collage, mirror tiles, wallpaper, foam, foam clay, sequins, fabric paint, glitter, and beads on wood panel. 30 x 40 inches. Courtesy the artist and Kravets Wehby Gallery. Photo: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07545517-bd0a-4923-9a2f-e6db81b9542e/Maria+Yolanda+Liebana_At+Rest_2024.jpg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Maria Yolanda Liebana, At Rest, 2024. Mixed media collage on wood panel, acrylic paint, mirror tiles, plastic decals, beads, wallpaper, foam, foam clay, plastic decals, inkjet on paper, sequins, fabric paint, glitter, oyster shells on wood panel. 48 x 34 inches. Courtesy the artist and Kravets Wehby Gallery. Photo: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f4612187-c47a-44c8-aa5d-c04a2c4b4751/Maria+Yolanda+Liebana_Conjuring+Her+Myth_2025.jpg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Maria Yolanda Liebana, Conjuring Her Myth, 2025. Mixed media, acrylic, mirror tiles, wallpaper, foam, foam clay, plastic decals, inkjet on paper, sequins, fabric paint, glitter, rhinestones, and beads on wood panels. 96 x 60 inches, diptych. Courtesy the artist and Kravets Wehby Gallery. Photo: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91ad6c43-b6f3-45e6-8ca3-9df967fee545/The+Venus+Crusades_Installation+View_7.jpg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Installation view of The Venus Crusades. Courtesy the artist and Kravets Wehby Gallery. Photo: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8ec42b0-633b-4581-83fc-d621140cd212/Maria-L-107+copy.jpeg</image:loc>
      <image:title>Home - Becoming Venus: In Conversation with Maria Yolanda Liebana - Make it stand out</image:title>
      <image:caption>Portrait of Maria Yolanda Liebana. Courtesy the artist and Kravets Wehby Gallery. Photo: Gia Han.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/painting-energy-presents-works-from-the-alex-katz-foundation-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42b00b45-a14f-46d8-bc20-22b0422ebe70/Screen+Shot+2025-05-27+at+11.27.54+PM.png</image:loc>
      <image:title>Home - “Painting Energy” Presents Works From the Alex Katz Foundation Collection - Make it stand out</image:title>
      <image:caption>Marsden Hartley, On the Beach (1940–41). Oil on Masonite, 22 × 28 in. Gift of the Alex Katz Foundation. Courtesy of Luc Demers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/427b6136-6ddc-4252-bced-8e5c3bfb3a5c/Freilicher_One-Cat-Two-Fish-copy.jpg</image:loc>
      <image:title>Home - “Painting Energy” Presents Works From the Alex Katz Foundation Collection - Make it stand out</image:title>
      <image:caption>Jane Freilicher, One Cat, Two Fish (1974). Oil on linen, 50 × 63 ½ inches. Gift of the Alex Katz Foundation. ©Estate of Jane Freilicher. Image courtesy Petegorsky/Gipe Photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc7c500a-c04f-4a2c-af94-4f533d1781d3/6db1c730519c024ad780fc97ea80c533.jpg</image:loc>
      <image:title>Home - “Painting Energy” Presents Works From the Alex Katz Foundation Collection - Make it stand out</image:title>
      <image:caption>Charles Burchfield, A Fallen Tree (1917). Gouache on paper, 17 ½ x 20 ½ in. Gift of the Alex Katz Foundation. Image courtesy of Luc Demers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/heidi-hahn-when-the-body-becomes-other</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/92071322-b662-4ce5-8ed9-6fb58331e6e1/Image.jpg</image:loc>
      <image:title>Home - Heidi Hahn: When the Body Turns Other - Make it stand out</image:title>
      <image:caption>Studio portrait of Heidi Hahn. Photo by Benjamin Chertoff. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9d98fa17-e0e5-4a5a-9926-146a1657e553/hahn_notyourwoman6_11901_web.jpg</image:loc>
      <image:title>Home - Heidi Hahn: When the Body Turns Other - Make it stand out</image:title>
      <image:caption>Heidi Hahn, NOT YOUR WOMAN #6 (2025). Oil on canvas, 90 1/8 × 76 1/4 x 1 1/4 in. Courtesy of the artist and Michael Kohn Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41df6d46-9b35-4fcb-a569-858a17d315b0/hahn_notyourwoman_install3.jpg</image:loc>
      <image:title>Home - Heidi Hahn: When the Body Turns Other - Make it stand out</image:title>
      <image:caption>Installation view of Heidi Hahn: NOT YOUR WOMAN. Courtesy of the artist and Michael Kohn Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/256cf4b2-a78f-4cdc-8393-5fc072a4eec1/Image+%283%29.jpg</image:loc>
      <image:title>Home - Heidi Hahn: When the Body Turns Other - Make it stand out</image:title>
      <image:caption>Heidi Hahn in her studio. Photo by Benjamin Chertoff. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3acb7900-6cf8-4b96-bc64-2d19678dd958/hahn_notyourwoman9_11904_web.jpg</image:loc>
      <image:title>Home - Heidi Hahn: When the Body Turns Other - Make it stand out</image:title>
      <image:caption>Heidi Hahn, NOT YOUR WOMAN #9 (2025). Oil on canvas, 86 1/4 × 70 1/4 x 1 1/4 in. Courtesy of the artist and Michael Kohn Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tomashi-jackson-a-houston-homecoming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/912ae024-c607-4610-a545-4cd421f87f94/Jackson_I+see+Fields+of+Green+%28Put+the+Ball+Through+the+Hoop%29.jpeg</image:loc>
      <image:title>Home - Tomashi Jackson: A Houston Homecoming - Make it stand out</image:title>
      <image:caption>Tomashi Jackson, I see Fields of Green (Put the Ball Through the Hoop), 2022. Acrylic, Yule Quarry marble dust, and paper bags on canvas with PVC marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets. Courtesy the artist and Tilton Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97a73c56-0143-4426-89d2-607d185bd14d/Jackson_Guns+and+Butter+%28Nia+in+The+Morehouse+Creed%29_2022_TJ256.jpg</image:loc>
      <image:title>Home - Tomashi Jackson: A Houston Homecoming - Make it stand out</image:title>
      <image:caption>Tomashi Jackson, Guns and Butter (Nia in the Morehouse Creed), 2022. C-print mounted on Sintra. Courtesy the artist and Tilton Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/206afb37-4cfc-4623-8fb5-9d90d6361093/Jackson_Ecology+of+Fear+%28Abrams+for+Governor+of+Georgia%29+%28Negro+Women+wait+to+congratulate+LBJ%29_sideview.jpg</image:loc>
      <image:title>Home - Tomashi Jackson: A Houston Homecoming - Make it stand out</image:title>
      <image:caption>Tomashi Jackson, Ecology of Fear, 2020. Archival prints on PVC marine vinyl, Pentelic marble dust, acrylic paint, American election flyers, Greek ballot papers, paper bags, and muslin mounted on a handcrafted select pine structure with brass hooks and grommets, cinder blocks. Collection of Arthur Lewis and Hau Nguyen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4fc98a71-bf37-4170-bd3c-6b80eea8953f/The+Secret+Garden+Still+9+%281%29.jpg</image:loc>
      <image:title>Home - Tomashi Jackson: A Houston Homecoming - Make it stand out</image:title>
      <image:caption>D’TALENTZ (BIG KITO, A-DOGG, KING, &amp; TOMMY TONIGHT), “The Secret Garden,” 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-may-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a57e5e6b-4afb-4947-958f-436e0b48ab42/TUTU-4-21-20250304.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Installation view, Xinan Helen Ran: Group Lick, 2025. Courtesy of the artist and Tutu Gallery. Photo by Max C Lee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5f3c3f7-1134-48eb-8b78-c14cfbdf6a49/6B8A0232.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Installation view of From Breath to the Dirt. Courtesy of 1215 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be54b72d-467a-43be-bc81-cff559ca9b38/LIMA_TBG2025_06.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Installation view, Balé Literal, Tanya Bonakdar Gallery, New York, April 24–May 30, 2025. Photo by Adam Reich. Courtesy the artist and Tanya Bonakdar Gallery, New York / Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8195c4b3-a410-4997-8231-7b32422535bf/Marissa+Delano%2C+Depraved+Family+%21%21%21%21%21+Install%2C++Image+courtesy+of+THIRD+BORN+gallery+Photo+by+Asistencia+Arti%CC%81stica.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Marissa Delano, Depraved Family!!!!!, 2025. Image courtesy of THIRD BORN Gallery. Photo by Asistencia Artística.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/af65bebb-2df5-4f14-a853-7cb331137c0b/Heft_Burtynsky_Avcoglu_GalleryShot2.png</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Edward Burtynsky and Alkan Avcıoğlu, Hypertopographics #1 (2025). Archival pigment inkjet print (1/1 + AP), signed on verso, 56 x 84 in. Mounted and float-framed in hardwood. Courtesy of the artists and Heft Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f987258d-89fc-44f0-a177-960274870b42/1_MP.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Megan Plunkett, The Hollywood Upstairs 01, 2025. Inkjet print on gatorboard, 32 x 55 x 1/4 inches. Courtesy the artist; Dracula’s Revenge, New York; and Emalin, London. Photo: Jason Mandella.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e48a8547-2055-434f-9407-f86c9901071e/Fag+Puddle+with+Heads_2024_C38386_crop+High.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Salman Toor, Fag Puddle with Heads, 2024. Charcoal, ink, and gouache on paper 12 x 17 7/8 inches (30.5 x 45.4 cm), Framed: 17 1/2 x 23 1/2 inches (44.3 x 59.5 cm). Photo: Genevieve Hanson © Salman Toor; Courtesy of the artist, Luhring Augustine, New York, and Thomas Dane Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2937bb36-6edf-4320-b4c4-10cc6071d98a/Satellite+Tribeca.jpg</image:loc>
      <image:title>Home - Editors’ Selects: May 2025 - Make it stand out</image:title>
      <image:caption>Installation View of Violence, Beauty, and Resistance at Mriya Gallery. Courtesy of Lora Robertson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/elena-redmond-on-subverting-self-portraiture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2f7b7ced-1e42-41c0-b378-93a8de6adbc8/1.%29+DIMIN_Elena+Redmond_Sitting+Ducks_01.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Installation view of Sitting Ducks. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97efa15c-2a85-437f-8f92-e04e7d85f7b3/2.%29+DIMIN_Elena+Redmond_Sitting+Ducks_03.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Installation view of Sitting Ducks. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d305a64f-7594-48fe-b801-8106064b0761/3.%29+Elena+Redmond_013_Deaf+Hen_1.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Deaf Hen, 2025. Oil on canvas. 40 x 50 in. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91afa9c6-8ca2-4f99-be16-73e39d3ccec4/4.%29+Elena+Redmond_014_Window+Performance_1.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Window Performance, 2025. Oil on canvas. 40 x 50 in. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/90f84762-7940-447a-9a4e-cbf24efed2bc/5.%29+Elena+Redmond_015_Dogs+in+the+Window_1.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Dogs in the Window, 2025. Oil on canvas. 40 x 30 in. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db650ac9-4222-477a-91bd-acc03e52c412/6.%29+Elena+Redmond_016_Man+in+the+Room_1.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Dogs in the Window, 2025. Oil on canvas. 40 x 30 in. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2928eeb4-8efd-4bc8-b829-f2e24b02cfde/7.%29+Elena+Redmond_017_Rebellion_1.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Man in the Room, 2025. Oil on canvas. 40 x 30 in. Photo credits DIMIN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0159770b-9e89-4569-8857-3c194cc7d33d/8.%29+Studio_Pic_-_Elena_Redmond.jpg</image:loc>
      <image:title>Home - Elena Redmond on Subverting Self-Portraiture - Make it stand out</image:title>
      <image:caption>Elena Redmond in her studio, photo courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/double-vision</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c84a28f-d2d3-4203-a1ae-2f24fbbd9fb3/2025_THE+THEATRE_Installation+view+7.jpg</image:loc>
      <image:title>Home - Double Vision - Make it stand out</image:title>
      <image:caption>Installation view of The Theatre featuring Anna Ting Möller, Bone III, 2022. Courtesy of LUmkA NYC. Photo: Mila Rae Mancuso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4fb414a-cdb1-4dba-acad-f20502db27ca/2025_THE+THEATRE_Installation+view+2.jpg</image:loc>
      <image:title>Home - Double Vision - Make it stand out</image:title>
      <image:caption>Installation view of The Theatre. Courtesy of LUmkA NYC. Photo: Mila Rae Mancuso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/48f823ad-3d28-4166-9fd6-4ecd976cc84d/2025_THE+THEATRE_Installation+view+6.jpg</image:loc>
      <image:title>Home - Double Vision - Make it stand out</image:title>
      <image:caption>Installation view of The Theatre featuring Marianna Rothen, Glory Daze, 2020, and Valentine’s Day, 2020. Courtesy of LUmkA NYC. Photo: Mila Rae Mancuso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2eb27447-ec98-4258-9bd2-6ff667c2e1b6/2025_THE+THEATRE_Installation+view+9.jpg</image:loc>
      <image:title>Home - Double Vision - Make it stand out</image:title>
      <image:caption>Installation view of The Theatre featuring Luca Rekosh, Soup (So Up), 2025. Courtesy of LUmkA NYC. Photo: Mila Rae Mancuso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b2aa9a7d-9a61-4d6e-b5b0-5353accec4a2/2025_THE+THEATRE_Installation+view+11.jpg</image:loc>
      <image:title>Home - Double Vision - Make it stand out</image:title>
      <image:caption>Installation view of The Theatre featuring Miles Scharff, Even if something did you would never really know, 2025. Courtesy of LUmkA NYC. Photo: Mila Rae Mancuso.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/turiya-adkins-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2e8bd9de-7969-428d-b3c4-cc1a61c1a4b7/250507_EHM_HannahTraoreGallery_IndependentArtFair_7492_Web.jpg</image:loc>
      <image:title>Home - From Land to Cosmos: Turiya Adkins on Flight&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Turiya Adkins’s work at the Independent Art Fair 2025. Courtesy of the artist and Hannah Traore Gallery. Photo by Evan McKnight.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a9f249b0-7467-4e6b-acad-ed29b6178d7c/BibleofTheSport.jpg</image:loc>
      <image:title>Home - From Land to Cosmos: Turiya Adkins on Flight&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Turiya Adkins, Bible of The Sport (2025). Courtesy of the artist and Hannah Traore Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0e78f9b3-bf7d-499c-a84f-7e537d69f567/Afronaut.jpg</image:loc>
      <image:title>Home - From Land to Cosmos: Turiya Adkins on Flight&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Turiya Adkins, Afronaut (2025). Courtesy of the artist and Hannah Traore Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e45b250f-4f91-491b-9bc8-bcb13d32ff9c/250507_EHM_HannahTraoreGallery_IndependentArtFair_7494_Web.jpg</image:loc>
      <image:title>Home - From Land to Cosmos: Turiya Adkins on Flight&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Turiya Adkins’s work at the Independent Art Fair 2025. Courtesy of the artist and Hannah Traore Gallery. Photo by Evan McKnight.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/rhythms-of-deferral-and-renewal-claudia-harts-illuminations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6d568c4b-95aa-4973-bab8-a650dad0d967/1_Bitforms_Claudia+Hart_Install_5000px_300dpi.jpg</image:loc>
      <image:title>Home - Claudia Hart’s Rhythms of Deferral and Renewal - Make it stand out</image:title>
      <image:caption>Installation view of Claudia Hart, Illuminations, bitforms gallery, 2025. Photo: Yi Hsuan Lai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7953f528-93f1-488a-8dcc-ccd7b71fb74e/11_Bitforms_Claudia+Hart_Digital-Death_5000px_300dpi.jpg</image:loc>
      <image:title>Home - Claudia Hart’s Rhythms of Deferral and Renewal - Make it stand out</image:title>
      <image:caption>Installation view of Claudia Hart, Illuminations, bitforms gallery, 2025. Photo: Yi Hsuan Lai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a09144a6-3671-4cfa-b219-ea8bb599d8d5/Bitforms_Claudia-Hart_1443_5000px_300dpi-scaled.jpg</image:loc>
      <image:title>Home - Claudia Hart’s Rhythms of Deferral and Renewal - Make it stand out</image:title>
      <image:caption>Installation view of Claudia Hart, Illuminations, bitforms gallery, 2025. Photo: Yi Hsuan Lai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d0760cf-b3de-4253-b89f-175fa2626601/Bitforms_Claudia-Hart_1407_5000px_300dpi-scaled.jpg</image:loc>
      <image:title>Home - Claudia Hart’s Rhythms of Deferral and Renewal - Make it stand out</image:title>
      <image:caption>Installation view of Claudia Hart, Illuminations, bitforms gallery, 2025. Photo: Yi Hsuan Lai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db074c1d-6cd6-4a5f-85ce-495892ae2ec8/Bitforms_Claudia-Hart_1515_5000px_300dpi-scaled.jpg</image:loc>
      <image:title>Home - Claudia Hart’s Rhythms of Deferral and Renewal - Make it stand out</image:title>
      <image:caption>Installation view of Claudia Hart, Illuminations, bitforms gallery, 2025. Photo: Yi Hsuan Lai.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/unmaking-the-city-1-epmrm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6af4d86-7146-48a6-bfdf-15322c56e00f/ICALA-2025-04-09_200.jpg</image:loc>
      <image:title>Home - Unmaking the City - Make it stand out</image:title>
      <image:caption>Installation view, Jackie Castillo: Through the Descent, Like the Return, Institute of Contemporary Art, Los Angeles, April 5–August 31, 2025. Photo: Jeff McLane/ICA LA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb9b055e-5093-49d7-af67-81126f7d8180/ICALA-2025-04-09_202.jpg</image:loc>
      <image:title>Home - Unmaking the City - Make it stand out</image:title>
      <image:caption>Installation view, Jackie Castillo: Through the Descent, Like the Return, Institute of Contemporary Art, Los Angeles, April 5–August 31, 2025. Photo: Jeff McLane/ICA LA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dbe0e125-f4ac-42e8-9af9-06b9b37768d6/ICALA-2025-05-02_037.jpg</image:loc>
      <image:title>Home - Unmaking the City - Make it stand out</image:title>
      <image:caption>Installation view, Jackie Castillo: Through the Descent, Like the Return, Institute of Contemporary Art, Los Angeles, April 5–August 31, 2025. Photo: Jeff McLane/ICA LA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc5d77ed-961f-4b5e-ac83-fa2855aeab5c/ICALA-2025-04-09_220.jpg</image:loc>
      <image:title>Home - Unmaking the City - Make it stand out</image:title>
      <image:caption>Installation view, Jackie Castillo: Through the Descent, Like the Return, Institute of Contemporary Art, Los Angeles, April 5–August 31, 2025. Photo: Jeff McLane/ICA LA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2798347f-0031-4f72-90ef-b48bac54d69f/ICALA-2025-04-09_217.jpg</image:loc>
      <image:title>Home - Unmaking the City - Make it stand out</image:title>
      <image:caption>Installation view, Jackie Castillo: Through the Descent, Like the Return, Institute of Contemporary Art, Los Angeles, April 5–August 31, 2025. Photo: Jeff McLane/ICA LA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-new-york-art-fairs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0acaa50a-1aa1-4dc8-9710-29ce453061e4/250505_ESTHER+II_Installs_Pool+Room_Margot_02.jpg</image:loc>
      <image:title>Home - Editors’ Selects: New York Art Fairs - Make it stand out</image:title>
      <image:caption>Installation view of Esther II at the New York Estonian House, May 6–10, 2025. Photo by Mathew Sherman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff6192d1-ed38-420d-9469-fd1dd89a43f0/Xxijra+Hii+Gallery+NADA+25_1.jpg</image:loc>
      <image:title>Home - Editors’ Selects: New York Art Fairs - Make it stand out</image:title>
      <image:caption>Installation view of Booth C104 at NADA, featuring the work of Floryan Varennes and Hanna Umin. Courtesy of the artists and Xxijra Hii, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bae5bd68-393e-48d3-895d-03be9ab2d7d3/1.jpg</image:loc>
      <image:title>Home - Editors’ Selects: New York Art Fairs - Make it stand out</image:title>
      <image:caption>Amber Toplisek, Narrowing (2025). Video stills, glass, copper, solder, lead, and resin. Courtesy of Mimo Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9372c56-be32-409f-b495-46d37817e70c/IMG_4331.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: New York Art Fairs - Make it stand out</image:title>
      <image:caption>Installation view of Ashanté Kindle’s work at Kates-Ferri Projects booth. Photo by Matilda Lin Berke.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6370dcf-9527-4128-b982-737221607e73/Screenshot+2025-05-09+at+10.55.51+PM.png</image:loc>
      <image:title>Home - Editors’ Selects: New York Art Fairs - Make it stand out</image:title>
      <image:caption>Anna Weyant, Spring Florals, 2025. Oil on canvas, 36 ⅛ × 24 ⅛ inches (91.8 × 61.3 cm). Image courtesy of Gagosian, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standout-booths-at-frieze-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/df9d04bf-98c6-42d9-86d2-b86539e8209f/HL_FNY_2025_Install_001.jpg</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Hannah Levy, Installation View, Frieze, 2025, Booth B11,  © Hannah Levy. Courtesy the artist and Casey Kaplan, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdbd620a-3576-4373-b57f-c28f3a61d95a/HL2025-004_01.jpg</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Hannah Levy, Untitled, 2025. Stainless steel, glass, 30 x 60 x 23.5 inches. © Hannah Levy. Courtesy the artist and Casey Kaplan, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/343b695e-ca13-43f1-a1fd-d6ac79216eb3/Frieze+New+York+8+May.JPG</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Installation view, Frieze New York, Yeo Workshop, Focus Section, Booth F04. Citra Sasmita, Vortex in the Land of Liberation, 7–11 May 2025, © Citra Sasmita.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ad43892b-b842-4bd8-8e83-7544e40d1e91/250505_Management_Frieze_1.jpg</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Installation Image, Frieze New York 2025, Tahir Karmali, Management Gallery, Booth F3, Focus Section.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6bcff987-2483-4f96-8f43-31bf929935fd/Danielle+Brathwaite-Shirley%2C+Public+Gallery%2C+Frieze+New+York+2025_2.jpeg</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Installation View of Danielle Brathwait-Shirley, Frieze, 2025, Public Gallery, Booth F6. Courtesy the artist and Public Gallery, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d1de976-6003-4456-b5b6-7085d6e82fea/Rome%CC%81oMivekannin_Le+Billet%2C+after+Armand+Cambon+%281851%29_2025_Cr.Rome%CC%81oMivekannin.01.HR_edit.jpg</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Southern Guild, Frieze, Booth A6. Roméo Mivekannin, Le Billet, after Armand Cambon (1851), 2025, Acrylic, elixir baths on canvas, 110.3 x 71.6 inches | 280 x 182 cm. Image courtesy of the artist/Southern Guild.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6644603e-1a8f-42d8-9778-7805c65f1eef/Berenice+Olmedo_Cipriano.jpg</image:loc>
      <image:title>Home - Standout Booths at Frieze 2025 - Make it stand out</image:title>
      <image:caption>Berenice Olmedo, Cipriano, 2024. ThermoLyn orthoprosthetic, cortical screws, surgical steel traumatology instruments, KAFO (knee, ankle, foot orthosis), socket adapters for prosthesis, resin and lead, 175 × 33 × 50 cm. Courtesy: François Ghebaly.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standout-booths-at-independent-art-fair-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b73eed8-fe26-4d79-a051-ceda721852ab/P420.1.jpeg</image:loc>
      <image:title>Home - Standout Booths at the Independent Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Shafei Xei, A Normal Day (2023–2025). Installation view of P420, Independent Art Fair 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f73ebd53-1809-4561-ad55-de35868a0cde/MichaelKohn1.jpeg</image:loc>
      <image:title>Home - Standout Booths at the Independent Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Alicia Adamerovich, Double-knot (2025). Installation view of Michael Kohn Gallery, Independent Art Fair 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67e052e8-84c8-4fc8-b47c-278d3f904ff6/NightCafe1.jpeg</image:loc>
      <image:title>Home - Standout Booths at the Independent Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Mandy Franca, On Being Light and Liquid (2025). Installation view of Night Café, Independent Art Fair 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed74123c-3697-4f6f-836e-22d543e83b55/Abattoir1.jpeg</image:loc>
      <image:title>Home - Standout Booths at the Independent Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Michelle Grabner, Untitled (Janitorial Cart) (2025) and Untitled (Janitorial Closet) (2024–2025). Installation view of Abattoir Gallery, Independent Art Fair 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8737e9c1-aa62-408e-a247-347adb5db9fe/DianeRosenstein1.jpeg</image:loc>
      <image:title>Home - Standout Booths at the Independent Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Terran Last Gun and Jay Kvapil, various works. Installation view of Diane Rosenstein Gallery, Independent Art Fair 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13cba881-dba8-4a19-9fd6-872488653408/MichaelKohn2.jpeg</image:loc>
      <image:title>Home - Standout Booths at the Independent Art Fair 2025 - Make it stand out</image:title>
      <image:caption>Alicia Adamerovich, Double-knot (2025). Installation view of Michael Kohn Gallery, Independent Art Fair 2025. Photo by Parker Ewen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/maria-de-victoria-on-artists-and-mothers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3a555a12-c057-4314-8a7f-0ed3faf277c4/MariaDeVictoria_Headshot.jpg</image:loc>
      <image:title>Home - Maria De Victoria on Artists and Mothers - Make it stand out</image:title>
      <image:caption>Maria De Victoria, co-founder of Artists and Mothers, image courtesy of Artists and Mothers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/70dde390-2c3e-4e56-af5d-3eeb4df7824d/CarissaRodriguez_Headshot.jpg</image:loc>
      <image:title>Home - Maria De Victoria on Artists and Mothers - Make it stand out</image:title>
      <image:caption>Carissa Rodriguez, recipient of Artists and Mothers’ inaugural grant in June 2024, image courtesy of Artists and Mothers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/179a6eaf-76a3-4007-80f4-ad217b8f89f7/ImitationOfLife.png</image:loc>
      <image:title>Home - Maria De Victoria on Artists and Mothers - Make it stand out</image:title>
      <image:caption>Film still from Imitation of Life (04/09/24), by Artists and Mothers’ inaugural grantee, Carissa Rodriguez. 2024 4K Video, Farbe, Ton / 4K video, color, sound; LED Screen 22:33 min. Courtesy the artist and Artists and Mothers.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/curating-with-intuition-tifxb-on-her-art-fair-debut-and-curatorial-vision</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3c143b31-b6be-4ee5-8926-801d2e3e2e8c/Tif+XB+in+CDMX+Feb+2024+for+the+Fairs+.jpg</image:loc>
      <image:title>Home - Curating with Intuition: TIFXB on Her Art Fair Debut and Curatorial Vision - Make it stand out</image:title>
      <image:caption>Tif XB in CDMX Feb 2024 for the fairs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b4a060bd-78b2-4778-be62-1cb5b76f3805/Screen+Shot+2025-05-07+at+12.58.46+AM.png</image:loc>
      <image:title>Home - Curating with Intuition: TIFXB on Her Art Fair Debut and Curatorial Vision - Make it stand out</image:title>
      <image:caption>Paree Rohera, Perils of Marble (2025). Oil and Acrylic on Canvas, 20 x 30 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32f07f5f-3853-424d-9a66-799dd3740c38/Artists+%26+Recipes+2.jpg</image:loc>
      <image:title>Home - Curating with Intuition: TIFXB on Her Art Fair Debut and Curatorial Vision - Make it stand out</image:title>
      <image:caption>Artists &amp; Recipes curated by TIFXB.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ceebca2d-6d83-4d56-8074-a17e7c3f5095/Choose+Your+Fighter+2_04.jpg</image:loc>
      <image:title>Home - Curating with Intuition: TIFXB on Her Art Fair Debut and Curatorial Vision - Make it stand out</image:title>
      <image:caption>Courtesy of TIFXB.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sehnsuch-longing-review-sbeag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/80155ec7-9d9a-4d7c-9d27-e47a5bb53903/Yves+Scherer%2C+Imagine+%28Kate+Summer+Flowers%29%2C+2025%2C+48.63x64.38+in+%28framed%29+123.5x163.5+cm+%28framed%29+-+Copy.png</image:loc>
      <image:title>Home - Review: “Sehnsucht (Longing)” at YveYANG Gallery - Make it stand out</image:title>
      <image:caption>Yves Scherer, Imagine (Kate Beach White Flower), 2025, archival print, acrylic glass, lenticular lens, and Dibond in oak frame with glass. 64 ⅜ x 48 ⅝ in (framed). Courtesy the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/65148b13-b0ad-4afd-8aff-ba3766bae5e8/Sofie+Schnellbach%2C+Revenge+Sleep%2C+2024%2C+11.38x13+in+29x33+cm_front.jpeg</image:loc>
      <image:title>Home - Review: “Sehnsucht (Longing)” at YveYANG Gallery - Make it stand out</image:title>
      <image:caption>Sofie Schnellbach, Revenge Sleep, 2024, oil and acrylics on canvas, 13 x 11 ⅜ in. Courtesy the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/51eff33b-af39-42d1-a8f5-dbcd8d42ce61/Alissa+Ritter%2C+Love%2C+Treats+and+Power+Play+%28dogs%29%2C+2024%2C+14x14x11+cm+each_1.jpeg</image:loc>
      <image:title>Home - Review: “Sehnsucht (Longing)” at YveYANG Gallery - Make it stand out</image:title>
      <image:caption>Alissa Ritter, Love, Treats and Power Play (dogs), 2024, 15 tinted fiberglass, 5 ½ x 5 ½ x 4 3/8 in each, dimensions variable. Courtesy the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b58388f2-a352-44a0-8b64-03cbe346eff7/Zoe%CC%88+Buckman%2C+slow+dancing+white+embossed+ovals+through+my+veins%2C+2020%2C+28x27+in+71.12x68.58+cm_1.jpeg</image:loc>
      <image:title>Home - Review: “Sehnsucht (Longing)” at YveYANG Gallery - Make it stand out</image:title>
      <image:caption>Zoë Buckman, slow dancing white embossed ovals through my veins, 2020, vintage textile, collage, ink on paper. 13 x 18 ½ in (paper), 21 x 27 ¾ in (framed). Courtesy the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d39078d4-99b6-4cd3-8564-b9ef433ebd2f/Sehnsucht+Install+Shot+10.jpg</image:loc>
      <image:title>Home - Review: “Sehnsucht (Longing)” at YveYANG Gallery - Make it stand out</image:title>
      <image:caption>Backroom, Sehnsucht (Longing). Left: Sofie Schnellbach, Aftercare (UTOPIA), 2024, oil, acrylic, digital print, fabric, and paper on canvas. 7 ⅛ x 10 in. Mid wall: Curtis Kulig, Beautiful Boulevard, 2025, oil on linen, 16 x 20 in. Floor: Yves Sherer, Imagine, 2025, glazed ceramics, 4 x 1 x 1 in. Low wall: Curtis Kulig, I made a fortune (in the intellect), 2025. Oil on linen 14 x 18 in. Courtesy the artists and YveYANG Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jan-dickey-the-high-collapse-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20ebf93a-e4be-4e00-b4ac-ff2c7ff71599/Image+1.jpg</image:loc>
      <image:title>Home - Jan Dickey: “The High Collapse” - Make it stand out</image:title>
      <image:caption>Installation view, Jan Dickey: The High Collapse. Courtesy of the artist and 5-50 Gallery. Photo: Garrett Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/81b6f463-3bec-45e7-a44c-6729cfd9f1c5/Image+2.jpg</image:loc>
      <image:title>Home - Jan Dickey: “The High Collapse” - Make it stand out</image:title>
      <image:caption>Jan Dickey, Champagne Cinnamon Ash (2023). Distemper, natural dyes, sumi, and oil on cotton muslin. 18 x 15 in. Courtesy of the artist and 5-50 Gallery. Photo: Garrett Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2429da4f-ebed-4409-a4ee-195d1439f4fe/Image+3.jpg</image:loc>
      <image:title>Home - Jan Dickey: “The High Collapse” - Make it stand out</image:title>
      <image:caption>Jan Dickey, Blood Horizon (2023). Distemper, egg tempera, cochineal dye, and oil on linen over cotton muslin. 72 x 30 in. Courtesy of the artist and 5-50 Gallery. Photo: Garrett Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be6184fc-1fcd-4107-a5c6-ecb5e2638dd6/Image+4.jpg</image:loc>
      <image:title>Home - Jan Dickey: “The High Collapse” - Make it stand out</image:title>
      <image:caption>Jan Dickey, Horizon (2023). Distemper, egg, and oil on burlap relined over cotton muslin. 60 x 48 in. Courtesy of the artist and 5-50 Gallery. Photo: Garrett Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a106b066-ece2-45be-bf6f-afc8fea88922/Image+5.jpg</image:loc>
      <image:title>Home - Jan Dickey: “The High Collapse” - Make it stand out</image:title>
      <image:caption>Jan Dickey, Wood Warbler (2024). Distemper, egg tempera, oil, acrylic, and wax on canvas. 24 x 20 in. Courtesy of the artist and 5-50 Gallery. Photo: Garrett Carroll.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-siren-song-of-cultural-diplomacy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d9cfc6b1-671e-440a-af53-594dccb062e3/Image+2_Cibic_The+Gift.jpg</image:loc>
      <image:title>Home - The Siren Song of Cultural Diplomacy - Make it stand out</image:title>
      <image:caption>The Gift, 2021. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3c661355-5c58-4a0b-9132-2b507863f137/Image+1_Cibic_The+Gift.jpg</image:loc>
      <image:title>Home - The Siren Song of Cultural Diplomacy - Make it stand out</image:title>
      <image:caption>The Gift, 2021. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/363a8df4-a42b-4787-8853-980dfda2b898/Image+3_Cibic_Police+Orchestra.jpg</image:loc>
      <image:title>Home - The Siren Song of Cultural Diplomacy - Make it stand out</image:title>
      <image:caption>Tourists Welcome (I Feel Love), 2013. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/647780a4-2e50-4e78-9c5d-ad2d2a786510/Image+4_Cibic_The+Arrangement+ICJ.jpg</image:loc>
      <image:title>Home - The Siren Song of Cultural Diplomacy - Make it stand out</image:title>
      <image:caption>The Arrangement, 2024. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/267deef4-d0fb-4238-abfc-e7f35827e433/Image+5_Cibic_The+Gift.jpg</image:loc>
      <image:title>Home - The Siren Song of Cultural Diplomacy - Make it stand out</image:title>
      <image:caption>The Gift, 2021. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/speculative-ecologies-and-sacred-grief</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc2ed9ab-4f21-43b0-9566-88cd42ada742/Elsa+in+her+Chicago+studio_courtesy+of+the+artist.jpg</image:loc>
      <image:title>Home - Speculative Ecologies and Sacred Grief - Make it stand out</image:title>
      <image:caption>Elsa Muñoz in her Chicago studio, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/57ce98bb-fdbd-484e-832e-a55acc7c6038/pilgrimage+to+the+next+world.jpg</image:loc>
      <image:title>Home - Speculative Ecologies and Sacred Grief - Make it stand out</image:title>
      <image:caption>Elsa Muñoz, Pilgrimage To The Next World, 2025. Installation view from Botánica Apokalíptica at Pecha Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a0b2748-7073-4d21-b157-4eb8c0082166/install+1.jpg</image:loc>
      <image:title>Home - Speculative Ecologies and Sacred Grief - Make it stand out</image:title>
      <image:caption>Installation view of Botánica Apokalíptica (2025) at Pecha Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/380716bf-9a10-4ff2-a6c3-5baa632290cc/install+2.jpg</image:loc>
      <image:title>Home - Speculative Ecologies and Sacred Grief - Make it stand out</image:title>
      <image:caption>Installation view of Botánica Apokalíptica (2025) at Pecha Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e362b9c-7ab6-47ef-b815-b8854cb1dbfb/future+flower+1.jpg</image:loc>
      <image:title>Home - Speculative Ecologies and Sacred Grief - Make it stand out</image:title>
      <image:caption>Elsa Muñoz, Future Flower 1: Anemone Solivage (Wandering Sun Anemone), 2025. Paper, wire, clay, paint, sand, 33 x 33 x 25 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23d67ed5-1f93-45f2-b651-b43706fd783f/install+next+world.jpg</image:loc>
      <image:title>Home - Speculative Ecologies and Sacred Grief - Make it stand out</image:title>
      <image:caption>Installation view of In the Next World from Botánica Apokalíptica (2025) at Pecha Projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-land-and-its-shadow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6aa13228-c32a-462f-b488-7fe4185f475d/Teresa+Baker%2C+Twenty+Minutes+to+Sunset%2C+2023.jpg</image:loc>
      <image:title>Home - The Land and Its Shadow - Make it stand out</image:title>
      <image:caption>Teresa Baker, Twenty Minutes to Sunset, 2023. Spray paint, acrylic, buckskin, yarn, and artificial sinew on artificial turf, 118 x 105 inches. Collection Nerman Museum of Contemporary Art, courtesy of the artist and de boer, Los Angeles &amp; Antwerp. Photo by Jacob Phillip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f2c9a207-65fe-4b27-9b36-6c2a65fb1bcf/Teresa+Baker%2C+Expanse%2C+2023.jpg</image:loc>
      <image:title>Home - The Land and Its Shadow - Make it stand out</image:title>
      <image:caption>Teresa Baker, Expanse, 2023. Acrylic, yarn, beads, willow, and artificial sinew on artificial turf, 108 x 71 inches. Courtesy of the artist and de boer, Los Angeles &amp; Antwerp. Photo by Jacob Phillip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c97cf9f-ef72-4faa-ba26-ca8e96067ad1/Teresa+Baker%2C+Shift+in+the+Clouds%2C+2024.jpg</image:loc>
      <image:title>Home - The Land and Its Shadow - Make it stand out</image:title>
      <image:caption>Teresa Baker, Shift in the Clouds, 2024. Acrylic, yarn, and willow on artificial turf, 70 x 152 inches. Courtesy of the artist and de boer, Los Angeles &amp; Antwerp. Photo by Jacob Phillip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/699c7b59-54c5-4de2-949e-7ae30239d70e/Teresa+Baker%2C+Field+Notes%2C+2022.jpg</image:loc>
      <image:title>Home - The Land and Its Shadow - Make it stand out</image:title>
      <image:caption>Teresa Baker, Field Notes, 2022. Willow, spray paint, and yarn on artificial turf, 74 x 120 inches. Gochman Family Collection, courtesy of the artist and de boer, Los Angeles &amp; Antwerp. Photo by Jacob Phillip.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/heart-of-metropoli</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc577326-4457-42db-bc8c-e49c98afca58/Murat+Palta+Totally+Legit.jpg</image:loc>
      <image:title>Home - The Heart of “Metropoli” - Make it stand out</image:title>
      <image:caption>Murat Palta, Totally Legit, 2023. Fine art print, 43.3 x 30.7 inches. Photo by Gustavo Murillo, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5607b3e2-c025-4cb0-ad05-8ef18db002c5/Ali+Bilge+Akkaya_Underground+Excursions_2020_85x130x7+cm.jpg</image:loc>
      <image:title>Home - The Heart of “Metropoli” - Make it stand out</image:title>
      <image:caption>Ali Bilge Akkaya, Underground Excursions, 2020. Fine art paper, archival pigment printing, 33.5 x 51.2 x 2.8 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b9235785-6b5d-447b-8e1d-8cd2cd0960d5/Leasho+Johnson+%E2%80%93Sound+turns+to+mid-morning+and+then+the+silence+of+noon.jpg</image:loc>
      <image:title>Home - The Heart of “Metropoli” - Make it stand out</image:title>
      <image:caption>Leasho Johnson, Sound turns to mid-morning and then the silence of noon, 2023. Charcoal, watercolors, distemper, logwood dye, oil, collage, and gesso on paper mounted on canvas, 67.5 x 52 x 1.72 inches. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/becoming-ghost-with-cathy-linh-che</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f3fb1ca0-fb71-4809-aca8-b25a5253e24a/Screenshot+2025-04-28+at+3.43.00+PM.jpg</image:loc>
      <image:title>Home - “Becoming Ghost” with Cathy Linh Che - Make it stand out</image:title>
      <image:caption>Book cover of Becoming Ghost (2025) by Cathy Linh Che. Courtesy of Simon &amp; Schuster and the author.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1c09dba6-1eec-464f-abf9-956637557756/IMG_8573.jpeg</image:loc>
      <image:title>Home - “Becoming Ghost” with Cathy Linh Che - Make it stand out</image:title>
      <image:caption>Cathy Linh Che. Photograph by Jess X. Snow, courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/from-surfing-to-sinking-in-the-internet-yehwan-song</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28b35923-01a7-4fc5-ae29-a043c71d5836/YSImage1.jpg</image:loc>
      <image:title>Home - From Surfing to Sinking in the Internet: Yehwan Song - Make it stand out</image:title>
      <image:caption>Yehwan Song, Are We Still (Surfing)?, 2025. Installation at Pioneer Works. Courtesy of the artist and Pioneer Works. Photo by Olympia Shannon.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3958aab3-17e0-43cd-8e86-20ba9ccdf785/YSImage2.jpg</image:loc>
      <image:title>Home - From Surfing to Sinking in the Internet: Yehwan Song - Make it stand out</image:title>
      <image:caption>Yehwan Song, Are We Still (Surfing)?, 2025. Installation at Pioneer Works. Courtesy of the artist and Pioneer Works. Photo by Olympia Shannon.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/056a02da-b2df-44f5-9f48-7e77a4f10663/YSImage3.jpg</image:loc>
      <image:title>Home - From Surfing to Sinking in the Internet: Yehwan Song - Make it stand out</image:title>
      <image:caption>Yehwan Song, Are We Still (Surfing)?, 2025. Installation at Pioneer Works. Courtesy of the artist and Pioneer Works. Photo by Olympia Shannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a47929f-b9db-4dcd-a018-23fbc4871d9f/YSImage4.jpg</image:loc>
      <image:title>Home - From Surfing to Sinking in the Internet: Yehwan Song - Make it stand out</image:title>
      <image:caption>Yehwan Song, Are We Still (Surfing)?, 2025. Installation at Pioneer Works. Courtesy of the artist and Pioneer Works. Photo by Olympia Shannon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/00d06b2f-497a-47ea-8a5a-04bcf8eed278/YSImage5.jpg</image:loc>
      <image:title>Home - From Surfing to Sinking in the Internet: Yehwan Song - Make it stand out</image:title>
      <image:caption>Yehwan Song, Are We Still (Surfing)?, 2025. Installation at Pioneer Works. Courtesy of the artist and Pioneer Works. Photo by Olympia Shannon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/carolyn-lazards-simulated-reality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ae9302dd-34d0-46cd-8793-8a950d56ab7a/10-artists-space-1-2560x-2.jpg</image:loc>
      <image:title>Home - Carolyn Lazard’s Simulated Reality - Make it stand out</image:title>
      <image:caption>Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. Image Courtesy Artists Space, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/65b8a7b7-6fd8-4344-851d-43aed7683553/07-artists-space-7-2560x.jpg</image:loc>
      <image:title>Home - Carolyn Lazard’s Simulated Reality - Make it stand out</image:title>
      <image:caption>Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. Image Courtesy Artists Space, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3250c17f-723b-4f07-993c-655f975e0f09/08-artists-space-17-2560x.jpg</image:loc>
      <image:title>Home - Carolyn Lazard’s Simulated Reality - Make it stand out</image:title>
      <image:caption>Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025), Artists Space, 2025. Photo: Greg Carideo. Image Courtesy Artists Space, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2eb4e81e-9064-4126-baf4-3699800dbeb0/05-artists-space-16-2560x.jpg</image:loc>
      <image:title>Home - Carolyn Lazard’s Simulated Reality - Make it stand out</image:title>
      <image:caption>Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. Image Courtesy Artists Space, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10fcf3b6-e58a-4550-b99e-73a92a481403/02-artists-space-2-2560x.jpg</image:loc>
      <image:title>Home - Carolyn Lazard’s Simulated Reality - Make it stand out</image:title>
      <image:caption>Carolyn Lazard: Two-way. Installation view (Vital, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. Image Courtesy Artists Space, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/archiving-moments-of-muscle-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98482885-635a-4df3-8224-980627c5bdc7/1_Lee_Untitled_%28Skin%2C_Constellation_5%29_2024_KSL062_1.jpg</image:loc>
      <image:title>Home - Moments of Muscle Memory - Make it stand out</image:title>
      <image:caption>Kang Seung Lee, Untitled (Skin, Constellation 5), 2024. Courtesy of Alexander Gray Associates, New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7c40d745-dc82-48ed-a5ff-8bec08291c0d/2_Lee_Skin_2024_KSL009_Still_11.jpg</image:loc>
      <image:title>Home - Moments of Muscle Memory - Make it stand out</image:title>
      <image:caption>Kang Seung Lee, Skin (still), 2024. Courtesy of Alexander Gray Associates, New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/abe20bb4-7a8b-4726-bef5-ee9cc18ee202/3_Lee_Skin_2024_KSL009_Still_7.jpg</image:loc>
      <image:title>Home - Moments of Muscle Memory - Make it stand out</image:title>
      <image:caption>Kang Seung Lee, Skin (still), 2024. Courtesy of Alexander Gray Associates, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/915418af-9070-4fc2-a8ef-03aa82781edd/4_Lee_Untitled_%28Skin%2C_Constellation_7%29_2024_KSL065_1.jpg</image:loc>
      <image:title>Home - Moments of Muscle Memory - Make it stand out</image:title>
      <image:caption>Kang Seung Lee, Untitled (Skin, Constellation 7), 2024. Courtesy of Alexander Gray Associates, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/vanessa-german-gumball-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab233c0c-d048-4e37-acc5-a000f5c490ec/Screenshot+2025-04-23+at+8.15.14+PM.png</image:loc>
      <image:title>Home - Review of vanessa german’s “GUMBALL” - Make it stand out</image:title>
      <image:caption>Installation view of vanessa german: GUMBALL—there is absolutely no space between body and soul, 2025. Courtesy of the artist and Kasmin, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/78e6d3d0-051b-484b-aa4f-3ed6ab811503/Screenshot+2025-04-23+at+8.15.22+PM.png</image:loc>
      <image:title>Home - Review of vanessa german’s “GUMBALL” - Make it stand out</image:title>
      <image:caption>Installation view of vanessa german: GUMBALL—there is absolutelyno space between body and soul, 2025. Courtesy of the artist and Kasmin, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/709101c1-3c54-4f8e-8e13-4dd077df156c/Screenshot+2025-04-23+at+8.15.54+PM.png</image:loc>
      <image:title>Home - Review of vanessa german’s “GUMBALL” - Make it stand out</image:title>
      <image:caption>vanessa german, GUMBALL, or, Gloriously Underestimated Magical Bounty As Living Love. Or, An Invitation to Contemplation at the pace of One’s own Divine Soul., 2025. gemstones and minerals: tigers eye, onyx, obsidian, rose quartz, morganite, lapis, aragonite, citrine, agate, dyed jade, titanium heated geode, spirit quartz. Cut glass crystal, fish key chains, a love song to the Soul of it all, a house in which to grow wise in a manner with allows no violation to the being, wood, hand blown glass gumball, ceramic figurine, pink prayer beads, prayers of grace and the intimacy of loneliness giving into the knowing of deep and true wholeness, light, astroturf, joyous angelic presence, the levity of the Buddha—HA HA. Love, memories of my grandmother, plaster, plaster guaze, cardboard, obsidian lucky foot, 3-4 bags of my/the artist’s recycling, a laying on of hands and a release into the grace of being held outside of one’s own mind, joy, ceramic butterflies, the way that black girls—in my youth—could speak their own language by chewing and popping gum, beaded flowers, hope, newness, porcelain tile, slow down, it’s going to be ok., 87 x 47 1/2 x 43 1/2 inches. © vanessa german. Courtesy of the artist and Kasmin, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/72afff27-25aa-44b9-b345-ed0751da3bd5/Screenshot+2025-04-23+at+8.16.03+PM.png</image:loc>
      <image:title>Home - Review of vanessa german’s “GUMBALL” - Make it stand out</image:title>
      <image:caption>Installation view of vanessa german: GUMBALL—there is absolutelyno space between body and soul, 2025. Courtesy of the artist and Kasmin, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/roman-saturnio-aqui-no-es-asi-pwbmk-c2472</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/117a061b-8ca4-44b7-8596-cf5884c00168/_21A6720.jpg</image:loc>
      <image:title>Home - Ramón Saturnino: “Aquí no es así” - Make it stand out</image:title>
      <image:caption>Ramón Saturnino, You, neighbor God, if sometimes in the night / I rouse you with loud knocking, I do so / only because I seldom hear you breathe., 2025. Aquí no es así installation view, Lodos Gallery, CDMX, México, 2025. Courtesy of the Artist and Lodos, Mexico City. Photo: Ramiro Chaves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c3b5a2a-5dc9-4a9c-9487-659a3edeb9d3/_21A6717.jpg</image:loc>
      <image:title>Home - Ramón Saturnino: “Aquí no es así” - Make it stand out</image:title>
      <image:caption>Ramón Saturnino, You, neighbor God, if sometimes in the night / I rouse you with loud knocking, I do so / only because I seldom hear you breathe., 2025. Aquí no es así installation view, Lodos Gallery, CDMX, México, 2025. Courtesy of the Artist and Lodos, Mexico City. Photo: Ramiro Chaves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f92de818-ee2a-40da-bfeb-f3fbaa965f81/_21A6735.jpg</image:loc>
      <image:title>Home - Ramón Saturnino: “Aquí no es así” - Make it stand out</image:title>
      <image:caption>Ramón Saturnino, Aquí no es así installation view, Lodos Gallery, CDMX, México, 2025. Courtesy of the Artist and Lodos, Mexico City. Photo: Ramiro Chaves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2bfc06da-0773-4296-95e7-13a2673bfdaa/_21A6704.jpg</image:loc>
      <image:title>Home - Ramón Saturnino: “Aquí no es así” - Make it stand out</image:title>
      <image:caption>Ramón Saturnino, Bulgaria-mexicali (4 pm), 2022-2024. Aquí no es así installation view, Lodos Gallery, CDMX, México, 2025. Courtesy of the Artist and Lodos, Mexico City. Photo: Ramiro Chaves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb1e3e64-fcae-4104-8a80-41eb3001704c/_21A6705.jpg</image:loc>
      <image:title>Home - Ramón Saturnino: “Aquí no es así” - Make it stand out</image:title>
      <image:caption>Ramón Saturnino, Bulgaria-mexicali (12:01 am), 2022-2024. Aquí no es así installation view, Lodos Gallery, CDMX, México, 2025. Courtesy of the Artist and Lodos, Mexico City. Photo: Ramiro Chaves.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-selects-april-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3b54a459-f282-4487-a465-8a2db938b34f/Screen+Shot+2025-04-09+at+4.25.13+PM.png</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Lyric Shen: There is an occlusion. Courtesy of Silke Lindner.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/79018ca4-c396-40af-960f-d5f36837076d/02_Praise+Dancers_Edna+TX+2020_45998_Fnl.jpg</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Rahim Fortune, Praise Dancers, Edna, Texas, 2020. From the series Hardtack. Silver gelatin print, 30 x 40 inches. Copyright Rahim Fortune, courtesy Sasha Wolf Projects and Howard Greenberg Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be5b0da1-8aa0-4400-887c-002d6460fa67/AlinaBliumis_FruitsCigaretteButtsAndWormsViaDrone_2024_oilonwoodpanel_16x20x1in.jpg</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Alina Bliumis, Fruits, Cigarette Butts And Worms Via Drone, 2024. Oil on wood panel, 16 x 20 x 1 in. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/90840b7c-717b-4116-a1f8-87898c31a378/2arca-angels.jpg</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Arca: Angels. Courtesy of the artist and Cordova Gallery, Barcelona.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52432b50-6b83-448e-be5b-72a18a1da7d3/63f921_1701dfa0c10d497da62e1ffa005faf55%7Emv2.png</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Drink Me, courtesy of SPIELZEUG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71fb6b96-ee22-488c-b60d-6b0e525f580d/pia+paulina.png</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Pia Paulina Guilmoth, daisy-eye (2024). Archival pigment print in stained ash wood frame (Edition of 3 + 2 APs). 22 x 27 inches (image); 24 x 29 inches (framed). Courtesy of the artist and CLAMP.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/77f08e0c-1e1e-4df1-a7ac-c03c3969f02e/03_Maze+by+Taezoo+Park%28courtesy+artist%29.jpg</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Taezoo Park: Maze. Courtesy of the artist and GHOSTMACHINE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6af41d62-9d8f-4dab-85d8-f65d5c78e9c8/Screen+Shot+2025-04-21+at+1.17.19+AM.png</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>Courtesy of Nita Mukesh Ambani Cultural Centre and Dia Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bd068789-a08d-43ca-bba4-760dcea696fd/Margot+Bram%2C+Allison+Russo%2C+Nicholas+Baume%2C+Angelo+Chan%2C+Rasika+Reddy%2C+Elizabeth+Fearon+Pepperman%2C+Andrew+Brownstein%2C+Allison+Wiener%2C+Susan+Freedman%2C+Ruthard+Murphy%2C+Andrea+Krantz%2C+Alexandra+Frankel%2C+Patti+Harris%2C+Karyn+Olivier%2C+Charles+Sho.jpg</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>The Public Art Fund Party 2025, April 9, 2025. Metropolitan Pavilion. Photo: Bre Johnson/BFA.com © BFA, courtesy of Public Art Fund, NY.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8172118-8809-49c9-ac23-51347e0c9dac/Between+Tides+Photo+Activation.jpg</image:loc>
      <image:title>Home - Editors’ Selects: April 2025 - Make it stand out</image:title>
      <image:caption>The Public Art Fund Party 2025, April 9, 2025. Metropolitan Pavilion. Photo: Olivia LiCalzi/BFA.com © BFA, courtesy of Public Art Fund, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/familiars-dance-among-the-inverted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5e47bd4a-d0c3-4f95-baab-1df7fc498f18/The+Encounter+%281%29.png</image:loc>
      <image:title>Home - Familiars Dance Among the Inverted - Make it stand out</image:title>
      <image:caption>Annu Yadav, The Encounter (2024). Oil on canvas, 36 × 36 in. Courtesy of the artist and All Street Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a8442e54-dace-4adc-8a2d-67f27ff35013/Self+replicating+organism+%281%29.png</image:loc>
      <image:title>Home - Familiars Dance Among the Inverted - Make it stand out</image:title>
      <image:caption>Annu Yadav, Self Replicating Organism (2025). Oil on canvas, 72 × 60 in. Courtesy of the artist and All Street Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6256e7dd-3f2a-42e0-9502-ab31f7bf0f92/4-6G3A9558.jpg</image:loc>
      <image:title>Home - Familiars Dance Among the Inverted - Make it stand out</image:title>
      <image:caption>Installation view of Annu Yadav: Gold God Meat, courtesy of the artist and All Street Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9d56fdc9-b70c-4f28-a368-8df2bc402fed/1-6G3A9567.jpg</image:loc>
      <image:title>Home - Familiars Dance Among the Inverted - Make it stand out</image:title>
      <image:caption>Installation view of Annu Yadav: Gold God Meat, courtesy of the artist and All Street Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/spirits-bound-to-structures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed35e05b-367c-4d12-87db-96ec6d03373b/Emma-Rose-Schwartz-at-Derosia-New-York_19.jpg</image:loc>
      <image:title>Home - Sealed Spirits - Make it stand out</image:title>
      <image:caption>Emma Rose Schwartz, Define Figment, 2025. Oil, bed sheet, paper, Conté, charcoal, chalk pastel, and graphite on canvas, 10 x 8 inches. Image courtesy of Derosia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18dd763e-40ec-41a0-909a-053b04ebc572/Emma-Rose-Schwartz-at-Derosia-New-York_13.jpg</image:loc>
      <image:title>Home - Sealed Spirits - Make it stand out</image:title>
      <image:caption>Emma Rose Schwartz, Morning Inside a Chest of Drawers, 2025. Oil, bed sheet, paper, Conté, charcoal, chalk pastel, and graphite on canvas, 60 x 36 inches. Image courtesy of Derosia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fcb6d6f4-b1d6-4b0b-a7a2-011b9e39cc32/Emma-Rose-Schwartz-at-Derosia-New-York_15.jpg</image:loc>
      <image:title>Home - Sealed Spirits - Make it stand out</image:title>
      <image:caption>Emma Rose Schwartz, In On It, 2025. Oil, paper, Conté, charcoal, chalk pastel, and graphite on canvas, 10 x 24 inches. Image courtesy of Derosia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97cfd01e-f93b-42bf-b2a0-438728095431/Emma-Rose-Schwartz-at-Derosia-New-York_11.jpg</image:loc>
      <image:title>Home - Sealed Spirits - Make it stand out</image:title>
      <image:caption>Emma Rose Schwartz,The Missing Link In Modern Spiritualism, 2025. Oil, paper, Conté, charcoal, chalk pastel, and graphite on canvas, 60 x 98 inches. Image courtesy of Derosia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/outside-the-box-two-sisters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8989ab5b-3aa1-4902-8b55-8946fdd51256/TWO_SISTERS_01%28c%29HanJie+Chow..jpg</image:loc>
      <image:title>Home - Outside the Box - Make it stand out</image:title>
      <image:caption>Two Sisters Find a Box of Lesbian Erotica in the Woods by Bailey Williams and Emma Horwitz. Photo by HanJie Chow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c9f1870-268c-4004-80fe-1b140a17900e/TWO_SISTERS_06%28c%29HanJie+Chow..jpg</image:loc>
      <image:title>Home - Outside the Box - Make it stand out</image:title>
      <image:caption>Two Sisters Find a Box of Lesbian Erotica in the Woods by Bailey Williams and Emma Horwitz. Photo by HanJie Chow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7f94bb2-58f2-4a0e-ac04-2083ceee7ec7/TWO_SISTERS_04%28c%29HanJie+Chow..jpg</image:loc>
      <image:title>Home - Outside the Box - Make it stand out</image:title>
      <image:caption>Two Sisters Find a Box of Lesbian Erotica in the Woods by Bailey Williams and Emma Horwitz. Photo by HanJie Chow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b0f8de3-af53-4780-8b58-9641025e9cdd/TWO_SISTERS_03%28c%29HanJie+Chow..jpg</image:loc>
      <image:title>Home - Outside the Box - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-rodrigo-ramrez-rodrguezs-while-being-plasmic-membranes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41994dc9-4363-4c4f-8303-03fe46926354/_DSC3730.jpg</image:loc>
      <image:title>Home - Review: While Being Plasmic Membranes - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez, While Being Plasmic Membranes, installation view. Photo by Cary Whittier. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a05a93c-9413-4b4f-a979-3014943ce0da/RODRIGO4.jpg</image:loc>
      <image:title>Home - Review: While Being Plasmic Membranes - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez, A Change That Yields Easy Separation (2025). Oil, acrylic, pastels, and charcoal on linen. 79 H x 63 W x 1 D in. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7985499d-4ac5-4167-bb99-5378a71d29e5/9a-2.jpg</image:loc>
      <image:title>Home - Review: While Being Plasmic Membranes - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez, Something Outgrown; An Injured Secret Of Minds I (2025). Steel, resin, beeswax, wire mesh, concrete, paper, Fresnel lens, and lab clamps. 51 H x 39 W x 36 D in. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aa548952-0587-4466-afdd-414985229179/_DSC3731.jpg</image:loc>
      <image:title>Home - Review: While Being Plasmic Membranes - Make it stand out</image:title>
      <image:caption>Rodrigo Ramírez, While Being Plasmic Membranes, installation view. Photo by Cary Whittier. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-dominique-fung</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ffa5cfa-f5f5-4d06-9c4b-42682974aacd/1.jpeg</image:loc>
      <image:title>Home - Memory as Medium: A Conversation with Dominique Fung - Make it stand out</image:title>
      <image:caption>Portrait of Dominique Fung in her studio. Courtesy of the artist and MASSIMODECARLO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86c4c4fc-07a6-4107-8f2d-b0b653812399/2.jpg</image:loc>
      <image:title>Home - Memory as Medium: A Conversation with Dominique Fung - Make it stand out</image:title>
      <image:caption>Installation view of Dominique Fung: Beneath the Golden Canopy. Courtesy of the artist and MASSIMODECARLO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8f60958-f29b-49ff-9cd2-4e3ce955562a/3.jpg</image:loc>
      <image:title>Home - Memory as Medium: A Conversation with Dominique Fung - Make it stand out</image:title>
      <image:caption>Installation view of Dominique Fung: Beneath the Golden Canopy. Courtesy of the artist and MASSIMODECARLO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c21ab2a-246f-4e1e-ac7b-0ff80971f45a/4.jpg</image:loc>
      <image:title>Home - Memory as Medium: A Conversation with Dominique Fung - Make it stand out</image:title>
      <image:caption>Installation view of Dominique Fung: Beneath the Golden Canopy. Courtesy of the artist and MASSIMODECARLO.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/eroding-the-nature-culture-divide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f99e61c3-cd1d-4333-97e4-7eb9abcb7a9c/Screenshot+2025-04-16+at+7.32.57+PM.png</image:loc>
      <image:title>Home - Eroding the Nature-Culture Divide - Make it stand out</image:title>
      <image:caption>Installation view of Mother/Land, 2025. Courtesy of Murmurs Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/40c467bb-61d3-41d7-a0ef-1421dfb00043/Screenshot+2025-04-16+at+7.36.26+PM.png</image:loc>
      <image:title>Home - Eroding the Nature-Culture Divide - Make it stand out</image:title>
      <image:caption>Pauline Shaw, The Tomb-Sweeper’s Mosquito Bite, 2021. Dyed wool, silk, milk and bamboo fiber, cotton gauze, lead weight, rod, hardware. Image courtesy of Murmurs Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c32a83cd-9a5f-4ab0-a59e-5f7139f89bb5/Image_2-Murmurs+LA.jpeg</image:loc>
      <image:title>Home - Eroding the Nature-Culture Divide - Make it stand out</image:title>
      <image:caption>Pauline Shaw, detail of The Tomb-Sweeper’s Mosquito Bite, 2021. Courtesy of Spencer Klink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9463caa9-0163-4d6b-94cd-c70cb5f53fab/Mother-Land_Murmurs_178.jpg</image:loc>
      <image:title>Home - Eroding the Nature-Culture Divide - Make it stand out</image:title>
      <image:caption>Katie Grinnan, Double, 2018. Aggregate of Friendly Plastic, earth and rocks from Death Valley, synthetic sand, and landscape formed from EEG data of 5 seconds of dreaming. 34 x 61 x 58 inches. Image courtesy of Murmurs Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fa58156e-6188-4b7f-a090-825980238e39/Image_3-Murmurs+LA+.jpeg</image:loc>
      <image:title>Home - Eroding the Nature-Culture Divide - Make it stand out</image:title>
      <image:caption>Installation view of Mother/Land, 2025. Courtesy of Spencer Klink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/093d6090-16b2-4ce8-a9b0-aa9e00e78ca3/Screenshot+2025-04-16+at+7.44.51+PM.png</image:loc>
      <image:title>Home - Eroding the Nature-Culture Divide - Make it stand out</image:title>
      <image:caption>Installation view of Mother/Land, 2025. Courtesy of Spencer Klink.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/veils-of-velvet-decoding-lior-modans-reliefs-X5DhP</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db39773e-12c3-446b-9374-d5d9f644f40f/DINNER_Lior+Modan_07.jpg</image:loc>
      <image:title>Home - Veils of Velvet: Decoding Lior Modan’s Reliefs - Make it stand out</image:title>
      <image:caption>Installation view of Lior Modan: The Foundations, 2025. Courtesy of the artist and Dinner Gallery. Photo: JSP Art Photographer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a020481a-4154-4287-8a19-c8bdff04e4c7/LM_The+Play+About+Color_JSP-Art-Photography_1.jpg</image:loc>
      <image:title>Home - Veils of Velvet: Decoding Lior Modan’s Reliefs - Make it stand out</image:title>
      <image:caption>Lior Modan, The Play About Color, 2025. Velvet, foam, cardboard, plaster, epoxy putty in cast rubber frame, 18 x 22 inches. Courtesy of the artist and Dinner Gallery. Photo: JSP Art Photographer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc2e86aa-adf8-4104-b9da-187ae6a6038f/LM_Rain_JSP-Art-Photography_2.jpg</image:loc>
      <image:title>Home - Veils of Velvet: Decoding Lior Modan’s Reliefs - Make it stand out</image:title>
      <image:caption>Lior Modan, Rain, 2025. Velvet, foam, cardboard, sand, epoxy putty in artist's frame, 23 x 30 inches. Courtesy of the artist and Dinner Gallery. Photo: JSP Art Photographer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/faf944e0-8747-430f-9633-75b49c51e7eb/LM_L_ete_JSP-Art-Photography_1.jpg</image:loc>
      <image:title>Home - Veils of Velvet: Decoding Lior Modan’s Reliefs - Make it stand out</image:title>
      <image:caption>Lior Modan, L’été, 2025. Velvet, wood, resin, plaster, driftwood, foam, cardboard, sand, epoxy putty in cast rubber frame, 45 x 54 inches. Courtesy of the artist and Dinner Gallery. Photo: by JSP Art Photographer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da42264a-2274-427b-874a-5377d499a0fd/LM+Magic+Cubes_JSP-Art-Photography_4.jpg</image:loc>
      <image:title>Home - Veils of Velvet: Decoding Lior Modan’s Reliefs - Make it stand out</image:title>
      <image:caption>Lior Modan, Magic cubes, 2025. Velvet, foam, sand, nitrile, wood in artist's frame, 20 x 24 inches. Courtesy of the artist and Dinner Gallery. Photo: by JSP Art Photographer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/yetunde-sapp-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1f90055-c83d-4d64-b450-aa6ad3d6b1a3/IMG_5911.JPG</image:loc>
      <image:title>Home - Yetunde Sapp Uncovers Unsung Labor in American Music - Make it stand out</image:title>
      <image:caption>Yetunde Sapp at Heirloom Museum, 2025. Image courtesy of Gracie GK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5027c121-02ba-40b7-af05-72c647fc4fe7/IMG_5805.JPG</image:loc>
      <image:title>Home - Yetunde Sapp Uncovers Unsung Labor in American Music - Make it stand out</image:title>
      <image:caption>Visitors at Heirloom Museum on the opening night (2025). Image courtesy of Gracie GK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b60c1a60-3ca9-4dcd-ae0d-e154debfa83c/IMG_5991.JPG</image:loc>
      <image:title>Home - Yetunde Sapp Uncovers Unsung Labor in American Music - Make it stand out</image:title>
      <image:caption>The opening night of Heirloom Museum (2025). Image courtesy of Gracie GK.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b4cd7439-92a3-45d8-981e-86caa1070855/IMG_5975.JPG</image:loc>
      <image:title>Home - Yetunde Sapp Uncovers Unsung Labor in American Music - Make it stand out</image:title>
      <image:caption>The opening night of Heirloom Museum (2025). Image courtesy of Gracie GK.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/basically-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b8d201a-01a7-4900-ae3c-87528eafcb6c/munich+1.jpg</image:loc>
      <image:title>Home - Something Like - Make it stand out</image:title>
      <image:caption>Nikima Jagudajev, Basically at Westfälischer Kunstverein, photo: Thorsten Arendt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1985858c-8ea3-4a6d-8125-704fbef734a9/munich+2.jpg</image:loc>
      <image:title>Home - Something Like - Make it stand out</image:title>
      <image:caption>Nikima Jagudajev, Basically at Westfälischer Kunstverein, photo: Thorsten Arendt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5689c6c9-ba84-455d-a2a3-b6689d1455e1/vienna.jpg</image:loc>
      <image:title>Home - Something Like - Make it stand out</image:title>
      <image:caption>Nikima Jagudajev, Basically at mumok, photo: Zoë Field / mumok.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0a92133f-31b2-4f73-87ff-f5c150cadfb8/vienna+2.jpg</image:loc>
      <image:title>Home - Something Like - Make it stand out</image:title>
      <image:caption>Nikima Jagudajev, Basically at mumok, photo: Zoë Field / mumok.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f27db873-aa74-49e7-ad0a-18628cf7f122/munich+3.jpg</image:loc>
      <image:title>Home - Something Like - Make it stand out</image:title>
      <image:caption>Nikima Jagudajev, Basically at Westfälischer Kunstverein, photo: Thorsten Arendt.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/visions-of-a-life-as-an-archive-9p6ah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd04b6e1-976e-429b-8a74-73b0daf776ac/Screenshot+2025-04-12+at+1.29.04+AM.png</image:loc>
      <image:title>Home - Troy Montes Michie: “Black on the Face of the Moon” - Make it stand out</image:title>
      <image:caption>Installation view of Troy Montes Michie: Black on the Face of Moon at Company Gallery, 2025. Image courtesy of Company gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1642b058-aab0-4be7-a83c-ec918b3f260d/Screenshot+2025-04-12+at+1.35.34+AM.png</image:loc>
      <image:title>Home - Troy Montes Michie: “Black on the Face of the Moon” - Make it stand out</image:title>
      <image:caption>Installation view of Troy Montes Michie: Black on the Face of Moon at Company Gallery, 2025. Image courtesy of Company gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/538f2e28-baa4-463a-89eb-e7a07eb1826f/Screenshot+2025-04-12+at+1.37.44+AM.png</image:loc>
      <image:title>Home - Troy Montes Michie: “Black on the Face of the Moon” - Make it stand out</image:title>
      <image:caption>Installation view of Troy Montes Michie: Black on the Face of Moon at Company Gallery, 2025. Image courtesy of Company gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/87faacd7-699f-4dd5-84ce-30f8a7454599/Screenshot+2025-04-12+at+1.32.08+AM.png</image:loc>
      <image:title>Home - Troy Montes Michie: “Black on the Face of the Moon” - Make it stand out</image:title>
      <image:caption>Troy Montes Michie, Trust Fall, 2024. Cut paper, graphite, and acrylics on Rives, 13 x 17 1/2 in. Image courtesy of Company Gallery.</image:caption>
    </image:image>
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      <image:title>Home - Troy Montes Michie: “Black on the Face of the Moon” - Make it stand out</image:title>
      <image:caption>Installation view of Troy Montes Michie: Black on the Face of Moon at Company Gallery, 2025. Image courtesy of Company gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-thousand-kisses-deep</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/53fd5465-b4ec-4e86-928a-51f1e11fc253/DSF0211+copy_two_structures.jpeg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada / © Cinémathèque québécoise. Photo MMFA, Denis Farley.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/99e8695b-8827-46da-8c35-062de0d1b3f8/DSF0214+copy_boats+and+plains+med.jpeg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e46ef3e6-442c-4f6c-a0ae-a075b915746c/JOY_0147+copy.jpeg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>Joyce Wieland (1930–1998), Betsy Ross, Look What They’ve Done with the Flag that You Made with Such Care, 1966. Collection of Morden and Edie Yolles. © National Gallery of Canada, Ottawa. Photo AGO, Craig Boyko.</image:caption>
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      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/08523502-d85c-45ba-99d4-deedcadfc8c2/DSF0292+copy_sized_wide_eco.jpeg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a76739b-a37f-43f0-a0f5-475a1176556c/DSF0199+copy_sized.jpg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4030d8d-b51c-4963-a1d5-7d26251cdeec/DSF0227.jpg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c4b01fe-712d-4c59-bdef-663c7760723b/DSF0230+copy_canada_quilts.jpeg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7125b56c-b3fb-487d-b8dc-a3ec6f8e24de/JOY.0085+copy.jpg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>Joyce Wieland (1930–1998), The Arctic Belongs to Itself, 1973. MMFA, Pierre Théberge Bequest. © National Gallery of Canada, Ottawa. Photo MMFA, Jean-François Brière.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4fca3e97-ec2e-491c-84c8-6619750bedc1/DSF0289+copy_sized.jpeg</image:loc>
      <image:title>Home - A Thousand Kisses Deep: Joyce Wieland at MMFA - Make it stand out</image:title>
      <image:caption>View of the exhibition Joyce Wieland: Heart On. © National Gallery of Canada, Ottawa. Photo MMFA, Denis Farley.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/archive-and-absence-ohan-breiding</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d672a23c-ef76-4afa-996f-99229f9e1bfb/IMG_8419.JPG</image:loc>
      <image:title>Home - Archive and Absence: Ohan Breiding - Make it stand out</image:title>
      <image:caption>Installation view of Beside the Sun, 2025. Photograph by Matthew Sherman, courtesy of A.I.R. Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3687eda4-643c-41ed-9685-1c4106e0e3e1/Screenshot+2025-04-10+at+2.45.56+PM.png</image:loc>
      <image:title>Home - Archive and Absence: Ohan Breiding - Make it stand out</image:title>
      <image:caption>Installation view of Beside the Sun featuring Lovers (Earth Auger Bits), 2025. Photograph by Matthew Sherman, courtesy of A.I.R. Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/80912791-9daf-49a0-8faf-5db64644d15e/IMG_8434.JPG</image:loc>
      <image:title>Home - Archive and Absence: Ohan Breiding - Make it stand out</image:title>
      <image:caption>Detail from Notation for a Wounded Land (Selection from the Killed Negative Archive), photo by Katya Borkov.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/breath-atlas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1b4d6c0-a1aa-4ee5-a6fb-2a0e0fd0bced/Screenshot+2025-04-06+at+12.03.05%E2%80%AFAM.png</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Breath Atlas. Abigail Regner, HK Dunston, Mariya Chekmarova, and Jill Sigman. 2025. Image courtesy the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21475750-6c32-45e9-a587-1dd4ee03a49c/Screenshot+2025-04-10+at+12.00.49+AM.png</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Data sheet showing metrics across various neighborhoods. Process image of Breath Atlas. Image courtesy the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6522dd2b-dc38-4fe2-8ff1-09c848f2da1e/BreathAtlas15.JPG</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Process image of Breath Atlas. Image courtesy the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8dedf26a-0ca0-4336-b480-5e7b85ff8d4e/BreathAtlas28.JPG</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Collecting pollution at the George Washington Bridge. Process image of Breath Atlas. Image courtesy the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/40acd1d0-1c55-458a-b2b5-adfa109a01f2/BreathAtlas39.jpg</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Applying pollution to the forms before glaze firing. Process image of Breath Atlas. Image courtesy the artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6d02844-858f-4158-96f9-6af6364a1db0/BreathAtlas8.JPG</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Squeezing the form. Process image of Breath Atlas. Image courtesy the artists.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f4859624-d1a2-4af0-89b9-e2798622587d/Screenshot+2025-04-10+at+12.03.40+AM.png</image:loc>
      <image:title>Home - Envisioning Breath: Recording Air Pollution Through Clay Forms - Make it stand out</image:title>
      <image:caption>Melrose, Mott Haven, Point Morris amphora. Breath Atlas. Image courtesy of the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/face-to-face-april-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1fa4a89e-0818-4297-9ce3-d621bf92b846/Rachel+Rosheger+%28Promise+Machine%29.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Rachel Rosheger, Promise Machine (2025). Steel, glass, found objects, custom electronics, audio. 10 min. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/999a3910-9781-4646-8737-0a823c24f1ae/Elli+Fotopoulou+%28Studio+View%29.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Elli Fotopoulou’s studio in New Haven, Connecticut. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/14ed079e-5296-437b-9df3-a893a6e348a7/Screenshot+2025-04-09+at+10.05.18+PM.png</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Crank, 2025. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52e79596-25c5-4ade-9a9d-00f34ad23ec0/lesley+dill.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Photo by Liz Sandler. Courtesy of Lesley Dill Studio.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/216d3cd8-1d42-4936-9e24-582355c6701d/9095156_1.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Courtesy of Noga Cohen.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2bd8ec6-c493-45a4-b690-f07124770ee2/Leo+and+Livvy+and+Izzy_VSCO.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Leonard Baby at his studio. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff40ae15-7ce9-4c7e-918c-d643147fa66c/Screen+Shot+2025-04-09+at+3.47.27+PM.png</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Nick Brandt, F’taim and Family, Jordan, 2024. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f97ac1ec-062e-4e20-b782-b4aa285c02f0/Screen+Shot+2025-04-09+at+3.53.56+PM.png</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Chris Cortez in her studio. Photo by Sterling Corum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/544db2ba-df03-4313-abf5-9d9ce4f06c07/Changing-of-the-Seasons.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Ester Petukhova, Changing of the Seasons (2024). Acrylic on canvas, 22 x 28 in. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71da7116-1e2a-4dc9-b1c6-74c36a811cc1/DSC_0112.jpeg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Studio shot. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/edae4855-b4dd-49f7-8f9e-ffe5ddca36e0/020525_Shot_02_063.jpg</image:loc>
      <image:title>Home - Face to Face: April 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-becky-ho</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cca9ae19-9fbc-40d9-bea1-510e7bfe972b/TAM_Amphitryon_KatMorarosPhotography-0935.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Becky Ho - Make it stand out</image:title>
      <image:caption>Production photo of Rebecca Ho as Night in Amphitryon. Photo by Kat Moraros Photography.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8f7ce4c0-1cf5-45cb-abae-9cacbb50bd66/2023-01-12+%281%29.png</image:loc>
      <image:title>Home - Migration in Dialogue – Becky Ho - Make it stand out</image:title>
      <image:caption>Still of Rebecca Ho in the film High School Heartbreak.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5f5225b-c563-4809-9fbe-ff71d6c1acc4/TAM_AYLI_KatMorarosPhotography_Online-0472.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Becky Ho - Make it stand out</image:title>
      <image:caption>Production photo of Rebecca Ho as Celia in As You Like It. Photo by Kat Moraros Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b814511-bfc1-4c14-9066-4e15bbbd109b/RichardII_KatMorarosPhotography_Online-.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Becky Ho - Make it stand out</image:title>
      <image:caption>Production photo of Rebecca Ho as Queen in Richard II. Photo by Kat Moraros Photography.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8928a243-2331-48df-ab9b-a2d55e2caa35/IMGP7821.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Becky Ho - Make it stand out</image:title>
      <image:caption>Rebecca Ho. Photo by Matt Davies Photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/1hh0tty2w0q1eyotjj825uh651m91y-art-at-a-time-like-this</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07ef0cc2-3d69-4283-b40d-a2758e3d83ff/Screenshot+2025-04-07+at+2.52.01+PM.png</image:loc>
      <image:title>Home - Art at a Time Like This: “A Cycle of Renewing Energy” - Make it stand out</image:title>
      <image:caption>Disco ball decorations in ARTSPACE at PUBLIC. Photography by Danté Crichlow/BFA.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/59c1cc2c-bd05-4fcd-a216-a0c3de81de7d/Barbara+and+Anne+at+PUBLIC.jpg</image:loc>
      <image:title>Home - Art at a Time Like This: “A Cycle of Renewing Energy” - Make it stand out</image:title>
      <image:caption>Art at a Time Like This co-founders Anne Verhallen (left) and Barbara Pollack (right). Photography by Danté Crichlow/BFA.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a2e156c8-2abb-43af-ab8f-c272caa8d76c/Screenshot+2025-04-07+at+2.57.00+PM.png</image:loc>
      <image:title>Home - Art at a Time Like This: “A Cycle of Renewing Energy” - Make it stand out</image:title>
      <image:caption>Shirin Neshat speaking at Dangerous Art, Dangerous Artists summit, 2024. Photo courtesy of ATLT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0ab41a90-8b9d-453f-95b2-6ffdafdcbb1e/Screenshot+2025-04-07+at+3.03.13+PM.png</image:loc>
      <image:title>Home - Art at a Time Like This: “A Cycle of Renewing Energy” - Make it stand out</image:title>
      <image:caption>DJ Fly Hendricks. Photography by Danté Crichlow/BFA.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b18de04f-5900-48fb-a891-d6df406a04cc/BFA_48991_6995546.jpg</image:loc>
      <image:title>Home - Art at a Time Like This: “A Cycle of Renewing Energy” - Make it stand out</image:title>
      <image:caption>Left to right: artist Jennifer Wen Ma, ATLT co-founder Anne Verhallen, board member Kerry Gaetner, advisory board member Tiana Webb Evans and ATLT co-founder Barbara Pollack. Photography by Danté Crichlow, courtesy of ATLT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/7ztej77667zsqw2ybat44ektvigu7u-coralina-rodriguez-meyer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a471fac-f789-4a50-baf7-962e20edef70/2025_Baxter_Coralina_Rodriguez_Meyer_361_by_Lloyd_McCullough-2.jpg</image:loc>
      <image:title>Home - Coralina Rodriguez Meyer on Reclaiming Memory - Make it stand out</image:title>
      <image:caption>Installation view, Coralina Rodriguez Meyer, Sueños Senos Exhumadas del Cenote Yemaya at BAXTER ST. Courtesy of the artist, photo by Lloyd McCullough.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76c96efb-d33d-4001-b328-e8f44903c51d/Screenshot+2025-04-06+at+5.07.23+AM.png</image:loc>
      <image:title>Home - Coralina Rodriguez Meyer on Reclaiming Memory - Make it stand out</image:title>
      <image:caption>Coralina Rodriguez Meyer, Fissure (Linea Negra series) Polyptych, 2018–2024, UV acrylic print on dibond aluminum, 60 x 60 in each. Photo by Lloyd McCullough, courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4aef5cf9-f295-4d68-b9d4-a8600df49c5d/20250315_BaxterSt_LaCuarentena.jpeg</image:loc>
      <image:title>Home - Coralina Rodriguez Meyer on Reclaiming Memory - Make it stand out</image:title>
      <image:caption>Coralina Rodriguez Meyer, La Quarentena: Corona Santa (Catherine y Ines de Liberty City), 2020, chromogenic print on Hahnmule Beryta,  24 x 36 in. Photo by Lloyd McCullough, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd295e54-f5ce-430b-8786-b78b53e177a7/2025_Baxter_Coralina_Rodriguez_Meyer_370_by_Lloyd_McCullough-2.jpg</image:loc>
      <image:title>Home - Coralina Rodriguez Meyer on Reclaiming Memory - Make it stand out</image:title>
      <image:caption>Coralina Rodriguez Meyer, Luna Creciente del Cenote Yemaya, 2018–2025, video projection on Mother Mold monument, 37 x 35 x 14 in. Photo by Lloyd McCullough, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/hong-kong-art-week-2025-recap</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fddeac0d-cfff-4251-ac13-b383b2c31d18/ABHK25__Signage__MC_0202_HiRes-1.jpeg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>Art Basel Hong Kong 2025. Courtesy of Art Basel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec269254-0af7-4208-aeb9-efce971c8c4b/Print_approx_21_x_14_cm_ABHK25__Public_Interactions__Discoveries__HiRes.jpg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>Shin Min, P21. Courtesy of Art Basel.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4ce6ba18-f9c9-4d25-afa5-a04b51ef097f/PMIC0831.jpg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>Jon Rafman, Signal Rot (Catastrophonic I-IV), 2025. Multimedia video installation, custom inkjet on polyester, custom wrapped sofa, single channel video and sound. 700 x 650 x 900 cm, 21:26 runtime. Courtesy the artist, Spreuth Magers and Neon Parc. Photographs by Michele Galeotto.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5efa478b-8679-4b29-af9c-d785e1bb16ee/Art+Central+2025.+Image+courtesy+of+Art+Central+%286%29.jpg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>Art Central 2025. Image courtesy of Art Central.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93bb6cd1-9909-40f6-a76f-35ed6c1336d3/VILLEPIN_IDA-DAY-ZERO_1F-6.jpg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>DAY ZER0 by Yukimasa Ida. Photo credit: Villepin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7945d396-3517-4901-a086-76f2e948c83e/M%2B_Installation+view_Lee+Mingwei_Guernica+in+Sand_1.jpg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>Installation view of Lee Mingwei: Guernica in Sand, 2025. © Lee Mingwei. Photo: Dan Leung. Image courtesy of M+, Hong Kong.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/37936ddb-a421-4787-b3de-20916c613523/Lot+8+-+Sale+23390.jpg</image:loc>
      <image:title>Home - Hong Kong Art Week 2025 Recap - Make it stand out</image:title>
      <image:caption>Courtesy of Christie’s.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jacob-jackmauh-admissions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/987363be-7a6e-4be7-8b4a-1acb4573f1f5/15_20250213_ParentCo_161_Large.jpg</image:loc>
      <image:title>Home - Review of Jacob Jackmauh: “Admissions” - Make it stand out</image:title>
      <image:caption>Installation view of Jacob Jackmauh: Admissions. Courtesy of Parent Company, images by Gustavo Murillo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ad978215-c75c-4840-abca-56275d15a551/3_20250213_ParentCo_023_Large.jpg</image:loc>
      <image:title>Home - Review of Jacob Jackmauh: “Admissions” - Make it stand out</image:title>
      <image:caption>Jacob Jackmauh, R143 Caesura (2025). LED matrix panel, animation, 5 x 29 in. Courtesy of Parent Company, images by Gustavo Murillo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/95e6aff1-ec39-4e9a-b6bb-f8c168647dc9/11_20250213_ParentCo_070_Large_edited.jpg</image:loc>
      <image:title>Home - Review of Jacob Jackmauh: “Admissions” - Make it stand out</image:title>
      <image:caption>Jacob Jackmauh, 2025 (2025). Resewn polyester inflatable decoration, hand stitching, fan, LED lights, voltage regulator. 52 x 23 x 19 in. Courtesy of Parent Company, images by Gustavo Murillo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a9925bd0-7daa-4215-8844-aed53973c131/8_20250213_ParentCo_049_Large.jpg</image:loc>
      <image:title>Home - Review of Jacob Jackmauh: “Admissions” - Make it stand out</image:title>
      <image:caption>Jacob Jackmauh, Every Occasion (2025). Resewn polyester inflatable decoration, hand stitching, fan, LED lights, lighting gels. 45 x 86 x 25 in. Courtesy of Parent Company, images by Gustavo Murillo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/strata-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/faa82374-0c77-42ed-aceb-4b9f58b67742/Strata_Night_Back_v1.jpg</image:loc>
      <image:title>Home - Beyond the Loop: “Strata” Simulates the Infinite - Make it stand out</image:title>
      <image:caption>Adrian Yu, Strata, 2024 (installation view). Painted steel, stainless steel, LED panels, generative software. 40’ x 8.5’ x 10’. Image courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c31b244-aade-457d-b249-f39ed64ded90/Strata_Day_Hero.jpg</image:loc>
      <image:title>Home - Beyond the Loop: “Strata” Simulates the Infinite - Make it stand out</image:title>
      <image:caption>Adrian Yu, Strata, 2024 (installation view). Painted steel, stainless steel, LED panels, generative software. 40’ x 8.5’ x 10’. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3756d2c4-2ad8-42b0-a6d7-1b1afc75c1c8/Strata_Night_Detail_v2.jpg</image:loc>
      <image:title>Home - Beyond the Loop: “Strata” Simulates the Infinite - Make it stand out</image:title>
      <image:caption>Adrian Yu, Strata, 2024 (installation view). Painted steel, stainless steel, LED panels, generative software. 40’ x 8.5’ x 10’. Image courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5d50106e-27e9-4bca-a3c2-afcd23a9f7d2/DSCF4485.jpg</image:loc>
      <image:title>Home - Beyond the Loop: “Strata” Simulates the Infinite - Make it stand out</image:title>
      <image:caption>Fabrication photo of Strata.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6348cd61-c8e5-466b-ae06-c9979a27b9a6/Strata_Day_Detail_v2.jpg</image:loc>
      <image:title>Home - Beyond the Loop: “Strata” Simulates the Infinite - Make it stand out</image:title>
      <image:caption>Adrian Yu, Strata, 2024 (installation view). Painted steel, stainless steel, LED panels, generative software. 40’ x 8.5’ x 10’. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/uhjqti6fpz1w6bmoeilubbotl1td1r</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e630522f-9501-49e1-a993-650f3c605ee4/TLG+Installation+view+Visual+Reaffirmation_1.jpg</image:loc>
      <image:title>Home - Terran Last Gun’s Eternal Ledger Drawings - Make it stand out</image:title>
      <image:caption>Installation view of Terran Last Gun: Visual Reaffirmation at Chapter NY. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d7b226db-63da-4bac-ac74-4de467163599/TLG_10_Sometimes+the+unknown+provides+strength_1.jpg</image:loc>
      <image:title>Home - Terran Last Gun’s Eternal Ledger Drawings - Make it stand out</image:title>
      <image:caption>Terran Last Gun, Sometimes The Unknown Provides Strength, 2025, Ink and colored pencil on antique “Clerk of District Court, Fee Book, Blain County, Chinook, Montana” diptych ledger sheets (dated 1934); Watermark: Defiance Linen Ledger 1924, 15 1/2 x 40 ¾ in. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/001fda3f-ca67-4f03-bad0-d0b8f59dbb13/TLG_3_Positive+energy+remains+during+dark+times.jpg</image:loc>
      <image:title>Home - Terran Last Gun’s Eternal Ledger Drawings - Make it stand out</image:title>
      <image:caption>Terran Last Gun, Positive Energy Remains During Dark Times, 2025, Ink and colored pencil on antique “The Tisch-Hine Co., Grand Rapids, Mich.” accounting ledger sheet (dated 1923); Watermark: Waverly Ledger 1922, 16 5/8 x 13 3/4 in. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b80f6f6e-2d4a-40a8-9507-0bdd6daf80df/TLG_6_Always+be+aware+of+your+surroundings.jpg</image:loc>
      <image:title>Home - Terran Last Gun’s Eternal Ledger Drawings - Make it stand out</image:title>
      <image:caption>Terran Last Gun, Always Be Aware Of Your Surroundings, 2025, Ink and colored pencil on antique “The Tisch Hine Co., Grand Rapids, Mich.” accounting ledger sheet (dated 1923); Watermark: Waverly Ledger 1922, 16 5/8 x 13 3/4 in. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ce76475f-a6de-4013-b725-1f37ed550c8c/TLG+Installation+view+Visual+Reaffirmation_2.jpg</image:loc>
      <image:title>Home - Terran Last Gun’s Eternal Ledger Drawings - Make it stand out</image:title>
      <image:caption>Installation view of Terran Last Gun: Visual Reaffirmation at Chapter NY. Courtesy of the artist and Chapter NY, New York. Photo credit: Charles Benton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tavares-strachans-energetic-interrogations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/37d3ee15-4cc6-4867-bcf6-0288ba3cd419/28349Strachan_PhotoCreditElonSchoenolz_MG_TS_02.16.247878.jpg</image:loc>
      <image:title>Home - Tavares Strachan’s Energetic Interrogations - Make it stand out</image:title>
      <image:caption>Tavares Strachan. Encyclopedia of Invisibility (Pocket Guide), 2024. Leather, gilding, archival paper, lucite box, and stand. 9 1/4 x 12 1/8 x 10 in. (23.5 x 30.8 x 25.4 cm) (overall) . Courtesy of the artist and Marian Goodman Gallery. Photo credit: Elon Schoenholz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc9cd881-676b-45b5-ad45-f3ab1eacdfb6/29628Strachan1PhotoCreditTomPowelImaging_MGO_Tavares_TP_0311255288.jpg</image:loc>
      <image:title>Home - Tavares Strachan’s Energetic Interrogations - Make it stand out</image:title>
      <image:caption>Tavares Strachan, The Birth of Exuma (Eagle Talon), 2024. Ceramic, rice field installation. Ceramic: 72 7/8 x 26 ¾ x 15 in. (185 x 68 x 38 cm); Rice field: 533 ½ x 189 in. (1355.1 x 480.1 cm). Courtesy of the artist and Marian Goodman Gallery. Photo credit: Tom Powel Imaging.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6600a5a-ab06-4505-b63f-782d9bcf01da/29654_29665_29655_296672Strachan_PhotoCreditTomPowelImaging_MGO_Tavares_TP_030625_4591.jpg</image:loc>
      <image:title>Home - Tavares Strachan’s Energetic Interrogations - Make it stand out</image:title>
      <image:caption>Installation view, Tavares Strachan, Starless Midnight, Marian Goodman Gallery, New York, 2025. Courtesy of the artist and Marian Goodman Gallery. Photo credit: Tom Powel Imaging.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5aa886a-72e8-4bfe-a4e9-259687dce323/29029_29631_29630_29638StrachanPhotoCreditTomPowelImaging_MGO_Tavares_TP_030625_4143.jpg</image:loc>
      <image:title>Home - Tavares Strachan’s Energetic Interrogations - Make it stand out</image:title>
      <image:caption>Installation view, Tavares Strachan, Starless Midnight, Marian Goodman Gallery, New York, 2025. Courtesy of the artist and Marian Goodman Gallery. Photo credit: Tom Powel Imaging.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-chronicles-of-the-absurd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a5c6dc8-4784-4832-9db2-21fdaff2ff87/image-w1280.jpg.jpeg</image:loc>
      <image:title>Home - Review: Chronicles of the Absurd - Make it stand out</image:title>
      <image:caption>Still from Chronicles of the Absurd. © Miguel Coyula and Lynn Cruz</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a05dee0f-6d34-4554-b0bf-7ee51318e9ca/ecfa33754ca156b848c07bd73f7a0c45ca58ddab-1920x1080.jpg.jpeg</image:loc>
      <image:title>Home - Review: Chronicles of the Absurd - Make it stand out</image:title>
      <image:caption>Still from Chronicles of the Absurd. © Miguel Coyula and Lynn Cruz</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/964a778a-b2d8-4fbf-ba0c-bc3da5eb463c/1920.jpeg</image:loc>
      <image:title>Home - Review: Chronicles of the Absurd - Make it stand out</image:title>
      <image:caption>Still from Chronicles of the Absurd. © Miguel Coyula and Lynn Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/77d6ec3b-9f2d-4c6d-8bd2-4c04fb168fd8/1920-1.jpeg</image:loc>
      <image:title>Home - Review: Chronicles of the Absurd - Make it stand out</image:title>
      <image:caption>Still from Chronicles of the Absurd. © Miguel Coyula and Lynn Cruz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lds0ruir75j8hrmig5vrbvbg82p6bh-joan-jonas-gladstone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc548225-8c74-47ad-be65-81f4a749e87f/JJ_GG25_install_02_e.jpg</image:loc>
      <image:title>Home - Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms” - Make it stand out</image:title>
      <image:caption>Installation view, Joan Jonas: Empty Rooms, Gladstone Gallery, New York, 2025. Courtesy of Gladstone Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a68cb8a-9e2d-448d-845e-2b626d4f7eef/JJ_GG25_install_16_e.jpg</image:loc>
      <image:title>Home - Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms” - Make it stand out</image:title>
      <image:caption>Installation view, Joan Jonas: Empty Rooms, Gladstone Gallery, New York, 2025. Courtesy of Gladstone Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/33ed892e-b60b-4e7f-8dc5-c0c2c7c75572/JJ_GG25_install_20_e.jpg</image:loc>
      <image:title>Home - Fugitive Forms and Fading Memories in Joan Jonas’s “Empty Rooms” - Make it stand out</image:title>
      <image:caption>Installation view, Joan Jonas: Empty Rooms, Gladstone Gallery, New York, 2025. Courtesy of Gladstone Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/when-the-ghost-enters-the-wood-in-conversation-with-raul-de-lara</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ad6e227c-c1f1-4e52-a8f1-a1b44dfcdd88/Photo+by+Hannah+Edelman.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Portrait of Raul de Lara. Courtesy of Hannah Edelman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/463566d6-3138-4285-bd92-ce1c9793fcb3/Photo+by+Raul+De+Lara.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Portrait of Raul De Lara. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0f2c7aa9-44b3-4552-a55b-5414469327c7/Photo+Courtesy+of+SCAD.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Installation view of Raul De Lara: Raíces/Roots at SCAD Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ebd320be-48aa-4425-bb7f-8d31c11633a5/Photo+Courtesy+of+SCAD.+2.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Installation view of Raul De Lara: Raíces/Roots at SCAD Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/33ab767b-02d7-4351-a481-c38c8f7f83d4/Photo+Courtesy+of+SCAD.+3.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Installation view of Raul De Lara: Raíces/Roots at SCAD Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/252a4655-fa56-4e36-a5ee-13182efc43e5/Photo+Courtesy+of+SCAD.+4.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Installation view of Raul De Lara: Raíces/Roots at SCAD Museum of Art.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/26f4fc9a-837b-42db-8ef4-6170c1098566/Ridgewood%2C+Queens+Studio+photo+by+Raul+De+Lara.jpg</image:loc>
      <image:title>Home - When the Ghost Enters the Wood: In Conversation with Raul De Lara - Make it stand out</image:title>
      <image:caption>Raul De Lara in his Ridgewood Queens studio. Photo courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/object-lessons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bdd52ec0-9284-4953-b3b1-119f019afa16/23.jpg</image:loc>
      <image:title>Home - Object Lessons - Make it stand out</image:title>
      <image:caption>Installation view of Adam Milner: Meanwhile. Photos by Marc Tatti. Courtesy of the artist and RAINRAIN Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e76e49c4-c8bd-45e3-8db4-ca4c4f9f9f92/16.jpg</image:loc>
      <image:title>Home - Object Lessons - Make it stand out</image:title>
      <image:caption>Adam Milner, Meanwhile Assortment (2011–25). Dimension variable. Photos by Marc Tatti. Courtesy of the artist and RAINRAIN Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/941101f4-0963-4322-a555-a71184a65e29/27.jpg</image:loc>
      <image:title>Home - Object Lessons - Make it stand out</image:title>
      <image:caption>Adam Milner, Red Drawings (2020–25). Ink and gesso on wrappers, aluminum frames. Photos by Marc Tatti. Courtesy of the artist and RAINRAIN Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/331dca3f-933f-4ea8-9365-f1fba03cc48a/11.jpg</image:loc>
      <image:title>Home - Object Lessons - Make it stand out</image:title>
      <image:caption>Adam Milner, Untitled (2015–25). Dimension variable. Photos by Marc Tatti. Courtesy of the artist and RAINRAIN Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4afd9cad-38bb-4f1c-a48b-6d7202d561e5/01.jpg</image:loc>
      <image:title>Home - Object Lessons - Make it stand out</image:title>
      <image:caption>Installation view of Adam Milner: Meanwhile. Photos by Marc Tatti. Courtesy of the artist and RAINRAIN Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/kaveri-raina-delves-into-submerged-kingdoms-and-elusive-narratives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/533642f6-07d1-4a7c-893b-43662a04e31b/KR_headshot_photo+credit+Terrance+James+Jr..jpg</image:loc>
      <image:title>Home - Kaveri Raina Delves Into Submerged Kingdoms and Elusive Narratives - Make it stand out</image:title>
      <image:caption>Kaveri Raina. Photo by Terrance James Jr. Courtesy of Casey Kaplan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97f2c0c5-1285-4e5f-81f7-69500a06e869/KR2024-014_01.jpg</image:loc>
      <image:title>Home - Kaveri Raina Delves Into Submerged Kingdoms and Elusive Narratives - Make it stand out</image:title>
      <image:caption>Kaveri Raina, the kingdom, the cave, the beginning; and the ant taking over, 2024, Acrylic, graphite, oil pastel, burlap, 75 x 130" / 190.5 x 330.2cm. © Kaveri Raina. Courtesy the artist and Casey Kaplan, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85daf02f-ecf8-4460-ac78-5cad8b2cdd6b/KR_CKG2024_Install_06.jpg</image:loc>
      <image:title>Home - Kaveri Raina Delves Into Submerged Kingdoms and Elusive Narratives - Make it stand out</image:title>
      <image:caption>Installation view of Kaveri Raina: reflection as a witness, Casey Kaplan, New York, November 7 – December 21, 2024. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8efc18fd-a16d-4a82-b8b8-21bfce90f95d/KR2024-017_01.jpg</image:loc>
      <image:title>Home - Kaveri Raina Delves Into Submerged Kingdoms and Elusive Narratives - Make it stand out</image:title>
      <image:caption>Kaveri Raina, the kingdom, the cave, the beginning; and yet the heart prevails, 2024, Acrylic, graphite, oil pastel, burlap, 75 x 130" / 190.5 x 330.2cm. © Kaveri Raina. Courtesy the artist and Casey Kaplan, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/placemaking-through-painting-mirdidingkingathi-juwarnda-sally-gabori-at-karma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cceb6c62-cbbb-48f5-b21d-1abae17bf447/My+Father_s+Country.jpg</image:loc>
      <image:title>Home - Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma - Make it stand out</image:title>
      <image:caption>Mirdidingkingathi Juwarnda Sally Gabori, My Father's Country, 2007. Acrylic on linen, 48 × 36 in. (121.92 × 91.44 cm), 51 1⁄8 × 39 5⁄8 in. (129.86 × 100.65 cm) framed, courtesy of Karma Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f4f216df-d07c-4776-9979-b801d2f6257e/My+Country.jpeg</image:loc>
      <image:title>Home - Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma - Make it stand out</image:title>
      <image:caption>Mirdidingkingathi Juwarnda Sally Gabori, My Country, 2009. Acrylic on linen, 77 3⁄4 × 39 7⁄8 in. (197.49 × 101.28 cm), 81 1⁄4 × 43 3⁄8 in. (206.38 × 110.17 cm) framed, courtesy of Karma Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4604d34c-0857-4f9c-9705-e8625c0f69e2/Gallery+View.jpeg</image:loc>
      <image:title>Home - Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma - Make it stand out</image:title>
      <image:caption>Installation view. Courtesy of Karma Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fbb50bc0-e1bb-4b73-9891-312d0321bafe/Rock+Cod+Story+Place+-+Freshwater.jpeg</image:loc>
      <image:title>Home - Placemaking through Painting: Mirdidingkingathi Juwarnda Sally Gabori at Karma - Make it stand out</image:title>
      <image:caption>Mirdidingkingathi Juwarnda Sally Gabori, Rock Cod Story Place—Freshwater, 2005. Acrylic on canvas, 84 × 36 in. (213.36 × 91.44 cm), 87 1⁄2 × 39 1⁄2 in. (222.25 × 100.33 cm) framed. Courtesy of Karma Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/separating-the-art-from-the-artist-lyne-lapointe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0e1f071a-2225-4159-8734-3bfdc9d7c1b6/Screenshot+2025-03-25+at+4.40.28+PM.png</image:loc>
      <image:title>Home - Separating the Art from the Artist - Make it stand out</image:title>
      <image:caption>Lyne Lapointe, Okinawa, 2024, ink on paper, hemp, coral, and sand stars mounted on wood in an artist's frame, 51 1/4 x 41 1/4 x 8 1/2 inches, © Lyne Lapointe. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/61937230-5aa3-4633-a468-7cca62dd246c/Screenshot+2025-03-25+at+4.40.40+PM.png</image:loc>
      <image:title>Home - Separating the Art from the Artist - Make it stand out</image:title>
      <image:caption>Lyne Lapointe, In Vitro, 2024, ink on paper, hemp, linen, and blown glass eggs mounted on wood in an artist's frame, 58 3/4 x 42 x 6 1/2 inches, © Lyne Lapointe. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a77d5296-12df-4acd-bd7c-7bfcb46c458a/Screenshot+2025-03-25+at+4.40.57+PM.png</image:loc>
      <image:title>Home - Separating the Art from the Artist - Make it stand out</image:title>
      <image:caption>Lyne Lapointe, The Sky of Bangladesh, 2024, wood, ink on paper, linen, mica, glass eyes, rickshaw ornament painted on metal and framed by the artist, 54 1/2 x 72 1/2 x 2 1/4 inches, © Lyne Lapointe. Courtesy of the artist and Jack Shainman Gallery, New York. Photo: Dan Bradica Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/leandra-leseur-and-the-eternal-ephemerality-of-suspension</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23293ba8-5c11-47fb-b674-ba3caa194b86/Monument_Eternal_PCT_1.jpg</image:loc>
      <image:title>Home - Le’Andra LeSeur and the Eternal Ephemerality of Suspension - Make it stand out</image:title>
      <image:caption>Installation view of Monument Eternal, 2024. Photo: Chris Uhren. Courtesy of the Pittsburgh Cultural Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/777b252a-4ddb-4124-aa1d-85f7e2db5236/Monument_Eternal_PCT_2.jpg</image:loc>
      <image:title>Home - Le’Andra LeSeur and the Eternal Ephemerality of Suspension - Make it stand out</image:title>
      <image:caption>Installation view of Le’Andra LeSeur’s Do you know this place since your breath is no longer here and A soft place to land. Photo: Chris Uhren. Courtesy of the Pittsburgh Cultural Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c7b7ca44-8378-40b4-ad4e-8c47a64cf1be/A_faint_touch_of_bones_remembering_1.jpg</image:loc>
      <image:title>Home - Le’Andra LeSeur and the Eternal Ephemerality of Suspension - Make it stand out</image:title>
      <image:caption>Le’Andra LeSeur. A Faint Touch of Bones Remembering, 2024. Photo: Chris Uhren. Courtesy of the Pittsburgh Cultural Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f1cc357e-e8a9-4c24-b570-8c78a1573325/Sustaining_Bloom_1.jpg</image:loc>
      <image:title>Home - Le’Andra LeSeur and the Eternal Ephemerality of Suspension - Make it stand out</image:title>
      <image:caption>Le’Andra LeSeur, Sustaining Bloom (After Porteri) 1, 2024. Photo: Chris Uhren. Courtesy of the Pittsburgh Cultural Trust.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/486bae43-db34-48a6-86cc-ac77419b30d8/Black_Spring_PCT_6.jpg</image:loc>
      <image:title>Home - Le’Andra LeSeur and the Eternal Ephemerality of Suspension - Make it stand out</image:title>
      <image:caption>Installation view of Le’Andra LeSeur’s Black Spring | The Moment is Mist, 2025. Photo: Chris Uhren. Courtesy of the Pittsburgh Cultural Trust.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-sami-artist-anders-sunna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a55fe1f1-89bb-4ac9-be77-1e794a27baed/0B5A5347.jpg</image:loc>
      <image:title>Home - An Interview with Sámi Artist Anders Sunna - Make it stand out</image:title>
      <image:caption>Installation view of Anders Sunna: Meän Meän Sápmelaš, Kulturens Hus Luleå. Courtesy of Larkin Durey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ce39239b-b863-40d0-9b25-38459f17389c/03276.jpg</image:loc>
      <image:title>Home - An Interview with Sámi Artist Anders Sunna - Make it stand out</image:title>
      <image:caption>Anders Sunna, The Corrupt Marshes in the North, 2024. Mixed media on board, 96 x 96 in (244 x 244 cm). Courtesy of the artist and Larkin Durey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e3f579e5-9a43-45a5-ba20-7eb53ae41932/03257.jpg</image:loc>
      <image:title>Home - An Interview with Sámi Artist Anders Sunna - Make it stand out</image:title>
      <image:caption>Anders Sunna, Who am I to wet my Feet?, 2024. Mixed media on board, 32 1/8 x 48 in (81.5 x 122 cm). Courtesy of the artist and Larkin Durey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1c9fc613-a6f7-4138-8f4c-faf0eb9fc6f9/03258.jpg</image:loc>
      <image:title>Home - An Interview with Sámi Artist Anders Sunna - Make it stand out</image:title>
      <image:caption>Anders Sunna, A Glimpse in the Forest, 2024. Mixed media on board, 48 x 57 1/8 in (122 x 145 cm). Courtesy of the artist and Larkin Durey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/39dd60d5-34c8-4f18-99b7-9746fe4e01c9/0B5A5334.jpg</image:loc>
      <image:title>Home - An Interview with Sámi Artist Anders Sunna - Make it stand out</image:title>
      <image:caption>Installation view of Anders Sunna: Meän Meän Sápmelaš, Kulturens Hus Luleå. Courtesy of Larkin Durey.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/images-across-the-veil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3ce28266-43e3-424e-b264-2b14511adc3c/TMITC_2024.Cumberland_Island_Tableau.jpg</image:loc>
      <image:title>Home - Images Across the Veil: Tyler Mitchell - Make it stand out</image:title>
      <image:caption>Tyler Mitchell, Cumberland Island Tableau, 2024. Archival pigment print, 63 x 78 inches (160 x 198.3 cm). Edition of 3 + 2 AP. © Tyler Mitchell. Courtesy the artist and Gagosian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f05d705e-49cf-4233-9890-b06ecb43a036/TMITC_2024.Lamines_Apparition_After_Frederick_Sommer.jpg</image:loc>
      <image:title>Home - Images Across the Veil: Tyler Mitchell - Make it stand out</image:title>
      <image:caption>Tyler Mitchell, Lamine's Apparition (After Frederick Sommer), 2024. Gelatin silver print, 40 x 50 inches (101.6 x 127 cm). Edition of 3 + 2 AP. © Tyler Mitchell. Courtesy the artist and Gagosian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a748b409-07dd-4362-9268-f2e0fd052e13/TMITC_2024.0060_Convivial+Conversation.jpg</image:loc>
      <image:title>Home - Images Across the Veil: Tyler Mitchell - Make it stand out</image:title>
      <image:caption>Tyler Mitchell, Convivial Conversation, 2024. Dye-sublimation print on fabric, walnut artist's frame, 64 1/2 x 47 1/2 x 4 inches (163.8 x 120.7 x 10.2 cm). © Tyler Mitchell. Photo: Jackie Furtado. Courtesy the artist and Gagosian.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/yf4b0f76kjuozi0v9j39pza0y18j5f-thianguk-shadowsedge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/35736e83-94cf-435e-ab13-594c80b0e76e/2025.TU.ShadowsEdge.Install_01.jpg</image:loc>
      <image:title>Home - Thiang Uk’s Contradictions in Harmony - Make it stand out</image:title>
      <image:caption>Installation view of Thiang Uk: Shadow’s Edge. Photo courtesy of the artist and Bureau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4011ab6-6477-4aaa-ae69-1bc01d04fa3b/TU.2022.P.5034.UntitledSerpantFireHandsWindsSky_02.jpg</image:loc>
      <image:title>Home - Thiang Uk’s Contradictions in Harmony - Make it stand out</image:title>
      <image:caption>Thiang Uk, Untitled (Serpent, Fire, Hands, Winds, Sky), 2022, Oil on canvas, 76 × 96 in. (193.04 × 243.84 cm). Photo courtesy of the artist and Bureau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/26454105-f1be-473b-80f6-45f4e10cc72d/2025.TU.ShadowsEdge.Install_04.jpeg</image:loc>
      <image:title>Home - Thiang Uk’s Contradictions in Harmony - Make it stand out</image:title>
      <image:caption>Installation view of Ocean in Green (With a Drawing of Franz Marc’s Painting “Horse in a Landscape”), 2022 (left) and Untitled (Stacked Diptych 1), 2024 (right). Courtesy of the artist and Bureau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4da35c70-b0f0-4a92-a884-cb241718bc57/2025.TU.ShadowsEdge.Install_03.jpg</image:loc>
      <image:title>Home - Thiang Uk’s Contradictions in Harmony - Make it stand out</image:title>
      <image:caption>Installation view of Horses, 2024 (left) and Diptych in Yellow, 2023 (right). Photo courtesy of the artist and Bureau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d257ed6-d492-4327-80c1-25e643b634b1/TU.2024.P.5037.UntitledStakedDiptych1_03.jpg</image:loc>
      <image:title>Home - Thiang Uk’s Contradictions in Harmony - Make it stand out</image:title>
      <image:caption>Thiang Uk, Untitled (Stacked Diptych 1), 2024, Oil on panel, 20 × 8 in. (50.80 × 20.32 cm). Photo courtesy of the artist and Bureau.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/abstracting-the-everyday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/12509d26-6ca5-40f6-8825-e6cecd8e3f04/PenniesfromHeaven_4.jpg</image:loc>
      <image:title>Home - Abstracting the Everyday - Make it stand out</image:title>
      <image:caption>Installation view, Kianja Strobert, Pennies from Heaven, courtesy of Marinaro, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5cc0ddf4-af9f-46c0-b6a0-049a066b4be7/Untitled+%231.jpg</image:loc>
      <image:title>Home - Abstracting the Everyday - Make it stand out</image:title>
      <image:caption>Kianja Strobert, Untitled #1, 2022, wood, plastic, lathe, paper mâché, paper, ink, wax, glass, acrylic paint, wire, 45 x 96.5 x 26 inches (81.3 x 245.1 x 66 cm), courtesy of Marinaro, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff7ee3d4-4851-4b18-97f2-e538a63b0fa3/Folded+Form+%2312.jpg</image:loc>
      <image:title>Home - Abstracting the Everyday - Make it stand out</image:title>
      <image:caption>Kianja Strobert, Folded Form #12, 2025, paper mâché, metal lathe, wire, varnish, acrylic paint, watercolor, tablet, power cord, 48 x 17 x 10 inches (121.9 x 43.2 x 25.4 cm), courtesy of Marinaro, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86861fe0-0284-477b-b0be-6c9870b30481/PenniesfromHeaven_12.jpg</image:loc>
      <image:title>Home - Abstracting the Everyday - Make it stand out</image:title>
      <image:caption>Installation view, Kianja Strobert, Pennies from Heaven, courtesy of Marinaro, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/l3cq1mif7dq9c19ex6j3r7ktrsz08k-jessicastoller-split</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bad18004-403f-4190-a666-2f58e1bdbe6a/SeeingRedJS.jpeg</image:loc>
      <image:title>Home - Porcelain and Power: The Female Body in Jessica Stoller’s “Split” - Make it stand out</image:title>
      <image:caption>Jessica Stoller, Seeing Red, 2024. Porcelain, glaze, china paint, lustre, 9 x 92.25 x 92.25 in. Courtesy of the artist and P·P·O·W Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5d6e1e8-eb43-490b-aafb-16012e075faa/SkintoScaleSilphiumJS.jpeg</image:loc>
      <image:title>Home - Porcelain and Power: The Female Body in Jessica Stoller’s “Split” - Make it stand out</image:title>
      <image:caption>Jessica Stoller. Left: Skin to Scale, 2023. Porcelain, glaze, china paint, wood, 22.5 x 14.5 x 2.5 in; right: Silphium, 2024. Porcelain, glaze, china paint, lustre, 19 x 8.5 x 4.5 in. Courtesy of the artist and P·P·O·W Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76d7a7c8-9382-4ff6-b532-7e3c600afcf1/MultiplyJS.jpeg</image:loc>
      <image:title>Home - Porcelain and Power: The Female Body in Jessica Stoller’s “Split” - Make it stand out</image:title>
      <image:caption>Jessica Stoller, Multiply, 2024. Porcelain, glaze, china paint, 14 x 8 x 9 in. Courtesy of the artist and P·P·O·W Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/3hyqma5tnripwaq0omnwranej74flk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09648f85-010b-4961-82b2-0c6db283c855/2faf577a134b723ab42954d75faf35a3.jpeg</image:loc>
      <image:title>Home - My Flight Was Magnificent, but Futile - Make it stand out</image:title>
      <image:caption>Tuan Andrew Nguyen, Circle Burst, 2024, 155mm artillery shells, brass from artillery shell, brass from pounded artillery shells, powder coat, concrete, bell tuned to G3, 192.43 Hz, 72 x 94 1/2 in., courtesy of James Cohan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/043fb8dc-0ec7-4796-9317-af5fe6c71ac2/a247a20d5a80b44e1aa69f7b96652809.jpeg</image:loc>
      <image:title>Home - My Flight Was Magnificent, but Futile - Make it stand out</image:title>
      <image:caption>Installation View, Tuan Andrew Nguyen, The Sound of Cannons, Familiar Like Sad Refrains / Đại Bác Nghe Quen Như Câu Dạo Buồn, 2021, Manifesta 14, Prishtina, Kosovo. Photo by Majlinda Hoxha, courtesy of James Cohan Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d36474bf-598c-460d-bd62-9873e2120662/Screenshot+2025-03-21+at+1.10.07+PM.png</image:loc>
      <image:title>Home - My Flight Was Magnificent, but Futile - Make it stand out</image:title>
      <image:caption>Tuan Andrew Nguyen, The Sound of Cannons, Familiar Like Sad Refrains, 2021, Manifesta 14, Prishtina, Kosovo. Courtesy of Amanda SRGE_Lindsay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b91ab5a-1b9d-45c4-9fc2-4681a8214cc1/94fd4a4c2415d7580ac06a5047964fbb.jpeg</image:loc>
      <image:title>Home - My Flight Was Magnificent, but Futile - Make it stand out</image:title>
      <image:caption>Tuan Andrew Nguyen, Dragon Tail, 2025, stainless steel with bomb metal, brass from pounded artillery shell, paracord, bell tuned to A3, 432 Hz, 76 3/4 x 118 1/8 in., courtesy of James Cohan Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/teresa-solar-abboud-tu-sombra-sustituida</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c04ac86e-67a9-4dd0-93af-a4f0f2f80ee9/TSA-1.jpg</image:loc>
      <image:title>Home - Teresa Solar Abboud: “Tu sombra sustituida” - Make it stand out</image:title>
      <image:caption>Teresa Solar Abboud, Estadio sexual indiferenciado, 2024. Tu sombra sustituida installation view, Travesía Cuatro, CDMX, México, 2025. Courtesy of the artist and Travesía Cuatro. Photo: Ramiro Chaves.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7d1cec1-fd7a-4e1f-a13d-1b22290b292e/TSA-2.jpg</image:loc>
      <image:title>Home - Teresa Solar Abboud: “Tu sombra sustituida” - Make it stand out</image:title>
      <image:caption>Teresa Solar Abboud, Tuneladora, 2024. Tu sombra sustituida installation view, Travesía Cuatro, CDMX, México, 2025. Courtesy of the artist and Travesía Cuatro. Photo: Ramiro Chaves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d80b775d-7d82-4398-a06e-3ceab17afdb3/TSA-3.jpg</image:loc>
      <image:title>Home - Teresa Solar Abboud: “Tu sombra sustituida” - Make it stand out</image:title>
      <image:caption>Teresa Solar Abboud, Night Crawler (2024) andTuneladora (2024). Tu sombra sustituida installation view, Travesía Cuatro, CDMX, México, 2025. Courtesy of the artist and Travesía Cuatro. Photo: Ramiro Chaves.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0b25799-2610-4fde-9be1-3d682375fafb/TSA-4.jpg</image:loc>
      <image:title>Home - Teresa Solar Abboud: “Tu sombra sustituida” - Make it stand out</image:title>
      <image:caption>Teresa Solar Abboud, Simbionte, 2024 and Unfolding, 2024. Tu sombra sustituida installation view, Travesía Cuatro, CDMX, México, 2025. Courtesy of the artist and Travesía Cuatro. Photo: Ramiro Chaves.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1f8afc50-087a-4426-a982-77e8aaf4355e/TSA-5.jpg</image:loc>
      <image:title>Home - Teresa Solar Abboud: “Tu sombra sustituida” - Make it stand out</image:title>
      <image:caption>Teresa Solar Abboud, Autorretrato como mujer embarazada, 2024. Tu sombra sustituida installation view, Travesía Cuatro, CDMX, México, 2025. Courtesy of the artist and Travesía Cuatro. Photo: Ramiro Chaves.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/killing-the-womanly-parts-naatcos-gender-bending-cymbeline</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cc8759f5-bf55-4c48-b033-060770573ec4/250117_NAATCO_Cymbeline-141_F.jpg</image:loc>
      <image:title>Home - Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline” - Make it stand out</image:title>
      <image:caption>Courtesy of the National Asian American Theater Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0437394-1bbd-45d4-a187-66a126753521/250117_NAATCO_Cymbeline-760_F.jpg</image:loc>
      <image:title>Home - Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline” - Make it stand out</image:title>
      <image:caption>Courtesy of the National Asian American Theater Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a198f809-5d5c-4592-8701-ee84d4cb2476/250117_NAATCO_Cymbeline-33_F.jpg</image:loc>
      <image:title>Home - Killing the Womanly Parts: NAATCO's Gender-Bending “Cymbeline” - Make it stand out</image:title>
      <image:caption>Courtesy of the National Asian American Theater Company.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-flowers-that-connect-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4ced8f8d-4f52-4c1f-83c6-a1a194061d6f/Screen+Shot+2025-03-18+at+3.59.28+PM.png</image:loc>
      <image:title>Home - The Flowers That Connect Us - Make it stand out</image:title>
      <image:caption>Works by Layo Bright. Left: Dawn and Dusk (installation view), The Aldrich Contemporary Art Museum, April 7 to October 27, 2024. Courtesy of the artist. Photo: Jason Mandella. Right: Valentina Marin (Colombia): Christmas Orchid. Kiln-formed and reflective glass, 10 ½ x 8 ½ x 4 inches. Courtesy of the artist. Photo: Cary Whittier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/958f44e5-ce17-4b7f-a6be-42fc071acaa1/Screen+Shot+2025-03-18+at+3.45.47+PM.png</image:loc>
      <image:title>Home - The Flowers That Connect Us - Make it stand out</image:title>
      <image:caption>Works by Layo Bright. Courtesy of the artist. Photo: Cary Whittier. Left: Mabel Adeleye (Nigeria/Yoruba): Empowerment to me means being inspired to release the power within me—the power that my ancestors have instilled within me. It relates to me because it is hard for me to often feel like I belong where I am, but I believe that I am (2025). Kiln-formed and reflective glass. 11 x 10 x 4 inches. Right: Anabelle Rosario (Dominican Republic 2nd generation): I like to identify myself with my Dominican heritage but it can be hard because I feel so americanized at times. I don’t fluently speak Spanish or fully understand the Dominican dialect which is really hard in feeling close to my culture. The past year I’ve been working really hard to let it not affect me or how I let others view me. To my core I am still a dominican and I'm so proud (2025). Kiln-formed and reflective glass. 11 x 9 x 4 inches.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/26262ba6-f365-47ae-9860-0198f665747a/5.+Layo+Bright++Horizon+Line+1+%26+2%2C+2022_2024++Fused+glass+and+_Ghana+Must+Go_+bag+on+custom+panel++40+x+40+x+2+inches+%28each+panel%29++Courtesy+of+the+artist++Photo_+Cary+Whittier.jpg</image:loc>
      <image:title>Home - The Flowers That Connect Us - Make it stand out</image:title>
      <image:caption>Layo Bright. Horizon Line 1 &amp; 2 (2022/2024). Fused glass and “Ghana Must Go” bag on custom panel, 40 x 40 x 2 inches (each panel). Courtesy of the artist. Photo: Cary Whittier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67f926dc-0389-470e-923b-71c99642d73c/6.+Layo+Bright++9_29.+May+25%2C+2020.+George+Floyd+murder%2C+2025++Mold-blown+and+blown+glass%2C+oak+and+measured+black+sand+of+approximately+9+minutes+29+seconds++28+x+13+%C2%BD+x+13+%C2%BD++Courtesy+of+the+artist++Photo_+Cary+Whittier.jpg</image:loc>
      <image:title>Home - The Flowers That Connect Us - Make it stand out</image:title>
      <image:caption>Layo Bright. 9:29. May 25, 2020. George Floyd murder (2025). Mold-blown and blown glass, oak, and measured black sand of approximately 9 minutes 29 seconds, 28 x 13 ½ x 13 ½ in. Courtesy of the artist. Photo: Cary Whittier.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/editors-select-march-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a730619f-4ab6-4be7-87e2-f5d619092345/S94+DeKa+Art+History+Paintings+Install+2025+C+HR.JPG</image:loc>
      <image:title>Home - Editors’ Selects: March 2025 - Make it stand out</image:title>
      <image:caption>Installation view, Deborah Kass, The Art History Paintings 1989-1992, 2025. Courtesy of the artist and Salon 94. @Deborah Kass. Photo credit: Elisabeth Bernstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24e1e57a-b481-4fc5-83a4-7f5b72d73340/_DSC3023.jpg</image:loc>
      <image:title>Home - Editors’ Selects: March 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Interspecies: New Scenarios Of Symbiotic Coexistence. Courtesy of Swivel Gallery. Photo by Cary Whittier.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f10a7d23-1c77-4335-ab4e-29e5e79edabf/250304_ARG_Install_013.jpeg</image:loc>
      <image:title>Home - Editors’ Selects: March 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Joël Andrianomearisoa: Miracle. Courtesy of Almine Rech Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/57d07d9d-bada-4250-89c0-c48b33272e52/Screen+Shot+2025-03-18+at+2.38.34+AM.png</image:loc>
      <image:title>Home - Editors’ Selects: March 2025 - Make it stand out</image:title>
      <image:caption>Installation View of Ho Tam’s Haircut 100 at carriage trade. Photo Courtesy the artist and carriage trade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e74ba50-8051-44ed-8033-1b336c60ed86/Screen+Shot+2025-03-18+at+2.55.53+AM.png</image:loc>
      <image:title>Home - Editors’ Selects: March 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Maria Kulikovska: Once Leda Found an Egg — Blue Like a Hyacinth. Courtesy of the artist, Rukh Art Hub, and Mriya Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b65c811-1f97-4155-ad91-587bb0664d37/Screen+Shot+2025-03-18+at+2.57.14+AM.png</image:loc>
      <image:title>Home - Editors’ Selects: March 2025 - Make it stand out</image:title>
      <image:caption>Installation view of Maria Kulikovska: Once Leda Found an Egg — Blue Like a Hyacinth. Courtesy of the artist, Rukh Art Hub, and Mriya Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-robin-f-williams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67c52c73-7a12-43e3-94cc-a5b62f8a28d8/WILLIAMS-R_2024_Portrait_In+Studio_Curtis+Wallen_02.jpeg</image:loc>
      <image:title>Home - Robin F. Williams on Sustainability and Calling People In - Make it stand out</image:title>
      <image:caption>Courtesy of Robin F. Williams and P·P·O·W, New York. Photo by Curtis Wallen, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9fa9f899-5f35-4abf-9133-7c21e3defd7b/speak+of+the+devil.jpeg</image:loc>
      <image:title>Home - Robin F. Williams on Sustainability and Calling People In - Make it stand out</image:title>
      <image:caption>Robin F. Williams. Speak of the Devil (2021), acrylic on canvas, 57 × 57 in. Courtesy of the artist and P·P·O·W, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8aedf5aa-d2b0-4f17-b72f-72802eba0f52/siri+defends+her+honor.jpeg</image:loc>
      <image:title>Home - Robin F. Williams on Sustainability and Calling People In - Make it stand out</image:title>
      <image:caption>Robin F. Williams. Siri Defends Her Honor (2019), oil and acrylic on canvas, 40 × 60 in. Courtesy of the artist and P·P·O·W, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d0e4925-5c7f-4b96-aeec-8b19317c04db/ghost+in+labor.jpeg</image:loc>
      <image:title>Home - Robin F. Williams on Sustainability and Calling People In - Make it stand out</image:title>
      <image:caption>Robin F. Williams. Ghost in Labor (2020), oil and acrylic on canvas, 64 × 84 in. Courtesy of the artist and P·P·O·W, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d0792637-c612-4099-86d7-30a6da4517fe/WILLIAMS-R_2024_Portrait_In+Studio_Curtis+Wallen_03.jpeg</image:loc>
      <image:title>Home - Robin F. Williams on Sustainability and Calling People In - Make it stand out</image:title>
      <image:caption>Courtesy of Robin F. Williams and P·P·O·W, New York. Photo by Curtis Wallen, 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/shifting-gazes-defines-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ea9e9e7-21a3-46b8-baaa-b0d244dd2b4b/Gallery+View.jpg</image:loc>
      <image:title>Home - Shifting /\ Gazes Defines Space - Make it stand out</image:title>
      <image:caption>Gallery view of Shifting /\ Gazes at NARS Foundation, photo by Katya Borkov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3b3f49ac-cfba-40ba-8002-5cc6c6738c1f/An+impossible+index+of+clouds+%28water+%2B+confetti%29.JPG</image:loc>
      <image:title>Home - Shifting /\ Gazes Defines Space - Make it stand out</image:title>
      <image:caption>An impossible index of clouds (water + confetti) by Evelyne Leblanc-Roberge (2025). Photographs, video, paper, nails, tape, window. Photo by Katya Borkov.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/993b75fa-502b-4854-b44a-dab1fba42d42/From+One+to+Another.jpg</image:loc>
      <image:title>Home - Shifting /\ Gazes Defines Space - Make it stand out</image:title>
      <image:caption>Detail of From One to Another by Jiyoung Song (2025). Image transfer on vinyl flooring, household paint, acrylic paint and oil paint on tiled carpet. Photo by Katya Borkov.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ypo0eiqzcpoii223gox8parge2f8w3-ceremoniesoutoftheair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6cf27964-9ac5-410d-b7ea-368b8e62c888/PS1_11_13_24_01-2000x1334.jpg</image:loc>
      <image:title>Home - Memory as Methodology: Ralph Lemon at MoMA PS1 - Make it stand out</image:title>
      <image:caption>Ralph Lemon and Kevin Beasley. Rant (redux). 2020–24. 4-channel HD video color, 8-channel sound, 14 min.  Installation view of Ceremonies Out of the Air: Ralph Lemon, on view at MoMA PS1 from November 14, 2024 through March 24, 2025. Photo: Steven Paneccasio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a93b2a47-1cbf-4533-b264-5335af3497b5/Untitled-GBAHSET_1-2000x1486.jpg</image:loc>
      <image:title>Home - Memory as Methodology: Ralph Lemon at MoMA PS1 - Make it stand out</image:title>
      <image:caption>Ralph Lemon. Untitled no. 1. 2016. From the series Untitled (The greatest [Black] art history story ever told. Unfinished). Courtesy of The Museum of Modern Art, New York. Photo: Martin Parsekian.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Home - Memory as Methodology: Ralph Lemon at MoMA PS1 - Make it stand out</image:title>
      <image:caption>Ralph Lemon. From left: Untitled. 2009. Archival pigment print. Garden [Chapter 2]. 2013. Video: color, sound 13 min., 15 sec. With (in order of appearance): Warren (Red) Carter, Lloyd Williams, Lorraine Carter, Emma Williams, Jayden Williams. Installation view of Ceremonies Out the the Air: Ralph Lemon, on view at MoMA PS1 from November 14 through March 24, 2024. Photo: Steven Paneccasio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/eyygy6st4wi4v4u64b9lyaic436ou2-21stcenturypaintingexhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fe358c08-1c6c-4504-a671-cd312024ddb4/Alexander+Berggruen_A+Direct+Response+to+Light+211st+Century+Painting_+03%2C2025_0047.jpg</image:loc>
      <image:title>Home - The Contemporary Scope: A Painting Show at Alexander Berggruen - Make it stand out</image:title>
      <image:caption>Installation view of A Direct Response to Light: 21st Century Painting. Image courtesy the artists and Alexander Berggruen, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fe34ce6e-f5ec-408e-a09d-b3f49e0e688c/Tunji+Adeniyi-Jones+%28TADENI.2025.0001%29_0026.jpg</image:loc>
      <image:title>Home - The Contemporary Scope: A Painting Show at Alexander Berggruen - Make it stand out</image:title>
      <image:caption>Tunji Adeniyi-Jones, Orange Figures in Orbit II, 2025. Oil on canvas; 86 x 70 in (218.4 x 177.8 cm). Courtesy the artist and Alexander Berggruen, NY. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de4207da-994a-4f8e-b547-184fe297e266/Heidi+Hahn+%28HHAHN.2025.0001%29_0050.jpg</image:loc>
      <image:title>Home - The Contemporary Scope: A Painting Show at Alexander Berggruen - Make it stand out</image:title>
      <image:caption>Detail of Heidi Hahn, Untitled (With Affection) #1, 2025. Oil on linen. 60 x 48 in (152.4 x 121.9 cm). Courtesy the artist and Alexander Berggruen, NY. Photo: Dario Lasagni</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ad4b3ec1-db6c-4f28-b549-3e14e4327666/Alexander+Berggruen_A+Direct+Response+to+Light+211st+Century+Painting_+03%2C2025_0066.jpg</image:loc>
      <image:title>Home - The Contemporary Scope: A Painting Show at Alexander Berggruen - Make it stand out</image:title>
      <image:caption>Installation view of A Direct Response to Light: 21st Century Painting. Image courtesy the artists and Alexander Berggruen, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reverberations-lineages-in-design-history</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b4e3364-040c-4bdd-9e32-9d32419ea92b/Reverberations_+Lineages+in+Design+History+Installation+View+1.jpg</image:loc>
      <image:title>Home - Visual Lineages - Make it stand out</image:title>
      <image:caption>Installation view of Reverberations: Lineages in Design History. Photo by Sebastian Bach. Courtesy of Ford Foundation Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2c9c1692-854a-426e-9e28-4b61c56c05ff/Wael+Morcos_Brooklyn.jpg</image:loc>
      <image:title>Home - Visual Lineages - Make it stand out</image:title>
      <image:caption>Brooklyn, 2024. Wael Morcos (Beirut, Lebanon, b. 1986, lives and works in Brooklyn, NY). Jacquard Woven Blanket: 100% Cotton (25% recycled). Courtesy of the Artist. Photo Sebastian Bach.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c55ec5f5-5e05-46b5-8d0b-872bb1e497a2/Mary+Sully_John+Philip+Sousa.jpg</image:loc>
      <image:title>Home - Visual Lineages - Make it stand out</image:title>
      <image:caption>John Philip Sousa, 1930s. Mary Sully (Standing Rock Reservation,1896-1963, lived and worked in Standing Rock Reservation, New York, NY, and Omaha, NE). Colored pencil, ink, crayon, paint. Courtesy of The Mary Sully Foundation. Photo Sebastian Bach.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2c91cac4-355b-49d1-a85e-81fc3e5c7f18/Reverberations_+Lineages+in+Design+History+Installation+View+2.jpg</image:loc>
      <image:title>Home - Visual Lineages - Make it stand out</image:title>
      <image:caption>Installation view of Reverberations: Lineages in Design History. Photo by Sebastian Bach. Courtesy of Ford Foundation Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/j5kki7ethxg54lfk8uebct00pg4erh-manwithaimoviecamera</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23c0cace-9d35-4faa-9f24-88e6ca3c8531/Scene+02_Image+01.00_00_03_18.Still001+copy.jpg</image:loc>
      <image:title>Home - The “Man with AI Movie Camera,” Dan Sickles - Make it stand out</image:title>
      <image:caption>Still from Man with AI Movie Camera. Courtesy of DPOP Studios.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e05d1b5b-95a2-4bbf-97d8-c01b65c11a7e/Scene+01_Image+01.00_00_16_21.Still002.jpg</image:loc>
      <image:title>Home - The “Man with AI Movie Camera,” Dan Sickles - Make it stand out</image:title>
      <image:caption>Still from Man with AI Movie Camera. Courtesy of DPOP Studios.</image:caption>
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      <image:title>Home - The “Man with AI Movie Camera,” Dan Sickles - Make it stand out</image:title>
      <image:caption>Still from Man with AI Movie Camera. Courtesy of DPOP Studios.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/02931c55-0d51-4e64-8194-1347ec482df8/MWAMC+DREAMWAVE.00_05_51_12.Still018.jpg</image:loc>
      <image:title>Home - The “Man with AI Movie Camera,” Dan Sickles - Make it stand out</image:title>
      <image:caption>Still from Man with AI Movie Camera. Courtesy of DPOP Studios.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f0a141c9-4325-495d-bf7f-d95755e9f59b/Scene+01_Image+01.00_00_25_14.Still003.jpg</image:loc>
      <image:title>Home - The “Man with AI Movie Camera,” Dan Sickles - Make it stand out</image:title>
      <image:caption>Still from Man with AI Movie Camera. Courtesy of DPOP Studios.</image:caption>
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    <image:image>
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      <image:title>Home - The “Man with AI Movie Camera,” Dan Sickles - Make it stand out</image:title>
      <image:caption>Still from Man with AI Movie Camera. Courtesy of DPOP Studios.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-sasha-skochilenko</loc>
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    <priority>0.5</priority>
    <lastmod>2025-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4a5e8baa-c4e1-4bd0-9087-43467a436b95/1_ptsd.jpg</image:loc>
      <image:title>Home - Inventing a Language of Love and Peace: Conversation with Sasha Skochilenko - Make it stand out</image:title>
      <image:caption>Illustration by Sasha Skochilenko. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd694551-f55c-454f-9e33-26814a9c7efc/2_sasha-057--CORR.jpg</image:loc>
      <image:title>Home - Inventing a Language of Love and Peace: Conversation with Sasha Skochilenko - Make it stand out</image:title>
      <image:caption>Illustration by Sasha Skochilenko. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a88fc9d-9964-45fe-8f9d-6b547ef57fb3/3_postcard-1.jpg</image:loc>
      <image:title>Home - Inventing a Language of Love and Peace: Conversation with Sasha Skochilenko - Make it stand out</image:title>
      <image:caption>Illustration by Sasha Skochilenko. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ba6d7ae0-7a16-4194-ba72-3a687e0f67d7/4_SS.jpg</image:loc>
      <image:title>Home - Inventing a Language of Love and Peace: Conversation with Sasha Skochilenko - Make it stand out</image:title>
      <image:caption>Illustration by Sasha Skochilenko. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c09bd991-047e-4027-a049-d5bb3cb77aa4/5_%D1%80%D1%83%D1%81%D1%81%D0%BA%D0%B8%D0%B8%CC%86-%D1%82%D1%80%D0%B8%D0%BF--29%D1%8521.jpg</image:loc>
      <image:title>Home - Inventing a Language of Love and Peace: Conversation with Sasha Skochilenko - Make it stand out</image:title>
      <image:caption>Illustration by Sasha Skochilenko. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5f03001b-6711-41b8-9c6b-cb82890ca939/6_Sasha+Skochilenko.jpg</image:loc>
      <image:title>Home - Inventing a Language of Love and Peace: Conversation with Sasha Skochilenko - Make it stand out</image:title>
      <image:caption>Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-doom-house-of-hope</loc>
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    <priority>0.5</priority>
    <lastmod>2025-03-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0e140d4b-5d3c-4134-8b4e-e9eb61967972/2.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/705f4597-42ff-45d4-a7fb-9edaa13f9574/doom-park-avenue-armory-13.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Perla Haney-Jardine in Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7118ab51-4d73-43c6-ba9f-e5f7a0305544/DOOM_05.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Sihana Shalaj being tattooed by Dean Violante in Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1baba136-da61-4417-80a5-28cfa1915a8f/doom-park-avenue-armory-12.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Eliza Douglas in Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0f016c9d-f5a4-4155-b1c4-2c5a2a33fdec/doom-park-avenue-armory-14.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Sharleen Chidiac (guitar), Eva Bella Kaufman (drums), Lia Wang (vocals), Jaxob Eilinghoff (bass) in Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4a67c5f-55bc-4b27-9ff9-09fd80b9ae79/doom-park-avenue-armory-15.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/100fac9f-8a63-4af6-8137-bb62451521d5/doom-park-avenue-armory-9.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3f729225-1d3e-43a4-b336-3dff60e26b20/1.jpg</image:loc>
      <image:title>Home - Review of Anne Imhof’s “DOOM: House of Hope” - Make it stand out</image:title>
      <image:caption>Anne Imhof’s “DOOM: House of Hope” at Park Avenue Armory. Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-archive-as-a-starting-point</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de816709-4091-4dcd-a339-5ab8460003fb/WhatsApp+Image+2025-03-06+at+16.14.06.jpeg</image:loc>
      <image:title>Home - The Archive as a Starting Point - Make it stand out</image:title>
      <image:caption>Photo: Orlando Vega.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c9b29090-5f2b-486d-8fb5-38da7255f9cb/2.+Installation+View.jpg</image:loc>
      <image:title>Home - The Archive as a Starting Point - Make it stand out</image:title>
      <image:caption>Installation view of Peso del Peligro. Courtesy of Concordia Studio.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a508b8b0-7c79-4ab9-8d76-5d0a30a9713c/3.Aguas+Nubladas.png</image:loc>
      <image:title>Home - The Archive as a Starting Point - Make it stand out</image:title>
      <image:caption>Paulina Freifeld, Aguas Nubladas, 2024. Oil on linen, 48 x 72 in. Courtesy of Concordia Studio.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/94db7db2-c1b4-49f3-a4d1-4b8e1b8c4618/4.Los+Pesos+Flotan_Paulina+Friefeld.jpg</image:loc>
      <image:title>Home - The Archive as a Starting Point - Make it stand out</image:title>
      <image:caption>Paulina Freifeld, Los Pesos Flotan, 2024. Oil on canvas, 36 x 48 in. Courtesy of Concordia Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5157d2f-fec0-4b1d-9faa-9f4d9f12085a/5.+Installation+View.jpg</image:loc>
      <image:title>Home - The Archive as a Starting Point - Make it stand out</image:title>
      <image:caption>Installation view of Peso del Peligro. Courtesy of Concordia Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sabine-hornig-the-matter-of-the-glazed-fence</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a14d5944-b363-4ecf-b299-834c12bf4efd/tempImagetYMBgs.jpg</image:loc>
      <image:title>Home - Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra - Make it stand out</image:title>
      <image:caption>Exhibition view of Sabine Hornig's show The Matter of the Glazed Fence. Courtesy of Cristina Guerra Contemporary Art © Vasco Stocker Vilhena.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1c42a6d5-b207-492c-b0af-9c71d3ec64a9/tempImageAOj0LR.jpg</image:loc>
      <image:title>Home - Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra - Make it stand out</image:title>
      <image:caption>Exhibition view of Sabine Hornig's show The Matter of the Glazed Fence. Courtesy of Cristina Guerra Contemporary Art © Vasco Stocker Vilhena.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb3d7117-d50c-4bff-aa9c-c09ccf3ba47b/tempImageLqj8E9.jpg</image:loc>
      <image:title>Home - Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra - Make it stand out</image:title>
      <image:caption>Exhibition view of Sabine Hornig's show The Matter of the Glazed Fence. Courtesy of Cristina Guerra Contemporary Art © Vasco Stocker Vilhena.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f05f57a1-32a4-4e67-8d38-3a912cd15ac5/tempImageGbnscL.jpg</image:loc>
      <image:title>Home - Sabine Hornig: “The Matter of the Glazed Fence” at Cristina Guerra - Make it stand out</image:title>
      <image:caption>Exhibition view of Sabine Hornig's show The Matter of the Glazed Fence. Courtesy of Cristina Guerra Contemporary Art © Vasco Stocker Vilhena.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/stripping-down-to-our-hair-at-601artspace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75b0c474-e3ce-4bb3-9331-8a55a5983390/250220EFrossard_601Art_Care_9116.jpg</image:loc>
      <image:title>Home - Stripping Down to Our Hair at 601Artspace - Make it stand out</image:title>
      <image:caption>Installation view of Care / Condition / Control, curated by A.E. Chapman Courtesy of Etienne Frossard and 601Artspace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a7bd6f2-9877-40c4-91ac-87d96b1b0b7f/250220EFrossard_601Art_Care_9059.jpg</image:loc>
      <image:title>Home - Stripping Down to Our Hair at 601Artspace - Make it stand out</image:title>
      <image:caption>Installation view of Care / Condition / Control, curated by A.E. Chapman Courtesy of Etienne Frossard and 601Artspace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4ea8b9a-ea6b-4a43-88fa-69826c6ec1d7/magdalena.jpg</image:loc>
      <image:title>Home - Stripping Down to Our Hair at 601Artspace - Make it stand out</image:title>
      <image:caption>Magdalena Dukiewicz, Object #15, 2023. Artist’s hair, found object, 10 x 10 x 1.5 inches. Courtesy of Magdalena Dukiewicz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f44a8439-0810-4481-b095-1b24bdcbe1d9/250220EFrossard_601Art_Care_9123.jpg</image:loc>
      <image:title>Home - Stripping Down to Our Hair at 601Artspace - Make it stand out</image:title>
      <image:caption>Calli Roche, All Inclusive, 2022. Leather, aluminum foil, synthetic braiding hair, plastic beads. Dimensions variable. Courtesy of Etienne Frossard/601Artspace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a871607f-b297-40a9-929b-e92396292e1c/250220EFrossard_601Art_Care_9114.jpg</image:loc>
      <image:title>Home - Stripping Down to Our Hair at 601Artspace - Make it stand out</image:title>
      <image:caption>Germaine Koh, Fête, 1997-ongoing. Artist’s hair, ribbon, binging. 21 x 430 inches. Courtesy of Etienne Frossard/601Artspace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e72860e0-e742-4a8f-8a50-94702defb7f4/250220EFrossard_601Art_Care_9052.jpg</image:loc>
      <image:title>Home - Stripping Down to Our Hair at 601Artspace - Make it stand out</image:title>
      <image:caption>Installation view of Care / Condition / Control, curated by A.E. Chapman Courtesy of Etienne Frossard and 601Artspace.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/amazons-the-ancestral-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd9fc94e-f606-4720-adac-bec2f05d44df/7F2A8401.jpg</image:loc>
      <image:title>Home - Amazons. The Ancestral Future - Make it stand out</image:title>
      <image:caption>Installation view of Amazons. The Ancestral Future at the Contemporary Center of Culture in Barcelona. CCCB, 2024 / CC BY-SA-NC MartÌ Berenguer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/521933aa-1040-4927-a811-95e3b3805f6c/7F2A7754.jpg</image:loc>
      <image:title>Home - Amazons. The Ancestral Future - Make it stand out</image:title>
      <image:caption>Installation view of Amazons. The Ancestral Future at the Contemporary Center of Culture in Barcelona. CCCB, 2024 / CC BY-SA-NC MartÌ Berenguer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/11d61cb8-cce8-446d-a668-d42b9bcc7c7b/7F2A7554.jpg</image:loc>
      <image:title>Home - Amazons. The Ancestral Future - Make it stand out</image:title>
      <image:caption>Installation view of Amazons. The Ancestral Future at the Contemporary Center of Culture in Barcelona. CCCB, 2024 / CC BY-SA-NC MartÌ Berenguer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d905a1e1-baea-4171-960e-4a2204a0aca7/7F2A8931.jpg</image:loc>
      <image:title>Home - Amazons. The Ancestral Future - Make it stand out</image:title>
      <image:caption>Installation view of Amazons. The Ancestral Future at the Contemporary Center of Culture in Barcelona. CCCB, 2024 / CC BY-SA-NC MartÌ Berenguer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-yang-jiechang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f5733520-6103-4f39-b816-62f871605765/YJC_In+his+studio+1986.jpg</image:loc>
      <image:title>Home - Migration in Dialogue: Yang Jiechang - Make it stand out</image:title>
      <image:caption>Yang Jiechang in his studio at the Guangzhou Fine Arts Academy 1986. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/27f7d53a-f82a-4eca-9abe-def4a7b21006/YJC_Massacre_1982_photo+Marc+Domage.jpg</image:loc>
      <image:title>Home - Migration in Dialogue: Yang Jiechang - Make it stand out</image:title>
      <image:caption>Yang Jiechang, Massacre, 1982. Ink and mineral colors on paper,  330 x 320 cm. Photo by Marc Domage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97864344-d487-428b-aea9-52e818918bdb/YJC_Magiciens+de+la+terre_1989.jpg</image:loc>
      <image:title>Home - Migration in Dialogue: Yang Jiechang - Make it stand out</image:title>
      <image:caption>Yang Jiechang, Hundred Layers of Ink, 1989. Ink on Xuan paper, set of 4, each ca. 400 x 250 cm. Photo courtesy of the artist. Exhibited at Magiciens de la terre, Centre Georges Pompidou.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d05bdc15-226e-46d4-b5fa-5a2e4a472df0/YJC_My+teachers+1994%EF%BC%8C%E5%A2%A8%EF%BC%8C%E5%AE%A3%E7%B4%99%EF%BC%8C%E7%B2%BE%E8%A3%9D%E8%A3%B1%EF%BC%8Cca.+80+x+100+cm+each.jpg</image:loc>
      <image:title>Home - Migration in Dialogue: Yang Jiechang - Make it stand out</image:title>
      <image:caption>Yang Jiechang, My teachers, 1994. Ink on Xuan paper, each ca. 80 x 100 cm. Photo courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/powerhouses-bill-hodges-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5714054b-175e-42ee-bb04-15c57f36e0c0/img_2775.jpg</image:loc>
      <image:title>Home - Powerhouses - Make it stand out</image:title>
      <image:caption>Installation view of Powerhouses, curated by Joy Smith. Courtesy of Bill Hodges Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b64027c1-df3b-4e30-b690-6961d6c449be/charles+ethan+porter.jpg</image:loc>
      <image:title>Home - Powerhouses - Make it stand out</image:title>
      <image:caption>Charles Ethan Porter, Still Life with Pineapple, Jar and Apples (ca. 1870s). Oil on canvas, 14 x 22 ¼ in. Courtesy of Bill Hodges Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7f1e88ca-aa01-4a2e-a909-89b86796cb67/romare+bearden.jpg</image:loc>
      <image:title>Home - Powerhouses - Make it stand out</image:title>
      <image:caption>Romare Bearden, The Train, 1974. Color aquatint etching and photoengraving with hand-coloring on paper. Courtesy of Bill Hodges Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b184de08-e236-41d1-8a88-0e6d3a5bb28d/howardena+pindell.jpg</image:loc>
      <image:title>Home - Powerhouses - Make it stand out</image:title>
      <image:caption>Howardena Pindell, Waterfall (Gihon River), 1998. Etching with Chine collé on Rives BFK Paper. Edition of 20. Courtesy of Bill Hodges Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-nicola-turner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdff2d05-b2a5-4f5a-96f4-f7f33a29a7bd/CARVALHO+PARK_NICOLA+TURNER_FABRIC+OF+UNDOING+INSTALLATION_2025_HR_1.jpg</image:loc>
      <image:title>Home - Gut Feelings - Make it stand out</image:title>
      <image:caption>Installation view of Nicola Turner: Fabric of Undoing, 2025. Wool horsehair, coir, net, metal and rubbersite-response installation. Image courtesy of the artist and CARVALHO PARK, New York. Photo: Se Yoon Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/134a0f00-4b89-4b06-b5c3-4d8acb6cef3b/CARVALHO+PARK_NICOLA+TURNER_ARTIST+PORTRAIT_SE+YOON+PARK_3.jpg</image:loc>
      <image:title>Home - Gut Feelings - Make it stand out</image:title>
      <image:caption>Portrait of Nicola Turner. Image courtesy of the artist and CARVALHO PARK, New York. Photo: Se Yoon Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c69fd6fe-e30c-48bc-aa80-00bc7b0f6727/CARVALHO+PARK_NICOLA+TURNER_FABRIC+OF+UNDOING+INSTALLATION_2025_13.jpg</image:loc>
      <image:title>Home - Gut Feelings - Make it stand out</image:title>
      <image:caption>Installation view of Nicola Turner: Fabric of Undoing, 2025. Wool horsehair, coir, net, metal and rubbersite-response installation. Image courtesy of the artist and CARVALHO PARK, New York. Photo: Se Yoon Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b10c6ebb-9338-4f13-8b59-7d1d0e414f09/CARVALHO+PARK_THE+THRESHOLD+BECKONS_2025_12.jpg</image:loc>
      <image:title>Home - Gut Feelings - Make it stand out</image:title>
      <image:caption>Installation view of The Threshold Beckons, featuring the work of Yulia Iosilzon and Nicola Turner. Courtesy of the artists and CARVALHO PARK, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/kai-oh-subtitled-nyc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41c7fb62-118f-4072-a5c4-bba9059b1f78/Kai+Oh_Subtitled_2_low.jpg</image:loc>
      <image:title>Home - Who is the hunter, who is the prey? - Make it stand out</image:title>
      <image:caption>Kai Oh: Will You Marry Me? installation view. Photo by Garrett Carroll. Courtesy of Subtitled NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2142207d-abeb-435c-9864-9598badadce5/Subtitled+Gallery+-+Kai+Oh-110-JPEG-72dpi-Web-Use.jpg</image:loc>
      <image:title>Home - Who is the hunter, who is the prey? - Make it stand out</image:title>
      <image:caption>Kai Oh: Will You Marry Me? installation view. Photo by Garrett Carroll. Courtesy of Subtitled NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f2ee68c7-4f64-46da-bc85-ed0f7f31a76c/Subtitled+Gallery+-+Kai+Oh-136-JPEG-72dpi-Web-Use.jpg</image:loc>
      <image:title>Home - Who is the hunter, who is the prey? - Make it stand out</image:title>
      <image:caption>Kai Oh, Kimchi-nyeo (2025). Acrylic on digital print, gesso, canvas, stretcher. 39 × 29 × 1.5 in. Photo by Garrett Carroll. Courtesy of Subtitled NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e89bda4d-b605-4182-b74e-54c0ffa164da/Subtitled+Gallery+-+Kai+Oh-128-JPEG-72dpi-Web-Use.jpg</image:loc>
      <image:title>Home - Who is the hunter, who is the prey? - Make it stand out</image:title>
      <image:caption>Kai Oh: Will You Marry Me? installation view. Photo by Garrett Carroll. Courtesy of Subtitled NYC.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-mirrored-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c31eb17-7bd1-4327-96bc-c31668f05592/Image+1_Bojan+Stojc%CC%8Cic%CC%81%2C+In-between_Fear+of+America%2C+Fear+for+America%2C+2024.+Installation+view%2C+RU+House%2C+Governors+Island%2C+New+York.jpg</image:loc>
      <image:title>Home - A Mirrored Interview - Make it stand out</image:title>
      <image:caption>Bojan Stojčić, In-between: Fear of America, Fear for America, 2024. Installation view, RU House, Governors Island, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fdb38d36-0683-4cbb-b633-6fdd54d50873/Image+2_Bojan+Stojc%CC%8Cic%CC%81%2C+36+Proposals+for+a+Public+Monument%2C+2023.+copy.jpg</image:loc>
      <image:title>Home - A Mirrored Interview - Make it stand out</image:title>
      <image:caption>Bojan Stojčić, 36 Proposals for a Public Monument, 2023. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/17b31237-3578-4c38-9d64-87f50c51ab4c/Image+3_Bojan+Stojc%CC%8Cic%CC%81%2C+Peace+Hotel+Phantom%2C+2023.+Installation+view%2C+Ivano-Frankivsk+National+Theatre%2C+Ukraine.+Photo+by+Sasha+Kovalenko..jpg</image:loc>
      <image:title>Home - A Mirrored Interview - Make it stand out</image:title>
      <image:caption>Bojan Stojčić, Peace Hotel Phantom, 2023. Installation view, Ivano-Frankivsk National Theatre, Ukraine. Photo by Sasha Kovalenko.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b6170f23-59c6-48d7-8478-896eaa4a7477/Image+4_Bojan+Stojc%CC%8Cic%CC%81%2C+402+kilometers_Objects+in+the+mirror%2C+2023.+Photo+documentation+of+performance.+Photo+by+S%CC%8Cimun+Buc%CC%8Can..jpg</image:loc>
      <image:title>Home - A Mirrored Interview - Make it stand out</image:title>
      <image:caption>Bojan Stojčić, 402 kilometers: Objects in the mirror, 2023. Photo documentation of performance. Photo by Šimun Bučan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3fb63359-59de-426b-9949-3dc299b5e3e4/Image+5_Bojan+Stojc%CC%8Cic%CC%81%2C+In-between_Fear+of+America%2C+Fear+for+America%2C+2024.+Image+5_Installation+view%2C+RU+House%2C+Governors+Island%2C+New+York.jpg</image:loc>
      <image:title>Home - A Mirrored Interview - Make it stand out</image:title>
      <image:caption>Bojan Stojčić, In-between: Fear of America, Fear for America, 2024. Installation view, RU House, Governors Island, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-this-spot-season-3-premiere</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bff86271-09b2-4c6f-a22b-21c6e6c346a7/IMG_1016-EDIT.jpg</image:loc>
      <image:title>Home - The SoHo Underground - Make it stand out</image:title>
      <image:caption>Courtesy of On This Spot NYC: Stories of Pioneering Women Artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/44ae6666-f633-49cc-8430-c45a8f5ade8e/2497LeeBontecou02-5b607f5646e0fb005017b62a.jpg</image:loc>
      <image:title>Home - The SoHo Underground - Make it stand out</image:title>
      <image:caption>Lee Bontecou in her studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a20ff612-d6d8-442c-83c7-9b38e52cad95/Lesley+2.jpg</image:loc>
      <image:title>Home - The SoHo Underground - Make it stand out</image:title>
      <image:caption>Courtesy of Lesley Dill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b003b0c6-809a-4905-a036-3ea5f4d4e0d2/IMG_1035.JPG</image:loc>
      <image:title>Home - The SoHo Underground - Make it stand out</image:title>
      <image:caption>Courtesy of On This Spot NYC: Stories of Pioneering Women Artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/wasting-away-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1205e82b-cdef-48c5-b75b-f4bcf3678123/Installation+View+1.jpg</image:loc>
      <image:title>Home - Wasting Away, Again - Make it stand out</image:title>
      <image:caption>Installation view of Floridas: Anastasia Samoylova and Walker Evans, on view at The Metropolitan Museum of Art from October 14, 2024 – May 11, 2025. Photo courtesy of The Metropolitan Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8efbfc50-9efa-4fb6-9c77-86920ed7fe7e/Installation+View+2.jpg</image:loc>
      <image:title>Home - Wasting Away, Again - Make it stand out</image:title>
      <image:caption>Installation view of Floridas: Anastasia Samoylova and Walker Evans, on view at The Metropolitan Museum of Art from October 14, 2024 – May 11, 2025. Photo courtesy of The Metropolitan Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24d5350b-7e53-4a55-b198-0e71c55a7067/Samoylova+-+New+Condominium%2C+Bonita+Springs%2C+2021.jpg</image:loc>
      <image:title>Home - Wasting Away, Again - Make it stand out</image:title>
      <image:caption>Anastasia Samoylova (American. b. Russia, 1984), New Condominiums, Bonita Springs. 2021. Inkjet print, 40 x 60 in. The Metropolitan Museum of Art, New York, Purchase, Diana Barrett and Bob Vila Gift, 2024 (2024.326) © Anastasia Samoylova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/853eefdb-d33e-40fa-84f9-1507c7cb615f/Evans+-+Resort+Photographer+at+Work.jpg</image:loc>
      <image:title>Home - Wasting Away, Again - Make it stand out</image:title>
      <image:caption>Walker Evans (American, 1903–1975). Resort Photographer at Work. 1941, printed later. Gelatin silver print. The Metropolitan Museum of Art, New York. Gift of Christie McDonald and Joan McD Miller, 2005 (2005.455.20) © Walker Evans Archive, The Metropolitan Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ily2-gallery-works-from-the-inside-out</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e7d03b75-c435-400a-af67-9d89817b5129/SR_02.png</image:loc>
      <image:title>Home - ILY2 Gallery Works from the Inside Out - Make it stand out</image:title>
      <image:caption>Sara Rahmanian, Revolution, 2023. Mixed media on paper. 11 ½ x 16 inches. Image courtesy of the artist and ILY2, Portland, Oregon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c499dc96-9e02-4589-8beb-c015a8ba3e0f/LEENA+SIMLU.jpg</image:loc>
      <image:title>Home - ILY2 Gallery Works from the Inside Out - Make it stand out</image:title>
      <image:caption>Leena Similu, Cameo Tile 002, 2024. Stained ceramic gold. 7 ½ X 6 ¼ x ¾ inches. Image courtesy of the artist and ILY2, Portland, Oregon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/39142df5-a8d9-4d77-bb70-5b246bda8e5f/AMANDA+ROSS+HO.jpg</image:loc>
      <image:title>Home - ILY2 Gallery Works from the Inside Out - Make it stand out</image:title>
      <image:caption>Amanda Ross-Ho, Soft Pretzel, 2023. Imitation calfskin leather, glass rhinestone rivets, thread, and batting. 39 ½ x 38 ½ x 8 ½ inches. Image courtesy of the artist and ILY2, Portland, Oregon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-sagarika-sundaram</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d32ae7ed-6711-4cee-b0bd-5e858915e569/11730032_edit.jpg</image:loc>
      <image:title>Home - Sagarika Sundaram on the Alchemy of Fiber - Make it stand out</image:title>
      <image:caption>Sagarika Sundaram. Courtesy of the artist. Credit: Anita Goes.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3ffbcef2-952d-451e-a351-21e19140ea73/13_Sundaram_2023_Source.jpg</image:loc>
      <image:title>Home - Sagarika Sundaram on the Alchemy of Fiber - Make it stand out</image:title>
      <image:caption>Sagarika Sundaram, Source (2023). Hand-dyed wool and wire. Courtesy of the artist and Nature Morte.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/83af45c4-b938-4007-924d-c6c755054607/000033840029_edit.jpg</image:loc>
      <image:title>Home - Sagarika Sundaram on the Alchemy of Fiber - Make it stand out</image:title>
      <image:caption>Sagarika Sundaram. Courtesy of the artist and Nature Morte. Credit: Anita Goes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/beijing-stories</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d6cad17d-79ac-4cb8-98a4-9ad76c5a2e0d/DSC09270.jpeg</image:loc>
      <image:title>Home - Two Tales of a City - Make it stand out</image:title>
      <image:caption>Installation view of Beijing Stories: Liu Shiming and Lois Conner. Courtesy of Liu Shiming Art Gallery and Lois Conner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db422001-9b6a-4c18-9964-d52ada132219/DSC09273.jpeg</image:loc>
      <image:title>Home - Two Tales of a City - Make it stand out</image:title>
      <image:caption>Installation view of Beijing Stories: Liu Shiming and Lois Conner. Courtesy of Liu Shiming Art Gallery and Lois Conner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ff376c5-115d-4cae-8bd4-bad43396d9d7/DSC09283.jpeg</image:loc>
      <image:title>Home - Two Tales of a City - Make it stand out</image:title>
      <image:caption>Installation view of Beijing Stories: Liu Shiming and Lois Conner. Courtesy of Liu Shiming Art Gallery and Lois Conner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb6595c6-7b45-4faf-a36a-001277014214/DSC09287.jpeg</image:loc>
      <image:title>Home - Two Tales of a City - Make it stand out</image:title>
      <image:caption>Installation view of Beijing Stories: Liu Shiming and Lois Conner. Courtesy of Liu Shiming Art Gallery and Lois Conner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-na-kim</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b3d21d22-e7ff-4fdb-81d8-5e9d43f7385a/Na_Studio_002a.jpg</image:loc>
      <image:title>Home - Pictures of Faces: A Conversation with Na Kim - Make it stand out</image:title>
      <image:caption>Na Kim in her studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/085d58b7-2163-4837-8ede-27f0758d8506/Untitled_+33.jpg</image:loc>
      <image:title>Home - Pictures of Faces: A Conversation with Na Kim - Make it stand out</image:title>
      <image:caption>Na Kim, Untitled: 33 (2024). Oil on linen, 16 x 12 in. Courtesy of the artist and Nicola Vassell Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e1a7e591-d6ec-4b40-90bc-fdd852efb1b1/Untitled_+1.jpg</image:loc>
      <image:title>Home - Pictures of Faces: A Conversation with Na Kim - Make it stand out</image:title>
      <image:caption>Na Kim, Untitled: 1 (2024). Oil on linen, 60 × 48 in. Courtesy of the artist and Nicola Vassell Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5079436c-ac5d-4f97-8d8e-ae62e19018bc/Untitled_+5.jpg</image:loc>
      <image:title>Home - Pictures of Faces: A Conversation with Na Kim - Make it stand out</image:title>
      <image:caption>Na Kim, Untitled: 5 (2024). Oil on linen, 30 × 24 in. Courtesy of the artist and Nicola Vassell Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84719391-c580-4f68-8ba9-6d97293734f8/Untitled_+17.jpg</image:loc>
      <image:title>Home - Pictures of Faces: A Conversation with Na Kim - Make it stand out</image:title>
      <image:caption>Na Kim, Untitled: 17 (2024). Oil on linen, 24 × 24 in. Courtesy of the artist and Nicola Vassell Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tim-brawner-last-caress-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dcdeb511-612a-45e3-a601-1f1424e40351/Copy+of+TimBrawner_4.jpg</image:loc>
      <image:title>Home - Tim Brawner’s Strange Twist - Make it stand out</image:title>
      <image:caption>Tim Brawner, Rita (2024). Acrylic on canvas, 60 x 60 in. Courtesy of the artist and Management, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86835fdf-b3dd-43c6-af03-51b51d1522ea/Copy+of+TimBrawner_1.jpg</image:loc>
      <image:title>Home - Tim Brawner’s Strange Twist - Make it stand out</image:title>
      <image:caption>Tim Brawner, Harlow (2024). Acrylic on canvas, 48 x 36 in. Courtesy of the artist and Management, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/499415d0-547e-4f46-848b-80a2e96ae010/Copy+of+TimBrawner_LastCaress_3.jpg</image:loc>
      <image:title>Home - Tim Brawner’s Strange Twist - Make it stand out</image:title>
      <image:caption>Installation view of Tim Brawner: Last Caress. Photo: installshots.art. Courtesy of the artist and Management, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73e14f9a-898d-4c95-a8c6-d456d72ac5b6/Tim+Brawner%2C+Sybil%2C+2024%2C+acrylic+on+canvas%2C+60x60inches.jpg</image:loc>
      <image:title>Home - Tim Brawner’s Strange Twist - Make it stand out</image:title>
      <image:caption>Tim Brawner, Sybil (2024). Acrylic on canvas, 60 x 60 in. Courtesy of the artist and Management, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ecofeminist-interleaving-faith-wilding-at-anat-ebgi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d857738f-ef41-46f2-a163-74f9c6085345/Wilding_Inside+Outside+Alive+in+The+Shell%2C+2025_Installation+view+06.jpg</image:loc>
      <image:title>Home - Ecofeminist Interleaving: Faith Wilding at Anat Ebgi - Make it stand out</image:title>
      <image:caption>Installation view of Faith Wilding: Inside, outside, alive in the shell, Anat Ebgi, New York, 2025. Courtesy the artist and Anat Ebgi, Los Angeles / New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/609f450b-b950-4144-8a8a-ebd08f1cbfcb/Screenshot+2025-02-10+at+3.27.05+PM.png</image:loc>
      <image:title>Home - Ecofeminist Interleaving: Faith Wilding at Anat Ebgi - Make it stand out</image:title>
      <image:caption>Faith Wilding, In The Beginning Everything Was Green, 2020. Watercolor and colored pencil on paper, 32.62 × 25 in. Courtesy the artist and Anat Ebgi, Los Angeles / New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7637454c-d3e3-4f86-8304-deabbfe9c5d6/Screenshot+2025-02-10+at+3.25.47+PM.png</image:loc>
      <image:title>Home - Ecofeminist Interleaving: Faith Wilding at Anat Ebgi - Make it stand out</image:title>
      <image:caption>Faith Wilding, Bird of Paradise: Virgin Goddess, 1978. Colored pencil, graphite, and gold leaf on paper, mounted on silk. 50 × 70 in. Courtesy the artist and Anat Ebgi, Los Angeles / New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/982fccb9-ffb4-4727-9aae-3484244f2a60/Screenshot+2025-02-10+at+3.26.34+PM.png</image:loc>
      <image:title>Home - Ecofeminist Interleaving: Faith Wilding at Anat Ebgi - Make it stand out</image:title>
      <image:caption>Faith Wilding, Serpent, 2017. Papier mache and papyrus, illuminated in gouache, gold leaf, and ink, 23 × 12 × 3 in. Courtesy the artist and Anat Ebgi, Los Angeles / New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/12361c71-6303-42b9-be46-4b9fb199f09e/Screenshot+2025-02-10+at+3.27.43+PM.png</image:loc>
      <image:title>Home - Ecofeminist Interleaving: Faith Wilding at Anat Ebgi - Make it stand out</image:title>
      <image:caption>Faith Wilding, No Title, 1977. Graphite on paper, 14 × 11 in. Courtesy the artist and Anat Ebgi, Los Angeles / New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/im-not-queer-im-disembodied-luca-guadagninos-adaptation-of-queer-sharahy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b79bea9-27ad-43c2-a8f1-a68b49f0a9c2/Screenshot+2025-02-07+at+3.34.41+PM.png</image:loc>
      <image:title>Home - “I’m not queer, I’m disembodied”: Luca Guadagnino’s Adaptation of “Queer” - Make it stand out</image:title>
      <image:caption>Daniel Craig as William Lee and Drew Starkey as Eugene Allerton in Queer (2024) dir. Luca Guadagnino. Photo courtesy of A24.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2a12e9e-259b-4c75-997e-30aadf9a26a2/Screenshot+2025-02-07+at+3.35.12+PM.png</image:loc>
      <image:title>Home - “I’m not queer, I’m disembodied”: Luca Guadagnino’s Adaptation of “Queer” - Make it stand out</image:title>
      <image:caption>Craig and Starkey in Queer (2024). Photo courtesy of A24.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9824a987-c26e-4080-a710-3b5f65679e1d/Screenshot+2025-02-07+at+3.37.02+PM.png</image:loc>
      <image:title>Home - “I’m not queer, I’m disembodied”: Luca Guadagnino’s Adaptation of “Queer” - Make it stand out</image:title>
      <image:caption>Starkey and Craig in Queer (2024). Courtesy of A24.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b8bbe921-007a-48f4-9b94-f58113697f4f/Screenshot+2025-02-07+at+3.38.22+PM.png</image:loc>
      <image:title>Home - “I’m not queer, I’m disembodied”: Luca Guadagnino’s Adaptation of “Queer” - Make it stand out</image:title>
      <image:caption>Craig and Starkey in Queer (2024). Photo courtesy of A24.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-sam-dienst</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a684d2d-6a41-4da8-98a3-d6764a31205f/DSC_2393.jpg</image:loc>
      <image:title>Home - Irrational Physics - Make it stand out</image:title>
      <image:caption>Installation view of Sam Dienst: Cartoon Logic. Courtesy of the artist and Jane Lombard Gallery. Photo credit: Adam Reich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0fe4097-b6f8-401b-b82d-eb7b1d58e0e6/Sam+Dienst-Shadow+Nails-2024-2.jpg</image:loc>
      <image:title>Home - Irrational Physics - Make it stand out</image:title>
      <image:caption>Sam Dienst, Shadow Nails (2024). Hand-woven tapestry with embellishments. 27 x 37 in. Courtesy of the artist and Jane Lombard Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/87c95cf2-b66a-4b66-9c3c-5e8aafdb62ba/DSC_2379.jpg</image:loc>
      <image:title>Home - Irrational Physics - Make it stand out</image:title>
      <image:caption>Installation view of Sam Dienst: Cartoon Logic. Courtesy of the artist and Jane Lombard Gallery. Photo credit: Adam Reich.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/memories-that-smell-like-forgetting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d40e143-bd75-4208-9d9e-ba60d08bbb2a/Bunga_Amorphophallus_Gigas.jpg</image:loc>
      <image:title>Home - Memories That Smell like Forgetting - Make it stand out</image:title>
      <image:caption>Amorphophallus gigas. Retrieved from Wikipedia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/59b43230-3737-4c0d-97e0-da7ef93a9158/W1siZiIsIjMwMjM1NiJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg</image:loc>
      <image:title>Home - Memories That Smell like Forgetting - Make it stand out</image:title>
      <image:caption>Adrian Piper, What Will Become of Me. 1985, ongoing. Courtesy of the Museum of Modern Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c202652e-d0b5-41a4-8fc2-d3e1789377f5/1_Corpse+Flower_EFJ.jpeg</image:loc>
      <image:title>Home - Memories That Smell like Forgetting - Make it stand out</image:title>
      <image:caption>Amorphophallus gigas. Courtesy of Emma Fiona Jones.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/anagrams-of-desire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bfc8938c-358d-4092-8b9d-1f7da97e6515/Ana+Jotta%2C+installation+view%2C+On+peut...On+peut+encore...%2C+WIELS%2C+Brussels%2C+2024%2C+photo+by+We+Document+Art+%2814%29.jpg</image:loc>
      <image:title>Home - Anagrams of Desire - Make it stand out</image:title>
      <image:caption>Ana Jotta, installation view, On peut...On peut encore..., Wiels, Brussels, 2024, photo by We Document Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/801737e8-b506-43dd-ab39-00c1fa3cf92e/Ana+Jotta%2C+installation+view%2C+Composic%CC%A7a%CC%83o%2C+2024%2C+Kunsthalle+Zu%CC%88rich%2C+photo+by+Cedric+Mussano+2.jpg</image:loc>
      <image:title>Home - Anagrams of Desire - Make it stand out</image:title>
      <image:caption>Ana Jotta, installation view, Composição, 2024, Kunsthalle Zürich, photo by Cedric Mussano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7527a107-b42f-4ed7-895e-1e16754c0762/Ana+Jotta%2C+Chuva+da+Tarde+%5BAfternoon+Rain%5D%2C+2008.+Pen+marker+and+acrylic+paint+on+portable+projection+screen.+Never+the+Less%2C+2023%2C+CCA+Wattis+Institute%2C+photo+by+Nicholas+Bruno.jpg</image:loc>
      <image:title>Home - Anagrams of Desire - Make it stand out</image:title>
      <image:caption>Ana Jotta, Chuva da Tarde (Afternoon Rain), 2008. Pen marker and acrylic paint on portable projection screen. Never the Less, 2023, CCA Wattis Institute, photo by Nicholas Bruno.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bbba61f4-f2d7-4aaa-b4dd-cf0e19520121/Ana+Jotta%2C+Que+sais-je%23%2C+2011.+Silk-screen+print+on+kitchen+towel.+Installation+view%2C+Composic%CC%A7a%CC%83o%2C+2024%2C+Kunsthalle+Zu%CC%88rich%2C+photo+by+Cedric+Mussano.jpg</image:loc>
      <image:title>Home - Anagrams of Desire - Make it stand out</image:title>
      <image:caption>Ana Jotta, Que sais-je?, 2011. Silk-screen print on kitchen towel. Installation view, Composição, 2024, Kunsthalle Zürich, photo by Cedric Mussano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23bddd02-a319-4385-9abc-8cea3f6490c5/Ana+Jotta%2C+installation+view%2C+On+peut...On+peut+encore...%2C+WIELS%2C+Brussels%2C+2024%2C+photo+by+We+Document+Art+%287%29.jpg</image:loc>
      <image:title>Home - Anagrams of Desire - Make it stand out</image:title>
      <image:caption>Ana Jotta, installation view, On peut...On peut encore..., Wiels, Brussels, 2024, photo by We Document Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-life-of-the-artists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/96c0a259-76f6-4411-8cdf-370d6b40cf7f/Susan+Finlay.png</image:loc>
      <image:title>Home - Book Review: “The Lives of the Artists” - Make it stand out</image:title>
      <image:caption>Courtesy of Susan Finlay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/27943f61-d0e6-49bd-b2ef-2d8c42df463d/9101AD75-5F0D-4A40-A1A7-F0BF6AB684C0_1_201_a.jpg</image:loc>
      <image:title>Home - Book Review: “The Lives of the Artists” - Make it stand out</image:title>
      <image:caption>Susan Finlay, The Lives of the Artists. © Joan Publishing</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/isabel-sandoval-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/495ecb81-ea54-4dba-ba85-8dc86cfeaa3e/Impulse1a.jpg</image:loc>
      <image:title>Home - 24 FPS: Isabel Sandoval, Incandescent Auteur - Make it stand out</image:title>
      <image:caption>Isabel Sandoval | Turtle Bay, Manhattan. Portrait by Waltpaper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75a7cf57-ddb9-444d-9d56-ea9f33d7dd4d/ImpluseStill1.jpg</image:loc>
      <image:title>Home - 24 FPS: Isabel Sandoval, Incandescent Auteur - Make it stand out</image:title>
      <image:caption>Lingua Franca (2019) film stills. Courtesy of Isabel Sandoval.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b4dedd9-08b0-4f2e-8928-658ae68a645c/Impulse2.jpg</image:loc>
      <image:title>Home - 24 FPS: Isabel Sandoval, Incandescent Auteur - Make it stand out</image:title>
      <image:caption>Isabel Sandoval | Greenacre Park, Manhattan. Portrait by Waltpaper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4604380a-6a27-4a3a-b6a7-4caa8cdb05e0/ImpulseStill2.jpg</image:loc>
      <image:title>Home - 24 FPS: Isabel Sandoval, Incandescent Auteur - Make it stand out</image:title>
      <image:caption>Shangri-La (2021) film stills. Courtesy of Isabel Sandoval.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3a4e2841-bd99-4bf8-904d-5f6bd56772f8/Impulse3.jpg</image:loc>
      <image:title>Home - 24 FPS: Isabel Sandoval, Incandescent Auteur - Make it stand out</image:title>
      <image:caption>Isabel Sandoval | Greenacre Park, Manhattan. Portrait by Waltpaper</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/george-condo-on-politics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7cb51018-ebed-4a8d-99be-29bedc9af90f/Art+historian+Isabelle+Dervaux+with+George+Condo+at+Hauser+%26+Wirth.jpg</image:loc>
      <image:title>Home - George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?” - Make it stand out</image:title>
      <image:caption>Conversation between Isabelle Dervaux and George Condo. Photo by Lisa Freeman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/49329a5d-d2e6-4fce-b7b1-baf38b138588/abstract+male+portrait.jpg</image:loc>
      <image:title>Home - George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?” - Make it stand out</image:title>
      <image:caption>George Condo, Abstract Male Portrait (2024). Acrylic, pastel, and metallic paint on paper. 80 × 78 in. Photo: Matt Grubb. Courtesy of Hauser &amp; Wirth. © George Condo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2eeff2de-097a-4550-8ba6-27178f120695/Hauser_And_Wirth_1154.jpg</image:loc>
      <image:title>Home - George Condo on Politics: “Am I Gonna Be Allowed to Be What I Am?” - Make it stand out</image:title>
      <image:caption>George Condo, Multiple Personalities (2024). Acrylic and pastel on paper. 78 × 60 in. Photo: Matt Grubb. Courtesy of Hauser &amp; Wirth. © George Condo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/cooper-hewitt-making-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4be578b-7b02-4ecc-ac04-75f768e1cb3d/MakingHome_Lenape.jpg</image:loc>
      <image:title>Home - Home Is Where Everything Is - Make it stand out</image:title>
      <image:caption>Installation of Welcome to Territory by Lenape Center with Joe Baker in Making Home—Smithsonian Design Triennial at Cooper Hewitt, Smithsonian Design Museum. Photo: Ann Sunwoo © Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e86d6e53-c551-43db-8adc-956e04c77eee/MakingHome_BADG.jpg</image:loc>
      <image:title>Home - Home Is Where Everything Is - Make it stand out</image:title>
      <image:caption>Installation of The Underground Library by the Black Artists + Designers Guild in Making Home—Smithsonian Design Triennial at Cooper Hewitt, Smithsonian Design Museum. Photo: Ann Sunwoo © Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eea84e03-42b1-406b-826e-7ed9f5f9c90a/MakingHome_Lee_Mishima.jpg</image:loc>
      <image:title>Home - Home Is Where Everything Is - Make it stand out</image:title>
      <image:caption>Installation of Game Room by Liam Lee and Tommy Mishima in Making Home—Smithsonian Design Triennial at Cooper Hewitt, Smithsonian Design Museum. Photo: Ann Sunwoo © Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d95a38af-7264-4b08-a083-8325e177ea63/MakingHome_CHackett.jpg</image:loc>
      <image:title>Home - Home Is Where Everything Is - Make it stand out</image:title>
      <image:caption>Installation of So That You All Won’t Forget: Speculations on a Black Home in Rural Virginia by Curry J. Hackett, Wayside Studio in Making Home—Smithsonian Design Triennial at Cooper Hewitt, Smithsonian Design Museum. Photo: Elliot Goldstein © Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/01111101-923d-4d61-936b-b8b7fb07b2f9/MakingHome_PINUP.jpg</image:loc>
      <image:title>Home - Home Is Where Everything Is - Make it stand out</image:title>
      <image:caption>Installation of Dream Homes by PIN–UP in Making Home—Smithsonian Design Triennial at Cooper Hewitt, Smithsonian Design Museum. Photo: Elliot Goldstein © Smithsonian Institution</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ddc55ba1-8d31-4c51-8885-0c65ec4628ae/MakingHome_Chalabi_SITU_Research.jpg</image:loc>
      <image:title>Home - Home Is Where Everything Is - Make it stand out</image:title>
      <image:caption>Installation of Patterns of Life by Mona Chalabi and SITU Research in Making Home—Smithsonian Design Triennial at Cooper Hewitt, Smithsonian Design Museum. Photo: Elliot Goldstein © Smithsonian Institution</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/love-positive-women</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb6d0371-047f-4ba2-a4ca-797af128fc43/IMG_3713.JPG</image:loc>
      <image:title>Home - MoMA PS1’s Installation Fights Stigma&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Kenneal Patterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f5b54496-c1f1-44ad-8102-9cfdf69c0980/IMG_3715.JPG</image:loc>
      <image:title>Home - MoMA PS1’s Installation Fights Stigma&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Kenneal Patterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3a4a0ed8-2387-4c59-ab45-ff65488c6ae4/IMG_3717.JPG</image:loc>
      <image:title>Home - MoMA PS1’s Installation Fights Stigma&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Kenneal Patterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/388d8245-543c-4af0-8a5e-496b122bb765/IMG_3731.JPG</image:loc>
      <image:title>Home - MoMA PS1’s Installation Fights Stigma&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Photo by Kenneal Patterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/florida-boys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eccabc9b-aaef-42fa-81ba-63f498954313/Josh-Aronson-3.jpg</image:loc>
      <image:title>Home - Florida Boys - Make it stand out</image:title>
      <image:caption>Josh Aronson, detail of Florida Boys, 2024. Dye sublimated fabric triptych on metal frame. 291 3⁄4 x 250 inches. Commissioned by the City of Miami Beach. Documentation by Jeanne Canto. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b22649d-1dc1-4636-9d88-3c8fe3900258/Josh-Aronson-4.jpg</image:loc>
      <image:title>Home - Florida Boys - Make it stand out</image:title>
      <image:caption>Josh Aronson, Creek, 2020, printed 2024. Archival pigment print. 54 1⁄2 x 40 inches. Edition of 6 + 2 APs. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4b807c4-0b53-49b3-aa57-62a1f113f67b/Josh-Aronson-5.jpg</image:loc>
      <image:title>Home - Florida Boys - Make it stand out</image:title>
      <image:caption>Josh Aronson, Climbers, 2022, printed 2024. Archival pigment print. 54 1⁄2 x 40 inches. Edition of 6 + 2 APs. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e60997a-5c08-4457-a0df-55bc2658a9b5/Josh-Aronson-2.jpg</image:loc>
      <image:title>Home - Florida Boys - Make it stand out</image:title>
      <image:caption>Josh Aronson, installation view of Florida Boys, 2024. Dye sublimated fabric triptych on metal frame. 291 3⁄4 x 250 inches. Commissioned by the City of Miami Beach. Documentation by Jeanne Canto. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d9df21b4-197e-4771-a22d-fde4cdd2c2f3/Josh-Aronson-1.jpg</image:loc>
      <image:title>Home - Florida Boys - Make it stand out</image:title>
      <image:caption>Portrait of Josh Aronson by Angie Vero. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-ching-wei-wang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0cf89a2a-bac4-4e9d-a0d4-12740ef5f5d8/5.jpg</image:loc>
      <image:title>Home - On Working Around Photography: Interview with Ching-Wei Wang - Make it stand out</image:title>
      <image:caption>Ching-Wei Wang, Maintain Status Quo Indefinitely (2024), performance at the Arnold and Sheila Aronson Galleries. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c823064c-d2ef-44b7-aaf0-98b28c9b445a/whole+installation+of+two+works.jpg</image:loc>
      <image:title>Home - On Working Around Photography: Interview with Ching-Wei Wang - Make it stand out</image:title>
      <image:caption>Installation view of Ching-Wei Wang’s thesis presentation at The New School. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85b4487b-0ef7-48a5-921d-1530596f0233/screenshot+from+vimeo.jpg</image:loc>
      <image:title>Home - On Working Around Photography: Interview with Ching-Wei Wang - Make it stand out</image:title>
      <image:caption>Ching-Wei Wang, Maintain Status Quo Indefinitely (2024), performance at the Arnold and Sheila Aronson Galleries. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d68573d6-6a9f-4867-b8a8-a5e56f46a372/detail.png</image:loc>
      <image:title>Home - On Working Around Photography: Interview with Ching-Wei Wang - Make it stand out</image:title>
      <image:caption>Ching-Wei Wang, detailed view of Country within Country (2024), installation with graphite on wall. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-levi-de-jong</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b49490ad-8823-476c-9c66-afd96195df37/Image+1.jpg</image:loc>
      <image:title>Home - Levi De Jong: Landscapes in Flux - Make it stand out</image:title>
      <image:caption>Levi De Jong, Amman, 2023. Mixed media on wood. 120.7 × 120.7 cm. Image courtesy of the artist and Half Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/877978a6-e836-4473-b6e8-38aa0212c2a8/Image+2_Lamb_Brant+Foundation.jpg</image:loc>
      <image:title>Home - Levi De Jong: Landscapes in Flux - Make it stand out</image:title>
      <image:caption>Levi De Jong, Lamb, 2024. Aluminum. 211 x 463 x 519 mm. Image courtesy of the artist and The Brant Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3122fe6a-9d5f-467d-a63b-c453fb01cd31/Image+3.JPG</image:loc>
      <image:title>Home - Levi De Jong: Landscapes in Flux - Make it stand out</image:title>
      <image:caption>Levi De Jong, Flag, 2024. Industrial oil-based enamel, bitumen torch-down, and silicon. 221 x 110 cm. Image courtesy of the artist and Royal College of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e0271f77-a98c-4db3-9272-ffe66b453599/Image+4.jpg</image:loc>
      <image:title>Home - Levi De Jong: Landscapes in Flux - Make it stand out</image:title>
      <image:caption>Levi De Jong, Aqaba, 2023. Mixed media on wood. 120.7 × 120.7 cm. Image courtesy of the artist and Half Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdd605ce-15d2-4df2-8920-3b0656df6a39/Image+5.JPG</image:loc>
      <image:title>Home - Levi De Jong: Landscapes in Flux - Make it stand out</image:title>
      <image:caption>©2025 Levi De Jong Studio. All rights reserved.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/stamina-project-iii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6dfc923f-98cc-4313-83ff-94db20d8d774/000061730027.jpg</image:loc>
      <image:title>Home - Ballet, Bushwick, and a Techno Party - Make it stand out</image:title>
      <image:caption>Courtesy of Nick Brito and Project III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6a8f0242-179a-4a61-829c-a86bf7982f11/000061730012.jpg</image:loc>
      <image:title>Home - Ballet, Bushwick, and a Techno Party - Make it stand out</image:title>
      <image:caption>Courtesy of Nick Brito and Project III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eda270df-1f3f-4d89-9a7e-0fdb35fbc3aa/IMG_1044.jpg</image:loc>
      <image:title>Home - Ballet, Bushwick, and a Techno Party - Make it stand out</image:title>
      <image:caption>Courtesy of Nick Brito and Project III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd850177-6a0a-423c-9a7c-51520b50b621/000061730002.jpg</image:loc>
      <image:title>Home - Ballet, Bushwick, and a Techno Party - Make it stand out</image:title>
      <image:caption>Courtesy of Nick Brito and Project III</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/hey-we-can-do-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/219c09e9-558e-4966-8cea-3655c4650b01/leave+the+sewing+to_2.jpg</image:loc>
      <image:title>Home - Hey! We Can Do It! - Make it stand out</image:title>
      <image:caption>Huidi Xiang, leave the sewing to (2024). 3D-printed aluminum alloy, wood, resin, polylactic acid. Dimensions variable. Ed. 3 + 1 AP. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b2cfa2b1-5cfa-4341-8e0c-86357cb7f023/the+roster.jpg</image:loc>
      <image:title>Home - Hey! We Can Do It! - Make it stand out</image:title>
      <image:caption>Huidi Xiang, the roster: mary, suzy, perla, sister #4, sister #5, sister #6, jaq, gus, bert, mert, luke, mouse #12, mouse #13, bird #1, bird #2, bird #3, bird #4, bird #5, bird #6, bird #7 (2024). 20 3D-printed aluminum alloy objects. 2 × 2 × 2 inches each. Ed. 3 + 1 AP. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd79034d-60d6-49af-851c-87fd0f020f01/installation+view+2.jpg</image:loc>
      <image:title>Home - Hey! We Can Do It! - Make it stand out</image:title>
      <image:caption>Installation view of Huidi Xiang: goes around in circles, til very, very dizzy. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/faf7e132-7a48-4939-ba5a-3b0b4d76985d/there_s+nothing+to+it%2C+really.jpg</image:loc>
      <image:title>Home - Hey! We Can Do It! - Make it stand out</image:title>
      <image:caption>Huidi Xiang, there is nothing to it, really (2024). Wood, 3D-printed resin, 5.75 × 18 × 2 inches. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/symbiosis-a-conversation-with-alicia-adamerovich-and-christopher-daharsh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd672128-a92d-4552-91a4-83506be90ba3/Screen+Shot+2025-01-28+at+5.02.57+PM.png</image:loc>
      <image:title>Home - Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh - Make it stand out</image:title>
      <image:caption>Left: portrait of Alicia Adamerovich, courtesy of Timothy Taylor Gallery. Right: portrait of Christopher Daharsh by Bradley Marshall, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/851dd6a1-a6cc-4abe-b8d3-5ecfa5ec13f4/Timothy+Taylor_Alicia+Adamerovich_03_300dpi.jpg</image:loc>
      <image:title>Home - Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh - Make it stand out</image:title>
      <image:caption>Installation view of Alicia Adamerovich: Rude Awakening. Courtesy of the artist and Timothy Taylor Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15fead4f-472f-4e87-b808-2c7e72939207/Hematite+Tablature.jpg</image:loc>
      <image:title>Home - Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh - Make it stand out</image:title>
      <image:caption>Christopher Daharsh, Hematite Tablature (2024). Oil on canvas, 54 × 84 inches. Photo by Todd Huffman. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/510f5d2f-8fe7-4241-bfbc-0833725daadd/T0015430+Blissful+ignorance%2C+2024_2_300dpi.jpg</image:loc>
      <image:title>Home - Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh - Make it stand out</image:title>
      <image:caption>Alicia Adamerovich, Blissful Ignorance (2024). Wood, aluminum, resin, dye, oil, sand, and pumice. 28.75 x 16 x 19 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9388426-d6e6-47b3-817b-bd3eb6026bda/Somnambulant.jpg</image:loc>
      <image:title>Home - Symbiosis: A Conversation with Alicia Adamerovich and Christopher Daharsh - Make it stand out</image:title>
      <image:caption>Christopher Daharsh, Somnambulant (2024). Aquaresin, dye, mild steel, resin, fiberglass, polyurethane, and enamel. 77 x 33 x 29 inches. Photo by Bradley Marshall. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/yolanda-yang-scratches-deep-below-the-surface-of-grief-and-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91fa3a7a-468a-4d79-86dc-5e9953179d36/Photo+Credit</image:loc>
      <image:title>Home - Yolanda Yang Scratches Deep Below the Surface of Grief and Art - Make it stand out</image:title>
      <image:caption>Yolanda He Yang, still from Itchy Grief performed at Vivid Oblivion, 2024. Photograph by Cameron Boyce, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c5d8148e-0f88-4d06-bab9-0b5c4cd9fa5c/photo+credit_+Bell+Beecher+Pitkin.jpg</image:loc>
      <image:title>Home - Yolanda Yang Scratches Deep Below the Surface of Grief and Art - Make it stand out</image:title>
      <image:caption>Still from Itchy Grief performed at Clara Wainwright Studio, 2024. Photograph by Bell Beecher Pitkin, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07eed0b8-64c6-4fd7-9c85-9563d68becb0/photo+credit_+Shosh+Isaacs.jpg</image:loc>
      <image:title>Home - Yolanda Yang Scratches Deep Below the Surface of Grief and Art - Make it stand out</image:title>
      <image:caption>Still from Itchy Grief performed at Vox Populi, 2024. Photograph by Shosh Isaacs, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/anoushka-mirchandani-between-worlds-beneath-skin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/63a469af-e68c-4066-9af6-bca54dde07fc/A+House+Called+Tomorrow_2024_West+Gallery-9.jpg</image:loc>
      <image:title>Home - Anoushka Mirchandani: Between Worlds, Beneath Skin - Make it stand out</image:title>
      <image:caption>Installation view of Anoushka Mirchandani: A House Called Tomorrow. Courtesy of the artist and Yossi Milo Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c3b3d6a3-732a-47dc-8820-ca89e8317abc/AMR231016-Mirchandani-01.jpg</image:loc>
      <image:title>Home - Anoushka Mirchandani: Between Worlds, Beneath Skin - Make it stand out</image:title>
      <image:caption>Anoushka Mirchandani, Field of Secrets, 2023. Oil, oil stick, and oil pastel on canvas. 96 × 90 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a4e338a-5f08-4fc3-8428-5d1739926ffd/09_AnoushkaMirchandani_byAnna-AlexiaBasile.jpg</image:loc>
      <image:title>Home - Anoushka Mirchandani: Between Worlds, Beneath Skin - Make it stand out</image:title>
      <image:caption>Photo: Anna-Alexia Basile.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d548ade6-fccf-4c06-a8b5-4e4ca96d39a3/A+House+Called+Tomorrow_2024_East+Gallery-10.jpg</image:loc>
      <image:title>Home - Anoushka Mirchandani: Between Worlds, Beneath Skin - Make it stand out</image:title>
      <image:caption>Installation view of Anoushka Mirchandani: A House Called Tomorrow. Courtesy of the artist and Yossi Milo Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-brooklyn-artists-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4c6f84a-cec5-490b-b3e1-420135430afc/pillow+fight.jpg</image:loc>
      <image:title>Home - Building Worlds at the Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Alex Dolores Salerno. Pillow Fight, 2019-present. Used pillowcases and medical supplies. Courtesy of the artist. © Alex Dolores Salerno. (Photo: Courtesy of the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10b5e5aa-f82d-4475-ad2f-58c4aaeee985/josh+sucher.jpg</image:loc>
      <image:title>Home - Building Worlds at the Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Josh Sucher. Suite 2412 (detail), 2024. MDF board, PLA 3D prints, Raspberry Pi microprocessor with TFT and e-ink screens, speaker, and circuitry. Courtesy of the artist. © Josh Sucher. (Photo: Courtesy of the artist)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/40078505-5c8e-4774-a3d8-10fb28267926/cyle+warner.jpg</image:loc>
      <image:title>Home - Building Worlds at the Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Cyle Warner. chasing a second sunrise; it's no fun running alone, 2024. Fabric, cotton twine, cotton rope, and clothespins. Courtesy of the artist. © Cyle Warner. (Photo: Timothy Doyon)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/efe4689a-7916-4207-8b94-422ef2861fca/juan+pablo.jpg</image:loc>
      <image:title>Home - Building Worlds at the Brooklyn Museum - Make it stand out</image:title>
      <image:caption>Juan Pablo Uribe. Code 09, from Ways of Forgetting, 2023. Paper on metal. Courtesy of the artist. © Juan Pablo Uribe. (Photo: Courtesy of the artist)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/cecilia-vicuna-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/87382339-b681-42d2-987d-a35727ae40ab/Installation.jpeg</image:loc>
      <image:title>Home - Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple” - Make it stand out</image:title>
      <image:caption>Cecilia Vicuña, La Migranta Blue Nipple (© 2024 Cecilia Vicuña/Artist Rights Society (ARS); photo by Daniel Kukla; courtesy the artist and Lehmann Maupin, New York, Seoul, and London)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c3ed2661-a920-4809-8b4f-d275d88677e3/NAUFraga.jpg</image:loc>
      <image:title>Home - Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple” - Make it stand out</image:title>
      <image:caption>Installation view of Cecilia Vicuña, NAUfraga (2022), mixed media, fishnets with 161 hanging objects (83 Precario objects, 40 dried plants/wood, 36 fishnets/yute sac pieces), 19 7/10 x 39 2/5 x 226 2/5 inches (6 x 12 x 69 m) (© 2024 Cecilia Vicuña/Artist Rights Society (ARS), New York; photo by Daniel Kukla; courtesy the artist and Lehmann Maupin, New York, Seoul, and London)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c9d3478-4ed3-48fa-9c1f-f34a8a79ceaa/Prayer+for+Rebirth+%281%29.jpg</image:loc>
      <image:title>Home - Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple” - Make it stand out</image:title>
      <image:caption>Installation view of Cecilia Vicuña, Prayer for the Rebirth of Peace in All Lands (2024) (© 2024 Cecilia Vicuña/Artist Rights Society (ARS), New York; photo by Daniel Kukla; courtesy the artist and Lehmann Maupin, New York, Seoul, and London)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1592b7c6-48f7-4ec7-bb85-b7b38570c221/Prayer+for+Rebirth+%282%29.jpeg</image:loc>
      <image:title>Home - Enduring Tethers: Cecilia Vicuña’s “La Migranta Blue Nipple” - Make it stand out</image:title>
      <image:caption>Installation view of Cecilia Vicuña, Prayer for the Rebirth of Peace in All Lands (2024) (© 2024 Cecilia Vicuña/Artist Rights Society (ARS), New York; photo by Daniel Kukla; courtesy the artist and Lehmann Maupin, New York, Seoul, and London)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/small-talk-ivan-navarro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3a3eae63-42c7-4100-9e06-01fd535c8dc3/1_Ivan+Navarro.jpg</image:loc>
      <image:title>Home - “Small Talk” Eludes Legibility and Invites Infinite Encounters - Make it stand out</image:title>
      <image:caption>Iván Navarro: Small Talk at Miriam Gallery. Installation view. Courtesy of the artist and Miriam Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38358bc0-a17c-4c62-bbc2-cb8c618fb959/2_Ivan+Navarro.jpg</image:loc>
      <image:title>Home - “Small Talk” Eludes Legibility and Invites Infinite Encounters - Make it stand out</image:title>
      <image:caption>Iván Navarro: Small Talk at Miriam Gallery. Installation view. Courtesy of the artist and Miriam Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c253931-21d1-4975-9728-268b0c1c1efd/3_Ivan+Navarro.jpg</image:loc>
      <image:title>Home - “Small Talk” Eludes Legibility and Invites Infinite Encounters - Make it stand out</image:title>
      <image:caption>Iván Navarro: Small Talk at Miriam Gallery. Installation view. Courtesy of the artist and Miriam Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2e30d706-ebc0-4578-bb13-7cf03d0cdd3b/4_Ivan+Navarro.jpg</image:loc>
      <image:title>Home - “Small Talk” Eludes Legibility and Invites Infinite Encounters - Make it stand out</image:title>
      <image:caption>Iván Navarro: Small Talk at Miriam Gallery. Installation view. Courtesy of the artist and Miriam Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aa8e6cfd-e98b-470b-b615-a08d0145dace/5_Ivan+Navarro.jpg</image:loc>
      <image:title>Home - “Small Talk” Eludes Legibility and Invites Infinite Encounters - Make it stand out</image:title>
      <image:caption>Iván Navarro: Small Talk at Miriam Gallery. Installation view. Courtesy of the artist and Miriam Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-anina-major</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e2f08af-9c63-4398-8ce1-8a8097cccbd2/Installation+view+of+Anina+Major+-+All+Us+Come+Across+Water.jpg</image:loc>
      <image:title>Home - Anina Major: “I could speak to one of many, or be one of many” - Make it stand out</image:title>
      <image:caption>Installation of Anina Major: All Us Come Across Water, 2024. Courtesy of the Artist and Pamela Salisbury Gallery, Hudson, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a9554dd-d799-42ec-bb21-55b22d3bab89/Goombay_AMajor.jpg</image:loc>
      <image:title>Home - Anina Major: “I could speak to one of many, or be one of many” - Make it stand out</image:title>
      <image:caption>Anina Major, Goombay, 2024. Courtesy of the artist. Photo: Andrew White.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/217540d2-a9df-47dd-8ae7-275826c97f14/great-women-sculptors-en-6777-standing-front-jacket-3880.jpg</image:loc>
      <image:title>Home - Anina Major: “I could speak to one of many, or be one of many” - Make it stand out</image:title>
      <image:caption>Cover of Great Women Sculptors, 2024. Courtesy of Phaidon Press.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07ae316c-3286-48c3-bf6b-3ea58ce7bd7b/Loading+Headshot_AninaMajor.jpg</image:loc>
      <image:title>Home - Anina Major: “I could speak to one of many, or be one of many” - Make it stand out</image:title>
      <image:caption>Photo of Anina Major by Rene van der Hulst.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/291b1915-6ca7-48b0-bd77-b9d826005067/Cathedral_AMajor.jpg</image:loc>
      <image:title>Home - Anina Major: “I could speak to one of many, or be one of many” - Make it stand out</image:title>
      <image:caption>Anina Major, Cathedral, 2024. Courtesy of the artist. Photo: Andrew White.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b6a05dc-f6d5-4f85-a13a-ffb38ab3749f/WithinTheMarketplace+II_Anina+Major.jpg</image:loc>
      <image:title>Home - Anina Major: “I could speak to one of many, or be one of many” - Make it stand out</image:title>
      <image:caption>Anina Major, Within The Marketplace II. installation in Flow States – LA TRIENAL 2024 at El Museo del Barrio, New York, NY. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/acky-brights-graphic-impulse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d5b9b4fa-28b2-4a85-b9a4-a30b04651b78/%C2%A9NahoKubota_0979_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Installation view of Acky Bright: Studio Inﬁnity at Japan Society Gallery, New York, 2024. Photo by Naho Kubota.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db8b274f-60df-4ae1-9ecd-199d7808d4bc/%C2%A9NahoKubota_1016_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Early Installation view of Acky Bright: Studio Infinity at Japan Society Gallery, New York, 2024. Photo by Naho Kubota.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/488e5503-1a6b-43e1-9355-fba1e00853ae/IMG_4668+copy_AEC_ACKYBRIGHTDETAIL_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Detail of Acky Bright: Studio Infinity at Japan Society Gallery, New York, 2024. Photo by A.E. Chapman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c6482011-72f5-4459-994e-bb1ce27b2337/IMG_2542+copy_ACKYBRIGHTONGLASS_AEC_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Acky Bright working during live drawing performance, Acky Bright: Studio Infinity at Japan Society Gallery, New York, 2024. Photo by A.E. Chapman.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6b26e802-5dd6-4576-822f-22226694990e/10.3.24JS-48+copy_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Photo of Acky Bright during the opening of Acky Bright: Studio Infinity at Japan Society Gallery, New York, 2024. Photo by Richard Jopson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/81f250c0-292c-461f-9b24-61eacd594de5/IMG_2530+copy_AEC_AB_MCD_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Photo of product packaging featured in McDonald’s collaboration with Acky Bright. Photo by A.E. Chapman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/244acd6b-d5ce-4afb-8d32-7f59d0e350ae/10.3.24JS-50_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Installation view of Acky Bright: Studio Infinity at Japan Society Gallery, New York, 2024. Photo by Richard Jopson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1f88cfc-aea7-46be-b181-cc4594079b14/10.3.24JS-54_SIZED1300.jpeg</image:loc>
      <image:title>Home - Acky Bright’s Graphic Impulse - Make it stand out</image:title>
      <image:caption>Installation view of Acky Bright: Studio Infinity at Japan Society Gallery, New York, 2024. Photo by Richard Jopson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/leah-ying-lin-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed25a0dd-4952-4f92-b250-e67a12574914/installation+view+site+specific+installation.jpg</image:loc>
      <image:title>Home - Leah Ying Lin’s Ethereal Odyssey - Make it stand out</image:title>
      <image:caption>Installation view of Theater of Energies. Center: Leah Ying Lin, Relics of Rebirth (2024), site-specific kinetic installation. Courtesy of the artist and Arsenal Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb63f921-e921-4328-a95d-27690bd3a27e/Lin_Leah+Ying_Oumuamua+Dream_2024.jpg</image:loc>
      <image:title>Home - Leah Ying Lin’s Ethereal Odyssey - Make it stand out</image:title>
      <image:caption>Leah Ying Lin, Oumuamua Dream (2024). Courtesy of the artist and Arsenal Contemporary Art New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f61ad3ae-3356-4cf4-9360-e5b760df4065/Lunar+Moth+Shadow+2023+for+Artist+Residency+Arts+Letters+%26+Numbers.jpg</image:loc>
      <image:title>Home - Leah Ying Lin’s Ethereal Odyssey - Make it stand out</image:title>
      <image:caption>Leah Ying Lin, Lunar Moth Shadow (2023), made during Arts Letters &amp; Numbers residency. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/681b6176-2b3e-4345-be33-60cba408ccb7/Balenciaga+-+Year+of+the+Tiger+-+Leah+Ying+Lin.jpg</image:loc>
      <image:title>Home - Leah Ying Lin’s Ethereal Odyssey - Make it stand out</image:title>
      <image:caption>Leah Ying Lin in the global campaign for Balenciaga 2022, Year of the Tiger. Director: Pablo Rochat. Photographer: Chris Maggio.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/281115d1-67ad-493e-8765-9a2676910a4a/Nomadic+Wind+2024+Lin_Leah+Ying.jpg</image:loc>
      <image:title>Home - Leah Ying Lin’s Ethereal Odyssey - Make it stand out</image:title>
      <image:caption>Leah Ying Lin, Nomadic Wind (2024), commissioned site-specific work. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/60-years-ago-the-changed-ending-of-my-fair-lady-failed-eliza-doolittle</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0dd57126-4146-4479-aa58-b22e4f268137/Screen+Shot+2025-01-14+at+2.08.19+AM.png</image:loc>
      <image:title>Home - 60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle - Make it stand out</image:title>
      <image:caption>Promotional poster of My Fair Lady (1964)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/100d1a34-6189-490b-be22-f8e8ee6220d6/Screen+Shot+2025-01-14+at+2.08.41+AM.png</image:loc>
      <image:title>Home - 60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle - Make it stand out</image:title>
      <image:caption>© 1964 Warner Bros. Pictures</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b69aabaf-f8a5-48d5-a17f-900d48bac27e/Screen+Shot+2025-01-14+at+2.09.53+AM.png</image:loc>
      <image:title>Home - 60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle - Make it stand out</image:title>
      <image:caption>© 1964 Warner Bros. Pictures</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3f6c097a-bc24-481b-a7f0-e50f1a319581/my-fair-lady-1080x675.jpg</image:loc>
      <image:title>Home - 60 years ago, the Changed Ending of “My Fair Lady” Failed Eliza Doolittle - Make it stand out</image:title>
      <image:caption>© 1964 Warner Bros. Pictures</image:caption>
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  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/artifacts-preserving-the-stories-of-underground-culture</loc>
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    <lastmod>2025-01-14</lastmod>
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      <image:title>Home - Artifacts: Preserving the Stories of Underground Culture - Make it stand out</image:title>
      <image:caption>Courtesy of Company Agenda.</image:caption>
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      <image:title>Home - Artifacts: Preserving the Stories of Underground Culture - Make it stand out</image:title>
      <image:caption>Courtesy of Company Agenda.</image:caption>
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      <image:title>Home - Artifacts: Preserving the Stories of Underground Culture - Make it stand out</image:title>
      <image:caption>Courtesy of Company Agenda.</image:caption>
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      <image:title>Home - Artifacts: Preserving the Stories of Underground Culture - Make it stand out</image:title>
      <image:caption>Courtesy of Company Agenda.</image:caption>
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  <url>
    <loc>https://impulsemagazine.com/symposium/omar-mismar-a-frown-gone-mad</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/61c0082c-e2aa-48cf-817d-3c68885f999a/A+Frown+Gone+Mad-Film+still+1.jpg</image:loc>
      <image:title>Home - Omar Mismar Examines the Role of Botox in Post-War Lebanese Society - Make it stand out</image:title>
      <image:caption>From A Frown Gone Mad, 2024. Courtesy of Omar Mismar.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e1d4faa0-6c5d-4e27-ad50-2d9a9605949f/A+Frown+Gone+Mad-Film+still+4.jpg</image:loc>
      <image:title>Home - Omar Mismar Examines the Role of Botox in Post-War Lebanese Society - Make it stand out</image:title>
      <image:caption>From A Frown Gone Mad, 2024. Courtesy of Omar Mismar.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9be44e05-415d-40e3-842d-84efb441c520/A+Frown+Gone+Mad-Film+still+5.jpg</image:loc>
      <image:title>Home - Omar Mismar Examines the Role of Botox in Post-War Lebanese Society - Make it stand out</image:title>
      <image:caption>From A Frown Gone Mad, 2024. Courtesy of Omar Mismar.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/49133b82-a93a-48fb-8c03-1579ad4840f6/A+Frown+Gone+Mad-Film+still+2.jpg</image:loc>
      <image:title>Home - Omar Mismar Examines the Role of Botox in Post-War Lebanese Society - Make it stand out</image:title>
      <image:caption>From A Frown Gone Mad, 2024. Courtesy of Omar Mismar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e97f82f0-d46a-4f35-8280-51226480ba5c/A+Frown+Gone+Mad-Film+still+3.jpg</image:loc>
      <image:title>Home - Omar Mismar Examines the Role of Botox in Post-War Lebanese Society - Make it stand out</image:title>
      <image:caption>From A Frown Gone Mad, 2024. Courtesy of Omar Mismar.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-fernando-buzhar-segall</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0dd07b6d-51f2-441b-aa78-f14d1d290058/fernando+headshot.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Fernando Buzhar Segall - Make it stand out</image:title>
      <image:caption>Courtesy of Fernando Buzhar Segall.</image:caption>
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  <url>
    <loc>https://impulsemagazine.com/symposium/navigating-digital-nomad-visas</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/92b795e2-6970-4430-8f3f-7156fe6f544e/Work_from_the_beach%21.jpg</image:loc>
      <image:title>Home - Navigating Digital Nomad Visas - Make it stand out</image:title>
      <image:caption>Image retrieved from Wikimedia Commons. © AbhiSuryawanshi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24822859-295d-4ed0-9753-76088a3bfbe5/A_man_working_in_a_camper_van_in_the_countryside.jpg</image:loc>
      <image:title>Home - Navigating Digital Nomad Visas - Make it stand out</image:title>
      <image:caption>© Cruise America, https://www.cruiseamerica.com/. Image retrieved from Wikimedia Commons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reclaiming-distorted-archetypes-the-boys-club-redacted</loc>
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    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7198a384-31d1-475f-b277-b7a24304abbd/2024_SEMMES_Green+Shoe.jpg</image:loc>
      <image:title>Home - Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted) - Make it stand out</image:title>
      <image:caption>Beverly Semmes. Green Shoe, 2024. Acrylic over photograph printed on canvas. 73 x 49 1/4 x 2 in. Courtesy of Susan Inglett Gallery, NYC. © Beverly Semmes</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06ee5e10-cf51-4777-9b6e-f9cf055838d9/2020_MONTES+MICHIE_Phases.jpeg</image:loc>
      <image:title>Home - Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted) - Make it stand out</image:title>
      <image:caption>Troy Montes Michie. Phases, 2020. Cut paper, book cover, photographs, wire hanger, cut clothing, graphite, grease pencil, polyester thread, and acrylic on linen. 72 x 48 x 2.13 in. Courtesy of Company Gallery, NYC, and Susan Inglett Gallery, NYC. © Troy Montes Michie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8050911e-12f8-4ffa-bce1-1bb924806622/1977_RUTHERFORD_The+Startled+Model_1.jpg</image:loc>
      <image:title>Home - Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted) - Make it stand out</image:title>
      <image:caption>Erica Rutherford. The Startled Model, 1977. Lithograph on paper, Unnumbered AP from the edition of 6, plus APs. 22 3/4 x 17 in. Courtesy of Richard Saltoun Gallery, NYC and Susan Inglett Gallery, NYC. © Erica Rutherford</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f49d65fd-c6ac-44a9-ae44-82dd10997453/new.jpg</image:loc>
      <image:title>Home - Reclaiming Distorted Archetypes: THE BOYS CLUB (Redacted) - Make it stand out</image:title>
      <image:caption>Natalie Ochoa. I Love Mount Rushmore, 2024. Rittan, digital, embroidery, foam, cotton fabric, found object, and birch wood. 23 x 22 x 9.5 in. (Closed) 40 x 22 x 9.5 in (Open) (NO0002). Courtesy of Susan Inglett Gallery, NYC. © Natalie Ochoa</image:caption>
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  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/flux-and-flow-at-el-museo-del-barrio</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f3c522e5-aeab-46b3-86b5-55dfc756b56a/PROMESA+%28Caguas%29.png</image:loc>
      <image:title>Home - Flux and Flow at El Museo del Barrio - Make it stand out</image:title>
      <image:caption>Carlos Reyes, PROMESA (Caguas), 2024. Metal, lampshade, programmed lightbulbs. Photo by Sterling Corum.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9f459d7a-a7d2-459e-8128-6bf9bb899f9e/4_Widline+Cadet_Ant+ye%CC%80+ak+demen_Between+Yesterday+and+Tomorrow_2023_+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>Home - Flux and Flow at El Museo del Barrio - Make it stand out</image:title>
      <image:caption>Widline Cadet, Ant yè ak demen (Between Yesterday and Tomorrow), 2023. Archival inkjet print, single-channel video with sound, embedded screen, artist frame. Image courtesy of the artist and Nazarian / Curcio.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1d9ee1d-8fca-4f77-9207-53b55a97382f/29_+Installation+View_Flow+States+_+Maria+A.+Guzman+Capro%CC%81n_Photograph+by+Matthew+Sherman+Courtesy+of+El+Museo+del+Barrio%2C+New+York.jpg</image:loc>
      <image:title>Home - Flux and Flow at El Museo del Barrio - Make it stand out</image:title>
      <image:caption>Installation view of works by Maria A. Guzmán Capron. En Tu Mirada (In Your Eyes), 2024. Fabric, thread, batting, stuffing, silkscreen ink. Las Curlies, 2024. Fabric, thread, silkscreen ink. Aquí para Ti (Here for you), 2024. MDF, paint. Photograph by Matthew Sherman / Courtesy of El Museo del Barrio, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb3f32a2-700d-4af8-94ec-01adbc1c4dd0/In+the+Marketplace+II.jpg</image:loc>
      <image:title>Home - Flux and Flow at El Museo del Barrio - Make it stand out</image:title>
      <image:caption>Installation view of Anina Major’s In the Marketplace II, 2024. Photograph by Matthew Sherman / Courtesy of El Museo del Barrio, New York.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c2259cc6-f7cc-4ee2-8482-fecbb8fdded0/Installation+View+of+Suburban+Nightscapes.jpg</image:loc>
      <image:title>Home - Flux and Flow at El Museo del Barrio - Make it stand out</image:title>
      <image:caption>Installation view of Christina Fernandez’s Suburban Nightscapes series, 2023. Courtesy of the artist and Gallery Luisotti, Los Angeles. Photograph by Matthew Sherman / Courtesy of El Museo del Barrio, New York.</image:caption>
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  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-jakkai-siributr</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15364ca5-d6ad-4173-a6a6-079370a5accb/dsc_8634.jpg</image:loc>
      <image:title>Home - Jakkai Siributr’s Textile Weaves Together Socio-Political Histories - Make it stand out</image:title>
      <image:caption>Installation view of Jakkai Siributr’s work at Art Basel Hong Kong, 2023. Courtesy of Flowers Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd169ce3-652b-4475-a30f-4865c8c0b9aa/siributr.jpg</image:loc>
      <image:title>Home - Jakkai Siributr’s Textile Weaves Together Socio-Political Histories - Make it stand out</image:title>
      <image:caption>Jakkai Siributr, HC20, 2023. Deconstructed uniforms, talismanic objects, beads, chains and threads. 153 x 150 cm. Courtesy of the artist and Flowers Gallery.</image:caption>
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  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/skin-deep-an-interview-with-lesley-bodzy</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ac8bbffd-047a-4678-baf1-119697545042/Lesley+Bodzy+headshot.jpg</image:loc>
      <image:title>Home - Skin Deep: An Interview With Lesley Bodzy - Make it stand out</image:title>
      <image:caption>Courtesy of Lesley Bodzy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/982fdacd-e3ae-4e5b-aa64-e98a21d2b650/bodzy.jpg</image:loc>
      <image:title>Home - Skin Deep: An Interview With Lesley Bodzy - Make it stand out</image:title>
      <image:caption>Lesley Bodzy, WIP (2024). Balloon, foam, and acrylic, 36 × 36 inches. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/150a75df-378a-4a22-9abb-c978597993ca/IMG-20241025-WA0012.jpg</image:loc>
      <image:title>Home - Skin Deep: An Interview With Lesley Bodzy - Make it stand out</image:title>
      <image:caption>Lesley Bodzy’s Chelsea studio. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4a8b90d-5de8-44f8-b55d-cd23daeca592/b79f63_d7a67d9c288f413b845bc32ba70a5a47%7Emv2.jpg</image:loc>
      <image:title>Home - Skin Deep: An Interview With Lesley Bodzy - Make it stand out</image:title>
      <image:caption>Lesley Bodzy, WIP (2024). Plaster and deflated balloon, 20 x 15 x 7 inches. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84f01d7b-c185-460f-b716-4f85c858cb39/Lesley+Bodzy+in+studio+2.jpg</image:loc>
      <image:title>Home - Skin Deep: An Interview With Lesley Bodzy - Make it stand out</image:title>
      <image:caption>Courtesy of Lesley Bodzy.</image:caption>
    </image:image>
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  <url>
    <loc>https://impulsemagazine.com/symposium/an-interview-with-edra-soto</loc>
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    <priority>0.5</priority>
    <lastmod>2025-01-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0633f989-33c7-48a3-b3c3-8a82df163af7/EdraSoto-5619-scaled.jpg</image:loc>
      <image:title>Home - “We live in a world with others”: An Interview With Edra Soto - Make it stand out</image:title>
      <image:caption>Edra Soto, Graft, 2024. Photo: Nicholas Knight, courtesy of Public Art Fund, NY. Presented by Public Art Fund at Doris C. Freedman Plaza, New York City.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/945702d7-1d21-4efa-9859-1c9b8620ee79/EdraSoto-5794-scaled.jpg</image:loc>
      <image:title>Home - “We live in a world with others”: An Interview With Edra Soto - Make it stand out</image:title>
      <image:caption>Edra Soto, Graft, 2024. Photo: Nicholas Knight, courtesy of Public Art Fund, NY. Presented by Public Art Fund at Doris C. Freedman Plaza, New York City.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/019d6558-e973-42be-8b14-7722afdcb85c/EdraSoto-6468-scaled.jpg</image:loc>
      <image:title>Home - “We live in a world with others”: An Interview With Edra Soto - Make it stand out</image:title>
      <image:caption>Edra Soto, Graft, 2024. Photo: Nicholas Knight, courtesy of Public Art Fund, NY. Presented by Public Art Fund at Doris C. Freedman Plaza, New York City.</image:caption>
    </image:image>
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  <url>
    <loc>https://impulsemagazine.com/symposium/cult-of-domesticity-at-lumka</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2a60f89-d406-472e-8a40-d402b686cc6d/2024_CULT+OF+DOMESTICITY_Installation+view+5.png</image:loc>
      <image:title>Home - “Cult of Domesticity” at LUmkA - Make it stand out</image:title>
      <image:caption>Installation view of Cult of Domesticity. Courtesy of LUmkA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/461ff1ad-1436-4fd3-923f-91b3ca6ab1c3/2024_CELIK_Bedsore.png</image:loc>
      <image:title>Home - “Cult of Domesticity” at LUmkA - Make it stand out</image:title>
      <image:caption>Ilayda Çelik, Bedsore, 2024. Bedsheet, comforter, pillows, and paper towel. Dimensions variable. Courtesy of the artist and LUmkA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98c30c5a-2a05-4e23-9ef6-22e60b8c4c08/2024_TAFF_Untitled+%28Woman+on+Striped+Bed%29_.png</image:loc>
      <image:title>Home - “Cult of Domesticity” at LUmkA - Make it stand out</image:title>
      <image:caption>Eden Taff, Untitled (Woman on Striped Bed), 2024. Oil on canvas, 48 x 36 in. Courtesy of the artist and LUmkA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cf646375-e599-424f-b768-cf88c29ecec5/2024_PATRICIA_Untitled+%28Blackbird+Singing.jpg</image:loc>
      <image:title>Home - “Cult of Domesticity” at LUmkA - Make it stand out</image:title>
      <image:caption>Nereida Patricia, Untitled (Blackbird Singing), 2024. Charcoal and pastel on archival paper, 23.4 x 16.5 in. Courtesy of the artist and LUmkA.</image:caption>
    </image:image>
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      <image:title>Home - “Cult of Domesticity” at LUmkA - Make it stand out</image:title>
      <image:caption>Ruby Chen, Performance piece 001, 2023. Crocheted chainmail, aluminum plates, and clay. Dimensions variable. Courtesy of the artist and LUmkA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/enter-ghost-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1fd66c8d-257e-42e7-b412-f8e34ef36b74/1200x900wz.jpg</image:loc>
      <image:title>Home - Book Review: “Enter Ghost” - Make it stand out</image:title>
      <image:caption>Isabella Hammad, Enter Ghost (2023). Published by Grove Atlantic.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b6b9c390-8073-404f-80e2-9bf4888fdea1/Freedom_Theatre.jpg</image:loc>
      <image:title>Home - Book Review: “Enter Ghost” - Make it stand out</image:title>
      <image:caption>Entrance of the Freedom Theatre at the Jenin refugee camp, in the city of Jenin, Palestine. Image retrieved from Wikimedia, courtesy of Dan Palraz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-hyun-sook-song</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2fc45fbc-baaa-49d8-b686-656a8367ea68/HSO_60176_10_Brushstrokes_2024_sized.jpg</image:loc>
      <image:title>Home - “There is only one try”: An Interview With Hyun-Sook Song&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hyun-Sook Song, 10 Brushstrokes, 2024. Tempera on canvas, 160 x 240 cm | 63 x 94 1/2 inches. © Hyun-Sook Song. Courtesy the artist and Sprüth Magers. Photo: Timo Ohler.</image:caption>
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      <image:title>Home - “There is only one try”: An Interview With Hyun-Sook Song&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Hyun-Sook Song’s solo exhibition at Sprüth Magers, New York. © Hyun-Sook Song. Courtesy Sprüth Magers. Photo: Genevieve Hanson.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ef9b447-6fa7-4457-9c2e-61efb9d85286/HSO_60177_7_Brushstrokes_over_1_Brushstroke_2024_sized.jpg</image:loc>
      <image:title>Home - “There is only one try”: An Interview With Hyun-Sook Song&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hyun-Sook Song, 7 Brushstrokes over 1 Brushstroke, 2024. Tempera on canvas, 160 x 130 cm | 63 x 51 1/8 inches. © Hyun-Sook Song. Courtesy the artist and Sprüth Magers. Photo: Timo Ohler.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0ce77fdf-5e0c-4bb3-bba7-678902f8fee6/HSO_57029_Brushstrokes-Diagram_2024_sized.jpg</image:loc>
      <image:title>Home - “There is only one try”: An Interview With Hyun-Sook Song&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Hyun-Sook Song, Brushstrokes-Diagram, 2024. Tempera on canvas, 140 x 180 cm | 55 1/8 x 70 7/8 inches. © Hyun-Sook Song. Courtesy the artist and Sprüth Magers. Photo: Timo Ohler.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/stipan-tadic-to-capture-a-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f4fddda3-b3b8-44a7-8ffa-a9a53e232d6d/Mother+and+child+79+St+-+Stipan+Tadic.jpeg</image:loc>
      <image:title>Home - Stipan Tadić: To Capture a City - Make it stand out</image:title>
      <image:caption>Stipan Tadić, Mother and Child – 79 St (2022). Oil on canvas, 18 × 14 cm. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/14193089-83e5-4688-a3e3-5497f28c5786/Screen+Shot+2024-12-21+at+6.29.28+PM.png</image:loc>
      <image:title>Home - Stipan Tadić: To Capture a City - Make it stand out</image:title>
      <image:caption>Stipan Tadić, Detail of Self Portrait With Grandmothers (2012). Oil on canvas, 50 × 70 cm. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/829b027c-b7be-43d8-a53c-410311b24d17/Bodega+Cat+50+St+-+Stipan+Tadic.jpeg</image:loc>
      <image:title>Home - Stipan Tadić: To Capture a City - Make it stand out</image:title>
      <image:caption>Stipan Tadić, Bodega Cat – 50 St (2022). Oil on canvas, 18 × 14 cm. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e11fecd7-30fe-43cc-a5c5-09ec4adbf1d6/The+Room+%28Columbia+Thesis%29+-Stipan+Tadic.jpeg</image:loc>
      <image:title>Home - Stipan Tadić: To Capture a City - Make it stand out</image:title>
      <image:caption>Stipan Tadić, The Room (2021). Oil on canvas, 200 × 150 cm. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4e4fbfb8-bc85-4c17-b215-48544ab79efa/Uber+to+Queens+-+Stipan+Tadic.jpg</image:loc>
      <image:title>Home - Stipan Tadić: To Capture a City - Make it stand out</image:title>
      <image:caption>Uber to Queens. © Stipan Tadić</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jinjin-xu-against-this-earth-she-knocks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/489be393-1759-4339-94ac-24af7f93b22e/jpg</image:loc>
      <image:title>Home - JinJin Xu: “Against This Earth, She Knocks” - Make it stand out</image:title>
      <image:caption>JinJin Xu, What Would You Hear If You Could? #1, 2024. Image courtesy of the artist and HOW Art Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4df5ab6-cf3f-44c6-9990-e1a4be1d590d/526A4921.JPG</image:loc>
      <image:title>Home - JinJin Xu: “Against This Earth, She Knocks” - Make it stand out</image:title>
      <image:caption>JinJin Xu, What Would You Hear If You Could? #9: As If We Are In Between Sleeping and Waking, 2024. Image courtesy of the artist and HOW Art Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b2ff8055-8bd0-40b8-b781-4df429d5f87b/526A4997.JPG</image:loc>
      <image:title>Home - JinJin Xu: “Against This Earth, She Knocks” - Make it stand out</image:title>
      <image:caption>JinJin Xu, Outside Women* Café (II), 2024. Image courtesy of the artist and HOW Art Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d8b763d6-a1b6-4b0e-bc98-c6664e99a664/526A4959.JPG</image:loc>
      <image:title>Home - JinJin Xu: “Against This Earth, She Knocks” - Make it stand out</image:title>
      <image:caption>JinJin Xu, What Would You Hear If You Could? #8: Against This Earth, We Knock, 2024. Image courtesy of the artist and HOW Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ten-years-after-the-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e08e6e4f-efb0-4358-a4bb-9ed91ee5a224/MV5BNTE3NjkzNDQzMV5BMl5BanBnXkFtZTgwMTA4MDk5MTE%40._V1_.jpg</image:loc>
      <image:title>Home - In 2014’s “The Interview,” Amnesia is a Privilege - Make it stand out</image:title>
      <image:caption>Theatrical release poster of The Interview (2014).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/742bf957-c845-4128-9348-70b752877ec8/v4-The-interview-AP.png</image:loc>
      <image:title>Home - In 2014’s “The Interview,” Amnesia is a Privilege - Make it stand out</image:title>
      <image:caption>Randall Park in still from The Interview (2014). Photo by Ed Araquel. © 2014 CTMG, Inc. All Rights Reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/59fb8174-f2fe-4935-b4c6-5deda9a428f5/MV5BMjIxOTQ3MDkwMF5BMl5BanBnXkFtZTgwNDQ1NDE3MzE%40._V1_.jpg</image:loc>
      <image:title>Home - In 2014’s “The Interview,” Amnesia is a Privilege - Make it stand out</image:title>
      <image:caption>Still from The Interview (2014). Photo by Ed Araquel. © 2014 CTMG, Inc. All Rights Reserved.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tactile-oppositions-in-linda-starks-ethereal-material</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a07223c2-2717-4d29-b4ae-30ef284a645a/3fe1d3fa6919cc42e12631b4df8cd6f9.jpg</image:loc>
      <image:title>Home - Tactile Oppositions in Linda Stark’s “Ethereal Material” - Make it stand out</image:title>
      <image:caption>Installation view of Linda Stark: Ethereal Material at Ortuzar Projects. Image courtesy of the artist and Ortuzar Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6368957-0fb6-4fcc-88e4-3737156d3d76/Screen+Shot+2024-12-21+at+9.10.08+PM.png</image:loc>
      <image:title>Home - Tactile Oppositions in Linda Stark’s “Ethereal Material” - Make it stand out</image:title>
      <image:caption>Linda Stark, Self Portrait as Bitch Queen Widow Queen #2, 2021, Graphite, colored pencil and watercolor on paper, 15 x 11 inches (38.1 x 27.9 cm). Courtesy of the artist and Ortuzar Projects, New York. Photo: Jeff McLane. © Linda Stark.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67441eb1-ac19-4930-8e15-f8fd8671c2f8/Screen+Shot+2024-12-21+at+9.09.36+PM.png</image:loc>
      <image:title>Home - Tactile Oppositions in Linda Stark’s “Ethereal Material” - Make it stand out</image:title>
      <image:caption>Linda Stark, Self Portrait as Cyclops, 2023. Oil on linen over panel, 20 1/2 x 20 x 1/2 inches (52.1 x 50.8 x 1.3 cm). Courtesy of the artist and Ortuzar Projects, New York. Photo: Jeff McLane. © Linda Stark.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/587c7642-a324-473b-9e50-de9538146e41/Screen+Shot+2024-12-21+at+9.10.56+PM.png</image:loc>
      <image:title>Home - Tactile Oppositions in Linda Stark’s “Ethereal Material” - Make it stand out</image:title>
      <image:caption>Linda Stark, Goodbye (a door opens), 1997. Oil on canvas over panel, 8 x 8 x 2 inches (20.3 x 20.3 x 5.1 cm). Courtesy of the artist and Ortuzar Projects, New York. Photo: Jeff McLane. © Linda Stark.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-twin-moons-of-luna-luna-rise-over-the-hudson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d118e8ad-12eb-4afe-9d27-f574ad7b4078/11+-+Brian+Ferry+Courtesy+of+Luna+Luna+LLC.jpg</image:loc>
      <image:title>Home - The Twin Moons of Luna Luna Rise Over the Hudson - Make it stand out</image:title>
      <image:caption>Photo by Brian Ferry / Courtesy of Luna Luna LLC</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/324bbd88-4b62-4d8e-b386-0a607167a8f6/Image27_LL+Map_day.jpg</image:loc>
      <image:title>Home - The Twin Moons of Luna Luna Rise Over the Hudson - Make it stand out</image:title>
      <image:caption>Aerial view of Luna Luna in Moorweide park. Hamburg, Germany, 1987. Photo: © Sabina Sarnitz. Courtesy Luna Luna, LLC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09431e5b-9d55-487e-989e-ff3a26e78f68/Image17_80_000012.jpg</image:loc>
      <image:title>Home - The Twin Moons of Luna Luna Rise Over the Hudson - Make it stand out</image:title>
      <image:caption>Kenny Scharf, painted chair swing ride. Luna Luna, Hamburg, Germany, 1987. © Kenny Scharf. Licensed by Artestar, New York. Photo: © Sabina Sarnitz. Courtesy Luna Luna, LLC</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/03da5c0b-a2b0-4d64-b1a1-2b82a209383f/Image32_Delauanay.jpg</image:loc>
      <image:title>Home - The Twin Moons of Luna Luna Rise Over the Hudson - Make it stand out</image:title>
      <image:caption>Sonia Delaunay, entrance archway and Luna Luna sign. Luna Luna, Hamburg, Germany, 1987. Photo: © Sabina Sarnitz. Courtesy Luna Luna, LLC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2fea9e5-2a02-4cde-b80e-26f2cc82f998/2-+Brian+Ferry_Courtesy+of+Luna+Luna+LLC.jpg</image:loc>
      <image:title>Home - The Twin Moons of Luna Luna Rise Over the Hudson - Make it stand out</image:title>
      <image:caption>Photo by Brian Ferry / Courtesy of Luna Luna LLC</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/3jeghj2bju67wi8gymfwwjkcx3x8go</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/172b5e4e-2c76-44de-b880-e26bb28406dd/DSC_4696.jpg</image:loc>
      <image:title>Home - Ishbel Myerscough’s Meditations on Time - Make it stand out</image:title>
      <image:caption>Installation view of Transhumance at Flowers Gallery. Courtesy of Flowers Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07c23387-e18b-4558-a64d-274682f3808a/Bella+on+Sofa+II%2C+2018.jpg</image:loc>
      <image:title>Home - Ishbel Myerscough’s Meditations on Time - Make it stand out</image:title>
      <image:caption>Ishbel Myerscough, Bella on Sofa II, 2018. Oil on board, 16 1/8 × 12 1/8 in (15.5 × 30.5 cm). © Antonio Parente, courtesy of Flowers Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb60c223-d122-4684-aabc-811a2711f06e/Ishbel%2C+2024.jpg</image:loc>
      <image:title>Home - Ishbel Myerscough’s Meditations on Time - Make it stand out</image:title>
      <image:caption>Ishbel Myerscough, Ishbel, 2024. Oil on canvas, 47 1/4 × 31 1/2 in (120 × 60 cm). © Antonio Parente, courtesy of Flowers Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f57fd9d9-712e-4a06-93eb-dd1b98520f59/DSC_4717.jpg</image:loc>
      <image:title>Home - Ishbel Myerscough’s Meditations on Time - Make it stand out</image:title>
      <image:caption>Installation view of Ishbel Myerscough’s Houseplant (2024) and Daisies (2024). Courtesy of Flowers Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/uncertain-afterlives-anicka-yis-there-exists-another-evolution-but-in-this-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b966cae-8e21-4dd8-8474-72ba90a72315/Exhibition+View.png</image:loc>
      <image:title>Home - Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One” - Make it stand out</image:title>
      <image:caption>Exhibition view: Anicka Yi, There Exists Another Evolution, But In This One, Leeum Museum of Art, Seoul, 2024. Courtesy of the artist, Leeum Museum of Art, and Esther Schipper Gallery. Photo: Andrea Rossetti. © Anicka Yi / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/415d6984-b453-4b87-a6e8-4f09783de113/Another+You.png</image:loc>
      <image:title>Home - Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One” - Make it stand out</image:title>
      <image:caption>Anicka Yi, Another You, 2024, Acrylic, LEDs, MDF, mirror, two-way mirror, bacteria agar, 200 x 200 x 35 cm. Courtesy of the artist, Leeum Museum of Art, and Gladstone Gallery. © Anicka Yi / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fffd2e90-a048-40c5-992a-18da50deb77a/Exhibition+View_Each+Branch+of+Coral+Holds+Up+the+Light+of+the+Moon.png</image:loc>
      <image:title>Home - Uncertain Afterlives: Anicka Yi’s “There Exists Another Evolution, But In This One” - Make it stand out</image:title>
      <image:caption>Exhibition view: Anicka Yi, Each Branch of Coral Holds Up the Light of the Moon. Courtesy of the artist, Leeum Museum of Art, and Esther Schipper Gallery. Photo: Andrea Rossetti. © Anicka Yi / Artists Rights Society (ARS), New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/conjuring-the-unexpected-jeanette-andrews-reimagines-performance-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d895af6-9137-42aa-9084-770ca1d5287b/Still+from+_The+Attention_+by+Jeanette+Andrews.+Image+courtesy+of+Derrick+Belcham.+3+%281%29.jpg</image:loc>
      <image:title>Home - Conjuring the Unexpected: Jeanette Andrews Reimagines Performance Art - Make it stand out</image:title>
      <image:caption>Still from The Attention by Jeanette Andrews, courtesy of the artist. Photograph by Derrick Belcham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bfd690a2-d2bd-421e-b975-f49aa45ef94f/Still+from+documentation+of+Taken+by+Artificial+Surprise+by+Jeanette+Andrews.+Image+courtesy+of+Derrick+Belcham.png</image:loc>
      <image:title>Home - Conjuring the Unexpected: Jeanette Andrews Reimagines Performance Art - Make it stand out</image:title>
      <image:caption>Still from Taken by Artificial Surprise by Jeanette Andrews, courtesy of the artist. Photograph by Derrick Belcham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/430ae9d1-10da-431c-82a1-24457fe6c78b/Still+from+_The+Attention_+by+Jeanette+Andrews.+Image+courtesy+of+Derrick+Belcham+1b+%281%29.png</image:loc>
      <image:title>Home - Conjuring the Unexpected: Jeanette Andrews Reimagines Performance Art - Make it stand out</image:title>
      <image:caption>Still from Taken by Artificial Surprise by Jeanette Andrews, courtesy of the artist. Photograph by Derrick Belcham.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9e382da-0d74-4eec-9a61-0565cb19bc08/Still+from+documentation+of+Taken+by+Artificial+Surprise+by+Jeanette+Andrews.+Image+courtesy+of+Derrick+Belcham1.png.jpg</image:loc>
      <image:title>Home - Conjuring the Unexpected: Jeanette Andrews Reimagines Performance Art - Make it stand out</image:title>
      <image:caption>Still from documentation of Taken by Artificial Surprise by Jeanette Andrews, courtesy of the artist. Photograph by Derrick Belcham.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/new-uncanny-two-shows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bbe4aa7f-1707-438e-80ae-8eb5b60ef842/DSC00472.jpg</image:loc>
      <image:title>Home - New Uncanny’s Haunting Reveries - Make it stand out</image:title>
      <image:caption>Installation view of COMFORT ZONE. Work by Craig Jun Li and Khanh Le Le. Photo by Liam Murray. Courtesy of New Uncanny Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbc6f4fc-05fa-476e-8fb3-78603619ba01/Artwork+Image_Photo+Credit+Christian+Amaya+Garcia-11.jpg</image:loc>
      <image:title>Home - New Uncanny’s Haunting Reveries - Make it stand out</image:title>
      <image:caption>Installation view of an image of your labor hovers over me. Work by Gunner Dongieux. Photo by Christian Amaya Garcia, courtesy of the artist and New Uncanny Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/562db23a-b79f-4602-b865-62cc88a929c9/Install+Image_Photo+Credit+Dominic+Palarchio.jpeg</image:loc>
      <image:title>Home - New Uncanny’s Haunting Reveries - Make it stand out</image:title>
      <image:caption>Installation view of an image of your labor hovers over me. Photo by Dominic Palarchio, courtesy of New Uncanny Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/41806a28-9891-49b6-8103-98f393b54a3d/DSC00380.jpg</image:loc>
      <image:title>Home - New Uncanny’s Haunting Reveries - Make it stand out</image:title>
      <image:caption>Miriam Simun, A Wet Chemical Trace, 2017. Glass, clay, silicone, magnets, laboratory clamps, electric cord, Schizachyrium scoparium, grow light, humidifier, water vapor, custom scent Our Day Will Come. Dimensions variable. Photo by Liam Murray. Courtesy of New Uncanny Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/af05d38b-0ff3-41b1-8b20-7bbcb49d2418/DSC00494.jpg</image:loc>
      <image:title>Home - New Uncanny’s Haunting Reveries - Make it stand out</image:title>
      <image:caption>Installation view of COMFORT ZONE. Work by Vadim Pugin (front) and Diane Severin Nguyen (back). Photo by Liam Murray. Courtesy of New Uncanny Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4a79d6af-4060-400f-9bf5-21a7202c061f/DSC00451.jpg</image:loc>
      <image:title>Home - New Uncanny’s Haunting Reveries - Make it stand out</image:title>
      <image:caption>Installation view of COMFORT ZONE. Work by Amadeo Morelos. Photo by Liam Murray. Courtesy of New Uncanny Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-casa-cache</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20a77807-2e01-4f8c-8d33-c8d28d714ba2/Screenshot+2024-12-20+at+5.55.36+PM.png</image:loc>
      <image:title>Home - Casa Caché, an Artist Residency at the Beating Heart of Havana - Make it stand out</image:title>
      <image:caption>Filippo Vogliazzo works on a site-specific installation as part of Casa Caché Artist Residency.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7d44a51a-9534-49f2-afc2-4fdc105d1c1b/CC2W1+copy.jpg</image:loc>
      <image:title>Home - Casa Caché, an Artist Residency at the Beating Heart of Havana - Make it stand out</image:title>
      <image:caption>Sandrine Sanos, Constanze Han, Filippo Vogliazzo, and Nelson Ramirez. Courtesy of Casa Caché.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1928040-bbaf-4532-966b-2def2c3939a5/Villarreal03%2Bcopy.jpg</image:loc>
      <image:title>Home - Casa Caché, an Artist Residency at the Beating Heart of Havana - Make it stand out</image:title>
      <image:caption>Photo of Jorge Villarreal, artist and founder of Casa Caché.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1116f73a-1df6-4616-a9d7-39347ad5eb00/DSCF2865.jpg</image:loc>
      <image:title>Home - Casa Caché, an Artist Residency at the Beating Heart of Havana - Make it stand out</image:title>
      <image:caption>Filippo Vogliazzo, detail of Light Sleepers (2024). Photo by Jorge Villarreal, courtesy of Casa Caché.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9c6e69eb-05d0-416b-8ff2-496bab31f07e/DSCF2847.jpg</image:loc>
      <image:title>Home - Casa Caché, an Artist Residency at the Beating Heart of Havana - Make it stand out</image:title>
      <image:caption>Filippo Vogliazzo, detail of Light Sleepers (2024). Photo by Jorge Villarreal, courtesy of Casa Caché.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1b868b2e-41e5-4515-a39a-4911ed0bad9e/Screenshot+2024-12-20+at+5.55.07+PM.png</image:loc>
      <image:title>Home - Casa Caché, an Artist Residency at the Beating Heart of Havana - Make it stand out</image:title>
      <image:caption>Courtesy of Casa Caché.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/an-interview-with-photographer-mital-patel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97e39d8d-6cf9-488e-b0ca-ad1dc1826b0c/Glacier+Peaks.jpg</image:loc>
      <image:title>Home - An Interview With Photographer Mital Patel - Make it stand out</image:title>
      <image:caption>Glacier Peaks. © Mital Patel</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e62499a3-3652-4246-91fa-2e3c22e440e2/Mital+Patel.jpg</image:loc>
      <image:title>Home - An Interview With Photographer Mital Patel - Make it stand out</image:title>
      <image:caption>Courtesy of Mital Patel</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f5f0b76-88c7-4278-85bd-9eb189ef9798/Caretaker%27s+Touch.jpg</image:loc>
      <image:title>Home - An Interview With Photographer Mital Patel - Make it stand out</image:title>
      <image:caption>Caretaker’s Touch. © Mital Patel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4557ff5-8abb-4eb5-9db5-6a1b0db1fecf/Artic+Flow.jpg</image:loc>
      <image:title>Home - An Interview With Photographer Mital Patel - Make it stand out</image:title>
      <image:caption>Arctic Flow. © Mital Patel</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/19cdccd3-16fc-4ff4-869a-2d210ffcd866/Z+Portrait.jpg</image:loc>
      <image:title>Home - An Interview With Photographer Mital Patel - Make it stand out</image:title>
      <image:caption>Z Portrait. © Mital Patel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/austen-brantley-contextualizes-figuration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a3822985-60d7-4f01-90bd-d7771e76ce37/Austen+in+Studio.jpg</image:loc>
      <image:title>Home - Austen Brantley Contextualizes Figuration - Make it stand out</image:title>
      <image:caption>Photo of sculptor Austen Brantley with his bronze memorial of Elizabeth Hamer, now permanently installed in Royal Oak, MI. Photo by Kemagery Studios. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c106924f-83ee-4f16-8c06-2ae11cf4e8db/Interlude.jpg</image:loc>
      <image:title>Home - Austen Brantley Contextualizes Figuration - Make it stand out</image:title>
      <image:caption>Austen Brantley, Interlude, 2024. Ceramic with bronze oxide coating on marble base. Photo by Kemagery Studios. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3c4896f2-96d7-4c9e-a63a-909b026932d3/Power+in+the+Struggle.jpg</image:loc>
      <image:title>Home - Austen Brantley Contextualizes Figuration - Make it stand out</image:title>
      <image:caption>Austen Brantley, Power in the Struggle. Bronze and granite base, installed at the Freedom Monument Sculpture Park in Montgomery, AL. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6bcecdc9-ac13-406b-9fd8-ed0cb3698e47/Tuskegee.jpg</image:loc>
      <image:title>Home - Austen Brantley Contextualizes Figuration - Make it stand out</image:title>
      <image:caption>Austen Brantley, Tuskegee Airmen Memorial. Bronze and granite base, installed at Jefferson Field in Rouge Park, Detroit, MI. Photo by Kemagery Studios. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/garden-of-voices-where-eco-consciousness-meets-performance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73de2441-5157-47be-aad7-bdd2ecd844d9/Screen+Shot+2024-12-15+at+8.20.56+PM.jpg</image:loc>
      <image:title>Home - Garden of Voices: Where Eco-consciousness Meets Performance - Make it stand out</image:title>
      <image:caption>Left: Nicole Jackson; right: Kasey Broekema.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb02c6de-67de-4229-a820-fb5500f4a98a/IMG_8940.JPEG</image:loc>
      <image:title>Home - Garden of Voices: Where Eco-consciousness Meets Performance - Make it stand out</image:title>
      <image:caption>Garden of Voices. Courtesy of Project III and Embodied Earth.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3809d434-47a0-44fd-8cac-bc1eee5ccc58/IMG_8960.JPEG</image:loc>
      <image:title>Home - Garden of Voices: Where Eco-consciousness Meets Performance - Make it stand out</image:title>
      <image:caption>Garden of Voices. Courtesy of Project III and Embodied Earth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3f22a51a-290a-48a9-8927-d6420cc0d245/IMG_8946.JPEG</image:loc>
      <image:title>Home - Garden of Voices: Where Eco-consciousness Meets Performance - Make it stand out</image:title>
      <image:caption>Garden of Voices. Courtesy of Project III and Embodied Earth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f5890cb9-99be-4db0-9f1c-f5a93d77c97c/IMG_2422.jpg</image:loc>
      <image:title>Home - Garden of Voices: Where Eco-consciousness Meets Performance - Make it stand out</image:title>
      <image:caption>Garden of Voices. Photo by Xuezhu Jenny Wang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/peter-mcgough-alphabet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ec7e0dc3-e089-4648-8385-1b0b2491d696/The+Letter+C%2C+2008_23.+Cyanotype.jpg</image:loc>
      <image:title>Home - Peter McGough: “Alphabet” - Make it stand out</image:title>
      <image:caption>Peter McGough, The Letter C, 2008/23. Cyanotype, 16 × 12 in. Courtesy of the artist and Karma Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/72adf8b5-e791-4b44-aa8f-b17e022ee564/Installation+shot.jpg</image:loc>
      <image:title>Home - Peter McGough: “Alphabet” - Make it stand out</image:title>
      <image:caption>Installation view of Peter McGough: Alphabet. Courtesy of the artist and Karma Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d69dca6-45f5-49fb-ac35-5f2805bb77ab/The+Letter+M%2C+2008_23.+Cyanotype.jpg</image:loc>
      <image:title>Home - Peter McGough: “Alphabet” - Make it stand out</image:title>
      <image:caption>Peter McGough, The Letter M, 2008/23. Cyanotype, 16 × 12 in. Courtesy of the artist and Karma Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-shiwen-wang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2a345da3-87ab-4021-a815-cd47ed2441b4/wang_excavate_11977_web.jpg</image:loc>
      <image:title>Home - Shiwen Wang: “The river returns nothing of what it takes” - Make it stand out</image:title>
      <image:caption>Shiwen Wang, Excavate the Wind, 2024. Oil on linen, 47 1/2 x 82 7/8 in. Courtesy of the artist and Michael Kohn Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/317efbca-6cb6-4baa-813c-4782a61b945e/wang_river_install1.jpg</image:loc>
      <image:title>Home - Shiwen Wang: “The river returns nothing of what it takes” - Make it stand out</image:title>
      <image:caption>Installation view of Shiwen Wang:The river returns nothing of what it takes. Courtesy of the artist and Michael Kohn Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a01b17b-596b-49b0-8765-9e622636a44c/wang_leaves_11973_web.jpg</image:loc>
      <image:title>Home - Shiwen Wang: “The river returns nothing of what it takes” - Make it stand out</image:title>
      <image:caption>Shiwen Wang, Leaves and cocoons, 2024. Oil on linen, 59 1/4 x 67 in. Courtesy of the artist and Michael Kohn Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/35991dcc-c264-4bbd-a77f-218a607dbe39/wang_river_install5.jpg</image:loc>
      <image:title>Home - Shiwen Wang: “The river returns nothing of what it takes” - Make it stand out</image:title>
      <image:caption>Installation view of Shiwen Wang:The river returns nothing of what it takes. Courtesy of the artist and Michael Kohn Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/abject-feasts-and-eucharistic-lovers-at-mama-projects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bdc0e7f4-2049-4148-8260-234d8e9224a4/1_Paula+Querido_Estatua+de+marmore+2024_Oil+on+linen_16x12+in.jpg</image:loc>
      <image:title>Home - Abject Feasts and Eucharistic Lovers at MAMA Projects - Make it stand out</image:title>
      <image:caption>Paula Querido, Estátua de Mármore (2024). Courtesy of MAMA Projects and Alexander Perrelli.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdb9cd41-bf82-4d8c-a31a-f6db8ac12dc9/2_MAMA+Projects_Install+3.jpg</image:loc>
      <image:title>Home - Abject Feasts and Eucharistic Lovers at MAMA Projects - Make it stand out</image:title>
      <image:caption>Pathways at MAMA Projects. Installation view. Courtesy of MAMA Projects and Alexander Perrelli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b1a437d-f0ff-46d5-95ed-c86152744609/3_Nicki+Cherry_Maladaptive+2024_57x27x22+in.jpg</image:loc>
      <image:title>Home - Abject Feasts and Eucharistic Lovers at MAMA Projects - Make it stand out</image:title>
      <image:caption>Nicki Cherry, Maladaptive (2024). Courtesy of MAMA Projects and Alexander Perrelli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/56b146f4-91d9-4330-bb8a-7e564668c542/4_Stephanie+Lucchese_when+it+is+too+dark+to+see+I+watch+anyhow+2024_94x64+in.jpg</image:loc>
      <image:title>Home - Abject Feasts and Eucharistic Lovers at MAMA Projects - Make it stand out</image:title>
      <image:caption>Stephanie Lucchese, when it is too dark to see I watch anyhow (2024). Courtesy of MAMA Projects and Alexander Perrelli.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c94a81d-9160-4b70-bdfa-654037d81646/5_Paula+Querido_A+capa+2024_Oil+on+linen_16x12+in.jpg</image:loc>
      <image:title>Home - Abject Feasts and Eucharistic Lovers at MAMA Projects - Make it stand out</image:title>
      <image:caption>Paula Querido, A Capa (2024). Courtesy of MAMA Projects and Alexander Perrelli.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lulu-luyao-chang-little-knots-in-my-hair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c84f500f-756a-4069-aa5a-90978f1a93ab/1.+exhibition_s+entrance.jpg</image:loc>
      <image:title>Home - Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair” - Make it stand out</image:title>
      <image:caption>The entrance of Lulu Luyao Chang’s solo exhibition, Little Knots in My Hair. The Red Star is Rising (2024) is on the right of exhibition wall text.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84bd31b2-5f74-46f9-9ab0-c84d747746bb/2.+On+the+WarmBed.jpg</image:loc>
      <image:title>Home - Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair” - Make it stand out</image:title>
      <image:caption>Lulu Luyao Chang, On the WarmBed (2024), paper clay, watercolor, synthetic hair, mattress, steel, pigment mixed silicon, plastic, aluminum foil, foam and glue. Dimensions variable. Courtesy of the artist and Gallery 456.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/91d5d670-1b18-4652-bf1f-0741bea9c1ae/3.+The+Red+Star+is+Rising.jpg</image:loc>
      <image:title>Home - Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair” - Make it stand out</image:title>
      <image:caption>Lulu Luyao Chang, detail of The Red Star is Rising (2024), glazed earthenware, synthetic hair, pigment mixed silicon, plastic, steel, glue. Dimensions variable. Courtesy of the artist and Gallery 456.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c0ec7bb-99a7-4a27-9c70-b43838f81d71/4.+Polyatomic+Ion.jpg</image:loc>
      <image:title>Home - Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair” - Make it stand out</image:title>
      <image:caption>Lulu Luyao Chang, Polyatomic Ion (2023), glazed earthenware, aluminum wire, plastic beads, wool yarn. 32 x 93 x 5.5 inches. Courtesy of the artist and Gallery 456.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6755b750-221e-4c09-b327-8ca06badf2a8/5.+Snail+Trail.jpg</image:loc>
      <image:title>Home - Reinventing Entanglement: Lulu Luyao Chang’s “Little Knots in My Hair” - Make it stand out</image:title>
      <image:caption>Snail Trail is on the left side of the wall. Lulu Luyao Chang, Snail Trail (2024), paper clay, synthetic hair, watercolor, acrylic, acrylic medium. 11 x 5.5 x 1.5 inches. Courtesy of the artist and Gallery 456.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tim-noble-interview-happy-land</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38d4f83f-9f1d-424c-88d6-ae60b1b6f3e7/241031_GX_PaloGallery_TN_D.jpg</image:loc>
      <image:title>Home - Tim Noble’s “Happy Land” Incites Raw Subjectivity - Make it stand out</image:title>
      <image:caption>Installation view of Tim Noble: Happy Land. Image courtesy of Palo Gallery and the artist. Photography by Guang Xu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1df84b59-3e19-45dc-a367-1f9b255406f5/Detail_04.jpg</image:loc>
      <image:title>Home - Tim Noble’s “Happy Land” Incites Raw Subjectivity - Make it stand out</image:title>
      <image:caption>Detail view from the work of Tim Noble. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/04c3aec0-dc56-44d6-a36a-d95e856b355f/Tim+Noble_Father+and+Son.jpg</image:loc>
      <image:title>Home - Tim Noble’s “Happy Land” Incites Raw Subjectivity - Make it stand out</image:title>
      <image:caption>Tim Noble with his father. Courtesy of Tim Noble.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cac731f8-317b-41ca-99eb-e686b12afdbf/Pleasure+Land_51x38cm.jpg</image:loc>
      <image:title>Home - Tim Noble’s “Happy Land” Incites Raw Subjectivity - Make it stand out</image:title>
      <image:caption>Tim Noble, Pleasure Land (2024). Jesmonite and gold leaf, 15 × 20.125 in. Courtesy of the artist and Palo Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/62d9e2e2-7247-450d-8afb-23794fadffe0/Tim+Noble_Portrait_Image+by+Scarlett+Carlos+Clarke.jpg</image:loc>
      <image:title>Home - Tim Noble’s “Happy Land” Incites Raw Subjectivity - Make it stand out</image:title>
      <image:caption>Portrait of Tim Noble by Scarlett Carlos Clarke. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a64b94d8-2b00-4298-a778-67fcf0d520ab/Detail_05.jpg</image:loc>
      <image:title>Home - Tim Noble’s “Happy Land” Incites Raw Subjectivity - Make it stand out</image:title>
      <image:caption>Detail view from the work of Tim Noble. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/behind-the-veil-juan-sebastian-contours-monolithic-beauty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/92a6437f-6f5e-4ae1-8cbf-1eabbf12acab/Entre+nosotros.jpg</image:loc>
      <image:title>Home - Behind the Veil: Juan Sebastian Contours Monolithic Beauty - Make it stand out</image:title>
      <image:caption>Juan Sebastian, Entre nosotros, 2021, 48 x 42 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d7680b4-4490-4898-8da0-416cde35f775/La+Caricia+Del+Velo.jpg</image:loc>
      <image:title>Home - Behind the Veil: Juan Sebastian Contours Monolithic Beauty - Make it stand out</image:title>
      <image:caption>Juan Sebastian, La Caricia, 2020, 60 × 60 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/56cb416f-7143-4199-886b-31e9b2204343/Espejo.jpg</image:loc>
      <image:title>Home - Behind the Veil: Juan Sebastian Contours Monolithic Beauty - Make it stand out</image:title>
      <image:caption>Juan Sebastian, Espejo, 2021, 40 x 60 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e8892c2a-ef08-4996-b514-957d20fb2fdc/433cadf7-bea7-4393-86be-de03cd443593.jpg</image:loc>
      <image:title>Home - Behind the Veil: Juan Sebastian Contours Monolithic Beauty - Make it stand out</image:title>
      <image:caption>Installation view of Juan Sebastian’s photographic work at SCOPE, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/307b9f05-10fd-4440-a44c-4884b0886ee1/PORTRAIT_JUAN+SEBASTIAN.JPG</image:loc>
      <image:title>Home - Behind the Veil: Juan Sebastian Contours Monolithic Beauty - Make it stand out</image:title>
      <image:caption>Courtesy of Juan Sebastian.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/education-as-justice-an-interview-with-dr-hasna-muhammad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/905235b0-5f59-4672-843e-e2f567509699/DSC06552+%281%29+copy.jpg</image:loc>
      <image:title>Home - Education as Justice: An Interview With Dr. Hasna Muhammad - Make it stand out</image:title>
      <image:caption>Portrait of Dr. Hasna Muhammad by Soshana for SIAS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4228b8e4-be1e-4d8c-8c69-747b6a36e553/SIAS_1.jpg</image:loc>
      <image:title>Home - Education as Justice: An Interview With Dr. Hasna Muhammad - Make it stand out</image:title>
      <image:caption>Photo of Studio Artist Instructure Loraine Zhou working with 2nd grade students on an oil pastel and watercolor unit focused on stories of food, memories, and culture, at P.S. 244, Queens. Courtesy of Studio in a School.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/22828eeb-1326-45a2-9094-d7621f46a7ff/SIAS_Photo.jpg</image:loc>
      <image:title>Home - Education as Justice: An Interview With Dr. Hasna Muhammad - Make it stand out</image:title>
      <image:caption>4th grade students at P.S. 133 in Brooklyn work with Studio Artist Instructor Noel Copeland to create paper mache sculptures of animals. Courtesy of Studio in a School.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71ad5236-91ce-4801-86d6-b7f28afaf089/SIAS_4.jpg</image:loc>
      <image:title>Home - Education as Justice: An Interview With Dr. Hasna Muhammad - Make it stand out</image:title>
      <image:caption>5th grade student from P.S. 72 in the Bronx is working on a collage mural with Studio in a School Artist Instructor James Reynolds. Courtesy of Studio in a School.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/bric-jazzfest-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c32abdd-53bb-4e26-8044-1edebc89a9bf/Milena+Casado.jpg</image:loc>
      <image:title>Home - BRIC’s 2024 JazzFest Marks a Decade of Discovery - Make it stand out</image:title>
      <image:caption>Milena Casado. Photo by Julia Drummond, courtesy of BRIC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/efe72e80-532c-45b5-b255-3f75757ca792/Rashaan+Carter+and+Brandee+Younger.jpg</image:loc>
      <image:title>Home - BRIC’s 2024 JazzFest Marks a Decade of Discovery - Make it stand out</image:title>
      <image:caption>Rashaan Carter (left) and Brandee Younger (right) on stage. Photo by Julia Drummond, courtesy of BRIC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a2a65138-60e8-4881-bed7-5979b28683f0/Kassa+Overall+and+band.jpg</image:loc>
      <image:title>Home - BRIC’s 2024 JazzFest Marks a Decade of Discovery - Make it stand out</image:title>
      <image:caption>Kassa Overall and band. Photo by Julia Drummond, courtesy of BRIC.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-anoushka-bhalla</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9226cc8-25f9-4113-ade0-23cd6cf9c784/Untitled%2C2024%2C24_x18_+Oil%2C+terracotta%2C+pva+on+canvas.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Anoushka Bhalla - Make it stand out</image:title>
      <image:caption>Anoushka Bhalla, Untitled (2024). 24 x 18 in. Oil, terracotta, PVA on canvas. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5e295aa2-95bc-429c-b9ce-93677e815f91/Studio+portrait.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Anoushka Bhalla - Make it stand out</image:title>
      <image:caption>Anoushka Bhalla studio portrait. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd2c0df3-898f-45ba-b7e2-a0fb352692da/_The+Waiting+Room_+24_x24_+Oil%2C+terracotta%2C+pva+on+canvas.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Anoushka Bhalla - Make it stand out</image:title>
      <image:caption>Anoushka Bhalla, The Waiting Room (2024). 24 x 24 in. Oil, terracotta, PVA on canvas. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b39a4664-98d4-4aab-a227-1c2c5c84a5c2/Blue+carnations%2C+2024%2C+24_x20_%2C+Oil+and+mixed+media+on+canvas.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Anoushka Bhalla - Make it stand out</image:title>
      <image:caption>Anoushka Bhalla, Blue Carnations (2024). 24 × 20 in. Oil and mixed media on canvas. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2062f162-7f14-4a58-b372-7726c9d9f929/The+Waiting_+24_x18_+Oil%2C+terracotta%2C+pva+on+canvas.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Anoushka Bhalla - Make it stand out</image:title>
      <image:caption>Anoushka Bhalla, The Waiting (2024). 24 x 18 in. Oil, terracotta, PVA on canvas. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-francisco-donoso</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ab705e5-b9a6-4492-b8e5-39577d109580/Francisco+Donoso+headshot.JPG</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Portrait of Francisco Donoso. Courtesy of the artist. 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d762a808-1b89-4ceb-99d8-b543ebd648da/from+my+wrist.JPG</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Francisco Donoso, From My Wrist, 2024. Acrylic, spray paint, and laserprint on mylar with found persona bracelet and red thread mounted on plexiglass.17 x 14 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e6e059c6-213f-4666-a1f1-401017b79a06/homeland.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Francisco Donoso, I am the Homeland, 2024. Acrylic, spray paint, and laserjet prints on mylar and red thread mounted on plexiglass.15 x 11 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b5b15cf-52ec-4bfc-a011-06390c747637/all+ill+ever+be.JPG</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Francisco Donoso, All I’ll Ever Be. 2024. Laserjet prints on paper collaged on Ram Board with acrylic and colored pencil. 48 x 26 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/075514c0-ea70-41f0-bd07-28cbcfec9d43/where+does+all+the+grief+go.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Francisco Donoso, Where does all the grief go? 2024. Acrylic and spray paint on mylar with red thread mounted behind printed, drawn and sanded acrylic plexiglass. 23 x 23 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fafa53bf-6a5f-45b6-b3b7-721dc36d4762/book+spread.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Francisco Donoso, from Not Valid For Re-Entry To The U.S. 2024. Laserjet prints on mylar painted with acrylic, ink and spray paint. Pamphlet stitch, one of a kind. 8.5 x 7 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f31b217c-6d0a-471c-978f-2a96ef4efbf9/status4.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Francisco Donoso - Make it stand out</image:title>
      <image:caption>Francisco Donoso, Status No. 4. 2024. 6 page spread artist book. Limited quantity of 11 with one AP. Hand-bound pamphlet stitch. Acrylic, spray paint, and colored pencil on mylar with inkjet and laserjet. Custom envelope with signed label. 4 ⅛ x 5 ⅜ in. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/souza-retrospective-at-aicon-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36fff5af-3966-40c0-ba01-111cb3f4e053/install+1.jpg</image:loc>
      <image:title>Home - Francis Newton Souza “Straddles Several Traditions but Serves None” - Make it stand out</image:title>
      <image:caption>Installation view of Francis Newton Souza: A Celebration of the Centenary. Courtesy of Aicon Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/018e1db7-40b7-47c3-a306-4c564b8d9289/SOUZA-degenerates.jpeg</image:loc>
      <image:title>Home - Francis Newton Souza “Straddles Several Traditions but Serves None” - Make it stand out</image:title>
      <image:caption>Francis Newton Souza, Degenerates, 1957. Oil on board, 48 x 60 in. Courtesy of Aicon Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cf1ef888-cd53-425d-b518-20cfb3f8f09c/SOUZA-Man_In_Tunic.jpeg</image:loc>
      <image:title>Home - Francis Newton Souza “Straddles Several Traditions but Serves None” - Make it stand out</image:title>
      <image:caption>Francis Newton Souza, Untitled (Man in Tunic), 1961, Oil, pastel and polyvinyl acetate on canvas, 30 x 26 in. Courtesy of Aicon, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdd65915-709f-4279-b024-cde9e677e1a8/SOUZA-black_nude.jpeg</image:loc>
      <image:title>Home - Francis Newton Souza “Straddles Several Traditions but Serves None” - Make it stand out</image:title>
      <image:caption>Francis Newton Souza, Untitled (Black Nude), 1965. Oil on canvas, 50 x 40 in. Courtesy of Aicon Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9ef7cb2-dc37-4058-8ef5-aea0924099f6/install+2.jpg</image:loc>
      <image:title>Home - Francis Newton Souza “Straddles Several Traditions but Serves None” - Make it stand out</image:title>
      <image:caption>Installation view of Francis Newton Souza: A Celebration of the Centenary. Courtesy of Aicon Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/misha-ilins-fossilized-fragments-surreal-and-shimmering</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5cb64764-3c6a-4ccb-b875-34aea879a690/Hamiltonian_MishaIlin-5-1-2224x2224.jpg</image:loc>
      <image:title>Home - Misha Ilin’s Fossilized Fragments, Surreal and Shimmering - Make it stand out</image:title>
      <image:caption>Installation view of Pale Grass Blue. Photo: Vivian Marie Doering. Image courtesy of Hamiltonian Artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a3365cf-4100-4e20-9977-b443c437ed2d/Hamiltonian_MishaIlin-1-2224x2224.jpg</image:loc>
      <image:title>Home - Misha Ilin’s Fossilized Fragments, Surreal and Shimmering - Make it stand out</image:title>
      <image:caption>Installation view of Pale Grass Blue. Photo: Vivian Marie Doering. Image courtesy of Hamiltonian Artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3d5d1454-0c6e-440b-9d03-a7f089ec8096/Hamiltonian_MishaIlin-36-2224x2224.jpg</image:loc>
      <image:title>Home - Misha Ilin’s Fossilized Fragments, Surreal and Shimmering - Make it stand out</image:title>
      <image:caption>Installation view of Pale Grass Blue. Photo: Vivian Marie Doering. Image courtesy of Hamiltonian Artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a88f1519-fbce-4039-ad9d-607b431b80d8/Hamiltonian_MishaIlin-37-2224x2224.jpg</image:loc>
      <image:title>Home - Misha Ilin’s Fossilized Fragments, Surreal and Shimmering - Make it stand out</image:title>
      <image:caption>Misha Ilin, the room (2023), joint compound, spray paint, and ink on drywall, 96 x 144 inches. Photo: Vivian Marie Doering. Image courtesy of Hamiltonian Artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/gabriela-salazar-no-shoulder</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cf2670ab-f28b-41b0-a2fb-ccfa734a092f/Installation_View_No_Shoulder_Salazar_1.jpg</image:loc>
      <image:title>Home - Gabriela Salazar’s Diaristic “No Shoulder” - Make it stand out</image:title>
      <image:caption>Installation view of Gabriela Salazar: No Shoulder. Courtesy of the artist and Efraín López.</image:caption>
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      <image:title>Home - Gabriela Salazar’s Diaristic “No Shoulder” - Make it stand out</image:title>
      <image:caption>Installation view of Gabriela Salazar: No Shoulder. Courtesy of the artist and Efraín López.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/443a1476-c731-4f7a-ac06-337952c16983/241022_GabrielaSalazar_8-2048x1536.jpg</image:loc>
      <image:title>Home - Gabriela Salazar’s Diaristic “No Shoulder” - Make it stand out</image:title>
      <image:caption>Gabriela Salazar, A tender catastrophe, only in sleep (2024). Graphite on paper, 22.5 x 30 in / 57.1 x 76.2 cm. Courtesy of the artist and Efraín López.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2647665-c116-4ea1-8a95-a4511d815ddb/Screen+Shot+2024-11-27+at+5.28.27+PM.png</image:loc>
      <image:title>Home - Gabriela Salazar’s Diaristic “No Shoulder” - Make it stand out</image:title>
      <image:caption>Detail of Gabriela Salazar, Two mothers, filing nails, 30 ⅛ x 22 ⅜ in (76 ½ x 56.8 cm), graphite on paper (2024). Photo by Colette Bernheim. Courtesy of the artist and Efraín López.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2c761fb1-18bf-490a-8194-efcc1548d7f7/Installation_View_No_Shoulder_Salazar_4.jpg</image:loc>
      <image:title>Home - Gabriela Salazar’s Diaristic “No Shoulder” - Make it stand out</image:title>
      <image:caption>Installation view of Gabriela Salazar: No Shoulder. Courtesy of the artist and Efraín López.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-yuge-zhou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d19c86b6-b38d-48a8-8c40-0285456eaca6/Love+Letters+at+Art+on+the+MART.jpg</image:loc>
      <image:title>Home - Ephemeral Encounters - Make it stand out</image:title>
      <image:caption>Photo of Yuge Zhou in front of Love Letters projection at Art on the MART, Chicago. September 2022. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bce6384b-aef6-4e68-9a2b-609b5405805f/7648d4_547e1183383c473cb0e0c404acb3b1de%7Emv2.jpg</image:loc>
      <image:title>Home - Ephemeral Encounters - Make it stand out</image:title>
      <image:caption>Still from Yuge Zhou, when the East of the day meets the West of the night (2020). Sound design by Kikù Hibino. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b2857d4-bff2-4df6-81da-a79e722f3170/1_Underground+Circuit+%28video%29-1+%28dragged%29.jpg</image:loc>
      <image:title>Home - Ephemeral Encounters - Make it stand out</image:title>
      <image:caption>Still from Yuge Zhou, Underground Circuit (2017). 5280 × 5280 pixels; 3 minutes (infinite loop) with sound design by Stephen Farrell. Permanent collection of the Carl &amp; Marilynn Thoma Foundation. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c15e6ded-b05d-4639-aaf1-51919232e8e6/The+Chinese+Lady+%28cinematography+by+Brian+Zahm%29.jpg</image:loc>
      <image:title>Home - Ephemeral Encounters - Make it stand out</image:title>
      <image:caption>Still from Yuge Zhou, The Chinese Lady. 16mm short film. Cinematography by Brian Zahm. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/review-of-obsessed-zepster-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2e98c49c-46ee-4a54-ba06-f6f99bc56a97/obsessed_2.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>From left: Kevin Mosca, Out to Get Milk (2023), oil on canvas, 45.75 x 34.25”; Kendalle Getty, Portrait of a Narcissist (2021), found mirror, custom decal, 20 x 16.5”; Kevin Mosca, Deliveryyy! (2023), oil on canvas, 45.75 x 34.25”. Photo by Tyler Ward. Courtesy of the artists and Zepster Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52e5de0b-60e0-4f1a-a0c3-1b70144d2b68/obsessed_5.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>Left: Stephen Deffet, TBC (2024), oil on linen, 39 x 31.75”; right: Rodrigo Moreira, DESIIIGN/DESIIIRE (IX) and DESIIIGN/DESIIIRE (XI) (2024), collage and silkscreen on paper, 11 x 8” framed. Photo by Tyler Ward. Courtesy of the artists and Zepster Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db04377c-97bd-4add-9e89-c587ee8bd06e/obsessed_4.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>Claire Elise. Left: Composite Perspective (2024), acrylic on canvas, 60 x 40”; right: Fixation Study No. 5, (c. 2018–24), hand-colored print, chalk pastel on watercolor, 11.5 x 14.5” framed. Photo by Tyler Ward. Courtesy of the artist and Zepster Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c69733d1-22e9-4e08-9e0c-055c8a1e183c/obsessed_1.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>Jen DeLuna. From left: Bite of Another (2024), oil on canvas, 24 x 24”; Only Briefly (2024), oil on canvas, 12 x 12”; Bare (2024), oil on canvas, 12 x 12”. Photo by Tyler Ward. Courtesy of the artist and Zepster Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07d0e77a-185c-4d6b-81a1-8bd68c7c05b1/obsessed_7.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>Installation view of OBSESSED at Zepster Gallery. Photo by Tyler Ward. Courtesy of Zepster Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4bbf597c-24cd-401a-832b-5c2c26c37f92/obsessed_3.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>From left: Paul-Sebastian Japaz, one for you (2024), oil on canvas, 9 x 32”; Inés Maestre, Julia (2024), oil and mixed media on canvas, 43.25 x 29.5”; Lanyi Gao, Orbiting on my own terms (2023), oil and acrylic on canvas, 24 x 36”. Photo by Tyler Ward. Courtesy of the artists and Zepster Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cec7df7e-27c0-4b80-9fbd-d2e66b429987/obsessed_6.png</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>Installation view of Youyi Echo Yan, Prime Cut Cattle (2023), paper clay, metal, flocking fiber, silicone, jewelry display cabinet, 49 x 18 x 15”. Photo by Tyler Ward. Courtesy of the artist and Zepster Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d61d2624-61f4-4cc8-a312-84b8f0d940d4/obsessed_8.jpeg</image:loc>
      <image:title>Home - “I’ll Be Your Mirror”: A Group Show at Zepster Gallery Looks Inward - Make it stand out</image:title>
      <image:caption>Installation view of OBSESSED at Zepster Gallery. Photo by Tyler Ward. Courtesy of Zepster Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-bare-decadence-of-bad-girls</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ef5bd47-9cc2-477e-bfc9-648e68661caa/1-Bad+Girls_installation+view_Jessica+Mitrani_Zapato+Imposible.JPEG</image:loc>
      <image:title>Home - The Bare Decadence of “Bad Girls” - Make it stand out</image:title>
      <image:caption>Bad Girls at OCDChinatown. Installation view. Courtesy of OCDChinatown and Jason Mandella.</image:caption>
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      <image:title>Home - The Bare Decadence of “Bad Girls” - Make it stand out</image:title>
      <image:caption>Sebastian Acero, Cruz (2024). Courtesy of OCDChinatown and Jason Mandella.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/14cd802c-89aa-4933-991d-987446e7377e/3-Bad+Girls_Cruz+Valdez_Self+Portrait.JPEG</image:loc>
      <image:title>Home - The Bare Decadence of “Bad Girls” - Make it stand out</image:title>
      <image:caption>Cruz Valdez, Self Portrait (2024). Courtesy of OCDChinatown and Jason Mandella.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4943f601-55e4-4289-b96f-db8c7bd8e382/4_Bad+Girls_Jan+Anthonio+Diaz_Mother+and+Son.JPEG</image:loc>
      <image:title>Home - The Bare Decadence of “Bad Girls” - Make it stand out</image:title>
      <image:caption>Jan Antonio Diaz, Mother and Son (2024). Courtesy of OCDChinatown and Jason Mandella.</image:caption>
    </image:image>
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      <image:title>Home - The Bare Decadence of “Bad Girls” - Make it stand out</image:title>
      <image:caption>Chuy Medina, Martine and Dara (Fire Island) (2023). Courtesy of OCDChinatown and Jason Mandella.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/celine-song-family-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0416eeb0-498a-4892-b318-b71d2c186a4c/Izabel+Mar+and+Luis+Feliciano+%28c%29+Maria+Baranova.jpg</image:loc>
      <image:title>Home - Monstrosity as Symptom in Celine Song’s “Family” - Make it stand out</image:title>
      <image:caption>Izabel Mar and Luis Feliciano in Family by Celine Song. Directed by Alec Duffy. Presented by Hoi Polloi and Amanda + James. © Maria Baranova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9bcd7108-d87b-4118-9d8f-0c0182dca708/Izabel+Mar+and+Jonah+O_Hara-David+and+Luis+Feliciano+%28c%29+Maria+Baranova.jpg</image:loc>
      <image:title>Home - Monstrosity as Symptom in Celine Song’s “Family” - Make it stand out</image:title>
      <image:caption>Izabel Mar, Jonah O’Hara-David, and Luis Feliciano in Family by Celine Song. Directed by Alec Duffy. Presented by Hoi Polloi and Amanda + James. © Maria Baranova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84803aea-6527-4d24-850b-3ae2c260b12e/Luis+Feliciano+and+Izabel+Mar+%28c%29+Maria+Baranova+%282%29.jpg</image:loc>
      <image:title>Home - Monstrosity as Symptom in Celine Song’s “Family” - Make it stand out</image:title>
      <image:caption>Luis Feliciano and Izabel Mar in Family by Celine Song. Directed by Alec Duffy. Presented by Hoi Polloi and Amanda + James. © Maria Baranova</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc693b8d-33bc-4442-83e5-d66de200ed6f/Jonah+O_Hara-David+and+Izabel+Mar+%28c%29+Maria+Baranova.jpg</image:loc>
      <image:title>Home - Monstrosity as Symptom in Celine Song’s “Family” - Make it stand out</image:title>
      <image:caption>Jonah O’Hara-David and Izabel Mar in Family by Celine Song. Directed by Alec Duffy. Presented by Hoi Polloi and Amanda + James. © Maria Baranova</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/frank-wang-yefeng-failing-toward-liberation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/19c163ff-0724-4811-9db9-18d58cdf8296/nomadism_2.jpg</image:loc>
      <image:title>Home - Frank WANG Yefeng: Failing Toward Liberation - Make it stand out</image:title>
      <image:caption>Installation view of Frank WANG Yefeng: Avatopology at NARS Foundation, curated by Natasha Chuk. Courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb5caf11-ec62-42bf-9804-f98615130475/nomadism_1.jpg</image:loc>
      <image:title>Home - Frank WANG Yefeng: Failing Toward Liberation - Make it stand out</image:title>
      <image:caption>Installation view of Frank WANG Yefeng: Avatopology at NARS Foundation, curated by Natasha Chuk. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d1647fe6-ff16-4d11-b1b6-ad88b5d864f9/nomadism_4.jpg</image:loc>
      <image:title>Home - Frank WANG Yefeng: Failing Toward Liberation - Make it stand out</image:title>
      <image:caption>Artist zine by Frank WANG Yefeng, presented as part of Avatopology at NARS Foundation, curated by Natasha Chuk. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1e5f6202-1712-486f-a1ea-d8898ab9a4fa/nomadism_3.jpg</image:loc>
      <image:title>Home - Frank WANG Yefeng: Failing Toward Liberation - Make it stand out</image:title>
      <image:caption>Installation view of Frank WANG Yefeng: Avatopology at NARS Foundation, curated by Natasha Chuk. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42af12d7-d2fe-4f0b-9f7c-638738d690aa/nomadism_6.JPG</image:loc>
      <image:title>Home - Frank WANG Yefeng: Failing Toward Liberation - Make it stand out</image:title>
      <image:caption>Installation view of Frank WANG Yefeng: Avatopology at NARS Foundation, curated by Natasha Chuk. Photo by Man-Ling Cheng.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1d199b3a-089e-4dea-8605-e41ceaa0408e/nomadism_5.jpg</image:loc>
      <image:title>Home - Frank WANG Yefeng: Failing Toward Liberation - Make it stand out</image:title>
      <image:caption>Installation view of Frank WANG Yefeng: Avatopology at NARS Foundation, curated by Natasha Chuk. Photo by Man-Ling Cheng.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/takoua-ben-mohamed-confronts-anti-muslim-prejudice-in-rome-through-comics</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e5623298-ff89-48ec-983e-28dcb72cce6a/TAKOUA_2_ritaglio.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Photo of Takoua Ben Mohamed. Courtesy of Rizzoli Libri.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3914358f-bccb-4f6f-be0a-727c5f28f463/0030.testo1.indd-pagine_page-0001.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Takoua: “But what will this guy have to stare at?” Fascist: “I absolutely need to find a solution to this curse.” Then to Takoua: “Look, I have an idea, I might have found a solution to our problem.” Takoua: “Oh really, you also have a brain to think with then.” (our translation) From Il mio migliore amico è fascista (My Best Friend is a fascist) by Takoua Ben Mohamed, 2022. Credit: Rizzoli libri.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13e9ca4a-19d9-43ae-a9c6-d328e03de8e8/KALIMATUNA+-+Deena+Mohamed%2C+Takoua+Ben+Mohamed%2C+Zainab+Fasiki+-+credits+Riccardo+Bonuccelli.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>From the left, cartoonists Deena Mohamed, Takoua Ben Mohamed, and Zainab Fasiki at the opening of Kalimatuna at Palazzo Ducale, Lucca (Italy), during Lucca Comics &amp; Games 2024. Credits Riccardo Bonuccelli. Courtesy of Lucca Comics &amp; Games.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/275ae67c-7cd9-4d59-9a78-916b647aa5ae/KALIMATUNA+-+Visita+guidata+-+Takoua+Ben+Mohamed%2C+Zainab+Fasiki%2C+Deena+Mohamed+-+ph+Riccardo+Bonuccelli.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Kalimatuna at Palazzo Ducale, Lucca (Italy), during Lucca Comics &amp; Games 2024. Credits Riccardo Bonuccelli. Courtesy of Lucca Comics &amp; Games.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f43062d3-5350-4498-9694-ad952fd6d1a8/Sotto+il+Velo_interni+2022_stampa-18.png</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Absurd questions: “But if you are in Italy, why do you wear the veil? Does the color matter? But now that you wear the veil, does it mean you are married? Oh please, no! But can you hear me beneath the veil when I speak to you? Yes and I can see just fine too.” (our translation) From Sotto il velo (Beneath the Veil) by Takoua Ben Mohamed, 2022. Credit: BeccoGiallo.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/434ac856-5a8f-414b-93c8-7b7129ac5cfa/003.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Courtesy of Takoua Ben Mohamed. All rights reserved to the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb789131-5b7f-4859-8048-dd9808d2bfdf/Screen+Shot+2024-11-14+at+3.22.57+PM.png</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Takoua: “And then I notice it: a man sitting next to me, he's stubbornly staring at me // He’s strange.” Man: “Hey you, girl, what’s in that bag? // You're not hiding a bomb, are you? Like those terrorists who did that attack today.” (our translation) From Il mio migliore amico è fascista (My Best Friend Is a Fascist), by Takoua Ben Mohamed, 2022. Credit: Rizzoli libri.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/10768d01-310a-4801-96ef-dbddb8e38fd7/016.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Courtesy of Takoua Ben Mohamed. All rights reserved to the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/839d0a20-da14-4d11-b9cd-9151ef640106/020.jpg</image:loc>
      <image:title>Home - Takoua Ben Mohamed Confronts Anti-Muslim Prejudice in Rome Through Comics - Make it stand out</image:title>
      <image:caption>Courtesy of Takoua Ben Mohamed. All rights reserved to the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/new-york-now-25-allen-st</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86cf0d81-e436-4e70-8a50-7a6356e51d91/NY+Now_3.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Photo credit: Camilo Fuentealba Brevis. Courtesy of 25 Allen St.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a8e9523-efba-446c-9207-748937ac6922/NY+Now_6.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Christopher Al-Jumah, Untitled, 2024. Persian silkwood and Rubio Monocoat. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/348234a2-9a67-447a-9e50-3e61cbe0aaf3/NY+Now_9.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Nuvany Davis, Boyd, 2024. Digital C-Type and C Type prints. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93e63d39-91f8-4123-bac0-f8a2262ecf11/NY+Now_10.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Miles Greenberg, Respawn Body, 2024. Mixed Media. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71319e72-fe50-47b2-8471-b756870c9571/NY+Now_11.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Madeline Bach, Orchid Summit, 2024. Pen, pastel, mechanical pencil, marker, and gouache on paper mounted to panel. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0897a5f3-9113-4680-9bb8-42622247fcd5/NY+Now_2.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Photo credit: Camilo Fuentealba Brevis. Courtesy of 25 Allen St.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/561c039d-c691-4031-bca2-e7eaa7946e76/NY+Now_4.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Taylor Simmons, However Long I Stay, 2024. Oil and spray paint on canvas. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aa8e4cab-f3ed-4e36-8ea3-02a0c179bb87/NY+Now_8.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Lula Hyers, Untitled, 2024. Hahnemuhle matte print. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/29b724c9-134d-4fe4-8f05-455150823602/NY+Now_7.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Bre Andy, On My Way! (left), In Waiting (right); 2024. Oil on paper. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/72e5f694-76f1-4372-a285-a571bb7a87af/NY+Now_1.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Photo credit: Camilo Fuentealba Brevis. Courtesy of 25 Allen St.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c02edc0-da37-459a-8d39-14a6933bdec6/NY+Now_5.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Praise Fuller, Peripheral prayers for my wellbeing, 2024. Cyanotype on ceramic. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ca12cc2-80a8-425c-9b1d-1c5dc6865b95/NY+Now_12.jpg</image:loc>
      <image:title>Home - New York Is More Alive Than Ever, NOW! - Make it stand out</image:title>
      <image:caption>Curators Gabrielle Richardson and Saam Niami. Photo credit: Anthony Hilliard. Courtesy of 25 Allen St.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/marjorie-van-cura-out-of-line</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e93ce80b-c573-44ec-861d-954e139f741e/46740db9c9c9f6b654ce81fa3dda9d01.jpg</image:loc>
      <image:title>Home - Marjorie Van Cura’s Lines of Resistance - Make it stand out</image:title>
      <image:caption>Marjorie Van Cura, Untitled 0423 (2023). Ink on translucent film, 14 x 17 in. Courtesy of the artist and Garvey|Simon.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/96702689-080c-40fa-a5d8-e1305820eddf/IMG_8568.JPEG</image:loc>
      <image:title>Home - Marjorie Van Cura’s Lines of Resistance - Make it stand out</image:title>
      <image:caption>Installation view of Marjorie Van Cura: Out of Line, presented by Garvey|Simon at DFN Projects. Courtesy of the artist, Garvey|Simon, and DFN Projects.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/02641f09-03f6-4261-929c-df33c2e28ce5/MVC009_sml_Untitled+0623%2C+2023+permanent+marker+and+ink+on+translucent+film+14+x+17+in.jpg</image:loc>
      <image:title>Home - Marjorie Van Cura’s Lines of Resistance - Make it stand out</image:title>
      <image:caption>Marjorie Van Cura, Untitled 0623 (2023). Permanent marker and ink on translucent film,14 x 17 in. Courtesy of the artist and Garvey|Simon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-is-an-issue-that-affects-everyone-an-interview-with-yu-wen-wu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bf0576a7-13cf-4a30-b550-e66788dbcb29/1</image:loc>
      <image:title>Home - An Interview With Yu-Wen Wu - Make it stand out</image:title>
      <image:caption>Photo by Edward Boches. Courtesy of Yu-Wen Wu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24fef242-e75c-46e0-ae3d-b019ea551bef/Exhibition_2023%2BFoster%2BPrize_Mel%2BTaing_1A3A9923.jpg</image:loc>
      <image:title>Home - An Interview With Yu-Wen Wu - Make it stand out</image:title>
      <image:caption>Yu-Wen Wu's work, installation view. 2023 James and Audrey Foster Prize, the Institute of Contemporary Art/Boston, 2023-24. Photo by Mel Taing. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4192b141-4f69-40ad-b88e-e3c3eea92b34/Praise_Shadows-Internal_Navigation-1459-sm.jpg</image:loc>
      <image:title>Home - An Interview With Yu-Wen Wu - Make it stand out</image:title>
      <image:caption>Yu-Wen Wu, Walking to Taipei (2010/2022). Mixed media on Dura-Lar rice paper, acrylic scroll ends, wooden scroll box, 20'' x 20'. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bbf26104-b45e-44ef-be8a-6d9f081f46b4/banner%2Bimg.jpg</image:loc>
      <image:title>Home - An Interview With Yu-Wen Wu - Make it stand out</image:title>
      <image:caption>Yu-Wen Wu, Lantern Stories. Auntie Kay and Uncle Frank Chin Park, Boston, MA. August – November 16, 2022. Photo by Mel Taing, courtesy of the artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2682eaa7-7f75-42c6-8df8-f5d33efbe30e/Exhibition_2023%2BFoster%2BPrize_Mel%2BTaing_1A3A9966-1.jpg</image:loc>
      <image:title>Home - An Interview With Yu-Wen Wu - Make it stand out</image:title>
      <image:caption>Yu-Wen Wu, Acculturation, installation view. 2023 James and Audrey Foster Prize, the Institute of Contemporary Art/Boston, 2023-24. Photo by Mel Taing. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/harmony-and-dissonance-orphism-at-guggenheim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2eb1e80b-4ca2-445d-b97d-38521d8ae59e/Delaunay%2C+Circular+Forms%2C+1930.jpg</image:loc>
      <image:title>Home - “Harmony and Dissonance” Opens at the Guggenheim Museum - Make it stand out</image:title>
      <image:caption>Robert Delaunay, Circular Forms (Formes circulaires), 1930. Oil on canvas, 50 3/4 × 76 3/4 in. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection 49.1184. Photo: Kristopher McKay, Solomon R. Guggenheim Museum, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5c0c70f2-d544-440e-8a48-00d6607a2b96/Chagall%2C+Homage+to+Apollinaire%2C+1913.jpg</image:loc>
      <image:title>Home - “Harmony and Dissonance” Opens at the Guggenheim Museum - Make it stand out</image:title>
      <image:caption>Marc Chagall, Homage to Apollinaire (Hommage à Apollinaire), 1913. Oil on canvas, 78 7/8 × 74 5/8 in. (200.4 × 189.5 cm). Collection Van Abbemuseum, Eindhoven, The Netherlands, with support of Vereniging Rembrandt. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo: Peter Cox, Collection Van Abbemuseum, Eindhoven</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/87f42cef-237f-4527-8ed2-f6c01f026f58/Kupka%2C+Disks+of+Newton%2C+1912.jpg</image:loc>
      <image:title>Home - “Harmony and Dissonance” Opens at the Guggenheim Museum - Make it stand out</image:title>
      <image:caption>František Kupka, Disks of Newton (Study for “Fugue in Two Colors”) (Disques de Newton [Étude pour “La fugue à 2 couleurs”]),1912. Oil on canvas, 39 1/2 × 29 in. (100.3 × 73.7 cm). The Philadelphia Museum of Art: The Louise and Walter Arensberg Collection, 1950 © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris. Photo: The Philadelphia Museum of Art</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bff700be-dfef-49c7-80ec-28d1674b038b/Jellett%2C+Painting%2C+1938.jpg</image:loc>
      <image:title>Home - “Harmony and Dissonance” Opens at the Guggenheim Museum - Make it stand out</image:title>
      <image:caption>Mainie Jellett, Painting, 1938. Oil on canvas, 29 15/16 × 25 7/16 in. (76 × 64.6 cm). National Museums NI, Ulster Museum Collection, Northern Ireland, Donated by the Thomas Haverty Trust. Photo: National Museums NI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-azadeh-nia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9956a210-29e9-4678-a8d5-152c53ae7e59/AN_StudioShot.jpg</image:loc>
      <image:title>Home - Global Dialogue –&amp;nbsp;Azadeh Nia - Make it stand out</image:title>
      <image:caption>Studio shot of Azadeh Nia. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1f6a54be-46b3-499b-b016-049c07a09140/Pardis.jpg</image:loc>
      <image:title>Home - Global Dialogue –&amp;nbsp;Azadeh Nia - Make it stand out</image:title>
      <image:caption>Azadeh Nia, Pardis (2024). Acrylic on panel, 30 x 24 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cab73130-60ec-41b6-85f8-2eb77d06333b/In_the_Kitchen.jpg</image:loc>
      <image:title>Home - Global Dialogue –&amp;nbsp;Azadeh Nia - Make it stand out</image:title>
      <image:caption>Azadeh Nia, In the Kitchen (2023). Acrylic on panel, 30 x 24 inches. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee17f5b1-a033-4f7c-845d-f20e8bd7ac40/When_the_Springtime.jpg</image:loc>
      <image:title>Home - Global Dialogue –&amp;nbsp;Azadeh Nia - Make it stand out</image:title>
      <image:caption>Azadeh Nia, When the Springtime Comes Again (2023). Acrylic on panel, 30 x 24 inches. Courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1b656bbb-a16a-4b11-948b-d61cef099cd2/SilverArts_Studio.jpg</image:loc>
      <image:title>Home - Global Dialogue –&amp;nbsp;Azadeh Nia - Make it stand out</image:title>
      <image:caption>Photo of Azadeh Nia’s studio. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-yongqi-tang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4fee8d89-55f8-4e23-b6ac-2731e074d057/Opening+the+Venus%2C+2024.+Mixed+Media+on+canvas.47+x+57+in.+Photo+courtesy+of+Latitude+Gallery.jpg</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Yongqi Tang, Opening the Venus (2024). Mixed media on canvas. 47 x 57 in. Photo courtesy of Latitude Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ff5b9378-810b-4c86-9d95-a1f625c2cc63/Knight+Peeing+in+a+Landscape%2C+2024.+Mixed+media+on+canvas.+18+x+24+in.++Dog+Pooping+in+a+Landscape%2C+2024.+Oil+on+canvas.+36+x+41+in.+%28Diptyque%29.+Photo+courtesy+of+Latitude+Gallery.jpg</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Installation view of Yongqi Tang: The Open Venus. Photo courtesy of the artist and Latitude Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5ba495f1-40f3-4e29-82bb-25d8f870675c/The+Wound%2C+2024.+Oil+on+wooden+panel.+16+x+16+in.+Photo+courtesy+of+Latitude+Gallery.jpg</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Yongqi Tang, The Wound (2024). Oil on wooden panel. 16 x 16 in. Photo courtesy of Latitude Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f022b863-6754-46d9-8782-037df3e3f187/Persephone%2C+2024.+Oil+and+acrylic+on+canvas.+16+x+16+in.+Photo+courtesy+of+Latitude+Gallery.jpg</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Yongqi Tang, Persephone (2024). Oil on canvas.16 x 16 in. Photo courtesy of Latitude Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/50c18187-118b-4897-90d2-976ec980f797/Rembrandt_lucretia.jpg</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Rembrandt Harmensz van Rijn, Lucretia (1666). Oil on canvas. Courtesy of the Minneapolis Institute of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84509f8a-b352-44f3-96f0-a11fcfa0b97c/Watercolor+Study+for+Threading+the+Venus%2C+2024.png</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Yongqi Tang, Watercolor Study for Threading the Venus (2024). Watercolor on paper. 4 x 6 in. Photo courtesy of Latitude Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b391ce5-8e96-4e9d-984e-84f6cec48730/Screen+Shot+2024-11-10+at+7.58.22+PM.png</image:loc>
      <image:title>Home - Yongqi Tang’s Visceral Paintings of Violence and Healing - Make it stand out</image:title>
      <image:caption>Yongqi Tang, Dog Pooping in a Landscape (2024). Oil on canvas, 36 x 41 in (diptyque). Photo courtesy of Latitude Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-kathie-halfin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c6a0829c-2f19-41cd-a00c-7995727474ac/KathieHalfin_Climbing+Up+My+Spine%2C+Blooming+In+My+Thoughts_2024_sisal+rope%2C+hand+spun+and+hand+dyed+paper+yarn%2C+raffia+paper+yarn%2C+75%E2%80%9D+x+45.5%E2%80%9D+x+50_.jpeg</image:loc>
      <image:title>Home - Migration in Dialogue – Kathie Halfin - Make it stand out</image:title>
      <image:caption>Kathie Halfin, Climbing Up My Spine, Blooming In My Thoughts (2024). Sisal rope, hand spun and hand dyed paper yarn, raffia paper yarn, 75” x 45.5” x 50”. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b814fc1-071e-41af-87f5-52eb956862b8/KHStudio+portrait.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Kathie Halfin - Make it stand out</image:title>
      <image:caption>Studio portrait of Kathie Halfin. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0056cd41-0d24-43fd-a344-82cec5ee02c5/Wisteria+Spoke+To+Me_2023_hand-dyed+and+hand-span+paper%2C+sisal+rope%2C+85%E2%80%9D+x+43%E2%80%9D+x+4_.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Kathie Halfin - Make it stand out</image:title>
      <image:caption>Kathie Halfin, Wisteria Spoke To Me (2023). Hand-dyed and hand-spun paper, sisal rope, 85” x 43” x 4”. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/36e6a1a5-bd6d-4bda-8843-62122d2c6713/Despite+The+Gloom_2023_hand-dyed+and+hand-span+paper%2C+sisal+rope%2C+40%E2%80%9D+x+40%E2%80%9D+x+3%E2%80%9D.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Kathie Halfin - Make it stand out</image:title>
      <image:caption>Kathie Halfin, Despite The Gloom (2023). Hand-dyed and hand-spun paper, sisal rope. 40” x 40” x 3”. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/intimacy-as-theoretical-framework-at-iowa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/22426742-21c2-4b1e-9679-dbf79e331b7f/Iowa_Conduct_Images_CW_7.jpg</image:loc>
      <image:title>Home - Intimacy as Theoretical Framework at Iowa&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Conduct, featuring Dana DeGiulio and Hunter Foster. Photo by Chris White. Courtesy of Iowa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85aa5b28-4469-4a7c-987d-6ed4da73bcc0/Iowa_Conduct_Images_CW_6.jpg</image:loc>
      <image:title>Home - Intimacy as Theoretical Framework at Iowa&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Installation view of Conduct, the work of Hunter Foster. Graphite on tracing paper, wheat-paste, enamel on yardstick. Photo by Chris White. Courtesy of Iowa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d924491-5c4d-4ff9-b7d9-24d41d4bd1ce/Iowa_Conduct_Images_CW_15.jpg</image:loc>
      <image:title>Home - Intimacy as Theoretical Framework at Iowa&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Dana DeGiulio, zephyr (2024). One of seven drawings, cray-pas on paper, mounted with cut bandages. 10 x 7 in. Photo by Chris White. Courtesy of Iowa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54e177c0-afa6-472f-bb48-4e254e0914b0/Iowa_Conduct_Images_CW_5.jpg</image:loc>
      <image:title>Home - Intimacy as Theoretical Framework at Iowa&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Dana DeGiulio, Realism for the Cause of Future Revolution (2014). Action performed without permission at MoMA. Original video shot by Michaela Murphy. Stills selected and printed in 2024 by Hunter Foster, Dana DeGiulio, and Iowa. Installation photo by Chris White. Courtesy of Iowa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/naomi-nakazato-conjures-forgotten-futures-at-olympia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fb5bf093-7b19-48b5-9074-1e7818168933/241015_OLYMPIA_001.jpg</image:loc>
      <image:title>Home - Naomi Nakazato Conjures Forgotten Futures at Olympia - Make it stand out</image:title>
      <image:caption>Naomi Nakazato, Spirit Duplicator at Olympia (2024). Installation view. Courtesy of Olympia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f511efd7-3e35-443a-84b6-e2634cfb7e74/_24+bua.ni.tasu+%28mono+no+aware%29.jpg</image:loc>
      <image:title>Home - Naomi Nakazato Conjures Forgotten Futures at Olympia - Make it stand out</image:title>
      <image:caption>Naomi Nakazato, bua.ni.tasu (mono no aware) (2024). Aluminum leaf on polyurethane, screenprint on plexiglass, wooden base, salt, seaweed, polyurethane, chrysanthemums. Courtesy of Olympia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/04fdd94b-1154-4c99-aac4-fe4ddc76ca7e/_24+Transducer+%28kotsuage%29.jpg</image:loc>
      <image:title>Home - Naomi Nakazato Conjures Forgotten Futures at Olympia - Make it stand out</image:title>
      <image:caption>Naomi Nakazato, Transducer (kotsuage) (2024). Screenprint on canvas panel, seaweed on panel, hydrocal. Courtesy of Olympia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/68359ea4-e2ec-48f2-8926-9b3a0f56cdd8/_24+Toe+the+Line+%28Koseki+ii%29_edit.jpg</image:loc>
      <image:title>Home - Naomi Nakazato Conjures Forgotten Futures at Olympia - Make it stand out</image:title>
      <image:caption>Naomi Nakazato, Toe the Line (Koseki ii) (2024). Polyurethane, acrylic, aluminum leaf, screenprint on canvas panel in artist’s frame. Courtesy of Olympia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/292bbfaf-2979-4202-8083-d38ba838d98c/_23+Flowers+for+All+Occasions.jpg</image:loc>
      <image:title>Home - Naomi Nakazato Conjures Forgotten Futures at Olympia - Make it stand out</image:title>
      <image:caption>Naomi Nakazato, Flowers for All Occasions (2023). Screenprint and aluminum leaf on canvas panel in artist’s frame. Courtesy of Olympia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/fao-artful-celebration-of-the-amazon-and-risk-of-tokenism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e3bf8498-6d5f-45d0-a296-be1091335030/MAIN.jpg</image:loc>
      <image:title>Home - FAO’s Artful Celebration of the Amazon and the Risk of Tokenism - Make it stand out</image:title>
      <image:caption>Lucas Memmola, Paradise Bank, art installation, Rome, 2024. Photo: ©️FAO/Alessandra Benedetti. Editorial use only. Copyright ©️FAO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/34dfec30-980c-49e5-85ce-f2c0342ee62b/54057385726_e5062f80ff_k.jpg</image:loc>
      <image:title>Home - FAO’s Artful Celebration of the Amazon and the Risk of Tokenism - Make it stand out</image:title>
      <image:caption>Lucas Memmola, Paradise Bank, antechamber, art installation, Rome, 2024. Photo: ©️FAO/Alessandra Benedetti. Editorial use only. Copyright ©️FAO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/401df05b-bd3b-4bc3-860c-3f7cde62ddba/3.jpg</image:loc>
      <image:title>Home - FAO’s Artful Celebration of the Amazon and the Risk of Tokenism - Make it stand out</image:title>
      <image:caption>From the left, Carla Barroso Carneiro, Brazil ambassador and permanent representative to FAO, QU Dongyu, FAO director-general, and Lucas Memmola, artist, pointing to Shanenawá artifacts, visiting the antechamber of Paradise Bank, Rome, 2024. Photo: ©️FAO/Alessandra Benedetti. Editorial use only. Copyright ©️FAO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a9ab9d71-9f7f-4a53-b36f-e0d0d0e3e383/4.jpg</image:loc>
      <image:title>Home - FAO’s Artful Celebration of the Amazon and the Risk of Tokenism - Make it stand out</image:title>
      <image:caption>Lucas Memmola presenting Paradise Bank at the Botanical Garden in Rome, 2024. Photo: ©️FAO/Alessandra Benedetti. Editorial use only. Copyright ©️FAO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/462fc45a-506d-4b82-93f7-d0e21de45e6c/5.jpg</image:loc>
      <image:title>Home - FAO’s Artful Celebration of the Amazon and the Risk of Tokenism - Make it stand out</image:title>
      <image:caption>From the left, Lucas Memmola, artist, Carla Barroso Carneiro, Brazil ambassador and permanent representative to FAO, QU Dongyu, FAO director-general, visiting the vault of Paradise Bank, Rome, 2024. Photo: ©️FAO/Alessandra Benedetti. Editorial use only. Copyright ©️FAO.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/on-identity-and-intimacy-with-jeanette-spicer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9f177cbe-c99f-497c-84db-7a658ccd627e/book1.jpg</image:loc>
      <image:title>Home - On Identity and Intimacy With Jeanette Spicer - Make it stand out</image:title>
      <image:caption>From the series, To the Ends of The Earth. © Jeanette Spicer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/75c5d79e-9b09-43f5-b8ee-4a0b251ec7c7/6.png</image:loc>
      <image:title>Home - On Identity and Intimacy With Jeanette Spicer - Make it stand out</image:title>
      <image:caption>From the series, To the Ends of The Earth. © Jeanette Spicer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32d03d06-a169-4365-90a2-729224b1d361/5.jpg</image:loc>
      <image:title>Home - On Identity and Intimacy With Jeanette Spicer - Make it stand out</image:title>
      <image:caption>From the series, To the Ends of The Earth. © Jeanette Spicer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f5f3f493-97fa-43d4-bd93-096457d317ae/4.jpg</image:loc>
      <image:title>Home - On Identity and Intimacy With Jeanette Spicer - Make it stand out</image:title>
      <image:caption>From the series, To the Ends of The Earth. © Jeanette Spicer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/57fb4a33-d912-46f6-867c-58f088c16127/1.jpg</image:loc>
      <image:title>Home - On Identity and Intimacy With Jeanette Spicer - Make it stand out</image:title>
      <image:caption>From the series, To the Ends of The Earth. © Jeanette Spicer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/concordia-studio-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ea5e3615-3b83-4321-976f-073bad9150c3/Copy+of+Copy+of+_DSC1549e.jpg</image:loc>
      <image:title>Home - From Night to Day: Concordia Studio Explores the Passage of Time Through Landscape - Make it stand out</image:title>
      <image:caption>Installation view of 05:59. Photography by Cary Whittier. Courtesy of Concordia Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a3ce0ae6-90a2-46d0-a946-53aed4ea394a/Copy+of+Copy+of+9_DSC1551.jpg</image:loc>
      <image:title>Home - From Night to Day: Concordia Studio Explores the Passage of Time Through Landscape - Make it stand out</image:title>
      <image:caption>Installation view of 05:59. Photography by Cary Whittier. Courtesy of Concordia Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d6995d81-d567-411f-9353-749965de3217/Copy+of+Copy+of+15_DSC1542.jpg</image:loc>
      <image:title>Home - From Night to Day: Concordia Studio Explores the Passage of Time Through Landscape - Make it stand out</image:title>
      <image:caption>Installation view of 05:59. Photography by Cary Whittier. Courtesy of Concordia Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73f4d4fe-c2da-41a6-b327-220eb8ca9ca0/Copy+of+Copy+of+_DSC1534e.jpg</image:loc>
      <image:title>Home - From Night to Day: Concordia Studio Explores the Passage of Time Through Landscape - Make it stand out</image:title>
      <image:caption>Installation view of 05:59. Photography by Cary Whittier. Courtesy of Concordia Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-salon-by-nada-x-the-community</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fdc7824e-be7a-4a1a-aac2-32813ebde245/TheSalon_MischaSchlegel_136.jpg</image:loc>
      <image:title>Home - The Salon by NADA x The Community - Make it stand out</image:title>
      <image:caption>Installation aerial view of The Salon by NADA and The Community on opening day. Courtesy of Mischa Schlegel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/52fff694-1008-4c7c-b6ed-0e9e0cd72e67/TheSalon_MischaSchlegel_129.jpg</image:loc>
      <image:title>Home - The Salon by NADA x The Community - Make it stand out</image:title>
      <image:caption>Installation aerial view of The Salon by NADA and The Community on opening day. Courtesy of Mischa Schlegel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f4a20226-4019-4afb-b80a-0e6d194fd41b/Screen+Shot+2024-11-04+at+3.07.27+PM.png</image:loc>
      <image:title>Home - The Salon by NADA x The Community - Make it stand out</image:title>
      <image:caption>Wig by Tomihiro Kon in Current Plans’s booth at The Salon by Nada and The Community. Courtesy of Tahney Fosdike.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/12a2e9f5-6609-4bbf-a936-707ec9fe6a61/Elena+Rivera-Montanes%2C+%E2%80%98Daydreaming%E2%80%99_NightCafejpg.jpg</image:loc>
      <image:title>Home - The Salon by NADA x The Community - Make it stand out</image:title>
      <image:caption>Elena Rivera-Montanes, Daydreaming, oil on panel, 15 x 10 cm. Courtesy of Night Café and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0755e592-16a0-4fb8-99a4-0fc5cfd19ae1/Grace+Kalyta_Pange%CC%81e+%2820%29.jpg</image:loc>
      <image:title>Home - The Salon by NADA x The Community - Make it stand out</image:title>
      <image:caption>Grace Kalyta, Rustic Opulence, Sultry Encounters, 2024, oil on canvas, belt, rivets, 72 x 58 cm. Photo by William Sabourin, courtesy of Gallery Pangée and the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/paul-schrader-doesnt-believe-in-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cf42607a-7c3d-4c58-b095-7c9bf646dc59/Ohcanada1-1-1600x900-c-default.jpeg</image:loc>
      <image:title>Home - Paul Schrader Doesn’t Believe in the Future - Make it stand out</image:title>
      <image:caption>Oh, Canada. Credit: Jeong Park. © Oh, Canada LLC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2cb0cba5-d0f2-4096-8095-e8df05157029/171474-H-2024.jpg</image:loc>
      <image:title>Home - Paul Schrader Doesn’t Believe in the Future - Make it stand out</image:title>
      <image:caption>Oh, Canada. Credit: Jeong Park. © Oh, Canada LLC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28a36f8b-1f82-45a8-9e0e-4edbd4a6272e/ohcanada3-1-1600x900-c-default.jpeg</image:loc>
      <image:title>Home - Paul Schrader Doesn’t Believe in the Future - Make it stand out</image:title>
      <image:caption>Still from Oh, Canada. © Oh, Canada LLC.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-rubeen-salem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbe5f2c8-b851-4b1d-a443-474b63cc2ceb/IMG_1056.jpg</image:loc>
      <image:title>Home - Migration in Dialogue&amp;nbsp;–&amp;nbsp;Rubeen Salem - Make it stand out</image:title>
      <image:caption>Rubeen Salem, Doin’ Our Best (2024). Acrylic and ink on canvas, 16 × 20 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bf030bfd-e9dc-41fa-9e1c-cd85696396e6/Rubeen+in+his+studio.jpg</image:loc>
      <image:title>Home - Migration in Dialogue&amp;nbsp;–&amp;nbsp;Rubeen Salem - Make it stand out</image:title>
      <image:caption>Rubeen Salem paints in his art studio on the Lower East Side. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db518eb0-0cea-4c37-bdba-9fff1402567c/Rubeen+Salem+art+show.jpg</image:loc>
      <image:title>Home - Migration in Dialogue&amp;nbsp;–&amp;nbsp;Rubeen Salem - Make it stand out</image:title>
      <image:caption>Courtesy of Rubeen Salem.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab308141-fbb0-48a6-b01f-ced67e605807/Mindful.jpg</image:loc>
      <image:title>Home - Migration in Dialogue&amp;nbsp;–&amp;nbsp;Rubeen Salem - Make it stand out</image:title>
      <image:caption>Rubeen Salem, Mindful (2024). Acrylic and ink on wood, 31 x 40 in. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lydia-nobles-on-art-activism-and-body-autonomy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d4ca058a-7be0-4c1a-be65-d5385066eed2/Lydia_Nobles_Relationships_%235.jpeg</image:loc>
      <image:title>Home - Lydia Nobles on Art, Activism, and Body Autonomy - Make it stand out</image:title>
      <image:caption>Lydia Nobles, Relationships #5, 2015. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb2b348e-1465-4c47-9d17-405d91fda428/1109_SBNY_2023_Installations_0972.jpeg</image:loc>
      <image:title>Home - Lydia Nobles on Art, Activism, and Body Autonomy - Make it stand out</image:title>
      <image:caption>Installation image of In The Waiting Room, Lydia Nobles’ solo booth with KAPOW at SPRING/BREAK Art Fair. Photo courtesy of Samuel Morgan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c53ba914-1e46-4122-a5c1-4815fdb0079b/B2E8CBFC-5300-44A0-861A-A98DFC558519.jpeg</image:loc>
      <image:title>Home - Lydia Nobles on Art, Activism, and Body Autonomy - Make it stand out</image:title>
      <image:caption>Portrait of Lydia Nobles at her solo exhibition, Body Lies, at KAPOW in 2024. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/01a2876c-208c-4fdb-83b3-afdb6f482ef3/DSC08010.jpeg</image:loc>
      <image:title>Home - Lydia Nobles on Art, Activism, and Body Autonomy - Make it stand out</image:title>
      <image:caption>Lydia Nobles, Freeze Thrust, 2024, on view at Pratt’s Steuben Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3048aa34-ecc3-41af-89de-b87d382811e9/07_Lymariz.jpeg</image:loc>
      <image:title>Home - Lydia Nobles on Art, Activism, and Body Autonomy - Make it stand out</image:title>
      <image:caption>Lydia Nobles, Lymariz, 2022. Acquired by Planned Parenthood of Southwest Ohio, now on view in the PP Cincinnati clinic waiting room.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/715e3c21-f763-43e8-9e5b-b88808b8c4bd/Lydia_Nobles_Urvi.jpeg</image:loc>
      <image:title>Home - Lydia Nobles on Art, Activism, and Body Autonomy - Make it stand out</image:title>
      <image:caption>Lydia Nobles, Urvi, 2022. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/kibong-rhees-misty-landscapes-reveal-hidden-shadows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f2bcd227-f975-4d6e-87a0-ccff441506a3/Screen+Shot+2024-10-31+at+10.33.47+PM.png</image:loc>
      <image:title>Home - Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows - Make it stand out</image:title>
      <image:caption>Installation view of Kibong Rhee: There is no place. Courtesy of Tina Kim Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a13383e-486a-44f0-8dbe-16180bad39b4/Screen+Shot+2024-10-31+at+10.34.30+PM.png</image:loc>
      <image:title>Home - Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows - Make it stand out</image:title>
      <image:caption>Kibong Rhee, Mistygraphy (2024). 94 ¾ x 73 ⅜ inches (240.7 x 186.4 cm), acrylic and polyester fiber on canvas. Courtesy of Tina Kim Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ca41f72-dba6-4256-84ce-7bca9ef948c5/Screen+Shot+2024-10-31+at+10.34.08+PM.png</image:loc>
      <image:title>Home - Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows - Make it stand out</image:title>
      <image:caption>Kibong Rhee, Mistygraphy – Cut Sections 2–5 (2024). 94 ¾ x 73 ⅜ inches each (240.7 x 186.4 cm), acrylic and polyester fiber on canvas. Courtesy of Tina Kim Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1bb5c081-3316-4ef2-a604-45a47c4cde79/Screen+Shot+2024-10-31+at+10.35.31+PM.png</image:loc>
      <image:title>Home - Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows - Make it stand out</image:title>
      <image:caption>Installation view of Kibong Rhee: There is no place. Courtesy of Tina Kim Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a0af636e-6c6c-458c-8226-44a0c0848af1/KR-black-.jpg</image:loc>
      <image:title>Home - Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows - Make it stand out</image:title>
      <image:caption>Kibong Rhee, Differences – The Imprinted (2024). 39 x 39 inches (99 x 99 cm), acrylic and polyester fiber on canvas. Courtesy of Tina Kim Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1f9fa286-acc6-478a-8bda-d0a47764d2e2/kbr-2024_portrati2.jpg</image:loc>
      <image:title>Home - Kibong Rhee’s Misty Landscapes Reveal Hidden Shadows - Make it stand out</image:title>
      <image:caption>Portrait of Kibong Rhee. Courtesy of Tina Kim Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/at-will-adaptation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d00e30f6-701b-4ce6-85a8-6c46a9609276/Click+and+Win%21+Go.png</image:loc>
      <image:title>Home - Are You Alone Right Now? - Make it stand out</image:title>
      <image:caption>Quan Wenfei, Click and Win! Go, 2019. Oil and silkscreen on canvas. Courtesy of the artist and Eli Klein Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21b0998b-281b-4c59-ad41-0c42f0062dc7/Shuffling+Red+Tower.jpg</image:loc>
      <image:title>Home - Are You Alone Right Now? - Make it stand out</image:title>
      <image:caption>Quan Wenfei, Shuffling-Red Tower, 2024. Oil and silkscreen on canvas. Courtesy of the artist and Eli Klein Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e16d25d9-a3f9-4da6-a035-f8f473ebf4e3/Countable+Me+No.+2%2C+n%2B1+No.+20%2C+n%2B1+No.+9%2C+Centerless+Energy%2C+.png</image:loc>
      <image:title>Home - Are You Alone Right Now? - Make it stand out</image:title>
      <image:caption>Yang Shuai, Countable Me No. 2, n+1 No. 20, n+1 No. 9, and Centerless Energy, 2024. Mixed media on canvas. Courtesy of the artist and Eli Klein Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a3c76c4d-61cc-45e4-bf2d-f10d0cb1002b/Axial+Domestication.jpg</image:loc>
      <image:title>Home - Are You Alone Right Now? - Make it stand out</image:title>
      <image:caption>Echo Youyi Yan, Axial Domestication, 2023. Stained clear pine, resin, PVA glue, synthetic fur, cotton, steel, silicone. Courtesy of the artist and Eli Klein Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/untangling-feeling-kati-gegenheimers-passages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/17d65302-0a19-4a4d-8219-5666432f0ea3/InstallationView.jpg</image:loc>
      <image:title>Home - Untangling Feeling: Kati Gegenheimer’s Passages - Make it stand out</image:title>
      <image:caption>Installation view of Kati Gegenheimer, Passages, on view through November 16 at Kristen Lorello. Photo by Charles Benton, courtesy of Kristen Lorello.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ccd0fd51-783d-414a-bff1-31a0564ed9a6/Untangling+Knots+%28The+End+of+Endings%29.jpg</image:loc>
      <image:title>Home - Untangling Feeling: Kati Gegenheimer’s Passages - Make it stand out</image:title>
      <image:caption>Kati Gegenheimer, Untangling Knots (The End of Endings), 2024. Oil on linen. 24 x 26 inches.  Photo by Charles Benton, courtesy of Kristen Lorello.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7d6c02a4-ea0e-4a13-a31c-50cf327a9898/DoorHarpPlayers.jpg</image:loc>
      <image:title>Home - Untangling Feeling: Kati Gegenheimer’s Passages - Make it stand out</image:title>
      <image:caption>Kati Gegenheimer, The Door Harp Players, 2024. Oil on panel, 28.5 x 25.5 inches. Photo by Charles Benton, courtesy of Kristen Lorello.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/333b06cd-2195-4310-a002-7f9d37c49fff/Atlas_Of_Feeling.jpg</image:loc>
      <image:title>Home - Untangling Feeling: Kati Gegenheimer’s Passages - Make it stand out</image:title>
      <image:caption>Kati Gegenheimer, Atlas of Feeling, 2024. Oil on linen, 24 x 18 inches. Photo by Charles Benton, courtesy of Kristen Lorello.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/war-women-whimsy-lucky-breaks-examines-ukraines-wartime-trauma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/84cf2532-65e3-41f0-a0d7-5f7d3b06acbc/The+Brick+presents+Lucky+Breaks+by+Yevgenia+Belorusets-30.jpg</image:loc>
      <image:title>Home - War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma - Make it stand out</image:title>
      <image:caption>The Brick presents Lucky Breaks by Yevgenia Belorusets, adapted by Jaclyn Biskup and Sara Farrington. Photo courtesy of The Brick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b3a201e-1c9c-46ba-9687-3c8458812230/The+Brick+presents+Lucky+Breaks+by+Yevgenia+Belorusets-217.jpg</image:loc>
      <image:title>Home - War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma - Make it stand out</image:title>
      <image:caption>The Brick presents Lucky Breaks by Yevgenia Belorusets, adapted by Jaclyn Biskup and Sara Farrington. Photo courtesy of The Brick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ba4fe33-3393-441a-80c2-9fce1b8335c5/The+Brick+presents+Lucky+Breaks+by+Yevgenia+Belorusets-42.jpg</image:loc>
      <image:title>Home - War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma - Make it stand out</image:title>
      <image:caption>The Brick presents Lucky Breaks by Yevgenia Belorusets, adapted by Jaclyn Biskup and Sara Farrington. Photo courtesy of The Brick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9930aa88-18d9-4f04-803d-89665b2ce5a4/The+Brick+presents+Lucky+Breaks+by+Yevgenia+Belorusets-176.jpg</image:loc>
      <image:title>Home - War, Women, Whimsy: Lucky Breaks Examines Ukraine’s Wartime Trauma - Make it stand out</image:title>
      <image:caption>The Brick presents Lucky Breaks by Yevgenia Belorusets, adapted by Jaclyn Biskup and Sara Farrington. Photo courtesy of The Brick.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/standout-booths-at-art-toronto-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b0130b56-074a-4a4c-b893-d31236a92d8b/1_ArtToronto.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Installation view of Art Toronto 2024 at Metro Toronto Convention Centre. Photo by Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/39145254-c190-4523-9ab0-562291fcb079/2_CEREMONIALART.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Michelle Sound, nimama (2024) and Fireweed (2024). Installation view of CEREMONIAL/ART, Art Toronto 2024. Photo by Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4758d9f4-d989-4a13-99f4-3330e5ea5378/3_CEREMONIALART.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Michelle Sound. Swan River 150E (2024), Reserve Allotment (2024), and Range Road 100 (2024). Installation view of CEREMONIAL/ART, Art Toronto 2024. Photo by Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f8e89687-4027-4559-a4bc-586afaf1221d/4_BlouinDivision.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Studio Rat, Plastiscapes (2024). Installation view of Blouin Division, Art Toronto 2024. Photo by Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ca9f354f-6185-43f5-a406-8628c7d189a8/5_TheBlueBuilding.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Kayza DeGraff-Ford, The Headless Rider (2024) and Game of Chess (2024). Installation view of The Blue Building, Art Toronto 2024. Photo by Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54b8f605-617a-4a43-bdd5-64e7fd6c7970/6_BAND.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Lamar Robillard, Holding Space, 2020. Installation view: BAND, Art Toronto 2024. Photo: Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fe3a0338-21c2-4355-bea5-5c81e97bf73c/7_McBrideContemporain.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Rebecca Munce, Wrangling Stars, 2024; Yves Tessier’s Intérieur (Nîmes), 2012; and Kitchen Objects in Red Barn, 2024. Installation view: McBride Contemporain, Art Toronto 2024. Photo: Lodoe Laura.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c3be68d6-8fc8-4bc3-a149-1a2c86b72d09/8_twoseventwo.jpg</image:loc>
      <image:title>Home - Standout Booths at Art Toronto 2024 - Make it stand out</image:title>
      <image:caption>Zoe Ann Cardinal Cire, Over(us)alls 1,2,3, 2023; and Follow Your Chest, 2023. Installation view: two seven two, Art Toronto 2024. Photo: Lodoe Laura.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/masculinity-at-war-austin-alphonses-glorious-struggle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f290a583-418d-4966-bea8-960094f78860/artist+portrait.jpg</image:loc>
      <image:title>Home - Masculinity at War: Austin Alphonse’s Glorious Struggle - Make it stand out</image:title>
      <image:caption>Portrait of Austin Alphonse, taken by Artem Korolev. Courtesy of the artist and Vardan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/86d537c4-ad17-48ce-83e5-1a29d23a9c51/2024_09_25_VARDAN48490.jpg</image:loc>
      <image:title>Home - Masculinity at War: Austin Alphonse’s Glorious Struggle - Make it stand out</image:title>
      <image:caption>Installation view of Austin Alphonse: OASIS. Courtesy of the artist and Vardan Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d1048fb-235c-4585-a457-db3bef10cc4e/painting.jpg</image:loc>
      <image:title>Home - Masculinity at War: Austin Alphonse’s Glorious Struggle - Make it stand out</image:title>
      <image:caption>Austin Alphonse, Custodian (2023). Oil on canvas, 54 × 48 in. Courtesy of the artist and Vardan Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/766fb485-8638-42b2-b5bd-1b13342bbab8/midnight+convo.jpg</image:loc>
      <image:title>Home - Masculinity at War: Austin Alphonse’s Glorious Struggle - Make it stand out</image:title>
      <image:caption>Austin Alphonse, Midnight Conversations (2024). Oil on canvas, 54 x 72 in. Courtesy of the artist and Vardan Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/31558b2e-4cc5-4f6f-990a-6a3b76310217/2024_09_25_VARDAN48494.jpg</image:loc>
      <image:title>Home - Masculinity at War: Austin Alphonse’s Glorious Struggle - Make it stand out</image:title>
      <image:caption>Installation view of Austin Alphonse: OASIS. Courtesy of the artist and Vardan Gallery, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/80efc292-9aea-434c-918f-4200c75f3c3c/2024_08_10_VARDAN43869.jpg</image:loc>
      <image:title>Home - Masculinity at War: Austin Alphonse’s Glorious Struggle - Make it stand out</image:title>
      <image:caption>Austin Alphonse, Sunday League (2024). Oil on canvas, 40 x 60 in. Courtesy of the artist and Vardan Gallery, Los Angeles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/miguel-martinez-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/892c996d-a9c3-43d1-862d-a636ffd6c194/martinez_5.jpg</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Miguel Martinez in his studio. Image courtesy of Francisco Donoso. 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/945e0082-a814-4903-a11e-ddddfb887baa/martinez_4.jpg</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Installation view of site-specific mural for Tell Me How It Ends by Miguel Martinez. Courtesy of the artist and GRIMM. Image credit GC Photography, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d06fe12-ce91-405d-820e-9aef4bbac136/martinez_3.jpg</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Installation view of Tell Me How It Ends by Miguel Martinez. Courtesy of the artist and GRIMM. Image credit GC Photography, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb6a906c-adf4-46b5-a0af-328a8fe03e0b/martinez_1.jpg</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Installation view of Tell Me How It Ends by Miguel Martinez. Courtesy of the artist and GRIMM. Image credit GC Photography, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b5cdcd7-5759-419f-b06c-bc9b8ff526ed/martinez_9.jpg</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Miguel Martinez, Heaven Let Me In (2022–24). Mixed media on paper on panel. 24 x 30 in. Courtesy of the artist and GRIMM. Image credit GC Photography, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbb6c586-5460-4041-a9a4-f0d587f67823/martinez_6.JPG</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Miguel Martinez in his studio. Image courtesy of Francisco Donoso. 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eee5c399-f38b-444c-afba-587d4dc03a3b/martinez_8.jpg</image:loc>
      <image:title>Home - Devotions and Migration: In Conversation with Miguel Martinez - Make it stand out</image:title>
      <image:caption>Miguel Martinez, Blades of Grass (2022-2024). Acrylic on paper, triptych, 30 5/8 x 67 1/2 in. Courtesy of the artist and GRIMM. Image credit GC Photography, 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-xi-li</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/394d84c1-5b24-461e-aa17-e9d50be30507/xl4.jpg</image:loc>
      <image:title>Home - “How can one remember thirst?”: An Interview With Xi Li - Make it stand out</image:title>
      <image:caption>Xi Li, Deep Emotions (Tulips), 2022. Archival pigment print mounted on Dibond, customized aluminum frame, 28 x 35 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9636df84-2af9-470f-bc66-6b52c1ddddfb/xl2.jpg</image:loc>
      <image:title>Home - “How can one remember thirst?”: An Interview With Xi Li - Make it stand out</image:title>
      <image:caption>Xi Li, Period Room (Consider The Lilies), 2024. Archival pigment print, mounted on Dibond, white wood frame, 25 x 20 inch. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c16a97ae-fbfe-46a5-b4b8-ed79c5572c25/xl5.jpg</image:loc>
      <image:title>Home - “How can one remember thirst?”: An Interview With Xi Li - Make it stand out</image:title>
      <image:caption>Xi Li in her studio at Silver Art Projects. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4062533-3c33-4f74-99ff-16689654297e/xl3.jpg</image:loc>
      <image:title>Home - “How can one remember thirst?”: An Interview With Xi Li - Make it stand out</image:title>
      <image:caption>Installation view of Xi Li’s work in Someplace, a group exhibition at LATITUDE Gallery, NYC. Courtesy of the artist and LATITUDE Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0497eada-17d2-46df-9441-b3b92e692aa2/xl1.jpg</image:loc>
      <image:title>Home - “How can one remember thirst?”: An Interview With Xi Li - Make it stand out</image:title>
      <image:caption>Xi Li, Pond: Artifacts and Hands, 2024. Archival pigment print, mounted on Dibond, customized frame, 28 x 35 in. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/braiding-a-future-in-art-with-paree-rohera</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/74b94234-94a8-4eb9-8555-a53bebbb8b84/portrait.png</image:loc>
      <image:title>Home - Braiding a Future in Art with Paree Rohera - Make it stand out</image:title>
      <image:caption>Photo of Paree Rohera in her studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bf0adb0e-89b8-4cb8-9bd0-8440ca2e9d8f/_DSC8978-Edit-Edit+%281%29.JPG</image:loc>
      <image:title>Home - Braiding a Future in Art with Paree Rohera - Make it stand out</image:title>
      <image:caption>Paree Rohera, detail of diptych, I Present to You. Oil and acrylic on canvas, 2024. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6f6b78ad-0585-4d9e-a6ba-2f1bbac05478/Main+Image.jpeg</image:loc>
      <image:title>Home - Braiding a Future in Art with Paree Rohera - Make it stand out</image:title>
      <image:caption>Paree Rohera, Exit, 2023. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/301ffdc2-44e3-41de-a34c-8954307308ec/IMG_6940.jpg</image:loc>
      <image:title>Home - Braiding a Future in Art with Paree Rohera - Make it stand out</image:title>
      <image:caption>Paree Rohera, detail of diptych, To Love, To Lose, 2024. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/works-in-progress-b-chehayeb</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4040ea8c-e79f-45d3-a860-2939558712d1/b+in+studio.jpg</image:loc>
      <image:title>Home - Works in Progress: b chehayeb on the Art of Trusting, Time and Time Again - Make it stand out</image:title>
      <image:caption>b chehayeb in her studio in Brooklyn, NY. Photo by KC Maddux. Courtesy of OCHI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d843b212-33c0-439e-82ce-6689650a34d9/jncos+at+the+quinceanera.png</image:loc>
      <image:title>Home - Works in Progress: b chehayeb on the Art of Trusting, Time and Time Again - Make it stand out</image:title>
      <image:caption>b chehayeb, jncos at the quinceanera (2023). Oil on canvas, 60 × 48 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/762ff4ba-801f-472d-a77f-9386b5b784a3/tomboy_texas_summer_sadness.png</image:loc>
      <image:title>Home - Works in Progress: b chehayeb on the Art of Trusting, Time and Time Again - Make it stand out</image:title>
      <image:caption>b chehayeb, tomboy texas summer sadness (2023). Oil on canvas, 84 x 72 in. Courtesy of OCHI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4af30e44-0bda-4f2f-8e5f-2b17fed4f432/no+boy+horses.jpg</image:loc>
      <image:title>Home - Works in Progress: b chehayeb on the Art of Trusting, Time and Time Again - Make it stand out</image:title>
      <image:caption>b chehayeb, no boy horses (2023). Oil and acrylic, plastic horses on canvas. 10 x 8 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2257f679-759d-4bb5-a485-ee2e6a1c8c2b/b+c.+WIP+.png</image:loc>
      <image:title>Home - Works in Progress: b chehayeb on the Art of Trusting, Time and Time Again - Make it stand out</image:title>
      <image:caption>b chehayeb, portion of work in progress, 2024. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/81f2a939-1e72-4aa7-9692-6374ebd695cd/mexican+dinner+hero.png</image:loc>
      <image:title>Home - Works in Progress: b chehayeb on the Art of Trusting, Time and Time Again - Make it stand out</image:title>
      <image:caption>b chehayeb, mexican dinner hero (2024). Oil on canvas, 40 × 40 in. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sit-and-stay-awhile-at-this-art-installation-in-downtown-brooklyn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f985f543-dfac-4eab-9162-ef74d579fef7/CREATIVE+TIME-Cosmologyscape-2024-PC-44.jpeg</image:loc>
      <image:title>Home - Sit and Stay Awhile at This Art Installation in Downtown Brooklyn - Make it stand out</image:title>
      <image:caption>The slopes and peaks of the benches are algorithmically generated from dreams. Alisha B. Wormsley and Kite. Cosmologyscape, 2024. Concrete, wood, foam, glass tiles. Photo by Parker Calvert/CKA. Courtesy of Creative Time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dbcc360e-e056-4ebe-b2df-d232d38333c0/CREATIVE+TIME-Cosmologyscape-2024-PC-87.jpeg</image:loc>
      <image:title>Home - Sit and Stay Awhile at This Art Installation in Downtown Brooklyn - Make it stand out</image:title>
      <image:caption>The tiles wrapping the benches emerge from an Indigenous AI framework translating dreams. Alisha B. Wormsley and Kite. Cosmologyscape, 2024. Concrete, wood, foam, glass tiles. Photo by Parker Calvert/CKA. Courtesy of Creative Time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ca8dd658-ee79-44b9-9f23-fcb4daafd2e8/CREATIVE+TIME-Cosmologyscape-2024-PC-70.jpeg</image:loc>
      <image:title>Home - Sit and Stay Awhile at This Art Installation in Downtown Brooklyn - Make it stand out</image:title>
      <image:caption>The vinyl mosaics draw from Lakota visual language and Black quilting traditions. Alisha B. Wormsley and Kite. Cosmologyscape, 2024. Vinyl. Photo by Parker Calvert/CKA. Courtesy of Creative Time.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/growing-pains-where-street-art-and-the-gallery-collide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/448ccab9-8a3a-4305-8efd-8c79803d27e2/Aimadscreen-e1726785761299.jpg</image:loc>
      <image:title>Home - Growing Pains: Where Street Art and the Gallery Collide - Make it stand out</image:title>
      <image:caption>Ai☆Madonna, I Am Not Saying “Give Me Money Because You Feel Sorry For Me,” 2024, acrylic on shaped canvas, 104 x 87.5 cm. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4311f446-efc4-4320-b8f4-f300eeab3169/Screen+Shot+2024-10-20+at+1.51.54+PM.png</image:loc>
      <image:title>Home - Growing Pains: Where Street Art and the Gallery Collide - Make it stand out</image:title>
      <image:caption>Ai☆Madonna, Tsuzukimashitti・Diclofenac・Marumi, 2024, acrylic on shaped canvas, 130.5 x 150.6 cm. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4702b3af-7b7e-443b-bf4b-6290d286a9d5/Screen+Shot+2024-10-20+at+1.52.06+PM.png</image:loc>
      <image:title>Home - Growing Pains: Where Street Art and the Gallery Collide - Make it stand out</image:title>
      <image:caption>Ai☆Madonna, Can’t Recall Her Face “Ikura on Day 7”, 2024, acrylic on canvas, 194 x 194 cm. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/19c9078f-bb8c-4a69-9a3b-c688844d72a9/Untitled12-scaled.jpg</image:loc>
      <image:title>Home - Growing Pains: Where Street Art and the Gallery Collide - Make it stand out</image:title>
      <image:caption>Installation view of Ai☆Madonna: I Am Not Saying: -Give Me Money Because You Feel Sorry For Me.- Courtesy of GR Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/what-is-your-pleasure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/940f81e8-9478-4adf-8d43-1c149458fc08/HELLRAISER-1600x900-c-default.jpeg</image:loc>
      <image:title>Home - What’s Your Pleasure? - Make it stand out</image:title>
      <image:caption>Courtesy of Arrow Films</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4f562bb-9d5a-4906-aead-8de4f77c9647/HELLRAISER-0017-2-1600x900-c-default.jpeg</image:loc>
      <image:title>Home - What’s Your Pleasure? - Make it stand out</image:title>
      <image:caption>Courtesy of Arrow Films</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d291934-51a2-4df7-b465-9aabb9f19e33/hellraiser-md-web.jpeg</image:loc>
      <image:title>Home - What’s Your Pleasure? - Make it stand out</image:title>
      <image:caption>Poster of Hellraiser retrieved from Posteritati</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c2707bdd-c4f9-4672-a9e3-a91d6ba4c996/HELLRAISER-0012-1-1600x900-c-default.jpeg</image:loc>
      <image:title>Home - What’s Your Pleasure? - Make it stand out</image:title>
      <image:caption>Courtesy of Arrow Films</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/thomas-mcdonell-figueroa-st-paintings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a084d17-75b5-4e4a-95fb-be92fcb82acc/Thomas-McDonells-Figueroa-St.-Paintings-00007-1200x900.jpg</image:loc>
      <image:title>Home - Thomas McDonell’s Aesthetic of Motion and Impermanence - Make it stand out</image:title>
      <image:caption>Installation view of Thomas McDonell: Figueroa St. Paintings. Courtesy of EUROPA, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cd882c45-640b-44bf-89f2-c164ceb50c79/Screen+Shot+2024-10-17+at+7.40.51+PM.png</image:loc>
      <image:title>Home - Thomas McDonell’s Aesthetic of Motion and Impermanence - Make it stand out</image:title>
      <image:caption>Installation view of Thomas McDonell: Figueroa St. Paintings. Courtesy of EUROPA, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cbc5b509-3fa7-40b7-b82d-23eb10b5a782/2024-0829-europa-8_thomas-mcdonell-figueroa-st-paintings.jpg</image:loc>
      <image:title>Home - Thomas McDonell’s Aesthetic of Motion and Impermanence - Make it stand out</image:title>
      <image:caption>Installation view of Thomas McDonell: Figueroa St. Paintings. Courtesy of EUROPA, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/la-mama-63rd-seaon-benefit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/624f97c0-206c-4b82-8c72-872f7c07ba41/La+MaMa+_Honorary+Chair_.jpg</image:loc>
      <image:title>Home - La MaMa Looks Inward and Beyond With Its 63rd Season - Make it stand out</image:title>
      <image:caption>Drag artist Sasha Velour, “honorary chair” of the La MaMa’s 63rd Season Benefit Party, performs live as part of the benefit. Photo by Lívia Sá, courtesy of the La MaMa Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a8a82672-9fc7-4330-967a-8565642a0c93/La+MaMa+Sasha+performance+%281%29.jpg</image:loc>
      <image:title>Home - La MaMa Looks Inward and Beyond With Its 63rd Season - Make it stand out</image:title>
      <image:caption>Views from Sasha Velour’s The Big Reveal Live Show, as performed at the benefit. Photo by Lívia Sá, courtesy of the La MaMa Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1527f5a0-19a8-46db-ac88-158d22c63361/La+MaMa+audience+photos.jpg</image:loc>
      <image:title>Home - La MaMa Looks Inward and Beyond With Its 63rd Season - Make it stand out</image:title>
      <image:caption>Partygoers at the La MaMa’s 63rd Season Benefit Party. Photo by Lívia Sá, courtesy of the La MaMa Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/398b1b1a-8e87-453c-8e49-6886fe4315cb/La+MaMa+Tareke+Ortiz.jpg</image:loc>
      <image:title>Home - La MaMa Looks Inward and Beyond With Its 63rd Season - Make it stand out</image:title>
      <image:caption>Partygoers watch artist Tareke Ortiz’s live-streamed performance. Photo by Lívia Sá, courtesy of the La MaMa Archive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/96383799-aac5-4571-b712-3dfcbc1b0987/La+MaMa+exterior.jpeg</image:loc>
      <image:title>Home - La MaMa Looks Inward and Beyond With Its 63rd Season - Make it stand out</image:title>
      <image:caption>Exterior view of the renovated 74 East 4th Street La MaMa theater venue. Photo courtesy of the La MaMa Archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-art-of-resilience-kuldeep-singh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/46489c71-19ca-4bbc-b35b-7f47fc48e474/WhatsApp+Image+2024-09-28+at+5.53.31+PM.jpeg</image:loc>
      <image:title>Home - The Art of Resilience: In Conversation with Artist Kuldeep Singh - Make it stand out</image:title>
      <image:caption>Portrait of Kuldeep Singh. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/af4a225b-060c-47e5-ad4d-74cb5df9e81f/WhatsApp+Image+2024-09-28+at+9.25.29+AM.jpg</image:loc>
      <image:title>Home - The Art of Resilience: In Conversation with Artist Kuldeep Singh - Make it stand out</image:title>
      <image:caption>Kuldeep Singh, Mountain Maker in Raag Kedar (2021). Oil in linen, 18 x 14 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ee13f6ff-2cd1-47b3-9724-b8e5ccd4d4ce/WhatsApp+Image+2024-09-28+at+9.13.19+AM.jpeg</image:loc>
      <image:title>Home - The Art of Resilience: In Conversation with Artist Kuldeep Singh - Make it stand out</image:title>
      <image:caption>Studio photograph. Courtesy of Kuldeep Singh.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/petros-lales-builds-worlds-through-mythology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/735bb569-f844-438c-9f46-ff2db35992db/Glosolisis_Petros_Lales_2021.jpg</image:loc>
      <image:title>Home - Petros Lales Builds Worlds Through Mythology - Make it stand out</image:title>
      <image:caption>Petros Lales, Glosolysis (2021). Archival inkjet print. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5d1dd4ec-8e69-4dde-aed4-0389b9560ee0/Polipoda+Randomica_Petros+Lales_2023.jpg</image:loc>
      <image:title>Home - Petros Lales Builds Worlds Through Mythology - Make it stand out</image:title>
      <image:caption>Petros Lales, Randomica Polipoda (2023). Interactive digital application. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/650dc689-e98d-4ad8-89a0-3c70d8881d49/The+Mysterious+Disapearance+of+The+Lost+Eggman_Petros+Lales_2023.jpg</image:loc>
      <image:title>Home - Petros Lales Builds Worlds Through Mythology - Make it stand out</image:title>
      <image:caption>Petros Lales, The Mysterious Disappearance of the Lost Eggman (2023). Interactive multimedia installation, 3’ x 4’ x 7’. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/81edee43-d104-433b-9cbb-a5df55b7d835/Eyes+in+Collision_Petros+Lales_2022.png</image:loc>
      <image:title>Home - Petros Lales Builds Worlds Through Mythology - Make it stand out</image:title>
      <image:caption>Petros Lales, Eyes in Collision (2022). Mobile digital installation, 4 ’x 2’. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/abbb0cb6-94c1-49cc-8610-5a679e75a3a9/The+Time+Traveler_Petros+Lales_2017.jpg</image:loc>
      <image:title>Home - Petros Lales Builds Worlds Through Mythology - Make it stand out</image:title>
      <image:caption>Petros Lales, The Time Traveler (2022). Archival inkjet print. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8897e250-543f-43ad-ae28-94976072143e/The+Cow_Petros+Lales_2015.jpg</image:loc>
      <image:title>Home - Petros Lales Builds Worlds Through Mythology - Make it stand out</image:title>
      <image:caption>Petros Lales,The Cow (2015). Paint on cardboard, 33’ x 23’. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-last-of-the-sea-women</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76ce2ccc-585e-438e-86f1-126f72afb1c2/The_Last_of_the_Sea_Women_Photo_0111.jpg</image:loc>
      <image:title>Home - Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality - Make it stand out</image:title>
      <image:caption>A haenyeo diver of South Korea’s Jeju Island in The Last of the Sea Women on Apple TV+.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5b83f145-6ec7-4413-8f70-4bc4c02f610c/The_Last_of_the_Sea_Women_Photo_0112.jpg</image:loc>
      <image:title>Home - Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality - Make it stand out</image:title>
      <image:caption>Haenyeo divers of South Korea’s Jeju Island in The Last of the Sea Women on Apple TV+.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/133a0994-101f-429d-a815-75d1c221ad12/The_Last_of_the_Sea_Women_Photo_0101.jpg</image:loc>
      <image:title>Home - Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality - Make it stand out</image:title>
      <image:caption>Haenyeo diver Lee Hee Soon in The Last of the Sea Women on Apple TV+.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b22fc0fb-62c8-46ab-842f-cce90febb155/The_Last_of_the_Sea_Women_Photo_0107.jpg</image:loc>
      <image:title>Home - Sue Kim’s New Documentary Catches a Diluted Glimpse of Haenyeo’s Reality - Make it stand out</image:title>
      <image:caption>A haenyeo diver of South Korea’s Jeju Island in The Last of the Sea Women on Apple TV+.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/dinner-with-orlan-a-feminist-icon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b2b8fd7f-869b-46d2-b5be-bb538743c1f1/La+Re%CC%81incarnation+de+sainte+ORLAN.jpg</image:loc>
      <image:title>Home - Dinner with ORLAN, a Feminist Icon - Make it stand out</image:title>
      <image:caption>ORLAN. Still from La Réincarnation de Sainte ORLAN, 1990. Photography courtesy of Divulgação.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da5ab77d-a661-4b16-8b54-1e05113ba5b2/La+Reincarnation%2C+Omnipresence.png</image:loc>
      <image:title>Home - Dinner with ORLAN, a Feminist Icon - Make it stand out</image:title>
      <image:caption>ORLAN. Still from La Réincarnation de Sainte ORLAN: Omniprésence, 1993. Courtesy of diy artem, YouTube. See video extract here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b5803102-f98b-4bc1-b6ec-3b2b709684a8/Orlan+Corps.png</image:loc>
      <image:title>Home - Dinner with ORLAN, a Feminist Icon - Make it stand out</image:title>
      <image:caption>ORLAN. Corps-sculpture sans visage en mouvement dansant avec son ombre n°6, 1967. Inkjet print. 140 x 120 cm. 55.1 x 47.2 in. Edition 2/5. Courtesy of C&amp;B.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/380f2cd0-bbae-44ce-9f26-e34ae5846dd8/Exhibition-view-Clairvoyant-curated-by-Anna-Mikaela-Ekstrand-Ceysson%26Be%CC%81ne%CC%81tie%CC%80re-New-York-2024-%C2%A9Adam-Reich-courtesy-C%26B%281%29.jpg</image:loc>
      <image:title>Home - Dinner with ORLAN, a Feminist Icon - Make it stand out</image:title>
      <image:caption>Installation view. Clairvoyant at Ceysson &amp; Bénétière. (Left) Katya Grokhovsky. Hers, 2024. Acrylic, oil pastel, wall paint, mother's used apron, burlap, distressed tarp, on canvas. 72 x 48 in. (Right) Bianca-Abdi Boragi. Hourglass, 2023. Colored ink and dry pastel on paper. 11 x 14 in. ©Adam Reich. Courtesy of C&amp;B.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/980b0822-b66e-4775-973f-b08c2bfa3444/Simone+Veil.jpg</image:loc>
      <image:title>Home - Dinner with ORLAN, a Feminist Icon - Make it stand out</image:title>
      <image:caption>ORLAN. Je t'autorise à être moi, je m'autorise à être toi (Simone Veil). Photograph. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ea9dc08c-7eef-4f04-980a-fc9c79cf0487/ORLAN+Book.png</image:loc>
      <image:title>Home - Dinner with ORLAN, a Feminist Icon - Make it stand out</image:title>
      <image:caption>ORLAN. Striptease. Published by The Everyday Press aka Bunker Basement. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/sudestada-sweeps-through-new-yorks-fashion-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32505dd5-9d41-44b5-a315-4655609c3292/Marta+Minujin_x_SUDESTADA_Limited+Edition+Capsule+Collection_9_Gimena+Garmendia_Founder+SUDESTADA.jpg</image:loc>
      <image:title>Home - SUDESTADA Sweeps Through New York’s Fashion World - Make it stand out</image:title>
      <image:caption>Gimena Garmendia wears an overall in SUDESTADA's collaboration capsule with Marta Minujín</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20c905aa-72ac-414a-9f67-b4081b64e43c/In+Dreams+We+Trust_Sol+Pardo+Exhibition_SUDESTADA_5ph+Ivan+Resnik.jpg</image:loc>
      <image:title>Home - SUDESTADA Sweeps Through New York’s Fashion World - Make it stand out</image:title>
      <image:caption>Installation of exhibition In Dreams We Trust, on view from May 30th to June 23rd, 2024. Courtesy of SUDESTADA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d10ccc19-aa72-48b5-8259-2cfb6c0cc28f/In+Dreams+We+Trust_Sol+Pardo+Exhibition_SUDESTADA_32ph+Ivan+Resnik.jpg</image:loc>
      <image:title>Home - SUDESTADA Sweeps Through New York’s Fashion World - Make it stand out</image:title>
      <image:caption>The opening event of In Dreams We Trust. Courtesy of SUDESTADA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a17494fc-2a7a-4c1d-9db5-e74d2f2d31eb/Why+Are+We+So+Afraid__SUDESTADA_Florencia+Montefalcone_%40fotosdeana_15.jpg</image:loc>
      <image:title>Home - SUDESTADA Sweeps Through New York’s Fashion World - Make it stand out</image:title>
      <image:caption>Florencia Montefalcone: Why Are We So Afraid. On view from July 11th to August 4th, 2024. Courtesy of SUDESTADA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tina-girouards-enigmatic-symbols-await-interpretation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d0bf8d70-e88e-4cdd-b5e5-ba346f25c6af/TG_002.jpg</image:loc>
      <image:title>Home - Tina Girouard’s Enigmatic Symbols Await Interpretation - Make it stand out</image:title>
      <image:caption>Tina Girouard, Conflicting Evidence (1980). Fabric Workshop DNA-Icons panels with pigment on commercially printed fabrics. In collaboration with The Fabric Workshop and Museum, Philadelphia, PA. 108 x 144 in. Courtesy of the Estate of Tina Girouard and Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/285fca09-7533-4f8d-b954-0c9cb244f3a4/TG_045.jpg</image:loc>
      <image:title>Home - Tina Girouard’s Enigmatic Symbols Await Interpretation - Make it stand out</image:title>
      <image:caption>Tina Girouard, Fire, Death (1980). Fabric Workshop DNA-Icons panels with pigment on commercially printed fabrics. In collaboration with The Fabric Workshop and Museum, Philadelphia, PA. 35 1/2 x 71 in. Courtesy of the Estate of Tina Girouard and Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fbe31b55-9850-44b0-a182-d7145322e465/TG_015.jpg</image:loc>
      <image:title>Home - Tina Girouard’s Enigmatic Symbols Await Interpretation - Make it stand out</image:title>
      <image:caption>Tina Girouard, Swamp, House, Conflicting Evidence (1980). Fabric Workshop DNA-Icons panels with pigment on commercially printed fabrics. In collaboration with The Fabric Workshop and Museum, Philadelphia, PA. 105 x 35 1/4 in. Courtesy of the Estate of Tina Girouard and Magenta Plains.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be0cf677-eb31-49b6-a89b-52b92ff575fd/TG_003.jpg</image:loc>
      <image:title>Home - Tina Girouard’s Enigmatic Symbols Await Interpretation - Make it stand out</image:title>
      <image:caption>Tina Girouard, Child, Tina, Gonna Go, Conflicting Evidence (1980). Fabric Workshop DNA-Icons panels with pigment on commercially printed fabrics. In collaboration with The Fabric Workshop and Museum, Philadelphia, PA. 69 3/4 x 70 1/2 in. Courtesy of the Estate of Tina Girouard and Magenta Plains.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/maris-van-vlack-time-warp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be115892-35e4-4295-b87d-a5f89b85978b/Image+1.png</image:loc>
      <image:title>Home - Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves - Make it stand out</image:title>
      <image:caption>Installation view of Maris Van Vlack: Time Warp. Courtesy of Superhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a268b22-cd09-446e-bc5a-3ba21f58e057/Image+2.png</image:loc>
      <image:title>Home - Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves - Make it stand out</image:title>
      <image:caption>Maris Van Vlack, Cornerstone (2023). 28 W x 56 H in (71.1 x 142.2 cm), hand-knotted mixed fibers, Stoll knitting, and embroidery. Courtesy of the artist and Superhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/30ac8c86-8bbf-4c01-965f-e044c9f8e566/Image+3.png</image:loc>
      <image:title>Home - Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves - Make it stand out</image:title>
      <image:caption>Detail of Cornerstone (2023) by Maris Van Vlack. Courtesy of the artist and Superhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5e04f9c3-3ba7-4eaa-96de-bbfbb104fdce/Image+5.png</image:loc>
      <image:title>Home - Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves - Make it stand out</image:title>
      <image:caption>Maris Van Vlack, Facade (2023). 88 W x 100 H in (223.5 x 254 cm), hand-woven mixed fibers, Stoll knitting, jacquard weaving, and paint. Courtesy of the artist and Superhouse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c95907a3-be44-4608-a843-d7b60858fcd4/Image+4.png</image:loc>
      <image:title>Home - Maris Van Vlack’s “Time Warp” Teaches Us About Ourselves - Make it stand out</image:title>
      <image:caption>Maris Van Vlack, Storm Dispersing (2024). 80 W x 80 H x 11 D in (203.2 x 203.2 x 28 cm), hand-wove mixed fibers and rope, jacquard weaving, industrial knitting, and paint. Courtesy of the artist and Superhouse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-mischievous-haze-of-gio-black-peter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/806497df-93de-48de-9fdd-7dba6334445e/GioArt1.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Bad Cops Make Good Snacks, 2016. Oil and acrylic on canvas, 58” x 48”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c04d777-d2ca-42dc-99d5-684e04681013/GioImpulse2.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Chinatown, 2024. Photograph by Waltpaper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db51f10d-62e1-4b38-9892-f365f6a18b67/GioImpulse3.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Chinatown, 2024. Photograph by Waltpaper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/11994fc1-8e66-42ca-85a0-4ead56ed2ab6/GioArt2.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Walter’s Writing Desk, 2017. Pastel, acrylic, graphite, marker, and colored pencil, 30” x 30”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dc70be19-29d8-4bc7-82ba-236a7cbf23a6/GioArt3.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, (L to R) Swan–this bird has flown / Fire on the Moon / Pain Is Good. Acrylic and oil pastel on NYC subway maps. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15b12ae3-e12a-4a4a-a59e-90518ec2c00b/GioImpulse4.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Chinatown, 2024. Photograph by Waltpaper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5bc1c870-d10f-4311-9c5f-5f0faa1d365e/GioArt4.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Marsha P. Johnson as a Sphinx (with and AIDS awareness ribbon as a tail and a brick under her paw), 2023. Acrylic on canvas, 48” x 48”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8650cb16-fb09-4367-ab35-060c75e9d3be/GioArt5.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, As Above So Below Flying High Forever, 2016, Acrylic on wood, 20” x 16”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bd32ad26-b118-448b-9f5c-ade1d36fe2dc/GioArt6.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Don’t Let Me Down, 2018. Oil and acrylic on canvas, 60” x 48”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7da6c2cd-91ee-411b-93dc-155fac86c463/GioArt7.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Communion series, (L to R) Travles / Golden Blue (Pascal) / Jonathan. Acrylic and gold leaf on wood. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/64a0ffe8-57d9-436b-acc3-6c6211106dcf/GioArt8.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Birth Life Death, 2023. Oil and acrylic on canvas, 34” x 26”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5ad50471-fc4e-4370-baa5-5dfc27ab78dd/GioArt9.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Anything you ever needed is everything you’ve always had, 2024. Oil and acrylic on canvas, 58” x 48”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1036eba5-6958-4fdf-8fc5-3cf1248ee514/GioArt10.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, La Anunciación (el momento), 2020. Acrylic on canvas, 66” x 50”. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55114fd5-0119-43bf-8333-4b553e78bf04/GioArt11.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, Chronic Insomnia Garden Date, 2012. Pastel, acrylic, walter color, graphite marker, colored pencil, 13” x 10.5”. Courtesy of the artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c90193af-cd6d-4b18-951e-d3a1ecaaba6b/GioArt12.jpg</image:loc>
      <image:title>Home - NATURE OR NURTURE: The Mischievous Haze of Gio Black Peter - Make it stand out</image:title>
      <image:caption>Gio Black Peter, He Feeds Wolves with His Hands, 2023. Acrylic and oil on canvas, 6’ x 5’. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/o1b-visa-introduction-part-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09c428b4-d34c-4566-82d0-6e9e0592ba05/visa-center-employee-at-work-2023-11-27-05-02-11-utc.jpg</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part II) - Make it stand out</image:title>
      <image:caption>© AnnaStills | Envato Elements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e42e345f-ff84-466b-9da0-2eb953fdf151/close-up-self-check-in-for-flight-or-buying-airpla-2023-11-27-05-17-24-utc.jpg</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part II) - Make it stand out</image:title>
      <image:caption>© travnikovstudio | Envato Elements</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7675b069-1a3e-48e8-b2ad-464f557866b0/Free.png</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part II) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/728dafac-e4a4-4060-9775-bd25316d7649/Screen+Shot+2024-10-07+at+8.13.27+PM.png</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part II) - Make it stand out</image:title>
      <image:caption>PLEASE NOTE: The information above is based on general guidelines and may vary depending on individual circumstances. Processing times, fees, and requirements can change frequently. Please consult the official USCIS website and seek legal counsel for the most current and accurate immigration information. Delays are very common, so plan accordingly and consider filing as early as possible within the allowed time frames. Final Tips and Considerations for the O-1 Visa When preparing your O-1 visa case, there are several crucial factors to keep in mind to ensure the best possible outcome. First, it's important to remember that student-related achievements are generally not considered for the O-1 visa. Awards, exhibitions, or accomplishments that occurred while you were a student may not carry much weight unless they have clear, independent significance beyond the academic environment. Therefore, focus on documenting professional achievements that demonstrate your extraordinary ability in the arts. One of the advantages of the O-1 visa is the flexibility around employment, as there are no set salary requirements. This allows artists and performers to take a range of roles without worrying about meeting minimum earnings thresholds. Moreover, the O-1 visa permits multiple employers, so you can work on several projects at once, as long as you file a petition listing all the employers or work through a designated agent who handles your engagements. Evidence plays a key role in the O-1 visa application. Your proof of extraordinary ability can come from anywhere in the world—there is no requirement for the achievements to be based in the US. You can present awards, media coverage, or commercial success from your home country or other regions where your work has been recognized.  Timing is everything when it comes to the O-1 visa application process. Be mindful that international travel during the visa processing period can impact the timeline of your filing. It's essential to plan your travel accordingly to avoid complications. Additionally, while the O-1 visa grants work authorization, note that spouses of O-1 visa holders are not permitted to work under the dependent O-3 visa, though they can study in the US. Lastly, it’s worth considering the long-term potential of a successful O-1 visa case. If you establish a strong enough record, your O-1 petition could pave the way for a green card application, specifically under the EB-1A category for individuals with extraordinary ability. If you plan to continue your career in the US indefinitely, the O-1 visa can be a strong stepping stone toward permanent residency.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b9fb3f66-df94-4dc0-9242-1981bd5da425/visa-online-application-concept-open-passport-wit-2023-11-27-05-04-44-utc.jpg</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part II) - Make it stand out</image:title>
      <image:caption>© maxxyustas | Envato Elements</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/kairos-futura-reshapes-eco-consciousness-as-a-crucial-part-of-african-futurism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/715c83ff-ad3a-4f42-92ce-1cf2db38d92a/AI+poster.jpg</image:loc>
      <image:title>Home - Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism - Make it stand out</image:title>
      <image:caption>Future Fantasy #4. AI generated silkscreen prints of the future of Nairobi. Kairos Futura created these as a team working with AI to generate over 1000 future utopia images of Nairobi. Twenty were converted to silkscreen prints and exhibited in Hakuna Utopia. Courtesy of Kairos Futura</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f0383198-0424-46e7-beb4-46624f6cb8d4/map.jpg</image:loc>
      <image:title>Home - Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism - Make it stand out</image:title>
      <image:caption>The Utopia Map, which allows participants to visit different micro-utopias around Nairobi and different states of mind. Courtesy of Kairos Futura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d2bca80a-5813-4cf7-a8d4-fcc6fa68a8c9/Lincoln+Portrait.jpg</image:loc>
      <image:title>Home - Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism - Make it stand out</image:title>
      <image:caption>Lincoln Mwangi working on The Utopia Within. Courtesy of Kairos Futura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4e0b2301-7373-431d-94f7-a695612a1a30/KanairoChairAjax.jpg</image:loc>
      <image:title>Home - Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism - Make it stand out</image:title>
      <image:caption>Ajax Axe. Utopia Chair #2 (2024). Mixed media sculpture. Axe transformed school chairs, a symbol of systemic suffering for young people in Kenya, into playful installations meant to inspire pleasure and curiosity. Courtesy of Kairos Futura</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e40b2be9-4390-4647-81aa-a011361f916b/installation+view.jpg</image:loc>
      <image:title>Home - Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism - Make it stand out</image:title>
      <image:caption>Installation view of Hakuna Utopia. Courtesy of Kairos Futura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a1b10771-090b-4780-ae06-1a55e29eb0aa/movie+set.jpg</image:loc>
      <image:title>Home - Kairos Futura Reshapes Eco-Consciousness as a Crucial Part of African Futurism - Make it stand out</image:title>
      <image:caption>Kairos team members shooting a short film at one of the Micro-Utopia locations, The Temple in Lucky Summer. Courtesy of Kairos Futura</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interface-of-the-abyss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5fe3612c-e4f3-4ddb-953c-72330c536fdc/_DSC0173+copy.jpg</image:loc>
      <image:title>Home - Nietzsche in a Downtown Supply Store - Make it stand out</image:title>
      <image:caption>Installation view of Interface of the Abyss. Courtesy of the artists and Below Grand, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fdb1a19a-b85e-42e7-836b-61616487d8ae/_DSC0186%2Bcopy.jpg</image:loc>
      <image:title>Home - Nietzsche in a Downtown Supply Store - Make it stand out</image:title>
      <image:caption>Mark Dorf. View VII, View IV, and View XII (2021). Archival Dye sublimation print. Courtesy of the artist and Below Grand Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a5ff3f8-e3f5-42bf-9ef6-9a9cfcd1156f/_DSC0189+copy.jpg</image:loc>
      <image:title>Home - Nietzsche in a Downtown Supply Store - Make it stand out</image:title>
      <image:caption>Hyunseon Kang. A Sleeping Monument (2020). Interactive 3D object (WebGL). Infinite duration. Courtesy of the artist and Below Grand, New York.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4599bef9-99a2-433e-80b5-49b9aae60828/_DSC0190+copy.jpg</image:loc>
      <image:title>Home - Nietzsche in a Downtown Supply Store - Make it stand out</image:title>
      <image:caption>Chando Ao. Untitled (2024). Oil on canvas. Courtesy of the artist and Below Grand, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jingyao-huang-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/35892ea6-a032-43e5-8f59-0f869e01d7b5/%E8%89%BA%E6%9C%AF%E5%AE%B6%E7%85%A7%E7%89%87.JPG</image:loc>
      <image:title>Home - Photo Vision, Cities, and Glitch Art: In Conversation with Jingyao Huang - Make it stand out</image:title>
      <image:caption>Photo of Jingyao Huang by Lanyi Gao. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/08ea9695-133b-4bb1-92cc-6458f1ed0792/Chaotics+Data+Fences%2C+Baraka%2C+and+the+Cityscape+_+%E6%B7%B7%E4%B9%B1%E7%9A%84%E6%95%B0%E6%8D%AE%E6%A0%85%E6%A0%8F%EF%BC%8C%E5%A4%A9%E5%9C%B0%E7%8E%84%E9%BB%84%EF%BC%8C%E5%92%8C%E5%9F%8E%E5%B8%82%E6%99%AF%E8%A7%82+%232-1.JPG</image:loc>
      <image:title>Home - Photo Vision, Cities, and Glitch Art: In Conversation with Jingyao Huang - Make it stand out</image:title>
      <image:caption>Jingyao Huang. Chaotic Data Fences, Baraka, and the Cityscape #2 (2022). Photo UV print on acrylic, 40 x 15 x 5 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09b86bc5-a7b2-4fe2-a884-90f863c56401/Echo+from+2023.08.02-08.22+Imaginary+playground%2C+2023%2C+23x28x7+inch%2C+Acrylic+plastic.jpg</image:loc>
      <image:title>Home - Photo Vision, Cities, and Glitch Art: In Conversation with Jingyao Huang - Make it stand out</image:title>
      <image:caption>Jingyao Huang. Echo from 2023.08.02–08.22 Imaginary Playground (2023). Acrylic plastic, 23 x 28 x 7 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/024009d7-899f-49a0-93cf-fc73b6ae7f1a/Chaotics+Data+Fences%2C+Baraka%2C+and+the+Cityscape+%234-1.jpg</image:loc>
      <image:title>Home - Photo Vision, Cities, and Glitch Art: In Conversation with Jingyao Huang - Make it stand out</image:title>
      <image:caption>Jingyao Huang. Chaotic Data Fences, Baraka, and the Cityscape #4 (2023). Photo UV print on acrylic, 54 x 30 x 30 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a749176-86a3-410a-adf2-27a82907dd0a/Study+of+the+bridge+%232_2024_11.5+x+3.5+x+5.25+inch_Acrylic+plastic.jpg</image:loc>
      <image:title>Home - Photo Vision, Cities, and Glitch Art: In Conversation with Jingyao Huang - Make it stand out</image:title>
      <image:caption>Jingyao Huang. Study of the Bridge #2, (2024). Photo UV print on acrylic, 11.5 x 3.5 x 5.25 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4ca4fe55-77c0-4c73-acab-4e8fc138f1dc/Chaotics+Data+Fences%2C+Baraka%2C+and+the+Cityscape+_+%E6%B7%B7%E4%B9%B1%E7%9A%84%E6%95%B0%E6%8D%AE%E6%A0%85%E6%A0%8F%EF%BC%8C%E5%A4%A9%E5%9C%B0%E7%8E%84%E9%BB%84%EF%BC%8C%E5%92%8C%E5%9F%8E%E5%B8%82%E6%99%AF%E8%A7%82+%231-1.JPG</image:loc>
      <image:title>Home - Photo Vision, Cities, and Glitch Art: In Conversation with Jingyao Huang - Make it stand out</image:title>
      <image:caption>Jingyao Huang. Chaotic Data Fences, Baraka, and the Cityscape #1 (2022). Photo UV print on acrylic, 34 x 60 x 5 inches. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-aeri-go</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e10ac4ce-d243-4481-97c7-b2e5f31b71da/Aeri+Go.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Aeri Go - Make it stand out</image:title>
      <image:caption>Photo of Aeri Go. Courtesy of Alyona Kuzmina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/00ccba08-74f9-4058-8480-63cddf6e8629/aeri54531-1.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Aeri Go - Make it stand out</image:title>
      <image:caption>Work by Aeri Go. Courtesy of Alyona Kuzmina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a20522ce-5691-43e3-8842-e0f7eefd3dc4/Andromeda+Necklace-2.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Aeri Go - Make it stand out</image:title>
      <image:caption>Necklace by Aeri Go. Courtesy of Alyona Kuzmina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c79d864-823d-4f11-9f0f-9b04ad0a0c8e/Aeri+Go_Studio.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Aeri Go - Make it stand out</image:title>
      <image:caption>Photo of Aeri Go in her studio. Courtesy of Aeri Go.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/38783c9b-12ea-49d4-b3af-eeae97a03d03/aeri54413+copy.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Aeri Go - Make it stand out</image:title>
      <image:caption>Work by Aeri Go. Courtesy of Alyona Kuzmina.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/stop-and-smell-a-garden-of-roses</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9200fcff-c1a3-4db2-b70d-9c89bf713e7a/15_FWM_THE+ROSE+GARDEN_ASH-17.jpg</image:loc>
      <image:title>Home - Stop and Smell a Garden of Roses - Make it stand out</image:title>
      <image:caption>John Jarboe, in collaboration with The Fabric Workshop and Museum, Philadelphia. The Rose Garden, 2024. Photo credit: Christopher Ash. Courtesy of The Fabric Workshop and Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b5aa38c9-8a4b-4490-8987-80741b5bcc44/12_FWM_THE+ROSE+GARDEN_ASH-7.jpg</image:loc>
      <image:title>Home - Stop and Smell a Garden of Roses - Make it stand out</image:title>
      <image:caption>John Jarboe, in collaboration with The Fabric Workshop and Museum, Philadelphia. The Rose Garden, 2024. Photo credit: Christopher Ash. Courtesy of The Fabric Workshop and Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/466c8bab-6ba5-4254-bd13-594bc82fba48/09_FWM_THE+ROSE+GARDEN_ASH-3%281%29.jpg</image:loc>
      <image:title>Home - Stop and Smell a Garden of Roses - Make it stand out</image:title>
      <image:caption>John Jarboe, in collaboration with The Fabric Workshop and Museum, Philadelphia. The Rose Garden, 2024. Photo credit: Christopher Ash. Courtesy of The Fabric Workshop and Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d5d7140c-25f6-4d8d-b24e-817644028597/28_FWM_THE+ROSE+GARDEN_ASH-99.jpg</image:loc>
      <image:title>Home - Stop and Smell a Garden of Roses - Make it stand out</image:title>
      <image:caption>John Jarboe, in collaboration with The Fabric Workshop and Museum, Philadelphia. The Rose Garden, 2024. Photo credit: Christopher Ash. Courtesy of The Fabric Workshop and Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/21da59a8-5abf-44ed-914b-0944ce04bcdd/08_FWM_THE+ROSE+GARDEN_3609.jpg</image:loc>
      <image:title>Home - Stop and Smell a Garden of Roses - Make it stand out</image:title>
      <image:caption>John Jarboe. Fishy, 2022. Photo by Christopher Ash. Courtesy of The Fabric Workshop and Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/false-dawn-nazanin-noroozi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6499a37e-1a3f-4ad1-ae7e-23f60de475c4/Naz_007.JPEG</image:loc>
      <image:title>Home - False Dawn: Nazanin Noroozi on Creating Emotional and Psychic Space - Make it stand out</image:title>
      <image:caption>Nazanin Noroozi in her studio. Image courtesy of Wesley Kingston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/25b2e37c-9399-44a9-ae71-a41ef77dea25/DSCF6302.JPG</image:loc>
      <image:title>Home - False Dawn: Nazanin Noroozi on Creating Emotional and Psychic Space - Make it stand out</image:title>
      <image:caption>Installation view of four False Dawn works, 22 x 30 in, pigmented linen pulp paint and cheesecloth fabric on handmade paper (cotton &amp; flax). Image courtesy of Francisco Donoso</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15c1b2c8-b071-47f3-93ff-400a0afc1aa1/DSCF6317.JPG</image:loc>
      <image:title>Home - False Dawn: Nazanin Noroozi on Creating Emotional and Psychic Space - Make it stand out</image:title>
      <image:caption>Detail view of False Dawn 00010, 2024, 22 x 30 in, pigmented linen pulp paint and cheesecloth fabric on handmade paper (cotton). Image courtesy of Francisco Donoso</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f581b896-d4ef-4391-b704-3e3741fb05d2/DSCF6309.JPG</image:loc>
      <image:title>Home - False Dawn: Nazanin Noroozi on Creating Emotional and Psychic Space - Make it stand out</image:title>
      <image:caption>Nazanin Noroozi, False Dawn 0006, 2024. 22 x 30 in, pigmented linen pulp paint and cheesecloth fabric on handmade paper (cotton). Image courtesy of Francisco Donoso</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/680c2654-0af0-44cc-87e2-32a0828de14c/DSCF6308.JPG</image:loc>
      <image:title>Home - False Dawn: Nazanin Noroozi on Creating Emotional and Psychic Space - Make it stand out</image:title>
      <image:caption>Installation view of False Dawn 0007 and 0004, 2024. 22 x 30 in, pigmented linen pulp paint and cheesecloth fabric on handmade paper (cotton &amp; flax). Image courtesy of Francisco Donoso</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/maithili-chaturvedi-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/07e9aeb9-ee17-498d-a218-362fdfde10a0/Maithili.JPG</image:loc>
      <image:title>Home - Bollywood's Retro Charm Reimagined Through Artist Maithili Chaturvedi’s Heart-Shaped Sunglasses - Make it stand out</image:title>
      <image:caption>Photo of Maithili Chaturvedi. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6914a3d0-de92-4cb2-91c9-ab6443a009d4/Maithili4.JPG</image:loc>
      <image:title>Home - Bollywood's Retro Charm Reimagined Through Artist Maithili Chaturvedi’s Heart-Shaped Sunglasses - Make it stand out</image:title>
      <image:caption>Photo of Maithili Chaturvedi in her studio. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3fee6b03-c0dd-47db-9264-306e52ed98da/MC-2024-010.1.jpg</image:loc>
      <image:title>Home - Bollywood's Retro Charm Reimagined Through Artist Maithili Chaturvedi’s Heart-Shaped Sunglasses - Make it stand out</image:title>
      <image:caption>Maithili Chaturvedi. Pooja (2024). Oil on canvas, 5 x 4 ft. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e9f066e2-8cc8-4868-b20b-b3f8a80ac892/MC-2024-011.1.jpg</image:loc>
      <image:title>Home - Bollywood's Retro Charm Reimagined Through Artist Maithili Chaturvedi’s Heart-Shaped Sunglasses - Make it stand out</image:title>
      <image:caption>Maithili Chaturvedi. Oh Rahul (2024). Oil on canvas, 5 x 4 ft. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/an-interview-with-heldy-de-la-cruz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ce9dd68-881c-409e-af21-e81d0b44a7a8/Headshot.PNG</image:loc>
      <image:title>Home - An Interview with Heldáy de la Cruz - Make it stand out</image:title>
      <image:caption>Portrait of Heldáy de la Cruz. Credit: Adolfo Cantú-Villarreal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7589e449-cea3-4751-8f6e-8286d1ae6aec/QTS_posters-06.jpg</image:loc>
      <image:title>Home - An Interview with Heldáy de la Cruz - Make it stand out</image:title>
      <image:caption>Heldáy de la Cruz, QTS Poster. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0542e4ac-f637-43d6-8f6f-3563068a124b/Self+Portrait+from+Desierto+a+Desierto.png</image:loc>
      <image:title>Home - An Interview with Heldáy de la Cruz - Make it stand out</image:title>
      <image:caption>Heldáy de la Cruz. Self Portrait in Desierto a Desierto. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8ffa3915-a498-4179-ab80-aaa3c75d883a/NJNP_artwork-5x7.png</image:loc>
      <image:title>Home - An Interview with Heldáy de la Cruz - Make it stand out</image:title>
      <image:caption>Heldáy de la Cruz. "No Justice, No Peace" T-Shirt Design. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/02f49aad-bfba-4540-9cc9-eeff87f85c8a/Palestina_Libre_artwork_black.jpg</image:loc>
      <image:title>Home - An Interview with Heldáy de la Cruz - Make it stand out</image:title>
      <image:caption>Heldáy de la Cruz. Palestina Libre Poster. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/feast-your-eyes-artists-and-recipes-at-marvin-gardens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8368175f-5650-4778-9171-0a45fa7f2c45/artist+recipes2.png</image:loc>
      <image:title>Home - Feast Your Eyes: “Artists and Recipes” at Marvin Gardens - Make it stand out</image:title>
      <image:caption>Page 6 of Artist &amp; Recipes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5ef62bb1-a394-4a01-a76a-37905f48f927/artist+recipes5.jpg</image:loc>
      <image:title>Home - Feast Your Eyes: “Artists and Recipes” at Marvin Gardens - Make it stand out</image:title>
      <image:caption>Chris Retsina, Taverna man drinking water. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a66a6970-eb46-4547-8c75-1a23de047b4e/artist+recipes4.png</image:loc>
      <image:title>Home - Feast Your Eyes: “Artists and Recipes” at Marvin Gardens - Make it stand out</image:title>
      <image:caption>Potluck table at the opening of Artists &amp; Recipes. Photo by Sterling Corum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dd8362a1-0a82-414d-b54a-53f9c3840a32/artist+recipes3.png</image:loc>
      <image:title>Home - Feast Your Eyes: “Artists and Recipes” at Marvin Gardens - Make it stand out</image:title>
      <image:caption>Installation view of Artists &amp; Recipes at Marvin Gardens. Photo by Elisabeth Bernstein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/78bb6259-5f2b-424c-b603-c48f34b6ec75/artist+recipes1.png</image:loc>
      <image:title>Home - Feast Your Eyes: “Artists and Recipes” at Marvin Gardens - Make it stand out</image:title>
      <image:caption>Installation view of Artists &amp; Recipes at Marvin Gardens. Photo by Elisabeth Bernstein.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/o1b-visa-introduction-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9e2bc1a5-7976-4ddb-8b60-09aeb34bd3a6/human-hands-holding-global-earth-ball-sustain-ear-2023-11-27-04-50-20-utc.jpg</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part I) - Make it stand out</image:title>
      <image:caption>Licensed from Envato Elements.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/99512bb8-5df6-4404-a957-626a3f67b979/happy-artist-interacting-with-guests-of-exhibition-2023-11-27-04-59-32-utc.JPG</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part I) - Make it stand out</image:title>
      <image:caption>Licensed from Envato Elements.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/74f89312-912a-44c0-927f-d897543efcb1/young-woman-smiling-and-giving-tickets-passport-w-2023-11-27-05-36-27-utc.jpg</image:loc>
      <image:title>Home - An Introduction to O-1 Visas for Artists: What You Need to Know (Part I) - Make it stand out</image:title>
      <image:caption>Licensed from Envato Elements.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/blood-hands-and-mannequins-a-group-show-at-ghostmachine-explores-unbound-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/111e1e27-eb7b-4909-a283-82034d36d4f3/Peripheral+Belonging8980%28M%29_2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Installation view of Peripheral Belonging at GHOSTMACHINE. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/30fa14d6-135c-4bab-9da3-9c71ea9b9c83/Peripheral+Belonging9052%28M%29_2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Installation view of the exhibition. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c54d428d-5105-469b-a83e-2864da18e126/Peripheral+Belonging9076_2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Magdalena Dukiewicz. Detail of Oscillations, 2024. Artist’s blood and hair, hydrolyzed collagen, sodium citrate, dye, copper and stainless steel rods, cannulas (breathing tubes), PCV tube, and air pump. 84 x 48 x 48 in. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e15e70c-faa4-469f-8acc-e40f61b95211/Peripheral+Belonging9059_2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Char Jeré, Genuflect Symphony, 2024. Comet, black clay, 5 Marsona sleep aides, light bulb, circuits, wood, cotton, and 3 satellite dishes. 84 x 60 x 48 in. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f393cc5e-c4d6-4369-a39f-a72d015927cf/Peripheral+Belonging9070_2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Detail of Genuflect Symphony. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bce13081-9b14-43ee-bd6d-3d72122e5163/Peripheral+Belonging9047_2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>(From left) Jiwon Rhie, Mirror Blind (Conscious Consciousness) (2018). See-through plexiglass, blind components, servo motor, sensors, and Arduino. 74 x 28 x 15 in. Both works on the right by Terrance James Jr., 004_05A_053 (2016) and 007_01B_001 (2017). Archival Inkjet Print. 11 x 17 in, framed 16 x 20 in. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b3595e07-ca5e-478b-b80d-81b2c6c647e1/026_01C_016.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Terrance James Jr., Untitled (026_01C_016), 2020 (2018). Archival Inkjet Print. 11 x 17 in., framed 16 x 20 in. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d178feb6-7775-4893-b583-346f673bebbd/Peripheral+Belonging9017__2500px_240dpi.jpg</image:loc>
      <image:title>Home - Blood, Hands, and Mannequins: A Group Show at GHOSTMACHINE Explores Unbound Bodies - Make it stand out</image:title>
      <image:caption>Guillermo Rodriguez, Double Figure, 2024. Pewter, stainless steel tube, and steel wire rope. 13 x 72 x 5 in. Image courtesy of Flaneurshan.studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-morrison-gong</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/20d9b202-51fb-49ef-924e-ec415ec72dd2/001_Morrison+Gong_Studio+Selfie.jpg</image:loc>
      <image:title>Home - Migration In Dialogue – Morrison Gong - Make it stand out</image:title>
      <image:caption>Morrison Gong's studio selfie. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd27e183-713d-453a-aca4-d350c0280154/Bea+Smoking+in+Bathroom.jpg</image:loc>
      <image:title>Home - Migration In Dialogue – Morrison Gong - Make it stand out</image:title>
      <image:caption>Morrison Gong, Bea Smoking in Bathroom (2022). Archival pigment print, 21 x 14 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d7e55ca8-6cbf-43ff-a431-cf5eccb5123a/fallen+angel.jpg</image:loc>
      <image:title>Home - Migration In Dialogue – Morrison Gong - Make it stand out</image:title>
      <image:caption>Morrison Gong, Fallen Angel (2023). Archival pigment print, 14 x 9 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ac231e6-7e7c-4f2c-b4fc-f124a4dd8598/Nicol+and+Alexandra.jpg</image:loc>
      <image:title>Home - Migration In Dialogue – Morrison Gong - Make it stand out</image:title>
      <image:caption>Morrison Gong, The Witching Hour (2022). Archival pigment print, 17 x 11 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c993be8c-b45c-4541-8b91-b04af604f592/Trick.jpg</image:loc>
      <image:title>Home - Migration In Dialogue – Morrison Gong - Make it stand out</image:title>
      <image:caption>Morrison Gong, Tricks (2023). Archival pigment print, 18 x 12 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b6c79f21-f9e7-4ca4-b331-7874c00361b8/002_Morrison+Gong_Selfie.jpg</image:loc>
      <image:title>Home - Migration In Dialogue – Morrison Gong - Make it stand out</image:title>
      <image:caption>Photo of Morrison Gong. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/amy-bravo-swivel-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc50658b-b8fd-4b43-a08a-6a1514cc0f05/install+2.jpg</image:loc>
      <image:title>Home - “The Outline of Her Words”: Where Myth Meets Memory - Make it stand out</image:title>
      <image:caption>Installation view of Amy Bravo: TransmogrificationNow! at Swivel Gallery, September 7th - October 7th, 2024. Photo by Cary Whittier. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/26208f52-e870-40d7-8dc0-f3b1ab5178e8/install.jpg</image:loc>
      <image:title>Home - “The Outline of Her Words”: Where Myth Meets Memory - Make it stand out</image:title>
      <image:caption>Installation view of Amy Bravo: TransmogrificationNow! at Swivel Gallery, September 7th - October 7th, 2024. Photo by Cary Whittier. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eda010eb-90c9-4aed-bfce-885e0deba2e5/750.jpeg</image:loc>
      <image:title>Home - “The Outline of Her Words”: Where Myth Meets Memory - Make it stand out</image:title>
      <image:caption>Amy Bravo, The 750 Mile Snake, 2024. Graphite, wax pastel, acrylic, rubber, and embroidery on canvas. 74 H x 100 W x 3 D in. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c1c25be-67b7-449c-8aa3-b9cc74e6628c/bull+4.0.jpeg</image:loc>
      <image:title>Home - “The Outline of Her Words”: Where Myth Meets Memory - Make it stand out</image:title>
      <image:caption>Amy Bravo, Automaton 4.0 (Bull-Remastered), 2024. Found cabinet, foam, acrylic, wood, epoxy, plaster, thread, boxing gloves, Christmas lights, synthetic hair, cow bones, and found objects, 81 H x 52 W x 25 D in. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/58806464-b8bf-4c08-a202-a2dd5a67a3f0/install+3.jpg</image:loc>
      <image:title>Home - “The Outline of Her Words”: Where Myth Meets Memory - Make it stand out</image:title>
      <image:caption>Installation view of Amy Bravo: TransmogrificationNow! at Swivel Gallery, September 7th - October 7th, 2024. Photo by Cary Whittier. Courtesy of the artist and Swivel Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/queer-hilarity-in-vile-isle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b753f15-4d75-42fb-a411-bafaa5d71505/Mariyea+Jackson+in+The+Tank%27s+2024+Production+of+VILE+ISLE-+Photo+by+Mari+Eimas-Dietrich+%281%29.jpeg</image:loc>
      <image:title>Home - When It Rains, It Pours: Queer Hilarity in “Vile Isle” - Make it stand out</image:title>
      <image:caption>Mariyea Jackson in Vile Isle (2024). Written by Justin Halle, directed by Spencer Whale, and co-produced by Most Unwanted (Connor Scully). Photo by Mari Eimas-Dietrich. Courtesy of The Tank.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/51819ca5-01f5-4023-98e0-83ae6fa309a8/Sam+Gonzalez+and+Max+Kantor+in+The+Tank%27s+2024+Production+of+VILE+ISLE-+Photo+by+Mari+Eimas-Dietrich.jpeg</image:loc>
      <image:title>Home - When It Rains, It Pours: Queer Hilarity in “Vile Isle” - Make it stand out</image:title>
      <image:caption>Sam Gonzalez and Max Kantor in Vile Isle (2024). Written by Justin Halle, directed by Spencer Whale, and co-produced by Most Unwanted (Connor Scully). Photo by Mari Eimas-Dietrich. Courtesy of The Tank.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43b53845-80af-4078-b434-0ff0211baac9/Mariyea+Jackson+in+The+Tank%27s+2024+Production+of+VILE+ISLE-+Photo+by+Mari+Eimas-Dietrich+%282%29.jpeg</image:loc>
      <image:title>Home - When It Rains, It Pours: Queer Hilarity in “Vile Isle” - Make it stand out</image:title>
      <image:caption>Mariyea Jackson in Vile Isle (2024). Written by Justin Halle, directed by Spencer Whale, and co-produced by Most Unwanted (Connor Scully). Photo by Mari Eimas-Dietrich. Courtesy of The Tank.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/30f812a6-0fad-4317-9f88-bd630abd4b89/Julian+Socha+in+The+Tank%27s+2024+Production+of+VILE+ISLE-+Photo+by+Mari+Eimas-Dietrich.jpeg</image:loc>
      <image:title>Home - When It Rains, It Pours: Queer Hilarity in “Vile Isle” - Make it stand out</image:title>
      <image:caption>Julian Socha in Vile Isle (2024). Written by Justin Halle, directed by Spencer Whale, and co-produced by Most Unwanted (Connor Scully). Photo by Mari Eimas-Dietrich. Courtesy of The Tank.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/af324161-4d84-4c2e-a209-aabca8753dff/Mariyea+Jackson+and+Max+Kantor+in+The+Tank%27s+2024+Production+of+VILE+ISLE-+Photo+by+Mari+Eimas-Dietrich.jpeg</image:loc>
      <image:title>Home - When It Rains, It Pours: Queer Hilarity in “Vile Isle” - Make it stand out</image:title>
      <image:caption>Mariyea Jackson and Max Kantor in Vile Isle (2024). Written by Justin Halle, directed by Spencer Whale, and co-produced by Most Unwanted (Connor Scully). Photo by Mari Eimas-Dietrich. Courtesy of The Tank.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lucy-liu-arcus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/730ab080-aff3-469e-8101-f2616b198af1/1.jpg</image:loc>
      <image:title>Home - Lucy Liu on Supporting Emerging Talents and Alternative Spaces - Make it stand out</image:title>
      <image:caption>Lucy Liu photographed at Arcus, Rachel Uffner Gallery. July 11 – August 16, 2024. Courtesy of the curator.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43b27535-70b4-49f5-a2ba-9b20fc850d79/2.png</image:loc>
      <image:title>Home - Lucy Liu on Supporting Emerging Talents and Alternative Spaces - Make it stand out</image:title>
      <image:caption>Installation view of Arcus. July 11 – August 16, 2024. Courtesy of Rachel Uffner Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db3ef560-fd7f-4bb5-afa0-d5a1904293e9/3.jpg</image:loc>
      <image:title>Home - Lucy Liu on Supporting Emerging Talents and Alternative Spaces - Make it stand out</image:title>
      <image:caption>Ronan Day-Lewis. Casino Pier, 2024. Oil pastel on canvas. 48 x 60 in. Photo courtesy of Rachel Uffner Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98bbc79e-3bb8-4e99-abd6-ee4bcd51952e/4.jpg</image:loc>
      <image:title>Home - Lucy Liu on Supporting Emerging Talents and Alternative Spaces - Make it stand out</image:title>
      <image:caption>Dan Perkins. Gold Cloister, 2024. Oil on panel. 40 x 50 in. Photo courtesy of Rachel Uffner Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/29f88d3a-921c-4904-bd2b-ea899d901e4d/5.png</image:loc>
      <image:title>Home - Lucy Liu on Supporting Emerging Talents and Alternative Spaces - Make it stand out</image:title>
      <image:caption>The curatorial team of bios, morphe (from left: Minju Kim, Ho Jae Kim, Sean Zhang, Lucy Liu). Courtesy of Lucy Liu.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/diminishing-lost-hair-clogs-drain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67819f49-ec3a-4e9f-894f-01345ceac990/Screen+Shot+2024-09-22+at+2.16.52+AM.png</image:loc>
      <image:title>Home - Diminishing (Lost Hair Clogs Drain) - Make it stand out</image:title>
      <image:caption>Installation views of Hard Ground, on view at MoMA PS1 from May 16 through October 14, 2024. Photo: Adam Reich. Courtesy of MoMA PS1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3e1e5a45-ab11-4c32-9cc1-d2e63dc749f8/Header+Image+%28screenshot+of+hardground+carbonate%29.png</image:loc>
      <image:title>Home - Diminishing (Lost Hair Clogs Drain) - Make it stand out</image:title>
      <image:caption>Screenshot of an Abraham Lincoln coin on carbonate hardground in Ohio, via Wikipedia. Image by Jacksun Bein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/864063ea-3ba8-4e24-9c6c-bc803d992cc2/Jerry+the+Marble+Faun%2C+Currents.JPG</image:loc>
      <image:title>Home - Diminishing (Lost Hair Clogs Drain) - Make it stand out</image:title>
      <image:caption>Jerry the Marble Faun. Currents, 2016–17. Limestone. 17” x 14” x 8”. Image by Jacksun Bein.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42f39f87-a757-4413-85d6-4f7fa0e7ae20/Gianna+Surangkanjanajai%2C+Untitled.JPG</image:loc>
      <image:title>Home - Diminishing (Lost Hair Clogs Drain) - Make it stand out</image:title>
      <image:caption>Gianna Surangkanjanajai. Untitled, 2024. Four plexiglass cylinders and paint. Each 96” long x 8” diameter. Image by Jacksun Bein.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/bandaged-moments</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/68d28658-8b21-4072-836c-560e7a34cbf2/xiaojing+zhu</image:loc>
      <image:title>Home - Bandaged Moments: In Conversation with Xiaojing Zhu - Make it stand out</image:title>
      <image:caption>Courtesy of Xiaojing Zhu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/71585f23-2a5e-4c91-9533-a3967b4ae6e2/bandaged+moment_installation-9.jpg</image:loc>
      <image:title>Home - Bandaged Moments: In Conversation with Xiaojing Zhu - Make it stand out</image:title>
      <image:caption>Installation view of Bandaged Moments. Elaine Xuhong Chen, Echoes of the Oars, 2024, dimensions variable. Found objects, wood, and server motor. Courtesy of Xiaojung Zhu and Tutu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e12c9eec-2605-435c-a4a9-418f9df5cb3e/bandaged+moment_installation-19.jpg</image:loc>
      <image:title>Home - Bandaged Moments: In Conversation with Xiaojing Zhu - Make it stand out</image:title>
      <image:caption>Installation view of Bandaged Moments. Courtesy of Xiaojing Zhu and Tutu Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/xenoduo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/00e76211-c99a-4359-a3b9-97e2737ce065/xenoduo_sq.png</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Miguel Alejandro Castillo and Xinan Ran: Xenoduo. Courtesy of the artists and More Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a3c22e4-665d-426c-b2e3-26cc43a8b439/Xenoduo_Installation_Sunset_Park_001.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Xenoduo. A Mobile Home. Public installation at Sunset Park, photograph courtesy of More Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/87fa5e22-bf32-45ad-b633-409a669b93c3/1.Castillo.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Miguel Alejandro Castillo. Photograph by Maria Baranova. Courtesy of New York Live Arts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fd653db0-0048-4a81-ac8b-ede121806c74/IMG_8540.JPG</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Xinan Ran (right) during her project Soil-Sand-Selfie, 2022. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d3297e23-7b75-4ba7-a0d6-335487e306ba/Xenoduo+Mobile+Home+Rendering+2.jpeg</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Xenoduo. Rendering of A Mobile Home installation. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8e9629fb-073c-4e43-913b-513f4c573cbb/Xenoduo_Installation_Sunset_Park_007.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Xenoduo. A Mobile Home. Public installation at Sunset Park, photograph courtesy of More Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/54c96464-2a2f-457c-9bbb-bd071547f015/Xenoduo_Installation_Sunset_Park_025.jpg</image:loc>
      <image:title>Home - Migration in Dialogue – Xenoduo - Make it stand out</image:title>
      <image:caption>Photo courtesy of More Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/motohiro-takedas-garden-of-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/63123645-0d05-4b4a-aed7-8b60e3383606/Copy+of+Alison+Bradley_Motohiro+Takeda_Something+To+Remember+You+By_09%2C24_0038.jpg</image:loc>
      <image:title>Home - Motohiro Takeda’s Garden of Time - Make it stand out</image:title>
      <image:caption>Installation view of Motohiro Takeda: Something To Remember You By at Alison Bradley Projects. Photo © Dario Lasagni 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1144854b-294c-4f98-bb45-6832cf99944d/Copy+of+Alison+Bradley_Motohiro+Takeda_Something+To+Remember+You+By_09%2C24_0013.jpg</image:loc>
      <image:title>Home - Motohiro Takeda’s Garden of Time - Make it stand out</image:title>
      <image:caption>Installation view of Motohiro Takeda: Something To Remember You By at Alison Bradley Projects. Photo © Dario Lasagni 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fc66cfc3-484c-4e8f-915b-563073ca5b4b/Copy+of+Alison+Bradley_Motohiro+Takeda_Something+To+Remember+You+By_09%2C24_0041.jpg</image:loc>
      <image:title>Home - Motohiro Takeda’s Garden of Time - Make it stand out</image:title>
      <image:caption>Installation view of Motohiro Takeda: Something To Remember You By at Alison Bradley Projects. Photo © Dario Lasagni 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb6ed93f-5480-4af6-809a-c8a609b9f896/Copy+of+Alison+Bradley_Motohiro+Takeda_Something+To+Remember+You+By_09%2C24_0083.jpg</image:loc>
      <image:title>Home - Motohiro Takeda’s Garden of Time - Make it stand out</image:title>
      <image:caption>Installation view of Motohiro Takeda: Something To Remember You By at Alison Bradley Projects. Photo © Dario Lasagni 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cfae7ad8-b3b8-4f87-a55f-0554949c4056/Copy+of+Alison+Bradley_Motohiro+Takeda_Something+To+Remember+You+By_09%2C24_0076.jpg</image:loc>
      <image:title>Home - Motohiro Takeda’s Garden of Time - Make it stand out</image:title>
      <image:caption>Installation view of Motohiro Takeda: Something To Remember You By at Alison Bradley Projects. Photo © Dario Lasagni 2024.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/amber-maalouf-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9cc23219-2d30-4e1a-b3b2-f74541a621fd/Amber+Maalouf_3.jpg</image:loc>
      <image:title>Home - “Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity - Make it stand out</image:title>
      <image:caption>Amber Maalouf and Ashlie Chavez. Your Bow, My Arrow, 2009. Expired Superia film. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/df881cf9-fa4d-4799-9160-25459dcde1e7/Amber+Maalouf_1.jpg</image:loc>
      <image:title>Home - “Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity - Make it stand out</image:title>
      <image:caption>Amber Maalouf and Ashlie Chavez. The Onion Fields, 2024. Self-portrait on expired Fuji 3000b film. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98980ca2-be10-4278-8d4b-657dfd44ecbf/Amber+Maalouf_2.jpg</image:loc>
      <image:title>Home - “Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity - Make it stand out</image:title>
      <image:caption>Amber Maalouf by Ashlie Chavez. What Was Once, 2009. Expired Superia film. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4027b33b-5e20-4ad5-9897-bb88f6d1d4a4/Amber+Maalouf_4.jpg</image:loc>
      <image:title>Home - “Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity - Make it stand out</image:title>
      <image:caption>Amber Maalouf and Ashlie Chavez. Pregnancy, 2010. Expired Superia film. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/48ce26e6-22a6-4a3b-8850-69f6ae90e449/Amber+Maalouf_5.jpg</image:loc>
      <image:title>Home - “Document, Document, Document”: Amber Maalouf Captures Wonder and Curiosity - Make it stand out</image:title>
      <image:caption>Amber Maalouf and Ashlie Chavez. Tired, 2018. Portra 400 film. Courtesy of the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/let-live-let-art-speak-jeanne-masels-vision-for-social-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/14bfc1ee-d24a-4472-a455-a18c984d0565/C79A2196.jpg</image:loc>
      <image:title>Home - Let Live, Let Art Speak: Jeanne Masel’s Vision for Social Change - Make it stand out</image:title>
      <image:caption>Jeanne Masel in front of the work of Summer Wheat. Photo by Javier Romero. Courtesy of Jeanne Masel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdc8a6a8-900d-44cd-b097-c7eb271f26d2/C79A2393-instagram.jpg</image:loc>
      <image:title>Home - Let Live, Let Art Speak: Jeanne Masel’s Vision for Social Change - Make it stand out</image:title>
      <image:caption>Jeanne Masel in front of Jean-Pierre Villafañe's Rear Window (2022). Photo by Javier Romero. Courtesy of Jeanne Masel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/48c5a805-a515-4fbe-a695-ca73639e5f54/_SW_6277-24.jpg</image:loc>
      <image:title>Home - Let Live, Let Art Speak: Jeanne Masel’s Vision for Social Change - Make it stand out</image:title>
      <image:caption>Jeanne Masel in front of Pedro Pedro's Pile of Fruit with Grapes, Tomatoes, Peeled Lemon and Orange. Photo by Javier Romero. Courtesy of Jeanne Masel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f6668c6d-7d7e-4722-a7e7-061cfcbd934f/Jeanne+Masel.jpg</image:loc>
      <image:title>Home - Let Live, Let Art Speak: Jeanne Masel’s Vision for Social Change - Make it stand out</image:title>
      <image:caption>Jeanne Masel in front of Danielle Orchard's Headlights (2022). Photo by Javier Romero. Courtesy of Jeanne Masel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/the-partys-in-the-back</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab5a1f4a-ddee-421a-8b58-eec8351c0da9/Wright1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Jimmy Wright, Max's Kansas City, 1974. Ink on paper napkins, 4 drawings, 4” x 17” each. Courtesy of the Artist, Corbett vs. Dempsey, Chicago, and Fierman, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bd3a0f1a-eb31-4530-bd47-09bca9f007c8/Perry1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Grayson Perry, The American Dream (orange and green), 2021. Color etching from six plates on one sheet, edition of 7. Signed by the artist and numbered on the reverse. 43 ⅛” x 94 ⅜”. Courtesy of the artist and Paragon Press, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7ecc41ba-7b6e-4840-abeb-4221378146d6/jarvis.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Jarvis Boyland, California Interior #3, 2023 (23-318). Twelve-color lithograph, 39 ¾” x 26 ⅛”. Edition of 20. Courtesy of Tamarind Institute, Albuquerque.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d776c20b-100e-4f8a-a3ca-51ce220ea48b/KThompson1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Khalif Tahir Thompson, installation view at the booth of Zidoun Bossuyt, Luxembourg, Dubai, Paris. Photo by Waltpaper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/aae60d14-0799-4d7e-87ba-51adbf750b81/KThompson2.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Khalif Tahir Thompson, installation view. Courtesy of Zidoun Bossuyt, Luxembourg, Dubai, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28eec3de-627d-4ea2-8d5c-32d686d26940/kaviguptagallery-devan-shimoyama-self-portrait-as-ronnie-2022.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Devan Shimoyama, Self Portrait As Ronnie, 2022. Oil, colored pencil, glitter, fabric, collage, jewelry, sequins, Flashe, acrylic, and embellishments on canvas stretched over panel, 48” x 36” x 2”. Courtesy of Kavi Gupta, Chicago, New Buffalo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/563f2bc7-3d91-4a7b-9323-8f9ebf692094/botchway1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Kwesi Botchway, Young, Gifted, And Black, 2023. Oil on canvas, 88" x 79". Courtesy of Vielmetter, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/30523d34-fba2-4e75-8333-6cc49572d148/Feeley1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Paul Feeley, Untitled (January 29), 1962. Oil-based enamel on canvas, 57” x 81”. Courtesy of Garth Greenan Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/15fbf28f-5d1d-483d-abb9-169068a9488f/Luger1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Cannupa Hanska Luger and Paul Feeley. Installation views at Garth Greenan Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b9830f17-86d6-4465-85f0-1e4ea79d7582/craig1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Jordan Ann Craig, Worries About the Moon, 2024. Acrylic on canvas, 70” x 65” x 2 ½”. Courtesy of the artist and Hales Gallery, London/New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/90641a9e-cbc4-40a8-b42e-15f982e2e910/Major1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Anina Major, The Landing, 2024. Stoneware, wood, and neon. Dimensions variable. Courtesy of Tern Gallery, Nassau.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8098da26-4bab-49b8-a766-526eff4dd166/Wright2.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Jimmy Wright, Rock Bondage Chelsea Hotel #3, 1976. Graphite on paper, 23” x 29”. Courtesy the Artist, Corbett vs. Dempsey, Chicago, and Fierman, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8cbdc800-e2a0-4a2b-8d30-07b86c17410a/Mendoza1.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Hector Dionicio Mendoza, On the Edge of Faith and Hope / Al Filo de la Fe y la Esperanza, 2024. Mixed media (spray paint on wood panel, cardboard, concrete, acrylic paint, feathers, plaster, eucalyptus bark, wood, nail polish, fake eyelashes, acrylic brush bristles), 105” x 140” x 18”. Courtesy of the artist and Luis De Jesus, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b3538f7-9527-4d94-a27f-dfdebdbee370/Mendoza2.jpg</image:loc>
      <image:title>Home - The Party’s in the Back - Make it stand out</image:title>
      <image:caption>Hector Dionicio Mendoza, installation view. Courtesy of the artist and Luis De Jesus, Los Angeles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/binary-equilibrium-luxuriates-in-polarity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/28bd53bc-023a-49aa-bc8e-8e7fa80f71b5/_T3A9700+copy.jpg</image:loc>
      <image:title>Home - “Binary Equilibrium” Luxuriates in Polarity - Make it stand out</image:title>
      <image:caption>Installation view of Binary Equilibrium, on view from July 30 to August 7 at Gallery Chang. Left to right: When the Light Shines Ⅰ (Yuna Cho) / Sculpted Illusion (Yuna Cho)  / Tidal (Paul Rho) /  Sculpted Illusion Ⅱ (Yuna Cho). Courtesy of Paul Rho.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e1e93cd-e708-4065-80e7-7b07bee596f6/_T3A9715+copy.jpg</image:loc>
      <image:title>Home - “Binary Equilibrium” Luxuriates in Polarity - Make it stand out</image:title>
      <image:caption>Installation view of Binary Equilibrium, on view from July 30 to August 7 at Gallery Chang. Works: Ice Swans, Sand Slit (Dawn Kim) / Vertical Equilibrium, Binary Equilibrium (Calvin Lee). Courtesy of KANA and Gallery Chang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8d81cb6b-3b62-4214-81f8-cefc98c1da5a/_T3A9623+copy.jpg</image:loc>
      <image:title>Home - “Binary Equilibrium” Luxuriates in Polarity - Make it stand out</image:title>
      <image:caption>Installation view of Binary Equilibrium, on view from July 30 to August 7 at Gallery Chang. Works: Cells and pixels (Kai Oh) / Big Issue These Days, A Searching (Jean Oh). Courtesy of KANA and Gallery Chang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ba1e0a5c-fa77-45f8-855d-d6a9ad5222e0/installation+view</image:loc>
      <image:title>Home - “Binary Equilibrium” Luxuriates in Polarity - Make it stand out</image:title>
      <image:caption>Installation view of Binary Equilibrium, on view from July 30 to August 7 at Gallery Chang. Works: Vein, The initial phase of berry growth is a result of cell division and cell expansion (Kai Oh) / Bumpy, Serial  (Jean Oh). Courtesy of KANA and Gallery Chang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/376f6d45-978d-4edb-8c91-4f43c089402c/installation+view</image:loc>
      <image:title>Home - “Binary Equilibrium” Luxuriates in Polarity - Make it stand out</image:title>
      <image:caption>Installation view of Binary Equilibrium, on view from July 30 to August 7 at Gallery Chang. Works: Dich in Allen Dingen (Tae Joong Kim) / Untitled (Earth Rise on, off), Untitled (Fox 1,2), Untitled (oyster, marble) - Sae Jun Kim. Courtesy of KANA and Gallery Chang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/seoyoung-kims-site-centers-empathy-and-connectivity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6622d08-1a9e-41d5-af08-04488990dfbf/Site+003_in+courtesy+of+Site.PNG</image:loc>
      <image:title>Home - Seoyoung Kim’s Site Centers Empathy and Connectivity - Make it stand out</image:title>
      <image:caption>Site 003, Grass Stains. A group exhibition featuring 12 artists with programming. July 20, 2024, Cooper Park, Brooklyn. Courtesy of Site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/da5161db-c4aa-47ac-9b88-5b75573ca56a/Site+003</image:loc>
      <image:title>Home - Seoyoung Kim’s Site Centers Empathy and Connectivity - Make it stand out</image:title>
      <image:caption>Site 003, Grass Stains. A group exhibition featuring 12 artists with programming. July 20, 2024, Cooper Park, Brooklyn. Photo by farfar studio. Courtesy of Site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e1af22c0-fe32-4961-9a7b-983ce6a4ee57/Seoyoung+Kim%2C+portrait+by+Bo+Kyung+Han_2.jpg</image:loc>
      <image:title>Home - Seoyoung Kim’s Site Centers Empathy and Connectivity - Make it stand out</image:title>
      <image:caption>Photo of Seoyoung Kim by Bo Kyung Han.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d799f18f-6028-4c91-ac40-3ec64daf958f/Site+002_in+courtesy+of+Site_1.JPG</image:loc>
      <image:title>Home - Seoyoung Kim’s Site Centers Empathy and Connectivity - Make it stand out</image:title>
      <image:caption>Installation view of Site 002. △. Left: Soo Park, Let’s Go Home, 2023. Right: Soeun Bae, Untitled (Provider 1), 2024. Courtesy of Site.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/abeg-makes-space-for-queer-and-trans-african-communities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ebd3f361-2411-4a28-b552-fbe6c505817c/3.jpeg</image:loc>
      <image:title>Home - ABEG Makes Space for Queer and Trans African Communities - Make it stand out</image:title>
      <image:caption>ABEG founders Crystal, Simi, and Olu. Courtesy of ABEG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0658b1d2-ba0a-436a-9592-f54049eba427/4.jpeg</image:loc>
      <image:title>Home - ABEG Makes Space for Queer and Trans African Communities - Make it stand out</image:title>
      <image:caption>Courtesy of ABEG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1e07822c-f07b-4910-ad57-fd537961a9aa/1.jpeg</image:loc>
      <image:title>Home - ABEG Makes Space for Queer and Trans African Communities - Make it stand out</image:title>
      <image:caption>Courtesy of ABEG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/24365cfb-891a-4f8b-a40c-5fc844c46fcd/5.jpeg</image:loc>
      <image:title>Home - ABEG Makes Space for Queer and Trans African Communities - Make it stand out</image:title>
      <image:caption>Courtesy of ABEG.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5db05ac9-3ef1-466a-9d46-86ebff1c0fac/2.jpeg</image:loc>
      <image:title>Home - ABEG Makes Space for Queer and Trans African Communities - Make it stand out</image:title>
      <image:caption>Courtesy of ABEG.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/michael-wang-challenges-visions-of-a-nuclear-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ffbcadd5-39e4-4aca-943e-6bcacb9388ae/Michael+Wang_6.jpeg</image:loc>
      <image:title>Home - Michael Wang Challenges Visions of a Nuclear Future - Make it stand out</image:title>
      <image:caption>Michael Wang, Demon Core (Open), 2024. Aluminum and uranium glass, 4.7 x 9.3 x 9.3 in. Courtesy of the artist and Bienvenu Steinberg &amp; C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/109657ad-be75-4663-8d3b-8d9f854ef83c/526634978db4070bb5919955c174d8a2.jpg</image:loc>
      <image:title>Home - Michael Wang Challenges Visions of a Nuclear Future - Make it stand out</image:title>
      <image:caption>Installation view of Michael Wang: Yellow Earth, 2024. Courtesy of the artist and Bienvenu Steinberg &amp; C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67432818-6fd9-4ba5-9a58-a63914106d50/Michael+Wang_7.jpeg</image:loc>
      <image:title>Home - Michael Wang Challenges Visions of a Nuclear Future - Make it stand out</image:title>
      <image:caption>Michael Wang, Collision Bars (1-3-9), 2024. Stainless steel and uranium glass, 2 x 2.25 x 15.5 in (each bar). Courtesy of the artist and Bienvenu Steinberg &amp; C.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fcbb5c06-dae3-4828-b116-9752bd74886b/Michael+Wang_3.jpeg</image:loc>
      <image:title>Home - Michael Wang Challenges Visions of a Nuclear Future - Make it stand out</image:title>
      <image:caption>Michael Wang, Yellow Painting (Tailings), 2024. Powder-coated aluminum and pigment print, 36 x 36 in. Courtesy of the artist and Bienvenu Steinberg &amp; C.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-angela-wei</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bde02444-c7d4-44f3-833f-0108439acc54/_DSF2622.JPEG</image:loc>
      <image:title>Home - “I don’t have to be monolithically tied to one culture”: Angela Wei on her creative journey - Make it stand out</image:title>
      <image:caption>Photo of Angela Wei by Andrew Chi. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b7203d2-e488-4770-be59-b9e0f415de72/AWE-1-PTG.JPEG</image:loc>
      <image:title>Home - “I don’t have to be monolithically tied to one culture”: Angela Wei on her creative journey - Make it stand out</image:title>
      <image:caption>Angela Wei, Fallen Angel (2024). Acrylic on canvas, 48 x 36 in. Courtesy of the artist and Rachel Uffner Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/22bd5bf8-7fca-43af-a357-07388c8bdef5/rachel+uffner+gallery.jpg</image:loc>
      <image:title>Home - “I don’t have to be monolithically tied to one culture”: Angela Wei on her creative journey - Make it stand out</image:title>
      <image:caption>Angela Wei in front of her work at the opening of Arcus at Rachel Uffner Gallery. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/70295192-8c2e-46d1-85da-bf687d006e28/IMG_1403.JPG</image:loc>
      <image:title>Home - “I don’t have to be monolithically tied to one culture”: Angela Wei on her creative journey - Make it stand out</image:title>
      <image:caption>Angela Wei in front of her work. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a019688a-b287-453a-86e5-66da6e120173/IMG_6266+%281%29.jpg</image:loc>
      <image:title>Home - “I don’t have to be monolithically tied to one culture”: Angela Wei on her creative journey - Make it stand out</image:title>
      <image:caption>Angela Wei sitting next to her work. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/baseball-melodrama-and-public-perception-an-interview-with-travis-stern</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d0ba46d7-6453-400a-a1ff-df0d5eaff644/ballplayer</image:loc>
      <image:title>Home - Baseball, Melodrama, and Public Perception: An Interview with Travis Stern - Make it stand out</image:title>
      <image:caption>Travis Stern, Ballplayers on Stage: Baseball, Melodrama, and Theatrical Celebrity in the Deadball Era (May 23, 2024). University of Tennessee Press, cover art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5d0774c1-d735-4c63-877e-9f382f22dcaf/ruth2.jpg</image:loc>
      <image:title>Home - Baseball, Melodrama, and Public Perception: An Interview with Travis Stern - Make it stand out</image:title>
      <image:caption>Babe Ruth covered in Duluth News Tribune, November 7, 1926. Courtesy of Duluth Public Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/50fff205-3cd4-43cd-9a28-210fe899abfb/Christy_Walsh_1935.jpg</image:loc>
      <image:title>Home - Baseball, Melodrama, and Public Perception: An Interview with Travis Stern - Make it stand out</image:title>
      <image:caption>Photo of sports agent Christy Walsh in 1935. Christy Walsh represented former baseball players like Babe Ruth and Lou Gehrig through a press syndicate he ran. Image retrieved from Wikimedia Commons. Courtesy of Los Angeles Daily News Photographic Collection at the UCLA Library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e66d2ec2-f2ca-4af8-8a18-430c6b17b542/50988_a.jpg</image:loc>
      <image:title>Home - Baseball, Melodrama, and Public Perception: An Interview with Travis Stern - Make it stand out</image:title>
      <image:caption>Artwork made after Mike "King" Kelley's studio portrait. Courtesy of Marty Appel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interview-with-ruoyi-shi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ab5f3329-cf20-4649-8157-a48bd95c7688/WechatIMG27.jpeg</image:loc>
      <image:title>Home - Imperfect Destinations – In Dialogue With Ruoyi Shi - Make it stand out</image:title>
      <image:caption>Photo of Ruoyi Shi by Evelyn Hang Yin. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3896a08a-21f9-4279-b99b-b363527b75f5/Shi_Ruoyi_Han.jpg</image:loc>
      <image:title>Home - Imperfect Destinations – In Dialogue With Ruoyi Shi - Make it stand out</image:title>
      <image:caption>Ruoyi Shi, Han 琀 (2021). Three-channel video, 2:23 min, performance with ceramic, gummy candies, and ice. On view at Tin Flats, Los Angeles. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/acdbfe4b-7f21-4d38-8979-a3e3781b4ac8/Screen+Shot+2024-08-28+at+3.04.50+AM.png</image:loc>
      <image:title>Home - Imperfect Destinations – In Dialogue With Ruoyi Shi - Make it stand out</image:title>
      <image:caption>Ruoyi Shi, Letter From Fish (2021). Online project with video and performance. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4bc41fe9-c084-4bc1-b062-e2e3e922454e/FF_DSC00667-scaled-1200x0-c-default.jpg</image:loc>
      <image:title>Home - Imperfect Destinations – In Dialogue With Ruoyi Shi - Make it stand out</image:title>
      <image:caption>Ruoyi Shi, Etymology of Translation –The Birdcatcher’s Bird (2024). 15” x 9.5” x 3”, found objects, graphite, wood, and metal hardware. Courtesy of the artist and GOBI, Los Angeles.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/lost-in-time-with-emilija-gasic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a63d3a8-b5b0-48f7-a55d-ac87fc35f5d0/IMG_1598.JPG</image:loc>
      <image:title>Home - Lost in Time: Serbian Filmmaker Returns to Once-Forgotten Memories - Make it stand out</image:title>
      <image:caption>Emilija Gašić is a Serbian filmmaker based in New York City. Her debut feature film, 78 Days, premiered at International Film Festival Rotterdam in January 2024. Courtesy of the director.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8cc4c542-d610-4a99-a14f-8aa7d28bd3d5/IMG_1594.JPG</image:loc>
      <image:title>Home - Lost in Time: Serbian Filmmaker Returns to Once-Forgotten Memories - Make it stand out</image:title>
      <image:caption>Latin-alphabet poster for Emilija Gašić’s 78 Days (2024). Courtesy of the director.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Emilija Gašic, 78 Days, 2024, film still. Courtesy of the director.</image:caption>
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    <image:image>
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      <image:title>Home - Lost in Time: Serbian Filmmaker Returns to Once-Forgotten Memories - Make it stand out</image:title>
      <image:caption>Emilija Gašic, 78 Days, 2024, film still. Courtesy of the director.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c5e26cfc-6f2d-4f85-b6e3-f01016722d6d/IMG_1596.jpg</image:loc>
      <image:title>Home - Lost in Time: Serbian Filmmaker Returns to Once-Forgotten Memories - Make it stand out</image:title>
      <image:caption>Emilija Gašic, 78 Days, 2024, film still. Courtesy of the director.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/common-clauses-in-artist-contracts-red-flags-and-necessities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/01913966-a058-48ee-bfda-04dfad96075c/Screen+Shot+2024-08-26+at+8.32.43+PM.png</image:loc>
      <image:title>Home - Common Clauses in Artist Contracts: Red Flags and Necessities - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c1b4f54-88ae-4b20-b9b1-b3eb3fc03109/Screen+Shot+2024-08-26+at+8.32.53+PM.png</image:loc>
      <image:title>Home - Common Clauses in Artist Contracts: Red Flags and Necessities - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/63078e09-fc88-4dd4-9682-8114a233955e/Screen+Shot+2024-08-26+at+8.33.04+PM.png</image:loc>
      <image:title>Home - Common Clauses in Artist Contracts: Red Flags and Necessities - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/tony-huynh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/44d82ad7-9b9f-42cd-87cf-54569be3a117/tony+h3.jpg</image:loc>
      <image:title>Home - Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories - Make it stand out</image:title>
      <image:caption>Tony Huynh, Isabelle Island (2024). Oil on panel, in artist's frame. Panel: 9 x 12 in. Courtesy of the artist and Scroll NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e4443d26-b90f-4fd4-8fec-6bc4cdebb97a/tony+h1.jpg</image:loc>
      <image:title>Home - Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories - Make it stand out</image:title>
      <image:caption>Installation view of Tony Huynh: A Summer’s Dream, on view from August 3–31, 2024. Courtesy of the artist and Scroll NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/923ac5e8-8577-4990-a607-d9ba701e1989/tony+h4.jpg</image:loc>
      <image:title>Home - Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories - Make it stand out</image:title>
      <image:caption>Tony Huynh, Rain at the Pier (2024). Oil on panel, in artist's frame. Panel: 10 x 10 in. Courtesy of the artist and Scroll NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/700b5d12-ed44-4ac1-8346-7adc059bd999/tony+h5.jpg</image:loc>
      <image:title>Home - Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories - Make it stand out</image:title>
      <image:caption>Tony Huynh, The Still Night at Shore (2024). Oil on panel, in artist's frame. Panel: 11 x 14 in. Courtesy of the artist and Scroll NYC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32942817-dbed-4357-be0b-353f87e6a7b3/tony+h2.jpg</image:loc>
      <image:title>Home - Serene and Grounded, Tony Huynh’s Paintings Depict Summertime Memories - Make it stand out</image:title>
      <image:caption>Installation view of Tony Huynh: A Summer’s Dream, on view from August 3–31, 2024. Courtesy of the artist and Scroll NYC.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-michi-zaya</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c8832442-1ae5-4970-b8c4-11c47c459534/IMG_8541.jpg</image:loc>
      <image:title>Home - “I hope that being an artist remains possible for me” – An Interview With Michi Zaya - Make it stand out</image:title>
      <image:caption>Courtesy of Michi Zaya.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ebf69cc-e5b6-46cc-b61e-169d4a77d241/michi2.png</image:loc>
      <image:title>Home - “I hope that being an artist remains possible for me” – An Interview With Michi Zaya - Make it stand out</image:title>
      <image:caption>Photo of Michi Zaya in Mongolia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/87a5f922-f28d-45bb-ab5e-b2de4b1d356d/michi1.jpg</image:loc>
      <image:title>Home - “I hope that being an artist remains possible for me” – An Interview With Michi Zaya - Make it stand out</image:title>
      <image:caption>Photo of Hobie. Courtesy of Michi Zaya.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/68e5d91b-9958-4cab-823f-79e9be768cea/michi3.png</image:loc>
      <image:title>Home - “I hope that being an artist remains possible for me” – An Interview With Michi Zaya - Make it stand out</image:title>
      <image:caption>Photo of Hobie. Courtesy of Michi Zaya.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/irene-gong-plants-her-roots-in-the-international-arts-scene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b836fa1-f63c-403b-9865-af7210245b50/Irene+Gong+2.JPG</image:loc>
      <image:title>Home - Irene Gong Plants Her Roots in the International Arts Scene - Make it stand out</image:title>
      <image:caption>Photo of Irene Gong, courtesy of Talia Rudofsky.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dbdc6fe0-c4f3-4a91-93d4-f1b2e9b5475a/Irene+Gong+1.jpg</image:loc>
      <image:title>Home - Irene Gong Plants Her Roots in the International Arts Scene - Make it stand out</image:title>
      <image:caption>Photo of Irene Gong, courtesy of Andre Sorokin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d128b51-c79d-4689-99b4-ec3f0a9bba2d/Kejoo+Park+2.jpg</image:loc>
      <image:title>Home - Irene Gong Plants Her Roots in the International Arts Scene - Make it stand out</image:title>
      <image:caption>Kejoo Park, The Song of the Earth series. Courtesy of Talia Rudofsky. (Left) Von der Jugend, 2021, mixed media on canvas, 47.2 x 47.2 in. (Middle) Der Einsame im Herbst 1, 2021, mixed media on canvas, 47.2 x 47.2 in. (Right) Das Trinklied vom Jammer der Erde, 2021, mixed media on canvas, 47.2 x 47.2 in.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Home - Irene Gong Plants Her Roots in the International Arts Scene - Make it stand out</image:title>
      <image:caption>Kimin Kim, No Leaf Will Be Shaken, 2024. Courtesy of Andre Sorokin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/to-leave-more-than-a-trace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/154119d0-6a15-4af1-954e-1c83597b394e/Screen+Shot+2024-08-21+at+9.33.44+PM.png</image:loc>
      <image:title>Home - To Leave More Than A Trace - Make it stand out</image:title>
      <image:caption>Installation view of Oh, to Leave a Trace. Courtesy of Zepster Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/803fac0f-e2d3-40ac-bce8-62326b6b3aad/Dunayski+Pussified+Nation.png</image:loc>
      <image:title>Home - To Leave More Than A Trace - Make it stand out</image:title>
      <image:caption>Gabi Dunayski, Pussified Nation, 2024. Oil on canvas, 95 x 141 in. Courtesy of the artist and Zepster Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bb2068b8-fb69-4289-bfa1-ae60ded00661/Kong+I+wave+my+arm%2C+I+swat+my+face%2C+The+Swarm+pick+up+the+pace..jpg</image:loc>
      <image:title>Home - To Leave More Than A Trace - Make it stand out</image:title>
      <image:caption>Phoebe Kong, I wave my arms, I swat my face. The swarm picks up the pace, 2024. Pastel, charcoal, and colored pencil on paper. 41 x 48 in (framed). Courtesy of the artist and Zepster Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/317c0343-9f5d-476c-9527-2c5444a2539c/Krasnoff+Grandstand+crowd.jpg</image:loc>
      <image:title>Home - To Leave More Than A Trace - Make it stand out</image:title>
      <image:caption>Lauren Krasnoff, grandstand crowd, 2024. Oil on canvas, 40 x 38 in. Courtesy of the artist and Zepster Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/humans-plants-gold-and-dust-david-anaya-maya-queers-the-limits-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb1e8f68-4629-4ad2-90a0-7f931915e28a/David+Anaya+Maya%2C+coat+of+arms</image:loc>
      <image:title>Home - Humans, Plants, Gold, and Dust: David Anaya Maya Queers the Limits of Art - Make it stand out</image:title>
      <image:caption>David Anaya Maya, Coat of Arms, 2023. Powder on linen sewn to wire stretcher reinforced with epoxy resin. 10 x 17 x 2 in. Photo courtesy of High Noon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8a4e480f-ead7-4a97-aa04-1ccc9df9152c/David+Anaya+Maya%2C+sculpture+epoxy+resin%2C+avocado%2C+High+Noon+Gallery</image:loc>
      <image:title>Home - Humans, Plants, Gold, and Dust: David Anaya Maya Queers the Limits of Art - Make it stand out</image:title>
      <image:caption>David Anaya Maya, Common Fruit, 2023. Oil and synthetic filaments on hardened linen reinforced with epoxy resin, 9” x 7” x 1.5”. Photo courtesy of High Noon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1deeb573-ef5d-4aa6-9468-092fbf4487de/David+Anaya+Maya%2C+sculpture</image:loc>
      <image:title>Home - Humans, Plants, Gold, and Dust: David Anaya Maya Queers the Limits of Art - Make it stand out</image:title>
      <image:caption>David Anaya Maya, Divine Providence, 2023. Oil on linen reinforced with epoxy resin and acrylic on stainless steel. 11 x 9 x 3 in. Photo courtesy of High Noon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/18de23dd-4f65-495b-9c23-cbe2e545eb77/David+Anaya+Maya%2C+resin+sculpture%2C+High+Noon+Gallery</image:loc>
      <image:title>Home - Humans, Plants, Gold, and Dust: David Anaya Maya Queers the Limits of Art - Make it stand out</image:title>
      <image:caption>David Anaya Maya, Kikuyo, 2023. Oil on linen sewn to wire stretcher reinforced with epoxy resin. 10 x 7.5 in. Photo courtesy of High Noon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6bd6b0ea-4f1d-4896-ab56-3330ec1b5d2c/David+Anaya+Maya%2C+resin+sculpture%2C+High+Noon+Gallery</image:loc>
      <image:title>Home - Humans, Plants, Gold, and Dust: David Anaya Maya Queers the Limits of Art - Make it stand out</image:title>
      <image:caption>David Anaya Maya, National Flower, 2023. Oil on dried linseed oil reinforced with epoxy resin. 1.25 x 1.75 in. Photo courtesy of High Noon Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/why-is-everyone-a-dj-an-interview-with-gummp3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0d05c6e1-7968-4b74-ae7c-eede8b482507/photo+of+DJ+Gum.mp3%2C+portrait</image:loc>
      <image:title>Home - Why is Everyone A DJ? An Interview with Gum.mp3 - Make it stand out</image:title>
      <image:caption>Courtesy of Chris Robinson, 2022, 35 mm film. @cooly.fooly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/496bfddc-14f8-42b1-9ba3-78e045e65ec7/photo+of+DJ+Gum.mp3%2C+portrait</image:loc>
      <image:title>Home - Why is Everyone A DJ? An Interview with Gum.mp3 - Make it stand out</image:title>
      <image:caption>Courtesy of Chris Robinson, 2023, 35 mm film. @cooly.fooly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0aaf34c3-7487-424b-aea7-089d5d04b4e6/photo+of+DJ+Gum.mp3%2C+portrait</image:loc>
      <image:title>Home - Why is Everyone A DJ? An Interview with Gum.mp3 - Make it stand out</image:title>
      <image:caption>Courtesy of Chris Robinson, 2023, 35 mm film. @cooly.fooly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a41cc088-83de-4cc4-945d-82f98449a6ee/photo+of+DJ+Gum.mp3%2C+portrait</image:loc>
      <image:title>Home - Why is Everyone A DJ? An Interview with Gum.mp3 - Make it stand out</image:title>
      <image:caption>Courtesy of Chris Robinson, 2023, 35 mm film. @cooly.fooly</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/chairs-and-gendered-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/daf312b0-cf83-46a6-ac3c-332e496eed12/maesta-soffrente-gaetano-pesce-design_dezeen_2364_col_9-1704x1688.jpg</image:loc>
      <image:title>Home - Chairs and Gendered Bodies: An Introduction - Make it stand out</image:title>
      <image:caption>Gaetano Pesce. Donna, Model Nos. Up 5 &amp; Up 6 (1969).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8b3e0cc2-f7d9-4e4d-9b9b-7891e9cdc146/Screen+Shot+2023-12-08+at+4.26.47+PM.png</image:loc>
      <image:title>Home - Chairs and Gendered Bodies: An Introduction - Make it stand out</image:title>
      <image:caption>Mariusz Warsinski, NAGABABA (2020) for wamhouse studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4b14dfdc-305b-448f-b9a6-3f58b12a7889/Salvador_dali%CC%80%2C_divano_labbra_di_mae_west%2C_1938.jpg</image:loc>
      <image:title>Home - Chairs and Gendered Bodies: An Introduction - Make it stand out</image:title>
      <image:caption>Salvador Dali, Mae West Sofa (1937)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e0359f69-6aff-4dd0-ba3f-90c255fbd192/70%21SET.jpg</image:loc>
      <image:title>Home - Chairs and Gendered Bodies: An Introduction - Make it stand out</image:title>
      <image:caption>Eero Saarinen, Womb Chair (1946).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/impressions-of-loneliness-in-asteroid-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4a818a99-5c35-485d-8de2-22e132a3c4a3/f211017a8a2da8e5896dea61e05fb36cb93e6ecf65df86c370e0ab3d3eebc420.jpg</image:loc>
      <image:title>Home - Impressions of Loneliness in Asteroid City - Make it stand out</image:title>
      <image:caption>Promotional poster of Asteroid City (2023), dir. Wes Anderson. Written by Wes Anderson and Roman Coppola.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fca05a53-cb94-48ad-abd6-8a7fdce3cfe7/asteroid-city.jpg</image:loc>
      <image:title>Home - Impressions of Loneliness in Asteroid City - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e3a955d3-66dd-4a18-8ac5-438e876ed7a9/1_GsO96RzE2G2zvPh80Mm07Q.png</image:loc>
      <image:title>Home - Impressions of Loneliness in Asteroid City - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-close-look-at-mariusz-warsinskis-nagababa-chair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/88058390-469b-42d9-8363-ef71a7160dc8/NAGABABA-armchair-designed-by-Wamhouse-Design-Studio-01.jpg</image:loc>
      <image:title>Home - A Close Look At Mariusz Warsinski's Nagababa Chair - Make it stand out</image:title>
      <image:caption>Courtesy of Mariusz Warsinski and Wamhouse Studios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cb1db2c2-4db5-4946-884c-d02d06a2d10c/NAGABABA-armchair-designed-by-Wamhouse-Design-Studio-00.jpg</image:loc>
      <image:title>Home - A Close Look At Mariusz Warsinski's Nagababa Chair - Make it stand out</image:title>
      <image:caption>Courtesy of Mariusz Warsinski and Wamhouse Studios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c695f5e2-2bf7-4cfb-9c57-eb0f090c52c0/NAGABABA-armchair-designed-by-Wamhouse-Design-Studio-09.jpg</image:loc>
      <image:title>Home - A Close Look At Mariusz Warsinski's Nagababa Chair - Make it stand out</image:title>
      <image:caption>Courtesy of Mariusz Warsinski and Wamhouse Studios.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9fcfc8cd-912b-4d1a-bccf-78073bb4ef57/unnamed.png</image:loc>
      <image:title>Home - A Close Look At Mariusz Warsinski's Nagababa Chair - Make it stand out</image:title>
      <image:caption>Courtesy of Mariusz Warsinski and Wamhouse Studios.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/image-object-and-compression-with-asher-liftin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/732b758b-3095-4bb0-b7e2-0ee64b461f2b/ALinstudio.jpeg</image:loc>
      <image:title>Home - Image, Object, and Compression with Asher Liftin - Make it stand out</image:title>
      <image:caption>Photo of Asher Liftin in the studio, 2024. Photo by Joji Baratelli. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/11efc76b-801d-49c5-86e6-9b7b8819dc09/ALWIPE.jpg</image:loc>
      <image:title>Home - Image, Object, and Compression with Asher Liftin - Make it stand out</image:title>
      <image:caption>Asher Liftin. Wipe, 2024. Acrylic ink and acrylic paint on linen. 18 x 24 in. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/09daaae4-1c19-4ea8-8154-4925d526b66c/ALMarksOnAGrid.jpg</image:loc>
      <image:title>Home - Image, Object, and Compression with Asher Liftin - Make it stand out</image:title>
      <image:caption>Asher Liftin. Marks on a Grid, 2023. Acrylic ink and acrylic paint on linen. 200 x 150 cm. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a6cc1a7f-8d9f-443a-a304-89656cc2c3f0/ALYellowDahlia.jpg</image:loc>
      <image:title>Home - Image, Object, and Compression with Asher Liftin - Make it stand out</image:title>
      <image:caption>Asher Liftin. Yellow Dahlia, 2023. Acrylic ink and acrylic paint on canvas. 200 x 150 cm. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/gabrielle-lhirondelle-hill-m</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a60d49c0-51ee-4e7c-9a4d-a1cf5fff8487/1_M______Mercer+Union.jpg</image:loc>
      <image:title>Home - Gabrielle L'Hirondelle Hill: M***** - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, M*****. Installation view at Mercer Union, 2024. Courtesy of the artist and Unit 17, Vancouver. Photo: Vuk Dragojevic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7a935006-1456-4ba2-adac-3210dd7634e8/2_M______Mercer+Union.jpg</image:loc>
      <image:title>Home - Gabrielle L'Hirondelle Hill: M***** - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, M*****. Installation view at Mercer Union, 2024. Courtesy of the artist and Unit 17, Vancouver. Photo: Vuk Dragojevic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a42a183-54bd-481b-a4e8-d8e98fd56a8f/3_M______Mercer+Union.jpg</image:loc>
      <image:title>Home - Gabrielle L'Hirondelle Hill: M***** - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, M*****. Installation view at Mercer Union, 2024. Courtesy of the artist and Unit 17, Vancouver. Photo: Vuk Dragojevic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/43e726cd-c57c-43c7-83c2-e52a638180cf/4_M______Mercer+Union.jpg</image:loc>
      <image:title>Home - Gabrielle L'Hirondelle Hill: M***** - Make it stand out</image:title>
      <image:caption>Gabrielle L'Hirondelle Hill, M*****. Installation view at Mercer Union, 2024. Courtesy of the artist and Unit 17, Vancouver. Photo: Vuk Dragojevic.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/scratchy-and-gritty-pauline-rintschs-figurative-work-explores-interiority</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9b75df41-e9a5-406d-a913-dde967207e5b/faint+%28powerlessness%29_2023_100+x+75+cm_Oil+on+paper.png</image:loc>
      <image:title>Home - Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority - Make it stand out</image:title>
      <image:caption>Pauline Rintsch, faint (powerlessness), 2023. Oil on paper, 100 x 75 cm. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6fcd87a3-3b61-42f9-8ad3-feaade7ed141/IMG_0545.jpg</image:loc>
      <image:title>Home - Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority - Make it stand out</image:title>
      <image:caption>Pauline Rintsch, Alissa (playing with fire), 2024. Oil on paper, 56 x 42 cm. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ddff277b-e755-4618-a769-bcbf964e398c/IMG_0547.jpeg</image:loc>
      <image:title>Home - Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority - Make it stand out</image:title>
      <image:caption>Pauline Rintsch. Left: navel series I, 2024. Oil on paper, 56 x 42 cm. Right: Mary’s heartbreak, 2024. Oil on paper, 56 x 42 cm. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3eed4d0e-9bf3-4a71-b818-025c7af47413/Untitled_2024_+28.5+x+20.1+cm_Oil+on+ceramic.jpeg</image:loc>
      <image:title>Home - Scratchy and Gritty, Pauline Rintsch’s Figurative Work Explores Interiority - Make it stand out</image:title>
      <image:caption>Pauline Rintsch, Untitled, 2024. Underglaze paint on ceramic, 28.5 x 20.1 cm. Courtesy of the artist and YveYANG Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/ten-gates-into-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d7cd9c23-7e8e-4cd8-a6cf-3250116ae17f/WEB_Roma_le10portedelfuturo_SpazioTaverna_fotoEleonoraCerriPecorella4943.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Giulio Bensasson, Souvenir di un domani qualunque, 2024, PVC banner. Photo: Eleonora Cerri Pecorella. The artwork as seen on Porta Portese, Rome, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/726adacd-1ab5-4fed-897a-5743820fcdc7/WEB_Roma_le10portedelfuturo_SpazioTaverna_fotoEleonoraCerriPecorella4424.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Francesca Cornacchini, Disarmo3_no guns needed, 2024. PVC banner. Photo: Eleonora Cerri Pecorella. The artwork as seen on Porta San Paolo, Rome, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a37ede2b-218c-49ce-bbda-31195bc78fd7/Pincianaimballa21.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Christo and Jeanne-Claude, Porta Pinciana Wrapped, 1974, Rome, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/98ef7146-ad74-457c-bbf2-c22fd017a1d1/WEB_Roma_le10portedelfuturo_SpazioTaverna_fotoEleonoraCerriPecorella5452.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Federica Di Pietrantonio, Fontana delle Naiadi / posing with fish and dolphins, 2024, PVC banner, Photo: Eleonora Cerri Pecorella. The artwork as seen on Porta Maggiore, Rome, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e5602d90-a468-47b8-b64e-1832f2685c2e/Fontana+delle+Naiadi+++posing+with+fish+and+dolphins.jpeg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Federica Di Pietrantonio, Fontana delle Naiadi / posing with fish and dolphins, 2024. Courtesy of Spazio Taverna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f9379ddf-e5a5-4363-b16a-714566ff1f2f/Magrelli_PorteDelFuturo.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Leonardo Magrelli, Sei ipotesi per un'archeologia del futuro, 2024. Courtesy of Spazio Taverna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c10e6343-2e31-48f8-aec9-48a1c82ea24c/diapositiva+1+def.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Giulio Bensasson, Souvenir di un domani qualunque, 2024. Courtesy of Spazio Taverna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/97dcaad9-a28e-439c-8bee-d7aa48984e66/Copy+of+Copy+of+WhatsApp+Image+2024-04-22+at+20.02.54.jpeg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Francesca Cornacchini, Disarmo3_no guns needed, 2024. Courtesy of Spazio Taverna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1ce69f64-c62d-46fb-85f6-4e2c3288b95f/WEB_Roma_le10portedelfuturo_SpazioTaverna_fotoEleonoraCerriPecorella4763.jpg</image:loc>
      <image:title>Home - Ten Gates into the Future - Make it stand out</image:title>
      <image:caption>Leonardo Magrelli, Sei ipotesi per un'archeologia del futuro, 2024, PVC banner. Photo: Eleonora Cerri Pecorella. The artwork as seen on Porta Metronia, Rome, Italy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/walking-around-covered-in-magnets</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/268385db-59d9-49c3-842f-2eacc6880386/And+how+I+care+for+-+Tolia+Astakhishvili+.jpg</image:loc>
      <image:title>Home - Walking Around Covered in Magnets - Make it stand out</image:title>
      <image:caption>Tolia Astakhishvili, And how I care for, 2024. Plasterboard, wood, oil, coffee, pigment, cement, found objects, metal grate, ventilation. Courtesy of the artist and LC Queisser, image by Charles Benton. At SculptureCenter, Tolia Astakhishvili: between father and mother is on view from May 9 to Aug 12, 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b44e48e-8c8c-49c0-aa79-b3b5a61e1ab1/When+the+others+are+within+us+-+Tolia+Astakhishvilli.JPG</image:loc>
      <image:title>Home - Walking Around Covered in Magnets - Make it stand out</image:title>
      <image:caption>Tolia Astakhishvili, When the others are within us, 2024. Plasterboard, wood, oil, coffee, pigment, cement, hooks, found objects, paper, pencil, ink, light. Image by Jacksun Bein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/502ea9bd-5936-4704-941a-00aa7ef3999d/I+can%E2%80%99t+imagine+how+can+I+die+if+I+am+so+alive+-+Zurab+Astakhishvili.JPG</image:loc>
      <image:title>Home - Walking Around Covered in Magnets - Make it stand out</image:title>
      <image:caption>Zurab Astakhishvili. I can’t imagine how can I die if I am so alive, 1986–ongoing. Collage. Image by Jacksun Bein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a43e62ee-9fd7-4ab1-851d-85d90a56d748/I+Remember+%28Depth+of+Flattened+Cruelty%29+-+Tolia+Astakhishvili+and+James+Richards.JPG</image:loc>
      <image:title>Home - Walking Around Covered in Magnets - Make it stand out</image:title>
      <image:caption>Tolia Astakhishvili and James Richards. I Remember (Depth of Flattened Cruelty), 2023–ongoing. Three-channel HD video, color, sound 10:16 minutes. Collaged images and found objects. Image by Jacksun Bein.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8c6a2b21-e5cc-45a6-968e-057e522a133e/The+art+of+sleeping+-+Tolia+Astakhishvili.JPG</image:loc>
      <image:title>Home - Walking Around Covered in Magnets - Make it stand out</image:title>
      <image:caption>Tolia Astakhishvili, The art of sleeping, 2024. Car engines, pallets, plywood, cardboard, found objects, four-channel sound by Dylan Peirce. Image by Jacksun Bein.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/blackstar-celebrates-filmmaking-from-the-global-majority</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db87ce03-e087-4584-a811-6bb8361dd325/IMG_1883.jpg</image:loc>
      <image:title>Home - BlackStar Celebrates Filmmaking from the Global Majority - Make it stand out</image:title>
      <image:caption>BlackStar Film Festival 2024, August 1–4 in Philadelphia. On stage: Program Director Heidi Saman with filmmakers Yaba Blay, Maame Adjei, Imani Celeste, Devin Jie Allen, and Alia Haju. Photo by Celia Mattison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4c97f02e-d19d-4cc0-863a-f204b53584a8/songs+from+the+hole.jpeg</image:loc>
      <image:title>Home - BlackStar Celebrates Filmmaking from the Global Majority - Make it stand out</image:title>
      <image:caption>Still from Songs from the Hole, dir. Contessa Gayles. Courtesy of BlackStar Film Festival.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/133477dc-b49d-4d26-b01b-59aeb2c124a4/burnt+milk.jpeg</image:loc>
      <image:title>Home - BlackStar Celebrates Filmmaking from the Global Majority - Make it stand out</image:title>
      <image:caption>Still from Burnt Milk, dir. Joseph Douglas Elmhirst. Courtesy of BlackStar Film Festival.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialgoue-yuri-yuan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/599ef398-6ff1-43c0-b361-3ab05361878c/IMG_6323_retouch.jpg</image:loc>
      <image:title>Home - Internal Reflections – Yuri Yuan - Make it stand out</image:title>
      <image:caption>Studio portrait of Yuri Yuan. Photo by Shuyao Chen. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fa645fc1-5c80-4a54-8a14-9b5a93082368/The+Phantom+of+Memories.jpg</image:loc>
      <image:title>Home - Internal Reflections – Yuri Yuan - Make it stand out</image:title>
      <image:caption>Yuri Yuan, The Phantom of Memories (2023). Oil on linen, 60 x 48 in. Photo by Daniel Greer. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6ca8bd2b-356e-4b7f-9e99-aae5ebc05e38/Sketchbook.jpg</image:loc>
      <image:title>Home - Internal Reflections – Yuri Yuan - Make it stand out</image:title>
      <image:caption>Yuri Yuan. Sketchbook (2023). Oil on linen, 48 x 60 in. Photo by Daniel Greer. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06dca871-a0db-48b3-ae53-756f546e58bb/Eight+Thousand+Layers.jpg</image:loc>
      <image:title>Home - Internal Reflections – Yuri Yuan - Make it stand out</image:title>
      <image:caption>Yuri Yuan. Eight Thousand Layers (2023). Oil on linen, 60 x 48 in. Photo by Daniel Greer. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/65d8fc90-82c2-42b1-80d7-12d4ef8e3790/When+the+Time+Comes.jpg</image:loc>
      <image:title>Home - Internal Reflections – Yuri Yuan - Make it stand out</image:title>
      <image:caption>Yuri Yuan. When the Time Comes (2022). Oil on linen, 60 x 48 in. Photo by Daniel Greer. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/betty-tompkins-latest-exhibition-recontextualizes-the-female-body-in-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/56d68ff6-d4fe-46a7-bdb8-cabff527b3a7/2019_Just+a+Pretty+Face_TOMPKINS-1408.jpg</image:loc>
      <image:title>Home - Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body - Make it stand out</image:title>
      <image:caption>Betty Tompkins, Just a Pretty Face, 2019. Acrylic on canvas. Courtesy of the artist and P.P.O.W Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b28ea152-a4f1-495b-89ca-619b989f477b/2023_Why+do+you+make+me+hurt+you_TOMPKINS-2032.jpg</image:loc>
      <image:title>Home - Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body - Make it stand out</image:title>
      <image:caption>Betty Tompkins, Why do you make me hurt you, 2023. Acrylic on canvas. Courtesy of the artist and P.P.O.W Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/adaa04c9-dcc7-41ba-84aa-e7f46141e4c3/1999_Hood+Ornament_TOMPKINS-1994.jpg</image:loc>
      <image:title>Home - Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body - Make it stand out</image:title>
      <image:caption>Betty Tompkins, Hood Ornament, 1999. Oil crayon on half-tone paper. Courtesy of the artist and P.P.O.W Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/260fff17-ac95-4569-b82e-03b42a71c159/1992_Bacchanal_TOMPKINS-2007.jpg</image:loc>
      <image:title>Home - Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body - Make it stand out</image:title>
      <image:caption>Betty Tompkins, Bacchanal, 1992. Oil crayon on half-tone paper. Courtesy of the artist and P.P.O.W Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a39ca8df-8b01-423d-bc54-db557fa39ed1/2000_Fanny_TOMPKINS-2038.jpg</image:loc>
      <image:title>Home - Betty Tompkins’ P.P.O.W Exhibition Recontextualizes the Female Body - Make it stand out</image:title>
      <image:caption>Betty Tompkins, Fanny, 2000. Acrylic on stainless steel with cast iron handle. Courtesy of the artist and P.P.O.W Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/fembots</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73cb190b-40c6-4a3e-8f05-d786c80f8a60/fembot-install-8.jpg</image:loc>
      <image:title>Home - The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca - Make it stand out</image:title>
      <image:caption>Installation view of Fembot at The Hole, Tribeca. September 6th – October 22nd, 2023. Image retrieved from gallery website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/3d41fc70-dc47-43d9-884a-5a1dd1e03e89/fembot-install-9.jpg</image:loc>
      <image:title>Home - The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca - Make it stand out</image:title>
      <image:caption>Installation view of Fembot at The Hole, Tribeca. September 6th – October 22nd, 2023. Image retrieved from gallery website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b1096fa1-abee-4c46-a24e-d717ed0c474d/jordan-homstad-construction.jpg</image:loc>
      <image:title>Home - The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca - Make it stand out</image:title>
      <image:caption>Jordan Homstad, Construction - 02, 2022, Oil, acrylic, and flashe on canvas over wood cradle, 63 x 63 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e92020b6-efcb-4746-8115-1679d1a39535/aiste-stancikaite-waiting-still.jpg</image:loc>
      <image:title>Home - The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca - Make it stand out</image:title>
      <image:caption>Aiste Stancikaite, Waiting, Still, 2023, Acrylic and oil on linen, 47 x 35 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7e3380a6-06c9-4c50-9b80-6048d5632219/faith-holland-the-fetishes.jpg</image:loc>
      <image:title>Home - The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca - Make it stand out</image:title>
      <image:caption>Faith Holland, The Fetishes, 2017, Animated GIFs, faux sable fur on laptop, lipstick on iPhone, nail polish on iPad, moisturizer on iPhone, concealer on iPhone, pubic hair on iPad, lipsticks, makeup compacts, nail polishes, wires, powders, bronzer, blush, moisturizer, used bottle of lube, faux fur scraps, contact lenses, makeup brushes, eyeliner, lip liner, glass display case, 48 x 60 x 24 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5bd033ef-7540-4b4f-9963-e5e453d24652/fembot-install-14.jpg</image:loc>
      <image:title>Home - The Feminine and the Posthuman: “Fembot” at The Hole, Tribeca - Make it stand out</image:title>
      <image:caption>Installation view of Fembot at The Hole, Tribeca. September 6th – October 22nd, 2023. Image retrieved from gallery website.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/christina-barreras-revolutionary-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d47d255f-1cc3-4692-b0a2-b0b2df6fe48d/cb1.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Christina Barrera. Portrait by Berto Santana. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bbdcc1ff-63cb-4b6a-9bd6-8b2e542105d6/cb2.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Installation of Para Todos Todo, Free in the Open Air by Christina Barrera, curated by Daniela Mayer. Photo by Adam Reich, courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/32df2039-eae4-47dd-9c1e-20bed4ead4f2/Christina+Barrera+Sin+Dios+y+Sin+Ley+%28without+god+and+without+law%29%2C+Para+Todos+Todo%2C+Free+in+the+Open+Air%2C+MAMA+Projects+Gallery+revolutionary+festival+artist+social+justice+art.</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Christina Barrera. Sin Dios y Sin Ley (Without God and Without Law), 2024. Pastel and charcoal on paper. Courtesy of MAMA Projects and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ca798814-5a3f-44f7-a88f-defe9b0f532a/MAMA+Projects_Christina+Barrera_Nada+Menos+%5BNothing+Less_None+Other%5D+2024.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Christina Barrera. Nada Menos! (Nothing Less/None Other), 2024. Pastel, charcoal, ink on paper. Courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2ed36099-5bfc-40b1-ba28-d7f0a7a26072/MAMA+Projects_Christina+Barrera_I+Build+With+Bricks+Laid+Down+Before+I+Was+Born+2024+Various+pieces.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Christina Barrera. I Build With Bricks Laid Down Before I Was Born, 2024. Steel. Fabrication assistance by Michael Clayton. Courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/95fa7255-d610-4af7-96a9-e3b92b34a526/MAMA+Projects_Christina+Barrera_I+Hope+the+Fences+We+ve+Mended+Fall+Down+Beneath+Their+Own+Weight+2022.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Christina Barrera. I Hope the Fences We’ve Mended Fall Down Beneath Their Own Weight, 2022. Steel hardware cloth, paper pulp, cotton mason line, ink, charred cedar planks, steel. Photo by Cary Whittier, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/de74e1bc-4a36-4bc9-990c-dfbbc84159d6/MAMA+Projects_Christina+Barrera_Im+Not+Looking+For+Work+But+I+Wanna+Talk+to+You_2024.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Christina Barrera. I’m Not Looking For Work But I Wanna Talk to You, 2024. Inkjet prints, Risograph prints, unique photo copies. Courtesy of MAMA Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e98d896e-b599-40a8-abca-56a16b75b8b9/MAMA+Projects_Christina+Barrera_Install+8+%40Adam+Reich+%281%29.jpg</image:loc>
      <image:title>Home - Christina Barrera’s “Revolutionary Festival” - Make it stand out</image:title>
      <image:caption>Installation view. Photo by Adam Reich, courtesy of MAMA Projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/papercuts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4f18b78b-4410-4c47-b852-f8bb15e06326/Screen+Shot+2024-06-13+at+12.44.54+AM.png</image:loc>
      <image:title>Home - “Paper Cuts” at Elza Kayal Gallery - Make it stand out</image:title>
      <image:caption>Mia Pearlman, Surf Zone, 2023. Paper, ink, and glue. Courtesy of the artist and Elza Kayal Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e0f87025-2420-4fb4-b4fb-01216014777b/Screen+Shot+2024-06-13+at+12.43.23+AM.png</image:loc>
      <image:title>Home - “Paper Cuts” at Elza Kayal Gallery - Make it stand out</image:title>
      <image:caption>Samuelle Green, Snug. Paper, wire, glue, and grey paper. Courtesy of the artist and Elza Kayal Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/78322b0c-80e5-4349-9cf9-f2a1f9a7bc06/Screen+Shot+2024-06-13+at+12.53.32+AM.png</image:loc>
      <image:title>Home - “Paper Cuts” at Elza Kayal Gallery - Make it stand out</image:title>
      <image:caption>Heather Cox, Float, 2023. Photograph and staples on paper. 24” x 18”. Courtesy of the artist and Elza Kayal Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/50ad1308-d842-480e-ba95-ff05ce57c717/Screen+Shot+2024-06-13+at+12.42.57+AM.png</image:loc>
      <image:title>Home - “Paper Cuts” at Elza Kayal Gallery - Make it stand out</image:title>
      <image:caption>Jaynie Gillman Crimmins, Equanimity #9, 2022. Shredded New Yorker magazines and security envelopes over post consumer armature. 12"x12"x 1.5". Courtesy of the artist and Elza Kayal Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/curatorial-deviations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d05be88d-bff9-4306-8181-b8834d9dd116/Theater-of-Energies-install-view-5642.jpg</image:loc>
      <image:title>Home - Curatorial Deviations - Make it stand out</image:title>
      <image:caption>Installation view of Theater of Energies. Courtesy of Arsenal Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/55ec7204-fdd8-4454-b955-55146b86cfa4/Screen+Shot+2024-08-02+at+11.26.46+PM.png</image:loc>
      <image:title>Home - Curatorial Deviations - Make it stand out</image:title>
      <image:caption>gaoyuan, detail from 3AM Provocations: In Lieu of a Curatorial Statement. “Mindrifts: Entry 16,” 2024, curatorial zine. Courtesy of the curator.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/76dc7792-3320-40bb-8986-b6de34486ab7/Screen+Shot+2024-08-02+at+11.27.10+PM.png</image:loc>
      <image:title>Home - Curatorial Deviations - Make it stand out</image:title>
      <image:caption>gaoyuan, detail from 3AM Provocations: In Lieu of a Curatorial Statement. “Glimpses: Note on frolicking,” 2024, curatorial zine. Courtesy of the curator.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e49006d2-eab4-4a8e-90f1-cba5c5e5dfc0/Screen+Shot+2024-08-02+at+11.27.22+PM.png</image:loc>
      <image:title>Home - Curatorial Deviations - Make it stand out</image:title>
      <image:caption>gaoyuan, detail from 3AM Provocations: In Lieu of a Curatorial Statement. “Souls: Leah Ying Lin,”2024, curatorial zine. Courtesy of the curator.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/music-for-the-eyes-crafting-the-ballets-russes-at-the-morgan-library-amp-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e2c637d4-7f70-4d8a-b9f2-0d4a125e79d6/aa3.jpg</image:loc>
      <image:title>Home - Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library &amp;amp; Museum - Make it stand out</image:title>
      <image:caption>Léon Bakst (1866–1924), set design for bedroom scene for Schéhérazade (1910). Gouache on paper. Boris Stavrovski Collection, New York. Photography by Janny Chiu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5ae2930a-1816-40fe-9e6b-894211cf862a/aa2.jpg</image:loc>
      <image:title>Home - Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library &amp;amp; Museum - Make it stand out</image:title>
      <image:caption>Natalia Goncharova (1881–1962), curtain design for Les Noces (1915). Opaque watercolor over graphite on paper. Philadelphia Museum of Art: Gift of Christian Brinton, 1941, 1941-79-96. © 2024 Artists Rights Society (ARS), New York / UPRAVIS, Moscow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c60f9d49-a2f0-4234-a77d-c9923083b157/aa1.jpg</image:loc>
      <image:title>Home - Music for the Eyes: “Crafting the Ballets Russes” at the Morgan Library &amp;amp; Museum - Make it stand out</image:title>
      <image:caption>Program for Les Ballets de Madame Ida Rubinstein (detail), Académie Nationale de Musique et de Danse, May 1929. Library of Congress, Ida Rubinstein Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/migration-in-dialogue-reiko-fueting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5a52ca44-90cb-4bd5-8d4e-880f867823f4/Screen+Shot+2024-07-31+at+10.00.22+PM.png</image:loc>
      <image:title>Home - Migration in Dialogue – Reiko Fueting - Make it stand out</image:title>
      <image:caption>Courtesy of Reiko Fueting.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/survival-ghosts-and-jaguars-in-the-sonoran-desert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a34e2bb3-cbcf-489c-ac8c-648d35085009/pictures</image:loc>
      <image:title>Home - Survival, Ghosts, and Jaguars in the Sonoran Desert - Make it stand out</image:title>
      <image:caption>Creators of Frontera. Left: Julio Anta. Right: Jacoby Salcedo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/bab06806-6977-401c-aaf5-8805d2fd399b/81A0vW3H7WL._SL1500_.jpg</image:loc>
      <image:title>Home - Survival, Ghosts, and Jaguars in the Sonoran Desert - Make it stand out</image:title>
      <image:caption>Cover of Frontera (2023), by Julio Anta and Jacoby Salcedo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0ac38e1a-4586-49d7-ad73-2ba3bd93bb99/Sonoradesert_1.jpeg</image:loc>
      <image:title>Home - Survival, Ghosts, and Jaguars in the Sonoran Desert - Make it stand out</image:title>
      <image:caption>The Sonoran Desert near Tucson, Arizona during winter, retrieved from Wikimedia Commons, photo by Santryl.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5096bb66-c5a7-494c-8d28-9639b3f753c5/El-jefe-jaguar-fws1.jpg</image:loc>
      <image:title>Home - Survival, Ghosts, and Jaguars in the Sonoran Desert - Make it stand out</image:title>
      <image:caption>El Jefe in Arizona, 2013. United States Fish and Wildlife Service.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/queen-justmean-disrupting-gender-norms-through-performance-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b719ebdb-ec6b-44da-923f-27fbae0cf8ce/Queen+JustMean</image:loc>
      <image:title>Home - Queen JustMean: Disrupting Gender Norms Through Performance Art - Make it stand out</image:title>
      <image:caption>Photo of Queen JustMean, 2024. Courtesy of Vilma Leino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f8b22f2d-f168-4437-9621-ccf2a5fb5281/Queen+JustMean</image:loc>
      <image:title>Home - Queen JustMean: Disrupting Gender Norms Through Performance Art - Make it stand out</image:title>
      <image:caption>Photo of Queen JustMean, 2024. Courtesy of Vilma Leino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7474b28c-3461-456d-b6f8-dc1f87c8f153/delivery+hero</image:loc>
      <image:title>Home - Queen JustMean: Disrupting Gender Norms Through Performance Art - Make it stand out</image:title>
      <image:caption>Queen JustMean at a corporate private event for Delivery Hero, Berlin, Germany, 2024. Courtesy of Delivery Hero.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/hana-miletics-soft-services</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/694dbe28-c7cf-48aa-b762-f1eb6d35b7b6/a4.jpg</image:loc>
      <image:title>Home - A Former Lens-Based Artist Turns to Textile, Rendering Gestures of Care - Make it stand out</image:title>
      <image:caption>Exhibition view of Hana Miletić: Soft Services, MIT List Visual Arts Center, 2024. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d770a821-a1b2-4fe5-9088-6db80fa14b6b/a6.jpg</image:loc>
      <image:title>Home - A Former Lens-Based Artist Turns to Textile, Rendering Gestures of Care - Make it stand out</image:title>
      <image:caption>Hana Miletić, Materials, 2023. Courtesy the artist, The Approach, London, and LambdaLambdaLambda, Prishtina, Kosovo, and Paris. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6251a75b-62eb-49f8-8a1c-68af01a1059d/a2.jpg</image:loc>
      <image:title>Home - A Former Lens-Based Artist Turns to Textile, Rendering Gestures of Care - Make it stand out</image:title>
      <image:caption>At Left: Hana Miletić, Materials, 2022. At Right: Hana Miletić, Materials, 2023. Installation view: Hana Miletić: Soft Services, MIT List Visual Arts Center, 2024. Courtesy the artist, The Approach, London, and LambdaLambdaLambda, Prishtina, Kosovo, and Paris. Photo: Dario Lasagni.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/287452a0-316c-43f9-b1ab-6d9174b9a9ff/a3.jpg</image:loc>
      <image:title>Home - A Former Lens-Based Artist Turns to Textile, Rendering Gestures of Care - Make it stand out</image:title>
      <image:caption>Exhibition view: Hana Miletić: Soft Services, MIT List Visual Arts Center, 2024. Photo: Dario Lasagni.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/functionfiction-at-gobi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/387c6d25-df40-4078-bfa3-b2ea8b941d58/function+fiction</image:loc>
      <image:title>Home - Messages in Flight: “Function–Fiction” at GOBI - Make it stand out</image:title>
      <image:caption>Installation view of Function-Fiction at GOBI, Los Angeles, from June 8 to August 19, 2024. Courtesy of GOBI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c0a3d6a5-d30d-49bb-8008-9f41c4487516/FF_DSC00674.jpg</image:loc>
      <image:title>Home - Messages in Flight: “Function–Fiction” at GOBI - Make it stand out</image:title>
      <image:caption>Ruoyi Shi, Etymology of Translation –The Birdcatcher’s Bird. 15” x 9.5” x 3” each. Wood, graphite, found objects, and metal hardware. Courtesy of the artist and GOBI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/77f75f1a-6236-4039-b760-99657b261c24/FF_DSC00464.jpg</image:loc>
      <image:title>Home - Messages in Flight: “Function–Fiction” at GOBI - Make it stand out</image:title>
      <image:caption>Anais Franco, Remaining Foundation (2023). 20.5″ x 16″. Ceramic tiles, glaze, and Douglas fir. Courtesy of the artist and GOBI.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/19376174-f363-44fe-bd27-0c1918986e8c/A4.jpg</image:loc>
      <image:title>Home - Messages in Flight: “Function–Fiction” at GOBI - Make it stand out</image:title>
      <image:caption>Installation view of Function-Fiction at GOBI, Los Angeles, from June 8 to August 19, 2024. Courtesy of GOBI.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/other-peoples-houses-the-creepy-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/66d33a1f-6205-4ebf-a655-54b5043ca173/A1.png</image:loc>
      <image:title>Home - Other People’s Houses: The Creepy House - Make it stand out</image:title>
      <image:caption>House exterior. Photo by Georgina Bruce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a2f211fd-9f2b-4c5a-9cb8-575981b85b5e/A2.jpg</image:loc>
      <image:title>Home - Other People’s Houses: The Creepy House</image:title>
      <image:caption>No, it’s not haunted. It’s just decorated in order to give the impression that it is. Dark wood, lots of antiques, dusty peacock feathers in vases. Definitely no ghosts. If there’s a strange atmosphere it’s probably because there’s been some tension lately, on account of the allegations. Rumours, really. But you shouldn’t pay any attention to anything you hear around town. Nothing bad happened here. The charges were all dropped.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e56570b5-8775-4b03-99e6-83c3717c6b20/A3.png</image:loc>
      <image:title>Home - Other People’s Houses: The Creepy House - Make it stand out</image:title>
      <image:caption>Portrait in the house. Photo by Georgina Bruce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b0aa4670-0af1-4bd5-80f6-bb47c6bb659a/A4.png</image:loc>
      <image:title>Home - Other People’s Houses: The Creepy House - Make it stand out</image:title>
      <image:caption>Details of the house. Photos by Georgina Bruce.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-letter-home-with-paul-rho</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/426fb9cd-1449-4296-8cb2-3abb73ec0d99/A+letter+home</image:loc>
      <image:title>Home - A Letter Home with Paul Rho - Make it stand out</image:title>
      <image:caption>Photo of Paul Rho with Tidal installation. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d00d7fb0-645d-4837-8ed4-accaea93bacd/installation+view</image:loc>
      <image:title>Home - A Letter Home with Paul Rho - Make it stand out</image:title>
      <image:caption>Paul Rho, Tidal. Installation: 82 x 145 x 80 in. Sound 12’, video 12’. 12 metal stands (heights vary), 12 speakers, 12 silver gelatin moon jars (16 x 16 x 16 in), 12 bells (sizes vary), cellular phone 3 x 5 in, Hanbok 67 x 65 in. Photo by Paul Rho. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b26500d-358c-483d-ad9c-26e21334a3ea/installation+view</image:loc>
      <image:title>Home - A Letter Home with Paul Rho - Make it stand out</image:title>
      <image:caption>Installation view of Paul Rho: Ebbs and Flows at Rockella Space. Curated by Eunice Chen. Photo by Paul Rho. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f2ed2c36-823f-46d2-8c2c-672c76b97ed7/detail+installation+view</image:loc>
      <image:title>Home - A Letter Home with Paul Rho - Make it stand out</image:title>
      <image:caption>Installation view of Paul Rho: Ebbs and Flows at Rockella Space. Curated by Eunice Chen. Photo by Paul Rho. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/to-the-dreamy-otherworld-a-conversation-with-lauren-clay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/157095aa-2788-4ac5-9a19-0dcdf3a71b2e/Lauren+Clay</image:loc>
      <image:title>Home - To the Dreamy Otherworld: A Conversation with Lauren Clay - Make it stand out</image:title>
      <image:caption>Photo of Lauren Clay by Kristen Wasik. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/872b974e-2595-4eb9-b327-13fabd180c76/Install-22.jpg</image:loc>
      <image:title>Home - To the Dreamy Otherworld: A Conversation with Lauren Clay - Make it stand out</image:title>
      <image:caption>Installation view of Lauren Clay: Love Feast at Picture Theory. Courtesy of the artist and Picture Theory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6d26bc78-9fe4-4d03-823a-50130059cb05/Install-99.jpg</image:loc>
      <image:title>Home - To the Dreamy Otherworld: A Conversation with Lauren Clay - Make it stand out</image:title>
      <image:caption>Lauren Clay, Side Winder, 2024. Oil paint and paper pulp on carved panel, 65 x 43 x 2.5 inches. Courtesy of the artist and Picture Theory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4fd8350f-472e-469f-94cc-4562b3a366c6/Install-77.jpg</image:loc>
      <image:title>Home - To the Dreamy Otherworld: A Conversation with Lauren Clay - Make it stand out</image:title>
      <image:caption>Installation view of Lauren Clay: Love Feast at Picture Theory. Courtesy of the artist and Picture Theory.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/yibin-wang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/06b91a8f-3dee-459e-850b-e442e6edb29d/Yibin+Wang</image:loc>
      <image:title>Home - Yibin Wang Speaks About Self-Realization and His Creative Journey - Make it stand out</image:title>
      <image:caption>Photo of Yibin Wang. Image credit: Kai Miedendorp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1a7c81d3-e214-42ac-bbbf-d36770f735f9/yibin+wang</image:loc>
      <image:title>Home - Yibin Wang Speaks About Self-Realization and His Creative Journey - Make it stand out</image:title>
      <image:caption>Yibin Wang at a rehearsal. Photo by Yejia Sun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5e3cb3a-7d29-4730-a0ec-3b1a696c8073/yibin+wang</image:loc>
      <image:title>Home - Yibin Wang Speaks About Self-Realization and His Creative Journey - Make it stand out</image:title>
      <image:caption>Yibin Wang at a rehearsal. Photo by Shi Huang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/nicole-havekost-a-material-artist-in-a-material-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7301990a-3b04-4620-9c89-642613ee352b/Tether-1.jpg</image:loc>
      <image:title>Home - Nicole Havekost: A Material Artist in a Material World - Make it stand out</image:title>
      <image:caption>Nicole Havekost, Tether. Industrial felt, cotton thread, sewing hardware, paper, galvanized steel, PVC pipe, concrete, wood; 123 x 180 x 60 inches; 2023. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1921e3cf-440e-42b0-9607-3a7a5a1bda39/Supine%2C+Pause-1.jpg</image:loc>
      <image:title>Home - Nicole Havekost: A Material Artist in a Material World - Make it stand out</image:title>
      <image:caption>Nicole Havekost. Left: Supine, 28 x 86 x 72 inches; Right: Pause, 131 x 54 x 169 inches. Industrial felt, cotton thread, sewing hardware, paper, galvanized steel, PVC pipe, concrete, wood; 2023. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/fbd946a9-5ca3-4130-950a-c559a7904b96/Sustain-2.jpg</image:loc>
      <image:title>Home - Nicole Havekost: A Material Artist in a Material World - Make it stand out</image:title>
      <image:caption>Nicole Havekost, Detail of Sustain (2023). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9a265a61-78f6-4aef-b701-d1e412f9c1ef/Spill.jpg</image:loc>
      <image:title>Home - Nicole Havekost: A Material Artist in a Material World - Make it stand out</image:title>
      <image:caption>Nicole Havekost, Spill. Rag paper, compressed charcoal, graphite, graphite putty, poked holes; 18 x13.5 inches, 2023. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/eva-hesse-five-sculptures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2b014544-5cea-4e7e-a0a4-b5fe65c952cf/Eva+Hesse%2C+Five+Sculptures+Hauser+%26+Wirth+Gallery%2C+retrospective+feminist%2C+Alex+Wexelman%2C+non-form+Lucy+Lippard</image:loc>
      <image:title>Home - Eva Hesse: Five Sculptures - Make it stand out</image:title>
      <image:caption>Eva Hesse, Expanded Expansion (1969). Installation view, Eva Hesse: Five Sculptures, Hauser &amp; Wirth New York, 22nd Street. May 2 – July 26, 2024. © The Estate of Eva Hesse/ Courtesy Hauser &amp; Wirth. Photo: Matt Grubb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b5a67ac0-0969-4331-b562-ec6e0fd0bc42/augment</image:loc>
      <image:title>Home - Eva Hesse: Five Sculptures - Make it stand out</image:title>
      <image:caption>Eva Hesse, Augment (1968). Installation view, Eva Hesse: Five Sculptures, Hauser &amp; Wirth New York, 22nd Street. May 2 – July 26, 2024. © The Estate of Eva Hesse/ Courtesy Hauser &amp; Wirth. Photo: Matt Grubb.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d14ec124-f28a-4381-b137-f74da78af188/installation+view</image:loc>
      <image:title>Home - Eva Hesse: Five Sculptures - Make it stand out</image:title>
      <image:caption>Eva Hesse, Area (1968). Installation view, Eva Hesse: Five Sculptures, Hauser &amp; Wirth New York, 22nd Street. May 2 – July 26, 2024. © The Estate of Eva Hesse/ Courtesy Hauser &amp; Wirth. Photo: Matt Grubb.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/chellis-baird-on-embracing-negative-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e5e1cdf2-8277-48d6-ac1d-5159fb8c6633/Chellis+studio+portrait</image:loc>
      <image:title>Home - Chellis Baird On Embracing Negative Space - Make it stand out</image:title>
      <image:caption>Photo of Chellis Baird in her studio. Right wall: Epilogue I, II, III, IV, (clockwise), cotton fabric, acrylic, wire, on birch panel, 18 X 12 inches (each). Left wall: Through, 2022, Fabric, plaster, wire, acrylic, on archival birch panel, 48 x 64 1/2 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0af7d0a3-24fe-4758-8fc3-5374997a1b9c/IMG_6907.JPEG</image:loc>
      <image:title>Home - Chellis Baird On Embracing Negative Space - Make it stand out</image:title>
      <image:caption>Works by Chellis Baird. Left: Epilogue, 2022, Fabric, acrylic, plaster, wire, on archival birch panel, 48 x 64 1/2 inches. Right: Through, 2022, Fabric, plaster, wire, and acrylic, on archival birch panel, 48 x 64 1/2 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1e9f9263-460b-43c6-aec2-c517ad36d6f7/ChellisBaird_LadyDangerII.jpg</image:loc>
      <image:title>Home - Chellis Baird On Embracing Negative Space - Make it stand out</image:title>
      <image:caption>Chellis Baird, Lady Danger, 2021, Silk, acrylic, wire, birch panel, mahogany frame with fingerprint-proof matte black finish, 28 x 20 x 4 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67a02e05-72fd-4621-a6b1-2568e46cc904/chellis+baird+studio+portrait</image:loc>
      <image:title>Home - Chellis Baird On Embracing Negative Space - Make it stand out</image:title>
      <image:caption>Chellis Baird working in her studio. Work pictured: Sustain, 2024. Fabric, wire, acrylic, wood, 72 x 144 x 4 3/4 inches. Photo by Christina Elia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ce17b78-c602-4789-ab7a-996a12509d06/suspend</image:loc>
      <image:title>Home - Chellis Baird On Embracing Negative Space - Make it stand out</image:title>
      <image:caption>Chellis Baird working in her studio. Work pictured: Suspend, 2024. Fabric, acrylic, wood, 48 x 72 x 3 inches. Photo by Christina Elia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/life-on-the-fringe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8064f588-c0e2-49f2-bbe4-c8330af1c4da/green+dress</image:loc>
      <image:title>Home - “Life on the Fringe”? - Make it stand out</image:title>
      <image:caption>Tamara de Lempicka, Young Woman in Green (1927–30). Centre Pompidou, Paris, purchased 1932, inv. JP557P. © 2023 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/892e2568-664a-4ac2-8bf4-af1d0b33e062/jeune+fille</image:loc>
      <image:title>Home - “Life on the Fringe”? - Make it stand out</image:title>
      <image:caption>Tamara de Lempicka, Study for Jeune fille dessinant (1932). Graphite on Fabriano Paper, 32.5 cm x 23.2 cm. Fine Arts Museums of San Francisco, Museum purchase, Lisa Sardegna and David Carrillo, Phoebe Cowles and Robert Girard, and Achenbach Foundation for the Graphic Arts Endowment Fund, 2022.10. © 2023 Tamara de Lempicka Estate, LLC / ADAGP, Paris / ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/33105e0a-8d89-4c7d-bfdc-9a3a8f790c8a/Screen+Shot+2024-07-19+at+4.40.55+PM.png</image:loc>
      <image:title>Home - “Life on the Fringe”? - Make it stand out</image:title>
      <image:caption>Tamara de Lempicka (1898-1980), La Musicienne, 1929. Oil on canvas. 45⅝ x 28¾ in (115.8 x 73 cm). Sold for $9,087,500 on 11 November 2018 at Christie’s in New York. Artwork: © Tamara de Lempicka Estate, LLC / ADAGP, Paris and DACS, London 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/being-an-art-monster</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0b8b8c6f-9bea-4651-a612-630ade3386b3/book+cover+1</image:loc>
      <image:title>Home - Being an “Art Monster” - Make it stand out</image:title>
      <image:caption>Lauren Elkin, Art Monsters: Unruly Bodies in Feminist Art. Published by Farrar, Straus and Giroux, United States (2023).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/043736d7-ebe7-4967-9bef-f1dc4824352c/book+cover+2</image:loc>
      <image:title>Home - Being an “Art Monster” - Make it stand out</image:title>
      <image:caption>Lauren Elkin, Art Monsters: Unruly Bodies in Feminist Art. Published by Chatto &amp; Windus, Great Britain (2023).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/refashioning-cfgny-amp-wataru-tominaga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/25cdce63-483b-4974-bb64-a7d44cb32eb9/installation+view</image:loc>
      <image:title>Home - Refashioning: CFGNY &amp;amp; Wataru Tominaga - Make it stand out</image:title>
      <image:caption>Refashioning: CFGNY &amp; Wataru Tominaga, installation view. Hammer Museum, Los Angeles, June 9–August 4, 2024. Photography by Sarah Golonka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/26b5b284-9911-4b6a-b881-4a7136442f46/CFGNY</image:loc>
      <image:title>Home - Refashioning: CFGNY &amp;amp; Wataru Tominaga - Make it stand out</image:title>
      <image:caption>CFGNY, 33.734689889820174, -118.24125148516681 / Directions from here / Directions to here / What's here? / Add a missing place / Terminal Island, CA, 2024. Inkjet print on Hahnemühle paper. 20 3/4 × 16 7/8 in. (52.7 × 42.9 cm). Courtesy of CFGNY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9fb07056-0793-425a-b4fb-f780a228f158/installation+view</image:loc>
      <image:title>Home - Refashioning: CFGNY &amp;amp; Wataru Tominaga - Make it stand out</image:title>
      <image:caption>Refashioning: CFGNY &amp; Wataru Tominaga, installation view. Hammer Museum, Los Angeles, June 9–August 4, 2024. Photography by Sarah Golonka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6127853f-6893-431b-9932-e0667fd5349b/installation+view</image:loc>
      <image:title>Home - Refashioning: CFGNY &amp;amp; Wataru Tominaga - Make it stand out</image:title>
      <image:caption>Refashioning: CFGNY &amp; Wataru Tominaga, installation view. Hammer Museum, Los Angeles, June 9–August 4, 2024. Photography by Sarah Golonka.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/93ff3d84-0791-480f-bb29-15ae6689bf17/Wataru+Tominaga</image:loc>
      <image:title>Home - Refashioning: CFGNY &amp;amp; Wataru Tominaga - Make it stand out</image:title>
      <image:caption>Wataru Tominaga, Untitled (Red Pleated Vest, Pink Corduroy Pants, Black Sweater with Pleated Sleeves), 2015. Cotton, textile vinyl. 51 3/16 × 23 5/8 × 3 15/16 in. (130 × 60 × 10 cm) overall. Lookbook, 31st Hyères International Festival of Fashion and Photography, April 21–25, 2016, Villa Noailles, Hyères, France. Courtesy of the artist. Photo: Wataru Tominaga.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/reconciling-immigration-discourses-through-art-with-marta-djourina</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a5b714e8-1db4-4978-b8a3-148d5616bf05/Marta+Djourina</image:loc>
      <image:title>Home - Reconciling Immigration Discourses Through Art with Marta Djourina - Make it stand out</image:title>
      <image:caption>Marta Djourina, portrait by Alena Schmick.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/dcbd9b8a-162b-418b-b5e3-decaffb37454/travel+light</image:loc>
      <image:title>Home - Reconciling Immigration Discourses Through Art with Marta Djourina - Make it stand out</image:title>
      <image:caption>Marta Djourina, Travel Light, 2023-24, aluminum cast of the original pinhole camera. Exhibition view of EE Tetris, Scope BLN, 2023. Photo by CHROMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7fd81576-fd5f-41ab-a071-a272adc5deba/eleonora+Hristova</image:loc>
      <image:title>Home - Reconciling Immigration Discourses Through Art with Marta Djourina - Make it stand out</image:title>
      <image:caption>Marta Djourina, Travel Light, 2023-24. Exhibition view of Minding Sun, FeldbuschWiesnerRudolph. Photo by CHROMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/6e1e3c38-3630-40c0-88e4-1263fa0e0950/eleonora+Hristova</image:loc>
      <image:title>Home - Reconciling Immigration Discourses Through Art with Marta Djourina - Make it stand out</image:title>
      <image:caption>Marta Djourina, Travel Light, 2023-24, B&amp;W exposures, unique pieces made with a suitcase turned into a pinhole camera in transit during flights between Berlin and Sofia, New York and Berlin and a train between Paris and Berlin; bag labels. Exhibition view EE Tetris, Scope BLN, 2023. Photo by CHROMA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/everyone-in-new-york-has-biceps</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/be1025fe-2c2b-480c-b731-12913044cc66/WechatIMG8987.jpeg</image:loc>
      <image:title>Home - Everyone in New York Has Biceps - Make it stand out</image:title>
      <image:caption>Pride March, New York. Photo Courtesy of Jenny Wang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/interior-design-alison</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/5728da64-d480-4de0-8f1e-6531349de680/000006030001.jpg</image:loc>
      <image:title>Home - Interior Design - Make it stand out</image:title>
      <image:caption>Photo Credit: Jo Minhinnett</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/a-conversation-with-omar-mismar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/413b9662-25b2-46a1-bec3-026bdb527575/MZO_Omar+Mismar_0543.jpg</image:loc>
      <image:title>Home - Queer Love, Everywhere: A Conversation with Omar Mismar - Make it stand out</image:title>
      <image:caption>Omar Mismar, Two Unidentified Lovers in a Mirror, 2023, mosaic. 51 x 51 inches (130 × 130 cm). Photo: Marco Zorzanello. Courtesy of La Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f0d4d149-f729-4324-bef3-502dfd8fb03c/Mismar-Headshot.jpeg</image:loc>
      <image:title>Home - Queer Love, Everywhere: A Conversation with Omar Mismar - Make it stand out</image:title>
      <image:caption>Photo of Omar Mismar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f880cce8-dfa0-42cd-a887-50fd8d0667d2/MZO_Omar+Mismar_0548.jpg</image:loc>
      <image:title>Home - Queer Love, Everywhere: A Conversation with Omar Mismar - Make it stand out</image:title>
      <image:caption>Omar Mismar, Two Unidentified Lovers in a Mirror, detail. Photo: Marco Zorzanello. Courtesy of La Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ed0d3053-f6ec-4e91-b14f-2363a93171d1/MZO_Omar+Mismar_0547.jpg</image:loc>
      <image:title>Home - Queer Love, Everywhere: A Conversation with Omar Mismar - Make it stand out</image:title>
      <image:caption>Omar Mismar at L’Arsenale, Venice Biennale. Photo: Marco Zorzanello. Courtesy of La Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e563b92e-b7c5-4f43-9a22-92334863bfcb/MDM_Omar-Mismar_Teresa+Margolles-1.jpg</image:loc>
      <image:title>Home - Queer Love, Everywhere: A Conversation with Omar Mismar - Make it stand out</image:title>
      <image:caption>Teresa Margolles’ Tela Venezuelana, 2019. Human imprint on cloth, 82.6 x 82.6 inches (210 × 210 cm, on the wall) and Omar Mismar, Spring Cleaning, from the series Studies in Mosaics, 2022. Mosaic, 78.7 x 86.6 inches (200 × 220 cm). Photo: Matteo de Mayda. Courtesy of La Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/323ebfd4-651f-4da5-8c6e-4ef4ebab68a3/MZO_Omar+Mismar_0549.jpg</image:loc>
      <image:title>Home - Queer Love, Everywhere: A Conversation with Omar Mismar - Make it stand out</image:title>
      <image:caption>Omar Mismar, Ahmad and Akram Protecting Hercules, from the series Studies in Mosaics, 2019-20. Mosaic 51 x 78.7 inches (130 × 200 cm). Photo: Marco Zorzanello. Courtesy of La Biennale di Venezia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jocelyne-saab-association-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/771f9966-7fab-4c9b-ab7b-a044e928ac74/Jocelyne+Saab</image:loc>
      <image:title>Home - The Jocelyne Saab Association - Make it stand out</image:title>
      <image:caption>©DR | Jocelyne Saab</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/harmonica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/16b33557-0899-498e-9b8b-768534e820fc/high+school+hallway</image:loc>
      <image:title>Home - Harmonica - Make it stand out</image:title>
      <image:caption>HDR of Hallway with Lockers — Photo by jacksonjesse. Retrieved from Depositphotos.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/fnd-and-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a4bd9e17-1c9e-45e1-8a30-0aa90185dea2/raymond+p.+diamond+doing+acrobatics</image:loc>
      <image:title>Home - FND and Me - Make it stand out</image:title>
      <image:caption>I am an acrobat. I am an artist. My craft is physical, and my medium is my body.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/brianna-rose-brooks-come-back-as-a-flower</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e2e969c1-deb7-449a-89a8-d703b68e727d/Perennial+painting.jpg</image:loc>
      <image:title>Home - Brianna Rose Brooks: Come Back As A Flower - Make it stand out</image:title>
      <image:caption>Brianna Rose Brooks, Perennial painting, 2024. Oil, airbrush, acrylic, and molding paste on canvas. 50 × 45 inches (127.00 × 114.30 cm). Courtesy the artist and Deli Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1962230b-bc47-4878-99b7-888df112f810/Sleepy+time+traveler.jpg</image:loc>
      <image:title>Home - Brianna Rose Brooks: Come Back As A Flower - Make it stand out</image:title>
      <image:caption>Brianna Rose Brooks, Sleepy time traveler, 2024. Colored pencil and collage on paper. 16 3/4 × 11 1/2 inches (42.55 × 29.21 cm). Courtesy the artist and Deli Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/42676f85-e5f4-43d9-b5fc-fe4a1676380d/Perennial+painting-detail+shot.jpg</image:loc>
      <image:title>Home - Brianna Rose Brooks: Come Back As A Flower - Make it stand out</image:title>
      <image:caption>Detail of Brianna Rose Brooks, Perennial painting, 2024. Courtesy the artist and Deli Gallery, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/celine-song-past-lives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/53986ff5-6450-4da3-941b-80c9dbf22b76/Screen+Shot+2024-07-07+at+6.13.27+PM.png</image:loc>
      <image:title>Home - The Conflict Between Endless Possibilities and Reality - Make it stand out</image:title>
      <image:caption>Greta Lee and Teo Yoo in the movie Past Lives (Jon Pack / Sundance Institute).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/23ca8775-62eb-4d20-890d-822cbf3b9168/ca-times.brightspotcdn.png</image:loc>
      <image:title>Home - The Conflict Between Endless Possibilities and Reality - Make it stand out</image:title>
      <image:caption>Still from Past Lives (Twenty Years Rights).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b82b1ee3-667d-4672-8565-b8f5309a6903/01past-lives2-bcmh-jumbo.jpg</image:loc>
      <image:title>Home - The Conflict Between Endless Possibilities and Reality - Make it stand out</image:title>
      <image:caption>Still from Past Lives, (A24).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f7064f49-30d6-4330-8db5-3ed1c4278a68/past+lives+poster</image:loc>
      <image:title>Home - The Conflict Between Endless Possibilities and Reality - Make it stand out</image:title>
      <image:caption>Poster of Past Lives, 2023. Directed and written by Celine Song. Produced by David Hinojosa, Christine Vachon, and Pamela Koffler. Cinematography by Shabier Krichner. Distributed by A24. Starring Greta Lee, Teo Yoo, and John Magaro.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/cinema-supply-lost-and-found</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9ce08bf0-9afa-4fec-9791-e40001587ef7/Installation+002.jpg</image:loc>
      <image:title>Home - Basement Secrets: Cinema Supply’s “Lost and Found” - Make it stand out</image:title>
      <image:caption>Installation view of Lost and Found, courtesy Cinema Supply, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/d7eaf4f6-41a1-47bb-9917-467e05a9b2d1/Installation+003.jpg</image:loc>
      <image:title>Home - Basement Secrets: Cinema Supply’s “Lost and Found” - Make it stand out</image:title>
      <image:caption>Nicolas Tovar, Rome (Emerging Series), 2015, Diffused dye, sand, silkscreen, diptych: 24 x 70” + 24 x 70”. Courtesy the artist and Cinema Supply, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/db037d2e-0863-4256-b339-5a8a6e178fb8/Installation+004.jpg</image:loc>
      <image:title>Home - Basement Secrets: Cinema Supply’s “Lost and Found” - Make it stand out</image:title>
      <image:caption>Chengtao Yi, TV, 2021, Lenticular prints on wood, 20 x 20 x 20”; Chengtao Yi, Chair, 2021, Lenticular prints on wood, 23 x 43 x 23”; Chengtao Yi, Melon, 2021, Lenticular prints on wood, 20 x 20 x 30”. Courtesy the artist and Cinema Supply, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/jocelyne-saab-beirut-trilogy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7b751bf6-af9c-4c72-b570-1b0613bc8031/beyrouth-ma-ville-jocelyne.jpg</image:loc>
      <image:title>Home - The Beirut Trilogy by Jocelyne Saab - Make it stand out</image:title>
      <image:caption>Still from Beirut, My City. Jocelyne Saab Association.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/658cb413-c691-4de4-84f4-6f7d238b2481/1034.jpg</image:loc>
      <image:title>Home - The Beirut Trilogy by Jocelyne Saab - Make it stand out</image:title>
      <image:caption>Still from Beirut, Never Again, Jocelyne Saab Association.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/add7b4da-f175-4a41-ac49-283801ff4af9/lettre-de-beyrouth-2.jpg</image:loc>
      <image:title>Home - The Beirut Trilogy by Jocelyne Saab - Make it stand out</image:title>
      <image:caption>Still from Letter from Beirut, Jocelyne Saab Association.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/alejandra-seeber-interior-with-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/90f7f776-35e7-41f5-a1fa-c91095fa6a1a/1.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber, Le Corbusier Tropical, 2008. Oil on canvas, 36 5 ⁄ 8 × 44 3 ⁄ 8 inches (93.5 × 113 cm). Photo by Marcelo Setton. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/9fe17c2b-85b2-4e4a-b1a9-05de55f0a03b/2.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber, Misiones / Urquiza (lapacho y algodon / bambu y cubo mágico) with Rorschachs element, 2004. Oil on canvas, 48 × 64.125 inches (121.9 × 162.8 cm). Courtesy of the artist and the Institute for Studies on Latin American Art (ISLAA), New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/13957f2c-0076-4e34-bef9-1b4faa66b187/6.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber, InExterior (Chandelier), 2014. Oil on canvas, 55.125 × 65.75 inches (140 × 167 cm). Photo by Wolfgang Stahl. Courtesy of the artist and Häusler Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2c2201ab-d9d1-4918-97f8-349290fea073/5.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber, Black Grass Yellow Wave, 2022. Oil on canvas, 12 × 16 inches (30.4 × 40.6 cm). Photo by Arturo Sanchez. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/161d08f9-5496-4c1c-ab51-35b42b260a5c/3.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber at her exhibition, Interior with Landscapes, at the Americas Society. Photo by Michael Palma Mir. Courtesy of the artist and the Americas Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/67191e72-61a5-4553-8dfa-f4ec178e90bb/4.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber, La Bourgeoisie, 2010. Oil on canvas, 63 × 78 inches (160× 198.1 cm). Joshua Wood and Lucio Castro Collection. Photo: Arturo Sanchez. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c7de656d-842b-473b-bb50-1a51e00f01bb/7.jpeg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Installation view of Alejandra Seeber: Interior with Landscapes at the Americas Society. Photo by Arturo Sanchez. Courtesy of the artist and the Americas Society.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/f36bc86b-431e-404a-95a4-32f83c388325/8.jpg</image:loc>
      <image:title>Home - Alejandra Seeber and the Freedom of Listening to the Creative Process - Make it stand out</image:title>
      <image:caption>Alejandra Seeber, Mini golf installation with Palette Rug (2024) and Waves on Skate Base (2020). Photo by Arturo Sanchez. Courtesy of the artist and the Americas Society.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/paula-modersohn-becker-is</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/50446630-86fd-4cf0-b119-bd8bd27f60be/Screen+Shot+2024-07-01+at+9.43.49+PM.png</image:loc>
      <image:title>Home - Paula Modersohn-Becker Is - Make it stand out</image:title>
      <image:caption>Installation view of Paula Modersohn-Becker: Ich bin Ich / I Am Me at Neue Galerie New York. Photography by Annie Schlechter, courtesy of Neue Galerie New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/cdb4d8ac-753a-4262-8dca-6377364f0756/Screen+Shot+2024-07-02+at+2.57.07+AM.png</image:loc>
      <image:title>Home - Paula Modersohn-Becker Is - Make it stand out</image:title>
      <image:caption>Paula Modersohn-Becker, Nursing Mother In Front Of Birch Forest, oil on canvas, 1905. Private collection; American Federation of Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/45a2025f-f294-4fe0-bbd4-114cb7f28632/painting+Paula</image:loc>
      <image:title>Home - Paula Modersohn-Becker Is - Make it stand out</image:title>
      <image:caption>Paula Modersohn-Becker, Self-Portrait on her Sixth Wedding Day, tempera on canvas, 1906. Paula Modersohn-Becker Museum, Bremen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b7dfed16-f0d2-4d84-829f-6d4d59f12bc6/installation+view</image:loc>
      <image:title>Home - Paula Modersohn-Becker Is - Make it stand out</image:title>
      <image:caption>Installation views of Paula Modersohn-Becker: Ich bin Ich / I Am Me at Neue Galerie New York. Photography by Annie Schlechter, courtesy of Neue Galerie New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/chronicles-of-a-wandering-saint</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/825969b7-c64e-4712-8efc-8d6e3015c75d/MV5BZDc2NjYyNjAtNDVmNy00ZjI3LWFiMTYtYmIwMzg5MjFhOThjXkEyXkFqcGdeQXVyNjc1MTEzODA%40._V1_.jpeg</image:loc>
      <image:title>Home - Tomás Gómez Bustillo Captures the Magical and the Real - Make it stand out</image:title>
      <image:caption>Chronicles of a Wandering Saint, directed by Tomás Gómez Bustillo. Released on March 12, 2023. 1 hour 24 minutes. Distributed by Hope Runs High.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d3f0d0d-706e-4e7d-88ef-1eb915de67d0/MV5BZmMyZjBlODUtYzk0Mi00MzIxLTlmODEtZjE2ODE5OWRlNTBhXkEyXkFqcGdeQXVyNjc1MTEzODA%40._V1_.jpeg</image:loc>
      <image:title>Home - Tomás Gómez Bustillo Captures the Magical and the Real - Make it stand out</image:title>
      <image:caption>Chronicles of a Wandering Saint, directed by Tomás Gómez Bustillo. Released on March 12, 2023. 1 hour 24 minutes. Distributed by Hope Runs High.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/62eee7f0-c62a-4f17-9275-d54e63377719/Chronicles-of-a-Wandering-Saint-1.jpeg</image:loc>
      <image:title>Home - Tomás Gómez Bustillo Captures the Magical and the Real - Make it stand out</image:title>
      <image:caption>Chronicles of a Wandering Saint, directed by Tomás Gómez Bustillo. Released on March 12, 2023. 1 hour 24 minutes. Distributed by Hope Runs High.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/other-peoples-houses-live-laugh-love</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/85d1d304-8c23-41ae-86a1-19f34892524f/Screen+Shot+2024-07-01+at+1.55.15+PM.png</image:loc>
      <image:title>Home - Other People’s Houses: Live, Laugh, Love - Make it stand out</image:title>
      <image:caption>Inside the Live, Laugh, Love house. Photo by Georgina Bruce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/abf6457e-5cb7-425c-ba97-88a00099adbd/Screen+Shot+2024-07-01+at+1.59.59+PM.png</image:loc>
      <image:title>Home - Other People’s Houses: Live, Laugh, Love - Make it stand out</image:title>
      <image:caption>Inside the Live, Laugh, Love house. Photo by Georgina Bruce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a662d74e-6c9c-48a2-8bc8-ca5cf800b207/Screen+Shot+2024-07-01+at+2.00.10+PM.png</image:loc>
      <image:title>Home - Other People’s Houses: Live, Laugh, Love - Make it stand out</image:title>
      <image:caption>Inside the Live, Laugh, Love house. Photo by Georgina Bruce.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/ebb60ad1-498c-4dcf-91b9-781f2655ad56/Screen+Shot+2024-07-01+at+2.00.22+PM.png</image:loc>
      <image:title>Home - Other People’s Houses: Live, Laugh, Love - Make it stand out</image:title>
      <image:caption>Inside the Live, Laugh, Love house. Photo by Georgina Bruce.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/in-the-now-brooklyn-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/73baf6ed-a844-4925-8e12-91b68693bd12/Screen+Shot+2024-06-26+at+3.03.27+PM.png</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Milja Laurila, Observatory, 2015. © Milja Laurila. Image sourced from artist’s website: www.miljalaurila.fi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a40f182d-c786-4927-8ab4-489c19c24e42/CUR.TL2020.6.77_600_884.jpg</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Ulla Jokisallo, Wasteland, 2014. © Ulla Jokisallo. Image Courtesy of the Artist and Persons Project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2235a94d-4cf2-4a7e-babc-75fc20e2cb91/Screen+Shot+2024-06-26+at+3.04.26+PM.png</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Installation View, In The Now: Gender and Nation In Europe, Selections from the Sir Mark Fehrs Haukohl Photography Collection. Courtesy of Brooklyn Museum. Photograph by Danny Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/8334f3b9-5fe6-4e16-9ea7-ef36d24675ae/VBVH.03.MI_.DR-01.jpg</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Vanessa Beecroft, Vogue Hommes, from the series Double Exposure, 2002. © Vanessa Beecroft. Image Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7b6f9de7-e2bc-4e70-90fc-9e1565abb6c1/Screen+Shot+2024-06-26+at+3.06.09+PM.png</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Installation View, In the Now: Gender and Nation In Europe, Selections from the Sir Mark Fehrs Haukohl Photography Collection. Courtesy of Brooklyn Museum. Photograph by Danny Perez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c61ebb9c-3b0c-489d-b89b-44a863d32b8b/Screen+Shot+2024-06-26+at+3.06.22+PM.png</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Jane and Louise Wilson, Sea Eagle, 2006. © Jane and Louise Wilson. Image Courtesy of the Artist and 303 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eaa77cbb-4fc7-4595-89de-2910021e3b29/Screen+Shot+2024-06-26+at+3.07.48+PM.png</image:loc>
      <image:title>Home - Gender, Nation, and Photography - Make it stand out</image:title>
      <image:caption>Aida Silvestri, Saba—Eritrea to London on foot, by car, lorry, boat and aeroplane, 2013, printed 2021. © Aida Silvestri. Image sourced from website: www.photoworks.org.uk.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/half-life-of-a-secret</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/eb07598d-0379-4b85-a877-a7437ea35888/9780813197197.png</image:loc>
      <image:title>Home - Emily Strasser Speaks the Unspeakable - Make it stand out</image:title>
      <image:caption>Emily Strasser, Half-Life of a Secret: Reckoning with a Hidden History. Published by the University Press of Kentucky, April 2023. © The University Press of Kentucky.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/670f4313-b14d-4555-a382-d4f60a2aea97/Y12_Calutron_Operators.jpg</image:loc>
      <image:title>Home - Emily Strasser Speaks the Unspeakable - Make it stand out</image:title>
      <image:caption>Calutron operators at their panels, in the Y-12 plant at Oak Ridge, TN during World War II. The calutrons were used to refine uranium ore into fissile material. During the Manhattan Project effort to construct an atomic explosive, workers toiled in secrecy, most having no idea to what end their labors were directed. Gladys Owens, the woman seated in the foreground, didn't understand the exact purpose of her job until seeing this photo in a public tour of the facility fifty years later. Ed Westcott / American Museum of Science and Energy / Manhattan Engineering District. Circa 1943-45.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b48d1dff-0a0d-42d8-868c-dd2df4c4cc56/Hiroshima_Peace_Memorial_Museum_2009.jpg</image:loc>
      <image:title>Home - Emily Strasser Speaks the Unspeakable - Make it stand out</image:title>
      <image:caption>Hiroshima Peace Memorial Museum, at Naka-ku, Hiroshima, in Japan, design by Kenzō Tange in 1955. Photo retrieved from Wikimedia Commons.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/delta-at-site</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/1c57eb43-7bfd-4dc9-b3c7-028eb0d07a4a/2.+Installation+view+of+%27Site+002.+%E2%96%B3%27%2C+Site%2C+Brooklyn+Fireproof%2C+Brooklyn%2C+NY.png</image:loc>
      <image:title>Home - A Celebration of Being and Balance - Make it stand out</image:title>
      <image:caption>Installation view of Site 002. △. Brooklyn Fire Proof. Courtesy of Site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/4574af42-cc1e-4594-8892-6254b02f659f/1.+Installation+view+of+%27Unseen+Images%27%2C+2021%2C+Projectspace+WIP%2C+Seoul%2C+Korea.png</image:loc>
      <image:title>Home - A Celebration of Being and Balance - Make it stand out</image:title>
      <image:caption>Installation view of Unseen Images, 2021. Seoul, South Korea. Courtesy of the artists and Projectspace WIP.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/a437f109-ddb8-4e6a-b97b-e3cc57bed221/3.+Installation+view+of+%27Site+002.+%E2%96%B3%27%2C+Site%2C+Brooklyn+Fireproof%2C+Brooklyn%2C+NY.png</image:loc>
      <image:title>Home - A Celebration of Being and Balance - Make it stand out</image:title>
      <image:caption>Installation view of Site 002. △. Brooklyn Fire Proof. Courtesy of Site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/b027e5ab-7b87-4c8b-a11f-92650fd0736a/4.+Soeun+Bae%2C+Untitled+%28Provider+1%29%2C+2024+and+Soo+Park%2C+Let%E2%80%99s+Go+Home%2C+2023%2C+Installation+view+of+%E2%80%98Site+002.+%E2%96%B3%E2%80%99%2C+Brooklyn+Fireproof%2C+Brooklyn%2C+NY.jpg</image:loc>
      <image:title>Home - A Celebration of Being and Balance - Make it stand out</image:title>
      <image:caption>Installation view of Site 002. △. Left: Soo Park, Let’s Go Home, 2023. Right: Soeun Bae, Untitled (Provider 1), 2024. Courtesy of Site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/0c3c27ec-e55a-4289-8aa4-0cf406313c9c/5.+Soeun+Bae%2C+Untitled+Aw+%28Provider+1%29%2C+2024+and+Seoyoung+Kim%2C+2024-06%2C+2024%2C+Installation+view+of+%E2%80%98Site+002.+%E2%96%B3%E2%80%99%2C+Brooklyn+Fireproof%2C+Brooklyn%2C+NY.png</image:loc>
      <image:title>Home - A Celebration of Being and Balance - Make it stand out</image:title>
      <image:caption>Installation view of Site 002. △. Left: Soeun Bae, Untitled (Provider 1), 2024. Right: Seoyoung Kim, 2024-06, 2024. Courtesy of Site.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/7197b4c6-8d1d-4191-b461-acb840835e11/6.+Soo+Park%2C+Dog+House+Fire+House+Dog%2C+2024%2C+Seoyoung+Kim%2C+2024-16%2C+2024%2C+Soeun+Bae%2C+Sac+Light+Emitter%2C+2024%2C+Installation+view+of+%E2%80%98Site+002.+%E2%96%B3%E2%80%99%2C+Brooklyn+Fireproof%2C+Brooklyn%2C+NY.png</image:loc>
      <image:title>Home - A Celebration of Being and Balance - Make it stand out</image:title>
      <image:caption>Installation view of Site 002. △. Site, Brooklyn Fire Proof. Courtesy of Site.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/people-objects-places</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c9f57892-f8d8-46bb-b522-8e03c69f2dd1/Screen+Shot+2024-06-21+at+1.00.55+PM.png</image:loc>
      <image:title>Home - People, Objects, Places: My Story as an Immigrant in Art Law - Make it stand out</image:title>
      <image:caption>Photographs taken at the Whitney, The Fleur Room, and 1 Hotel Brooklyn Bridge in New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/e99695ed-b24b-4766-9424-155904de2d10/Screen+Shot+2024-06-21+at+1.02.31+PM.png</image:loc>
      <image:title>Home - People, Objects, Places: My Story as an Immigrant in Art Law - Make it stand out</image:title>
      <image:caption>Exploring New York during 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/2d63f8d5-f634-42c1-a1fb-29db7e57d2bd/Screen+Shot+2024-06-21+at+12.26.26+PM.png</image:loc>
      <image:title>Home - People, Objects, Places: My Story as an Immigrant in Art Law - Make it stand out</image:title>
      <image:caption>I also specialize in AI and art law. There are many legal and ethical considerations around AI-generated art, but the topic is fascinating to explore. The images above are generated with DALLE-2 and printed on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/64f475a7-74aa-4f0e-b248-e138fe44e486/Screen+Shot+2024-06-21+at+1.03.10+PM.png</image:loc>
      <image:title>Home - People, Objects, Places: My Story as an Immigrant in Art Law - Make it stand out</image:title>
      <image:caption>While I never used to paint or sketch in law school, working with artists inspired me to create with simple mediums, textures, and colors, which I now find very therapeutic!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/660b55f67497fc4f126f099f/c4b0dc00-a90f-48fb-93e2-b0d3067cdd1f/Screen+Shot+2024-06-21+at+1.06.08+PM.png</image:loc>
      <image:title>Home - People, Objects, Places: My Story as an Immigrant in Art Law - Make it stand out</image:title>
      <image:caption>Do something you love! Fostering puppies with Waldos Rescue, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/category/Gaza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://impulsemagazine.com/symposium/category/Art</loc>
    <changefreq>monthly</changefreq>
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    <loc>https://impulsemagazine.com/symposium/category/Installation</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Law</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Opinion</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Announcement</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Film</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Fashion</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Review</loc>
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    <loc>https://impulsemagazine.com/symposium/category/INFO</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Feature</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Interview</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Design</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Theater</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Book</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Music</loc>
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    <loc>https://impulsemagazine.com/symposium/category/2024</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Art+Market</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Event</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Performance</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Home</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Voice</loc>
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    <loc>https://impulsemagazine.com/symposium/category/Essay</loc>
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    <loc>https://impulsemagazine.com/symposium/tag/Memory</loc>
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