Christina Barrera presents her politically engaged work in her first solo exhibition in NYC at MAMA Projects.

At Arsenal Contemporary, gaoyuan makes curatorial experimentations in the group show Theater of Energies.

“I listen to music through my eyes. I want my ballets to be music for the eyes.” – Bronislava Nijinska

Hana Miletić’s weavings are beautiful and complex, but deserve context.

Artists take inspiration from the imperial-era gobi to present thoughtful storytelling around collective histories and known rituals.

At Hauser & Wirth 22nd Street, Eva Hesse: Five Sculptures concerns the artist’s mature period, which she realized in the last five years of her life.

Tamara de Lempicka receives her first major U.S. exhibition at San Francisco’s De Young Museum.

Everything is freely given, but nothing is made easy in Refashioning: CFGNY & Wataru Tominaga, a joint exhibition on view at the Hammer Museum in Los Angeles.

At Deli Gallery, Brianna Rose Brooks blends memories with sentiments of Black intimacy and vulnerability, exploring fiction and the beautiful messiness of existence.

Artists Anoushka Bhalla, Wen-You Cai, Benny Or, Roxane Revon, Nicolas Tovar, and Chengtao Yi have each contributed a piece of themselves to the basement of Cinema Supply, in an exhibition that centers on vulnerability, family history, and memory.

I Am Me is about celebrating Modersohn-Becker’s singularity, desires, and personhood.

It’s this demure, yet impactful timbre that embodies In The Now with the tension of the withheld, replete with turned backs, obscured glances, missing heads, shadows, furry disguises, folds, and curtains.

△, organized by Site, presents the work of Seoyoung Kim, Soeun Bae, and Soo Park. The show acts as a conversation with their past work and explores their transformation and growth as artists, focusing on the material qualities of existence.

Metamorphosis, the apparent theme of the show, relates to the heterogeneity of process and the variety of techniques.

Are they receivers of not only the male gaze but also the human gaze? Are they delegations of human existence into an unstable, cybernetic world that we cannot physically or intellectually navigate with ease?